Performance Re-enactment Society (PRS), Arnolfini, 2008
Leaves from the First, Second, Third and Fourth Folios of Shakespeare’s plays, 1623-1685
Look Back in Anger set model, designed by Alan Tagg, Bristol Old Vic 1957
Anne Seagrave, by Manuel Vason, 2005
Beyond the Fringe, by Derek Balmer, 1946
The Bristol Hippodrome by Paule Vézelay, 1918
Ira Aldridge as Aaron, C19, daguerreotype by Paine of Islington
Sample from the Kevin Elyot archive
Harpy Mask, The Tempest, Shakespeare at the Tobacco Factory, 2010
Bodies in Flight, ‘Double Happiness’, a collaboration with Spell #7, 2000
Fabric samples from Julia Trevelyan Oman, for The Merchant of Venice, 1970
Hoefnagel map of London, c.1572
Set design for Twelfth Night by Osborne Robinson, 1933
Recruitment advert for No Boundaries theatre company, c.1980s
Nativity of the Beasts, Welfare State International, 2001
A Bitter Herb, Bristol Old Vic, 1987, photo by Allen Daniels
National Review of Live Art Poster, 1984
Design for Sleeping Beauty by Oliver Messel, [1946]
Plan for the Globe, William Poel, 1897
Playbill for Theatre Royal, Bristol, 1836
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Plan for proposed alterations to the Theatre Royal Bristol, 1901
Paul Robeson as Othello, Royal Shakepeare Company, 1959
Gloves worn by Lawrence Olivier in The Entertainer, 1957
‘Toast’ – publicity created by Julie Flowers and Rosalind Howell for their performance Grill, at the National Review of Live Art, 1994
Vivien Leigh by John Vickers, 1940s