Noor H Salem
Museum Curator, Registrar, Exhibition and Cultural Events Coordinator
Member of the Technical Office to the General Director
The Egyptian Museum in Cairo - Ministry of Tourism and Antiquities.
PhD Candidate in History of Art at Egyptology Department - Faculty of Archaeology - Fayoum University.
Diploma in Coptic Archaeology and Art Studies, Centro Culturale Franciscano (CCF) in 2024 with a grade of Excellent and Fourth Place.
Master's Degree in History of Art and Anthropology, Greco-Roman Department - Faculty of Archaeology - Cairo University, in 2021 with a grade of Excellent with Exchanging the Thesis between the other Universities.
Diploma in History of Art, Faculty of Archaeology, post-graduate Studies Department, Cairo University, in 2015 with a grade of Very Good.
Bachelor in Egyptology, Faculty of Archaeology, Egyptology Department, Cairo University, Egypt in 2010 with a grade of Good.
Phone: +201280348321
Address: Cairo, Egypt
Member of the Technical Office to the General Director
The Egyptian Museum in Cairo - Ministry of Tourism and Antiquities.
PhD Candidate in History of Art at Egyptology Department - Faculty of Archaeology - Fayoum University.
Diploma in Coptic Archaeology and Art Studies, Centro Culturale Franciscano (CCF) in 2024 with a grade of Excellent and Fourth Place.
Master's Degree in History of Art and Anthropology, Greco-Roman Department - Faculty of Archaeology - Cairo University, in 2021 with a grade of Excellent with Exchanging the Thesis between the other Universities.
Diploma in History of Art, Faculty of Archaeology, post-graduate Studies Department, Cairo University, in 2015 with a grade of Very Good.
Bachelor in Egyptology, Faculty of Archaeology, Egyptology Department, Cairo University, Egypt in 2010 with a grade of Good.
Phone: +201280348321
Address: Cairo, Egypt
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Papers by Noor H Salem
original identity of the Egyptian collections globally and nationally. The majority of Egyptian
collections, which are displayed or kept in museums around the world, have been looted from
their authentic contexts and provenances, whether this happened by legal or illegal methods.
Moreover, the legality of the Egyptian collections acquired by those museums with the
deliberate absence of most of their basic information has been affected. Therefore, the
dominant approach became the divestiture of the artefacts out of their dating, provenance,
and date of acquisition, which led to losing the concept of the artefact itself.
Accordingly, the Egyptian law for the protection of Antiquities has been changed
several times since its adaption. This paper aims to study the Egyptian government's hard
efforts and missions toward the repatriation of Egyptian artefacts to its home and context.
أسس Lewis Binford مدخل مُستحدث لعلم الآثار التقليدي عام 1972م أطلق عليه مدخل علم الآثار الجديد وهو الذي يتيح دراسة الآثار من خلال النظريات الأنثروبولوجية التي تدعم الحقائق العلمية بافتراضات تطور ثقافات المجتمعات في الماضي.
Books by Noor H Salem
https://ceca.mini.icom.museum/publications/best-practice/
This article explores how conventional storytelling circles could be employed in a historical museum's activities within the Educational-Cultural programmes. In addition, it emphasises the relationship between the Egyptian Museum's role as an interactive institution and this interesting and inexpensive activity's impact on individuals and community engagement, in general.
This article is a proposal for a workshop that was held at the Egyptian Museum in Cairo and was published in July 2022 in a book entitled: Best Practice 10 - A tool to improve Museum Education Internationally.
This workshop aims to integrate a special group of society; “the blind” into a cultural and educational activity with normal people. So, touch, smelling and tasting would be the only available senses for the participants - whether blind or sighted - to deal with.
original identity of the Egyptian collections globally and nationally. The majority of Egyptian
collections, which are displayed or kept in museums around the world, have been looted from
their authentic contexts and provenances, whether this happened by legal or illegal methods.
Moreover, the legality of the Egyptian collections acquired by those museums with the
deliberate absence of most of their basic information has been affected. Therefore, the
dominant approach became the divestiture of the artefacts out of their dating, provenance,
and date of acquisition, which led to losing the concept of the artefact itself.
Accordingly, the Egyptian law for the protection of Antiquities has been changed
several times since its adaption. This paper aims to study the Egyptian government's hard
efforts and missions toward the repatriation of Egyptian artefacts to its home and context.
أسس Lewis Binford مدخل مُستحدث لعلم الآثار التقليدي عام 1972م أطلق عليه مدخل علم الآثار الجديد وهو الذي يتيح دراسة الآثار من خلال النظريات الأنثروبولوجية التي تدعم الحقائق العلمية بافتراضات تطور ثقافات المجتمعات في الماضي.
https://ceca.mini.icom.museum/publications/best-practice/
This article explores how conventional storytelling circles could be employed in a historical museum's activities within the Educational-Cultural programmes. In addition, it emphasises the relationship between the Egyptian Museum's role as an interactive institution and this interesting and inexpensive activity's impact on individuals and community engagement, in general.
This article is a proposal for a workshop that was held at the Egyptian Museum in Cairo and was published in July 2022 in a book entitled: Best Practice 10 - A tool to improve Museum Education Internationally.
This workshop aims to integrate a special group of society; “the blind” into a cultural and educational activity with normal people. So, touch, smelling and tasting would be the only available senses for the participants - whether blind or sighted - to deal with.