| Title |
Author(s) |
|
Streaming from MIDI Using Constraint Satisfaction Optimization and Sequence Alignment
|
Duane, Ben; Pardo, Bryan |
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An Electronic Timbre Dictionary and 3D Timbre Display
|
Osaka, Naotoshi; Saito, Yoshinori; Ishitsuka, Shinya; Yoshioka, Yasuhiro |
|
Scalability in Content-Based Navigation of Sound Databases
|
Schwarz, Diemo; Schnell, Norbert; Gulluni, Sebastien |
|
Appliance of Music Information Retrieval System for Arabian Woodwinds in Music Education
|
Al-Ghawanmeh, Fadi M.; Al-Ghawanmeh, Mohammad T.; Haddad, Rami N. |
|
Efficient Gesture Storage and Retrieval for Multiple Applications Using a Relational Data Model of Open Sound Control
|
Schmeder, Andrew |
|
Handling Asynchrony in Audio-Score Alignment
|
Devaney, Johanna; Ellis, Daniel P. W. |
|
Compensating for Expressiveness in Queries to a Content Based Music Information Retrieval System
|
Duggan, Bryan; O’Shea, Brendan; Gainza, Mikel; Cunningham, Pádraig |
|
Using Regular Expressions to Express Bowing Patterns for String Players
|
Hall, Cordelia V.; O’Donnell, John T. |
|
Dynamic Chord Analysis for Symbolic Music
|
Rocher, Thomas; Robine, Matthias; Hanna, Pierre; Strandh, Robert |
|
Hierarchical Markov Modeling for Generative Music
|
Thornton, Chris |
|
Midivis: Visualizing Music Structure via Similarity Matrices
|
Wolkowicz, Jacek; Brooks, Stephen; Keselj, Vlado |
|
An Object Oriented Model for the Representation of Temporal Data in the Integra Framework
|
Bullock, Jamie; Frisk, Henrik |
|
Play-Along Mapping of Musical Controllers
|
Fiebrink, Rebecca; Cook, Perry R. |
|
jMIR: Tools for Automatic Music Classification
|
McKay, Cory; Fujinaga, Ichiro |
|
Automatic Score Generation with FOMUS
|
Psenicka, David |
|
JDubiel: A Java Applet for Pitch-Class Set Analysis
|
Takaoka, Akira |
|
Realtime Selection of Percussion Samples Through Timbral Similarity in Max/MSP
|
Eigenfeldt, Arne; Pasquier, Philippe |
|
Automatic Musical Fountain Scenario Generation Using Musical Information Analysis
|
Yoo, Min-Joon; Lee, In-Kwon |
|
Real-Time Chord Recognition for Live Performance
|
Stark, Adam M.; Plumbley, Mark D. |
|
Melody Extrapolation in GTTM Approach
|
Hamanaka, Masatoshi; Hirata, Keiji; Tojo, Satoshi |
|
Ntccrt: A Concurrent Constraint Framework for Real-Time Interaction
|
Toro-Bermúdez, Mauricio; Rueda, Camilo; Agón, Carlos; Assayag, Gérard |
|
Synaesthetic Analysis, Exploring Music Structures by Multimedia Representation. PrometheusZ12, a Novel 3D Visualization Tool
|
Tagliolato, Paolo |
|
A Robust Border Detection Algorithm with Application to Medieval Music Manuscripts
|
Ouyang, Yue; Burgoyne, John Ashley; Pugin, Laurent; Fujinaga, |
|
Structured Representation of Harmony for Music Retrieval
|
Robine, Matthias; Hanna, Pierre; Rocher, Thomas; Ferraro, Pascal |
|
The Process of Entrainment and its Application to Computer Music
|
O’Brien, Donal; Knapp, R. Benjamin |
|
ScoreIlluminator: Automatic Illumination of Orchestra Scores for Readability Improvement
|
Matsubara, Masaki; Okamoto, Hiroyuki; Sano, Tomohisa; Susuki, Hiroya; Nobesawa, Shiho Hoshi; Saito, Hiroaki |
|
Real-Time Implementation of HMM-Based Chord Estimation in Music Audio
|
Cho, Taemin; Bello, Juan P. |
|
Perceptually Based Pitch Scales in Cepstral Techniques for Percussive Timbre Identification
|
Brent, William |
|
Use of Decision Tree to Detect GTTM Group Boundaries
|
Miura, Yuji; Hamanaka, Masatoshi; Hirata, Keiji; Tojo, Satoshi |
|
2084 – Brave Creative World: Creativity in the Computer Music Curriculum
|
Boehm, Carola |
|
[60]Project: Conception, Composition and Archiving
|
Adkins, Monty; Gatt, Michael |
|
Electroacoustic, Creative, and Jazz: Musicians Negotiating Boundaries
|
Gluck, Robert J. |
|
Silver Apples, Electric Circus, Electronic Arts, and Commerce in Late 1960s New York
|
Gluck, Robert J. |
|
Reflections on Spent Time (abstract; full paper is on page 561)
|
Lansky, Paul |
|
Toward Synthesized Environments: A Survey of Analysis and Synthesis Methods for Sound Designers and Composers
|
Misra, Ananya; Cook, Perry R. |
|
Timbral Migration: Stochastic Processes for the Control of Smooth Spectral Transformation
|
MacCallum, John; Schmeder, Andrew; Wessel, David |
|
Bayesian Spectral Matching: Turning Young MC into MC Hammer via MCMC Sampling
|
Hoffman, Matthew D.; Cook, Perry R.; Blei, David M. |
|
Evolutionary Spectral Envelope Morphing by Spectral Shape Descriptors
|
Caetano, Marcelo; Rodet, Xavier |
|
Software for Teaching Music Theory
|
Taube, Heinrich; Burnson, William Andrew |
|
Valuing Our Heritage: Exploring Spatialisation Through Software Emulation of Stockhausen’s Oktophonie
|
Clarke, Michael; Manning, Peter |
|
SoundMaker: a Web-Based Teaching Tool for Sound Design
|
Cavis, Ryan; Tipei, Sever; Kindratenko, Volodymyr |
|
Studio Report: Computer Music Activities at the Interdisciplinary Nucleus of Sound Communication
|
Manzolli, Jônatas; Maia Jr., Adolfo; Fornari, José; Caetano, Marcelo |
|
Women Innovators: Technology-Based Music Therapy
|
Heyen, Jaclyn |
|
Beyond Concatenation: Some Ideas for the Creative Use of Corpus-Based Sonic Material
|
Stoll, Thomas M. |
|
CCRMA Studio Report
|
Wilkerson, Carr; Lopez-Lezcano, Fernando |
|
A Symbolic Sonification of L-Systems
|
Wilson, Adam James |
|
Perceptually Motivated Sonification of Moving Images
|
Pelletier, Jean-Marc |
|
Not Just Prettier: FMS Marches On
|
Park, Tae Hong; Li, Zhiye |
|
Synergetic Strategies in the Development of Music Technology and Multimedia in the North American Heartland
|
Baguyos, Jeremy Castro |
|
Tijuana Sound Arts Project: A Nomadic Studio Report
|
Ramírez-Gastón, José Ignacio López |
|
Corpus-Based Transcription as an Approach to the Compositional Control of Timbre
|
Einbond, Aaron; Schwarz, Diemo; Bresson, Jean |
|
Post-Processing Fiddle~: A Real-Time Multi-Pitch Tracking Technique Using Harmonic Partial Subtraction for Use within Live Performance Systems
|
Robertson, Andrew N.; Plumbley, Mark D. |
|
All Natural Room Enhancement
|
Spratt, Kyle; Abel, Jonathan S. |
|
Estimating the Reed Pulse from Clarinet Recordings
|
Smyth, Tamara; Abel, Jonathan S. |
|
New Methods of Formant Analysis-Synthesis for Musical Applications
|
Lazzarini, Victor; Timoney, Joseph |
|
Data-Driven Stastical Modeling of Violin Bowing Gesture Parameter Contours
|
Maestre, Esteban |
|
Calibration Method to Measure Accurate Bow Force for Real Violin Performances
|
Guaus, Enric; Bonada, Jordi; Maestre, Esteban; Pérez, Alfonso; Blaauw, Merlijn |
|
Advantages and Limitations of Simulating Percussion Gestures for Sound Synthesis
|
Bouënard, Alexandre; Wanderley, Marcelo M.; Gibet, Sylvie |
|
Musical Analysis of Conducting Gestures Using Methods from Computer Vision
|
Nakra, Teresa Marrin; Salgian, Andrea; Pfirrmann, Micheal |
|
Interactive Composing as the Expression of Autonomous Machine Motivations
|
Beyls, Peter |
|
Audio-Haptic Interaction with the Digital Waveguide Bowed String
|
Sinclair, Stephen; Scavone, Gary; Wanderley, Marcelo M. |
|
Projecting Finger Placement onto the Fretboard
|
Loviscach, Jörn |
|
Smule = Sonic Media: An Intersection of the Mobile, Musical, and Social
|
Wang, Ge; Essl, Georg; Smith, Jeff; Salazar, Spencer; Cook, Perry R.; Hamilton, Robert; Fiebrink, Rebecca; Berger, Jonathan; Zhu, David; Ljungstrom, Mattias; Berry, Arnaud; Wu, Jennifer; Kirk, Turner; Berger, Elon; Segal, Jillian |
|
Bowsense – An Open Wireless Motion Sensing Platform
|
Wilmers, Hans |
|
Haptic Feedback for Different Strokes Using DIMPLE
|
Zadel, Mark; Sinclair, Stephen; Wanderley, Marcelo M. |
|
The CIRMMT/McGill Digital Orchestra Project
|
Pestova, Xenia; Donald, Erika; Hindman, Heather; Malloch, Joseph; Marshall, Mark T.; Rocha, Fernando; Sinclair, Stephen; Stewart, D. Andrew; Wanderley, Marcelo M.; Ferguson, Sean |
|
An Augmented Snare Drum
|
Gray, Robin; Lindsell, Simon; Minster, Rachael; Symonds, Ian; Ng, Kia |
|
Audioscapes: Exploring Surface Interfaces for Music Exploration
|
Ness, Steven R.; Tzanetakis, George |
|
Motion Capture, Analysis and Feedback to Support Learning Conducting
|
Bradshaw, David; Ng, Kia |
|
Detachable Polyphonic Pickup for Bowed Stringed Instruments
|
McMillen, Keith; Holt, Ken |
|
Cody’s Corner: Design and Implementation of an Elementary School Computer Music Installation
|
Rathgaber, Joel; Gerhard, David |
|
Infinite Suite: Computers and Musical Form
|
Pozzati, Guillermo |
|
Bowing Models for String Players
|
Hall, Cordelia V.; O’Donnell, John T.; Findlay, Bill |
|
Music Analysis and Spectral Modeling Based on Cubic B-Splines
|
Möhlmann, Daniel; Herzog, Otthein; Wagner, |
|
Synthesizing Ghost Voices in Ghost Winds Talking
|
Ayers, Lydia; Horner, Andrew |
|
“The Fingers” – A Tribute to “The Hands”
|
Overholt, Dan |
|
3D Panner: A Compositional Tool for Binaural Sound Synthesis
|
Tatlı, Tuğba |
|
GROMA. Aesthetical Issues of Developing an Urban, Permanent, Site-Specific Sound Installation
|
Nordbrock, Judith |
|
A Cultural Approach toward the Notion of the Instrument
|
Brunner, Christoph |
|
Imaginal Listening and Phenomena of Sound-Images in Electroacoustic Music
|
Kim, Suk-Jun |
|
Musical Nonlinearity in Interactive Narrative Environments
|
Berndt, Axel |
|
Conservative Garbage Collectors for Realtime Audio Processing (incomplete; the full paper is on page 569)
|
Matheussen, Kjetil |
|
Real-time Interactive 3D Audio and Video with jReality
|
Brinkmann, Peter; Weißmann, Steffen |
|
Sonifying Sieves: Synthesis and Signal Processing Applications of the Xenakis Sieve with Python and Csound
|
Ariza, Christopher |
|
μ Max-Unity3D Interoperability Toolkit
|
Bukvic, Ivica Ico; Kim, Ji-Sun |
|
Thinking Inside the Box: A New Integrated Approach to Mixed Music Composition and Performance
|
Tremblay, Pierre Alexandre; McLaughlin, Scott |
|
Flocking in the Time/Dissonance Plane
|
Wilson, Adam James |
|
An Analysis of Interviews with Composers From a Cognitive Styles Perspective
|
Carter, Jenny; Eaglestone, Barry; Ford, Nigel; Holdridge, Peter |
|
Lyric-Based Rhythm Suggestion
|
Nichols, Eric |
|
Alter Ego: A Generative Music Creation System
|
Trützschler von Falkenstein, Jan; Tlalim, Tom |
|
SOMba : Multiuser Music Creation Using Self-Organizing Maps and Motion Tracking
|
Ness, Steven R.; Tzanetakis, George |
|
G³: GENESIS Software Environment Update
|
Castagne, Nicolas; Cadoz, Claude; Allaoui, Ali; Tache, Olivier |
|
Organizing Mass-Interaction Physical Models: the CORDIS-ANIMA Musical Instrumentarium
|
Tache, Olivier; Cadoz, Claude |
|
Spatial Composition in the Multi-Channel Domain: Aesthetics and Techniques
|
Stefani, Ewan; Mooney, James |
|
Instruction and Thread Level Parallelism in PWGLSynth 2
|
Norilo, Vesa; Laurson, Mikael |
|
MuBu and Friends – Assembling Tools for Content Based Real-Time Interactive Audio Processing in Max/MSP
|
Schnell, Norbert; Röbel, Axel; Schwarz, Diemo; Peeters, Geoffroy; Borghesi, Riccardo |
|
Parallel Execution of Csound
|
ffitch, John |
|
SoundCipher: A Music and Sound Library for Processing
|
Brown, Andrew R. |
|
Role-Reversal: Max/MSP as an Audio Engine for Java
|
Polfreman, Richard |
|
Augmenting Computer Music with Just-In-Time Compilation
|
Smith, Wesley; Wakefield, Graham |
|
Bridges for Networked Musical Ensembles
|
Wyse, Lonce; Mitani, Norikazu |
|
1-D, 2-D and 3-D Interpolation Tools for Max/MSP/Jitter
|
Todoroff, Todor; Reboursière, Loïc |
|
Common Music 3
|
Taube, Heinrich |
|
Structure and Psychoacoustic Perception of the Electroacoustic Soundscape
|
Iturbide, Manuel Rocha |
|
Pattern Recognition of Emotional States During Musical Performance from Physiological Signals
|
Jaimovich, Javier; Knapp, R. Benjamin |
|
Localisation of Subwoofers in Concert Hall Environment
|
Sazdov, Robert |
|
Towards a Comprehensive Cognitive Analysis of Delay-Influenced Rhythmical Interaction
|
Carôt, Alexander; Werner, Christian; Fischinger, |
|
The ORA Project: Audio-Visual Live Electronics and the Pipe Organ
|
d’Alessandro, Christophe; Noisternig, Markus; Le Beux, Sylvain; Picinali, Lorenzo; Katz, Brian FG; Jacquemin, Christian; Ajaj, Rami; Planes, Bertrand; Strurmel, Nicolas; Delprat, Nathalie |
|
Hidden City: ‘Being with’ in Improvised Performance
|
Whittington, Stephen; Harrald, Luke |
|
Counterlines: Studies in Interfacing Graphic and Melodic Lines
|
Kapuscinski, Jaroslaw; Sanchez, Javier |
|
DBAP – Distance-Based Amplitude Panning
|
Lossius, Trond; Baltazar, Pascal; de la Hogue, Théo |
|
The Pre-Production Process of New York Counterpoint for Clarinet and Tape Written by Steve Reich
|
Pras, Amandine; Féron, François-Xavier; Demers, Kaïs |
|
Orchestral Accompaniment for a Reproducing Piano
|
Raphael, Christopher; Gu, Yupeng |
|
Stanford Laptop Orchestra (SLOrk)
|
Wang, Ge; Bryan, Nicholas; Oh, Jieun; Hamilton, Robert |
|
JackTrip: Under the Hood of an Engine for Network Audio
|
Cáceres, Juan-Pablo; Chafe, Chris |
|
Audio Graffiti: A Location Based Audio-Tagging and Remixing Environment
|
Settel, Zack; Wozniewski, Mike; Bouillot, Nicolas; Cooperstock, Jeremy R. |
|
The Interactive Event Manager (IEM): A Performer’s Approach to Interactive System Design
|
Wetzel, David Brooke |
|
PAPAGEI: An Extensible Automatic Accompaniment System for Live Instrumental Improvisation
|
Bakht, Salman; Barlow, Clarence |
|
Situated Interactive Music System: Connecting Mind and Body Through Musical Interaction
|
Le Groux, Sylvain; Verschure, Paul F. M. J. |
|
Improving the Sound Quality of Recordings Through Communication between Musicians and Sound Engineers
|
Pras, Amandine; Guastavino, Catherine |
|
Scape Synthesis: Generation of a Novel Acoustical Space Based on Auditory Perceptual Features
|
Koyama, Shoichi; Suzuki, Risa |
|
Ecosystem Models for Real-Time Generative Music: A Methodology and Framework
|
Bown, Oliver |
|
On Artistic Research in the Context of the Project Embodied Generative Music
|
Eckel, Gerhard; Pirrò, David |
|
Polyphonic Embouchure on an Intricately Expressive Musical Keyboard Formed by an Array of Water Jets
|
Mann, Steve; Janzen, Ryan |
|
Sawtooth: Interface as Visualization
|
Burns, Christopher |
|
For Jean-Claude: [re]Presenting Duet for One Pianist
|
Nanou, Chryssie; Hamilton, Robert |
|
Rhythmic Practice in Music for Small Ensemble and Tape
|
Ding, Shiau-uen |
|
Reflections on Spent Time
|
Lansky, Paul |
|
Conservative Garbage Collectors for Realtime Audio Processing
|
Matheussen, Kjetil |
