| Title |
Author(s) |
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From Expressive Notation to Model-Based Sound Synthesis: a Case Study of the Acoustic Guitar
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Laurson, Mikael; Hiipakka, Jarmo; Erkut, Cumhur; Karjalainen, Matti; Vôlimôki, Vesa; Kuuskankare, Mika |
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Simulation of Plucked Strings Exhibiting Tension Modeling Driving Force
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Tolonen, Tero; Erkut, Cumhur; Valimaki, Vesa; Karjalainen, Matti |
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Analysis and Critical-Band-Based Group Wavetable Synthesis of Piano Tones
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Zheng, Hua; Beauchamp, James W. |
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Higher-level Composition Control in Music Sketcher: Modifiers and Smart Harmony
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Abrams, Steven; Oppenheim, Daniel V.; Pazel, Don; Wright, James |
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Composing With Multi-channel Spatialisation As an Aspect of Synthesis
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Clarke, Michael |
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PWCollider - A Visual Composition Tool for Software Synthesis
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Laurson, Mikael |
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A New Continuous Multimodal Musical Controller Using Wireless Magnetic Tags
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Hsaio, Kai-Yuh; Paradiso, Joseph |
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Evaluation of Architectures for Sound Generation Systems with Respect to Interactive Gestural Control and Realtime Performance
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Modler, Paul; Kirk, Ross |
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"It's SHO time" - An Interactive Environment for SHO(Sheng) Performance
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Nagashima, Yoichi; Ito, Tamami Tono |
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A Comparative Latency Study of Hardware and Software Pitch-trackers
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Yoo, Lilit; Fujinaga, Ichiro |
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Data Compression of Sinusoidal Modeling Parameters Based on Psychoacoustic Masking
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Garcia, Guillermo; Pampin, Juan |
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ATS: a Lisp Environment for Spectral Modeling
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Pampin, Juan |
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Resynthesis of Piano Strings Vibrations Based on Physical Modeling
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Daudet, L.; Guillemain, Ph.; Kronlan-Martinet, R. |
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PIECE: A Music Language Editor Synchronized with Graphical Views
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Nishimura, Satoshi |
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Two Compositions for Interactive Dance
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Siegel, Wayne |
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How to Produce Chinese Folk Music Using Regular MIDI Equipment
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Liu, Shuilin; Gong, Junping |
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ComeXos: A Networked Sound Manipulation Primer
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Yong, Louisa |
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Antialiasing for Nonlinearities: Acoustic Modeling and Synthesis Applications
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Thornburg, Harvey |
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Sound of China: Computer Music
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Yu, Ying |
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Second-order Recursive Oscillators for Musical Additive Synthesis Applications on SIMD and VLIW Processors
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Hodes, Todd; Freed, Adrian |
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Spectral Line Broadening with Transform Domain Additive Synthesis
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Freed, Adrian |
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Generating Pitches in Transients by a Percussive Excitation
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Fourcade, Patrick; Mangiarotti, Sylvain; Cadoz, Cladue |
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The Design and Implementation of a Processing System of Qin Score (Jianzipu) QinS(1.0)
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Sixin, Li |
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Voice Creation and the Chinese Folk Music
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Liu, Shuilin; Gong, Junping |
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Applications of the Processor Enhanced Memory Module for Music Signal Processing
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Trautmann, Steven; Cheung, Ngai-Man; Poletto, Christopher |
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Feeping Creatures
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Berry, Rodney |
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Creating Three-Dimensional Computer Animations Using Spectral Data and OpenGL
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Kreger, Tim |
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Heightening Access and Cohesion within the Worlds of Electroacoustic Music: The Promotion of Triangulation in Creativity, Development and Scholarship
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Landy, Leigh |
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Modalys in jMax: Real-time Modal-synthesis
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Iovino, Francisco; Schnell, Norbert; Lartillot, Olivier |
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An Approach to Sound Morphing based on Physical Modeling
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Hikichi, Takafumi; Osaka, Naotoshi |
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Sound Modeling of Transient and Sustained Musical Sounds
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Ystad, Sølvi; Guillemain, Philippe; Kronland-Martinet, Richard |
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Towards Digital "Musical Actions"
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Bonardi, Alain; Rousseaux, Francis |
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The Use of Melodic Segmentation for Content-based Retrieval of Musical Data
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Melucci, Massimo; Orio, Nicola |
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Content Analysis and Queries in a Sound and Music Database
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Pope, Stephen Travis; Roy, Pierre; Orio, Nicola |
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"SNAP" - Sound Network Agent Project - Multi Agent System Using Csound in the Internet
|
Ohnaka, Fumitake |
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Piano Master Classes via the Internet
|
Young, John P.; Fujinaga, Ichiro |
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Kinetic Sound Sculptures: Stele and Viola Spezzata
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Eckel, Gerhard |
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ASPEN/EXPLORE: A Multiprocessing Assistant for Electroacoustic Music Composers
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Field, Ambrose |
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Automatic Capture for Spectrum-Based Instrument Models
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Dannenburg, Roger B.; Matsunaga, Minoru |
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Inversion of a Physical Model of a Trumpet
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Hélie, T.; Vergez, C.; Levine, J.; Rodet, X. |
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SINOLA: A New Analysis/Synthesis Method using Spectrum Peak Shape Distortion, Phase and Reassigned Spectrum
|
Peeters, Geoffrey; Rodet, Xavier |
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The Computer Music Education in the Music Composition & Engineering Department of Wuhan Conservatory of Music
|
Zhongliang, Tong |
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Virtual Sound On Line - Computer Music Courses on the Internet
|
Bianchini, Riccardo; Cipriani, Alessandro |
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The Synthesis ToolKit (STK)
|
Cook, Perry R.; Scavone, Gary P. |
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Musically Intelligent Agent for Composition and Interactive Performance
|
Hirata, Keiji; Aoyagi, Tatsuya |
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Evolutionary Strategies for Spontaneous Man-Machine Interaction
|
Beyls, Peter |
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Toward Real-time Recognition of Acoustic Musical Instruments
|
Fraser, Angela; Fujinaga, Ichiro |
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Granular Synthesis of Sound Textures Using Statistical Learning
|
Bar-Joseph, Ziv; Lischinski, Dani; Werman, Michael; Dubnov, Shlomo; El-Yaniv, Ran |
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Supporting the Sound Description Interchange Format in the Max/MSP Environment
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Wright, Matthew; Dudas, Richard; Khoury, Sami; Wang, Raymond; Zicarelli, David |
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Alteration of the Vibrato of a Recorded Voice
|
Arfib, D.; Delprat, N. |
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Learning Models for Interactive Melodic Improvisation
|
Thom, Belinda |
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Motor neuron Based Virtual Drummer
|
Laine, Pauli |
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The Musicians' Sofware Mall: A Set of Composition and Performance Oriented Applications for Sound Synthesis
|
Resina, Eduard; Serra, Xavier |
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Avoiding the Fitness "Bottleneck": Using Genetic Algorithms to Compose Orchestral Music
|
Waschka II, Rodney |
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Creating Music in a Machine Age: the Relationships Between Computer Tools, Composers, and Music Making Machines
|
Li, Tang-Chun |
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Aspects of Stochastic Music
|
Berhörster, Conrad |
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From Timbre Modulation Method to Research the Relation Between Electronic Music and Chinese Musical Tradition
|
Censong, Leng |
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Friction and Application to Real-time Physical Modeling of a Violin
|
Serafin, Stefania; Vergez, Christophe; Rodet, Xavier |
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Nonlinear Modeling and Synthesis of the Kantele ‒ a Traditional Finnish String Instrument
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Vôlimôki, Vesa; Karjalainen, Matti; Tolonn, Tero; Erkut, Cumhur |
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Cathedral: An Interactive Work for the Web
|
De Ritis, Anthony |
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Design of a Flute Interface to Control Synthesis Models
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Ystad, Sølvi; Voinier, Thierry |
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BoSSA: The Deconstructed Violin Reconstructed
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Trueman, Dan; Cook, Perry R. |
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Music Creation from Moving Image and Environmental Sound
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Takahashi, Shogo; Suzuki, Kenji; Sawada, Hideyuki; Hashimoto, Shuji |
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Statistical vs. Connectionist Models of Bebop Improvisation
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Hörnel, Dominik; Langnickel, Joachim; Sieling, Börje; Sandberger, Bastian |
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Common Practice Notation View: a Score Representation for the Construction of Algorithms
|
O Maidin, Donncha |
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Feedback in Musical Computer Applications
|
Laine, Pauli; Lassfolk, Kai |
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Adaptive Additive Synthesis of Sound
|
Röbel, Axel |
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Structured Additive Synthesis: Towards a Model of Sound Timbre and Electroacoustic Music Forms
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Desainte-Catherine, Myriam |
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Audio Signal Representation and Processing in Time-Frequency Domain
|
Wang, Ye; Valermo, Mikka |
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Performance Factors in Control of High-Dimensional Space
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Garrett, Guy E.; Goudeseune, Camille |
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MusicSpace: a Constraint-Based Control System for Music Spatialization
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Pachet, François; Delerue, Olivier |
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Composing for the Digital Dance Interface
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Siegel, Wayne; Jacobsen, Jens |
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Dixieland-Gamelan Band? Encounters of an Algorithmic Kind
|
Harley, James |
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Sonification of Social Data
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de Campo, Alberto; Egger de Campo, Marianne |
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SMaTBaM! - Serving Time-Based Media in the Performing Arts
|
Boehm, Carola; Arnold, Stephen |
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A Digital Version of the Photosonic Instrument
|
Arfib, D.; Dudon, J. |
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Reed Instruments Modular Representation and Their Interactive Real Time Simulation
|
Florens, Jean-Loup; Germond, Jérôme |
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"From song of birds to extended virtual reed instruments": Physical Modeling of Birds' Vocal Tracks and Application to a New Kind of Sound Sustain Virtual Instruments
|
Cadoz, Claude; Gubain, Sylvain |
|
Content-based Retrieval and Indexing Methods for Music Databases
|
Hiraga, Yuzuru |
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A Computer-Assisted Music Analysis System: Daphne
|
Liu, Jian-Li; Hiraga, Rumi; Igarashi, Shigeru |
|
VMCI, an Interface to Control Csound in Real-time Under Windows
|
Maldonado, Gabriel |
|
MidiShare Joins the Open Source Softwares
|
Fober, Dominique; Letz, Stéphane; Orlarey, Yann |
|
A Comparison of Feed Forward Neural Network Architectures for Piano Music Transcription
|
Marolt, Matija |
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Using Relative Interval Slope in Music Information Retrieval
|
Lemström, Kjell; Laine, Pauli; Perttu, Sami |
|
Banded Waveguides: Towards Physical Modeling of Bowed Bar Percussion Instruments
|
Essl, Georg; Cook, Perry R. |
|
Physical Modeling by Directly Solving Wave PDE
|
Palumbi, Marco; Seno, Lorenzo |
|
Applying STRAIGHT toward Music Systems - Accurate F0 Estimation and Application for Data-driven Synthesis
|
Katayose, Haruhiro; Kawahara, Hideki |
|
A Theoretical Framework for Electro-Acoustic Music
|
Simoni, Mary H.; Broening, Benjamin; Rozell, Christopher; Meek, Colin; Wakefield, Gregory H. |
|
Segmentation and Interpretation in Atonal Music
|
Doerksen, John F. |
|
InSpect and ReSpect: Spectral Modeling, Analysis and Real-time Synthesis Software Tools for Researchers and Composers
|
Marchand, Sylvain; Strandh, Robert |
|
Applications of Principal Differential Analysis, to Data Reduction and Extraction of Musical Features of Sound
|
Winsberg, Suzanne; DePalle, Phillippe |
|
Analysis and Resynthesis of Percussion Sounds: Two Methods Compared
|
Beauchamp, James W. |
|
Spectral Envelope Estimation and Representation for Sound Analysis-Synthesis
|
Schwartz, Diemo; Rodet, Xavier |
|
Modeling Wind Instrument Sound Radiation Using Digital Waveguides
|
Scavone, Gary P. |
|
Audibility of Inharmonicity in String Instrument Sounds, and Implications to Digital Sound Synthesis
|
Jôrvelôinen, Hanna; Vôlimôki, Vesa; Karjalainen, Matti |
|
The SensOrg: Time-complexity and the Design of a Musical Cyberinstrument
|
Ungvary, Tamas; Vertegaal, Roel |
|
Conductor Following With Artificial Neural Networks
|
Ilmonen, Tommi; Takala, Tapio |
|
Virtual Conducting Practice Environment
|
Garnett, Guy E.; Malvar-Ruiz, Fernando; Stoltzfus, Fred |
|
Gestural Control of a Real-Time Physical Model of a Bowed String Instrument
|
Serafin, Stefania; Dudas, Richard; Wanderley, Marcelo M.; Rodet, Xavier |
|
A Parametric Model of Expressiveness in Musical Performance Based on Perceptual and Acoustic Analysis
|
Canazza, Sergio; Rodà, Antonio; Orio, Nicola |
|
Modelling the Motivic Process of Melodies with Markov Chains
|
Höthker, Karin |
|
Formalizing the Concept of Sound
|
Kaper, Hans G.; Tipei, Sever |
|
The Timbre Space of the Classical Guitar and Its Relationship with the Plucking Techniques
|
Orio, Nicola |
|
Using Advanced GUIDO as a Notation Interchange Format
|
Hoos, Holger H.; Hamel, Keith A.; Renz, Kai |
|
Common Lisp Music Update Report
|
Lopez-Lezcano, Fernando; Pampin, Juan |
|
The Notation of Interactive Music: Limitations and Solutions
|
Schedel, Margaret Anne |
|
Interactive Multimodal Mobile Robot for Musical Performance
|
Suzuki, Kenji; Ohashi, Takeshi; Hashimoto, Shuji |
|
Armadillo: Real Time and Non-Real Time Analysis of Musical Sounds on a Power Macintosh
|
Madden, Timothy J.; Beauchamp, James W. |
|
Binary Decision Tree Classification of Musical Sounds
|
Jensen, Kristoffer; Arnspang, Jens |
|
Improving Instrumental Sound Synthesis by Modeling the Effects of Performer Gesture
|
Wanderley, Marcelo M.; Depalle, Philippe; Warusfel, Olivier |
|
Sound Processing Kit: An Object-Oriented Signal Processing Framework
|
Lassfolk, Kai |
|
Expressive Processing of Audio and MIDI Performances in Real Time
|
Canazza, Sergio; De Poli, Giovanni; De Federico, Riccardo; Drioli, Carlo; Rodá, Antonio |
|
Visual Manipulation Environment for Sound Synthesis, Modification, and Performance
|
Osaka, Naotoshi; Hikichi, Takafumi |
|
Comparative Style Analysis with Neural Networks
|
Hörnel, Dominik; Olbrich, Frank |
|
Low-Delay Singing Voice Alignment to Text
|
Loscos, Alex; Cano, Pedro; Bonada, Jordi |
|
Score-Performance Matching Using HMMs
|
Cano, Pedro; Loscos, Alex; Bonada, Jordi |
|
jMax Recent Developments
|
Dèchelle, François; De Cecco, Maurizio; Maggi, Enzo; Schnell, Norbert |
|
MusiCloth: A Design Methodology for the Development of a Performance Initiative
|
Chu, Lonny L. |
|
Interactive Music for Instrumented Dancing Shoes
|
Paradiso, Joseph; Hsaio, Kai-Yuh; Hu, Eric |
|
A Content-Aware Sound Browser
|
Keislar, Douglas; Blum, Thom; Wheaton, James; Wold, Erling |
|
Model-Based Musical Transcription
|
Sterian, Andrew; Simoni, Mary H.; Wakefield, Gregory H. |
|
Realtime Chord Recognition of Musical Sound: a System Using Common Lisp Music
|
Fujishima, Takuya |
|
Modeling the Woodstock Gamelan for Synthesis
|
Ayers, Lydia; Horner, Andrew |
|
The WaveVerb Multi-Channel Room Acoustics Modelling System
|
Murphy, D.T.; Howard, D.M. |
|
Analysis of Percussion for Timbre Measurement and Synthesis
|
Lo, YeeOn; Hitt, Dan |
|
The Sounding Distance Sensation and Its Signification of Artistic Representation
|
Huaming, Xue |
|
Higher Order Ambisonic Systems for the Spatialisation of Sound
|
Malham, D.G. |
|
Volumetric Modeling of Acoustic Fields in CNMAT's Sound Spatialization Theatre
|
Kaup, Arnold; Khoury, Sami; Freed, Adrian; Wessel, David |
|
Modelling Diffusion at the Boundary of a Digital Waveguide Mesh
|
Laird, Joel; Masri, Paul; Canagarajah, Nishan |
|
Guessing the Composer's Mind: Applying Universal Prediction to Musical Style
|
Assayag, Gérard; Dubnov, Shlomo; Delerue, Olivier |
|
Embracing the Composer: Optical Recognition of Handwritten Manuscripts
|
Ng, Kia; Cooper, David; Stefani, Ewan; Boyle, Roger; Bailey, Nick |
|
Musical Applications of New Filter Extensions to Max/MSP
|
Jehan, Tristan; Freed, Adrian; Dudas, Richard |
|
Extending Musical Mixing: Adaptive Composite Signal Processing
|
Penrose, Christopher |
|
Multimedia Application of Time Compress/Stretch of Sound by Granulation
|
Itagaki, Takebumi; Knox, Donald |
|
"Blip, Buzz, Blurp": The Challenge of Teaching New Ways to Listen
|
Miksch, Bonnie; Couch III, Leon W. |
|
Network Audio Performance and Installation
|
Tanaka, Atau |
|
Time in Distributed Real-Time Systems
|
Brandt, Eli; Dannenberg, Roger B. |
|
Composing With the York Polyphonic Real-Time Singing Synthesiser
|
Gibson, Ian S.; Howard, David M.; Tyrrell, Andrew M. |
|
PostFormalism:
|
Fields, Kenneth |
|
Revisiting Kontakte: Issues of History, Performance, and Intuition
|
Clarke, Michael |
|
Aesthetics of Designing an Adaptive Fuzzy System for Evaluation of Computer Music
|
Milicevic, Mladen |
|
Encyclopedia of Classical Music
|
Abramian, Victor A. |
|
WaRM: A Framework for Modelling Resonant Acoustic Environments
|
Laird, Joel; Huns, Tom; Masri, Paul; Canagarajah, Nishan |
|
Simultaneity in Interactive Computer Music - Is It Always the Same, or Does It Depend e.g. On Frequency?
|
Brandorff, Steffen E. |
|
Prote
|
Georgaki, Anastasia |
|
Human Voice Treatments in Various Types of Electroacoustic Music
|
Hettergott, Alexandra |
|
Speech-Based Computer Music: Selected Works by Charles Dodge and Paul Lansky
|
Brune, Madelyn |
|
Digital Music Research Group (Bristol, UK) Studio Report
|
Canagarajah, Nishan; Masri, Paul; Laird, Joel |
|
Center for New Music and Audio Technologies (CNMAT) Studio Report
|
Andrews, Richard |
|
Federazione CEMAT and Centres of Computer Music Research and Production in Italy
|
Belgeri, Gisella; Di Giugno, Guiseppe |
|
The Design and Implementation of an Integrated High Performance Computer Music System for Research and Postgraduate Teaching at the University of York, UK
|
Myatt, Tony |
|
Audio Descriptors and Descriptor Schemes in the Context of MPEG-7
|
Herrera, Perfecto; Serra, Xavier; Peeters, Geoffroy |
|
Virtual Acoustics Rendering in MPEG-4 Multimedia Standard
|
Vôônônen, Riitta; Huopaniemi, Jyri |
|
Cross-Coding SDIF into MPEG-4 Structured Audio
|
Wright, Matthew; Scheirer, Eric D. |
|
RTcmix and the Open Source / Free Software Model
|
Topper, David |
|
"Magic Music from the Telharmonium"
|
Weidenaar, Reynold |
|
Patchmix: a Cmix Instrument-Builder
|
Helmuth, Mara |
|
CCRMA Studio Report
|
Lopez-Lezcano, Fernando |
|
GRAMMA: the New Music in an Old Architecture
|
de Amicis, Maria Christina |
|
Anglia Polytechnic University ‒ Studio Report
|
Nunn, Douglas |
