January, 2016 CURRICULUM VITAE Pablo Gonçalo P. C. Martins, PhD SQS 402 BL J AP 306, Brasília, 70236, Brazil. Phone: +55 061 99042111, pablogoncalo@gmail.com Assistent Professor Department of Film and Video Federal University of Latin-American Integration, UNILA. Av. Silvio Américo Sasdelli, 1842, Vila A., 85866–000 Foz do Iguaçu, Paraná, Brazil E-mail: pablo.martins@unila.edu.br Phone: + 55 45 35767307 EDUCATION Ph.D., Media Studies (2015) Federal University of Rio de Janeiro, UFRJ Thesis: Cinema as a literary refuge: ekphrasis and script, Peter Handke and Wim Wenders, landscapes and archives Advisor: Dr. Denilson Lopes Advisors in Germany: Dr. Gertrud Koch and Dr. Joachim Paech. M.A., Media Studies (2007) University of Brasília, UnB Dissertation: Life in a house of pixels: documentary and subjectivity in Brazil. Advisor: Dr. Denilson Lopes B.A., Social Sciences (2003) University of São Paulo, USP. PUBLICATIONS Ken Jacobs and the perverted archival. Film and Media Studies, Acta Universitatis Sapientiae (forthcoming) The film in words: Ekphrasis and Script in Peter Handke and Wim Wenders. Journal of Screenwriting (forthcoming) As espirais dos arquivos: Langsame Heimkher e as paisagens de um filme sem telas. Biblioteca da Compós. 2013 – Afetos entre anjos e humanos: imagem e escrita em Asas do Desejo. Revista Brasileira de Estudos Audiovisuais, REBECA, 1st tome. 2013 – Olhar entre semibreves: escrita e imagem em Samuel Beckett e Peter Handke. VISUALIDADES HOJE, Livro Compós, book chapter. 2012 – The subjective turn in Brazilian documentaries. LASA annals. 2012 – Valsa com Bashir: experiência, memória e guerra. HISTORIA EM QUADRINHOS: DIANTE DA EXPERIENCIA DOS OUTROS, book chapter. 2011 – Ironia, cinismo e pragmatismo: os circuitos de arte nos documentários de Orson Wells, Banksy e Vik Muniz. DOC online, v.10. GRANTS 2013 – DAAD (Deutscher Akademischer Austausch Dienst), Ph.D. 2007 – CNPQ (Conselho Nacional de Desenvolvimento Científico e Tecnológico), M.A. AWARDS 2006 – National Prize for Film Criticism P.F. Gastal, Porto Alegre 2006 – Best Edition for Short Films, Traces, Brasília National Film Festival. CONFERENCES International 2015 - Delays and waiting between speculative scripts: a genealogy of unfilmed scripts. 8th Screenwriting Research Network, SRN, London 2014 – The film in words: Ekphrasis and Script in Peter Handke and Wim Wenders. Society for Cinema and Media Studies, SCMS, Seattle. 2014 – Writers wearing sunglasses: Literature, Script and Screens in Nouveau-Roman and New German Cinema. NECS, Milan, Italy. 2014 – Lansgame Heimkehr: the film that does (not) exists. A script between landscape and archive. Screenwriting Network Research (SNR), Potsdam, Germany. 2014 – A remediation instant: Ken Jacobs' experiments with materials, archives and figures. Figurations of Intermediality in Film, Cluj, Romania. 2012 – The subjective turn in Brazilian documentaries. Latin American Studies Association, LASA, San Francisco, CA, USA. Brazil 2015 – Letras que especulam: notas para uma genealogia dos roteiros não filmados. University of Brasília, UnB. 2015 – As espirais dos arquivos: Langsame Heimkher e as paisagens de um filme sem telas. Compós, Universidade de Brasília, UnB 2014 – Olhar entre semibreves: escrita e imagem em Samuel Beckett e Peter Handke. Workgroup Comunicação e experiência estética, Associação Nacional dos Programas de PósGraduação em Comunicacão, COMPOS, Juiz de Fora. 2012 – Roteiristas na história do cinema: o caso de Peter Handke. Sociedade Brasileira de Estudos de Cinema, SOCINE, Rio de Janeiro. TEACHING EXPERINCE Universidade da Integração Latino-Americana, Brazil 2015 – Screenwriting and Creative writing; Brazilian Cinema. Universidade de Brasília, Brazil 2015 – Brazilian Cinema. 2007 – History of Latin-American Cinema (2007) Universidade Cândido Mendes, Brazil 2011 – Film Production (Master). Universidade Federal do Rio de Janeiro, Brazil 2012 – Arts and Communication Centro de Educação Superior de Brasília, Brazil 2009-2012 – History of Brazilian Cinema 2009-2012 – Introduction of Documentary 2009-2012 – Creative Writing and Screenplay RESEARCH EXPERIENCE Areas Screenwriting Studies Theory and history of cinema Theory and history of literature Intermediality, remediation, and archives New German Cinema, Austrian and German modern and contemporary literature Contemporary Brazilian cinema and literature Post-dramatic Theater and contemporary documentary Brazilian Ministry of Culture 2004-2009 – Cultural surveys in over 5,000 Brazilian cities SERVICE TO PROFESSION Current – peer reviewer, Contemporary Brazilian Literature, (ISSN: 1518-0158), University of Brasília, Brazil. Current – collaborator and staff, Cinética periodical (ISSN: 1983-0343), online 2012-2013 – Editing staff, ECO-Pós periodical (ISSN: 2175-8689) OTHER PROFESSIONAL EXPERIENCE: 2015 – curator, Festival de Brasília do Cinema Brasileira 2002-current – published 30 film and book reviews, articles, essays and reports in newspapers and online film magazines. 2007 – curator, Memórias do Subdesenvolvimento, Brasília, Brazil LANGUAGES: Portuguese – mother tongue English Speaking: fluent. Reading: excellent. Writing: excellent. German Speaking: good. Reading: excellent. Writing: good. French Speaking: fluent. Reading: excellent. Writing: regular. Spanish Speaking: regular. Reading: excellent. Writing: regular.