El articulo examina la posible influencia de Dante en la ficcion sentimental, en particular en el... more El articulo examina la posible influencia de Dante en la ficcion sentimental, en particular en el Siervo libre de amo;-, obra en la que el nombre del autor italiano aparece mencionado. Se analizan distintos aspectos del Siervo en los que la critica ha visto reminiscencias dantescas. Estas reminiscencias son en muchos casos dudosas y no prueban que el poeta italiano haya dejado una huella profunda en el Siervo. En cambio, en la ficcion sentimental hay un eco de modelos de elocuencia sentimental que ya estaban presentes en la literatura castellana, por ejemplo, en la Historia troyana polimetrica. En esta obra se encuentran muchos de los temas y formas metricas que desarrollo Rodriguez del Padron en el Siervo.
Letras Revista De La Facultad De Filosofia Y Letras De La Pontificia Universidad Catolica Argentina Santa Maria De Los Buenos Aires, 2013
Maurophilia as a literary tradition was codified for the first time in 1938 in an article publish... more Maurophilia as a literary tradition was codified for the first time in 1938 in an article published by the French Hispanist Georges Cirot, who explored the LETRAS No 67-68. Enero-diciembre 2013 17 Zaderenko maurofilia_Plantilla Letras 19/11/2013 07:58 a.m. Pagina 185
The Poema de Fernán González (or Libro del conde de Castilla) is not a crusade song, nor is it an... more The Poema de Fernán González (or Libro del conde de Castilla) is not a crusade song, nor is it an epic poem or a historical account commemorating the foundation of San Pedro de Arlanza Monastery. It is rather a hybrid text that employs all the literary and historical resources available around the middle of the thirteenth century to an educated poet who was intent on transmitting to future generations the memory of the Count who made possible the independence of Castile. All episodes in the poem point to Castile's unique place in history, describing through the protagonist's bellicose deeds its hegemonic ascendency as the most important kingdom of the Iberian peninsula. Its destiny is determined by the hero's combative character against all enemies, whether Christians or Moors, and more specifically by confronting the powerful kings of neighboring states León and Navarre.
The history of the battle of Las Navas de Tolosa (1212) in theEstoria de España—based on archbish... more The history of the battle of Las Navas de Tolosa (1212) in theEstoria de España—based on archbishop Rodrigo Jiménez de Rada's narration included in theHistoria de rebus Hispanie— presents not only expressions of faith and the crusader spirit that one expects in a work written by a prominent member of the Church, but also the respect and admiration for the Muslim enemy such as found in many Castilian epic texts. The crusader fervor, imported from other European regions, did not change the complex and at times benign relation between Muslims and Christians in the Iberian Peninsula.
El articulo examina la posible influencia de Dante en la ficcion sentimental, en particular en el... more El articulo examina la posible influencia de Dante en la ficcion sentimental, en particular en el Siervo libre de amo;-, obra en la que el nombre del autor italiano aparece mencionado. Se analizan distintos aspectos del Siervo en los que la critica ha visto reminiscencias dantescas. Estas reminiscencias son en muchos casos dudosas y no prueban que el poeta italiano haya dejado una huella profunda en el Siervo. En cambio, en la ficcion sentimental hay un eco de modelos de elocuencia sentimental que ya estaban presentes en la literatura castellana, por ejemplo, en la Historia troyana polimetrica. En esta obra se encuentran muchos de los temas y formas metricas que desarrollo Rodriguez del Padron en el Siervo.
Letras Revista De La Facultad De Filosofia Y Letras De La Pontificia Universidad Catolica Argentina Santa Maria De Los Buenos Aires, 2013
Maurophilia as a literary tradition was codified for the first time in 1938 in an article publish... more Maurophilia as a literary tradition was codified for the first time in 1938 in an article published by the French Hispanist Georges Cirot, who explored the LETRAS No 67-68. Enero-diciembre 2013 17 Zaderenko maurofilia_Plantilla Letras 19/11/2013 07:58 a.m. Pagina 185
The Poema de Fernán González (or Libro del conde de Castilla) is not a crusade song, nor is it an... more The Poema de Fernán González (or Libro del conde de Castilla) is not a crusade song, nor is it an epic poem or a historical account commemorating the foundation of San Pedro de Arlanza Monastery. It is rather a hybrid text that employs all the literary and historical resources available around the middle of the thirteenth century to an educated poet who was intent on transmitting to future generations the memory of the Count who made possible the independence of Castile. All episodes in the poem point to Castile's unique place in history, describing through the protagonist's bellicose deeds its hegemonic ascendency as the most important kingdom of the Iberian peninsula. Its destiny is determined by the hero's combative character against all enemies, whether Christians or Moors, and more specifically by confronting the powerful kings of neighboring states León and Navarre.
The history of the battle of Las Navas de Tolosa (1212) in theEstoria de España—based on archbish... more The history of the battle of Las Navas de Tolosa (1212) in theEstoria de España—based on archbishop Rodrigo Jiménez de Rada's narration included in theHistoria de rebus Hispanie— presents not only expressions of faith and the crusader spirit that one expects in a work written by a prominent member of the Church, but also the respect and admiration for the Muslim enemy such as found in many Castilian epic texts. The crusader fervor, imported from other European regions, did not change the complex and at times benign relation between Muslims and Christians in the Iberian Peninsula.
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