In an alternate Victorian Age world, a group of famous contemporary fantasy, science fiction, and adventure characters team up on a secret mission.In an alternate Victorian Age world, a group of famous contemporary fantasy, science fiction, and adventure characters team up on a secret mission.In an alternate Victorian Age world, a group of famous contemporary fantasy, science fiction, and adventure characters team up on a secret mission.
- Awards
- 12 nominations total
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAt one point, Peta Wilson does a humourous impersonation of Sir Sean Connery's voice. According to Wilson, this was a last-minute addition to the scene, and she felt nervous doing it, since Connery impersonations were considered a no-no on the set. Before the shoot, she called Connery and offered not to do the accent, but he insisted she should. Afterwards, she asked him what he thought. He replied, "You were great!" She was taken aback and asked if he really meant it. He said, "Yeah, it's terrible! It's the worst impersonation I have ever heard, and it's perfect."
- GoofsNemo introduces his invention as an "automobile." Later in Venice, Quatermain tells Sawyer to take the "car." The word "car" (from Latin "carrum" for chariot) has been used in English to mean any wheeled vehicle since at least 1350.
- Quotes
Mina Harker: You're sweet... and you're young. Neither are traits that I hold in high regard.
- Crazy creditsThe 20th Century Fox logo fades into a sign on the London skyline.
- Alternate versionsFor the Swedish release, approximately 33 seconds were cut from various violent scenes in order to receive an 11 certification.
- ConnectionsEdited into 2003 MLB All-Star Game (2003)
- SoundtracksSon of Africa
Score lyrics written by Joseph Shabalala
Score vocal performance by Ladysmith Black Mambazo
Ladysmith Black Mambazo appears courtesy of Gallo Records Company
Featured review
I've been reading the comments page in a somewhat bemused fashion. It seems to be divided between people who don't like the movie because it's not enough like the original graphic novel and people who don't like it because they've never heard of half of the characters that are members of the League. The latter seems to me to be an unutterably silly reason for disliking a film. Does nobody read the classics anymore? Nobody reads Oscar Wilde, Bram Stoker, Robert Louis Stevenson, Jules Verne, H.G. Wells, or Sir Arthur Conan Doyle? I find that difficult to believe. As to the former--not enough like the graphic novel, in other words--just how in the heck can a screenwriter accommodate the dark and twisted visions of Alan Moore in a two-hour Hollywood movie, anyway?
I don't believe that one can compare anything written by Alan Moore to what ends up on the screen being ostensibly "based on the graphic novel". (The same applies to FROM HELL, which is another one most people pan, and one which I think is under-appreciated even though the style is breathtaking. I don't even want to think about the reaction that will ensue once THE WATCHMEN comes out!)
What seems to have been missed by most people is that this movie is about style as opposed to substance. It's based on a graphic novel. That's a fancy way of saying it's based on a comic book. On that level, the film succeeds admirably. The characters are archetypes of their literary forbears. They aren't supposed to be, strictly speaking, human. Of course the plot is grandiose, impractical, and over-the-top. Hello? Aren't most comic books like that? Good heavens, isn't most of STAR WARS?
I don't claim that this is a masterpiece. I do claim that's it's fun to watch if one approaches it with a willing suspension of disbelief. For a couple of bucks shelled out at the DVD rental shop, it takes one to a different world for close to two hours. On that level, it's worth a rental. It's also worth a rental, once one watches the movie, to listen to the commentary from various actors and to realize just how well these so-called "unknowns" do assorted accents that aren't even close to their own. Plus the golfing anecdotes are amusing. (And I don't even like golfing.)
This ain't CASABLANCA. Nor is it TITANIC, for which I eternally thank the gods. (Now, THERE was an overhyped piece of inaccurate trash that pretended to be history, but I digress.) But it's kind of fun, anyway, as long as one doesn't take it too seriously.
I don't believe that one can compare anything written by Alan Moore to what ends up on the screen being ostensibly "based on the graphic novel". (The same applies to FROM HELL, which is another one most people pan, and one which I think is under-appreciated even though the style is breathtaking. I don't even want to think about the reaction that will ensue once THE WATCHMEN comes out!)
What seems to have been missed by most people is that this movie is about style as opposed to substance. It's based on a graphic novel. That's a fancy way of saying it's based on a comic book. On that level, the film succeeds admirably. The characters are archetypes of their literary forbears. They aren't supposed to be, strictly speaking, human. Of course the plot is grandiose, impractical, and over-the-top. Hello? Aren't most comic books like that? Good heavens, isn't most of STAR WARS?
I don't claim that this is a masterpiece. I do claim that's it's fun to watch if one approaches it with a willing suspension of disbelief. For a couple of bucks shelled out at the DVD rental shop, it takes one to a different world for close to two hours. On that level, it's worth a rental. It's also worth a rental, once one watches the movie, to listen to the commentary from various actors and to realize just how well these so-called "unknowns" do assorted accents that aren't even close to their own. Plus the golfing anecdotes are amusing. (And I don't even like golfing.)
This ain't CASABLANCA. Nor is it TITANIC, for which I eternally thank the gods. (Now, THERE was an overhyped piece of inaccurate trash that pretended to be history, but I digress.) But it's kind of fun, anyway, as long as one doesn't take it too seriously.
Details
- Release date
- Countries of origin
- Languages
- Also known as
- La liga extraordinaria
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $78,000,000 (estimated)
- Gross US & Canada
- $66,465,204
- Opening weekend US & Canada
- $23,075,892
- Jul 13, 2003
- Gross worldwide
- $179,265,204
- Runtime1 hour 50 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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What is the Japanese language plot outline for The League of Extraordinary Gentlemen (2003)?
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