Composer and musicologist, PhD, University of Helsinki (2006–11), with a dissertation about self-similarity in music (both semiotic and mathematical approaches). Master and bachelor in music (composition and music theory) from the Royal Conservatoire, The Hague (2000–04). He studied at the Composers’ Workshop of the National Conservatoire of Mexico (1995–98), with Mario Lavista, and at the Music School of the University of Guadalajara (1989–92).Currently he teaches at the Post-Graduate Programme, Faculty of Music, UNAM. Since 1995 he is researcher at the National Center for Music Research, Documentation and Information (CENIDIM, Mexico City), where he founded in 2012, in cooperation with UNAM, the Seminar on Music and Science. He organized the first International Congress on Music and Mathematics (2014) and was editor-in-chief of the book The Musical-Mathematical Mind: Patterns and Transformations (Springer). He is also co-founder editor of MusMat Brazilian Journal of Music and Mathematics, published by the Federal University of Rio de Janeiro (UFRJ). Address: Mexico
Heterofonía: revista de investigación musical, 1997
... Autores: Gabriel Pareyón; Localización: Heterofonía: revista de investigación musical, ISSN 0... more ... Autores: Gabriel Pareyón; Localización: Heterofonía: revista de investigación musical, ISSN 0018-1137, Nº. ... secundaria sobre Alonso Vélez Sarmiento, Martín Casillas, Narciso Sort de Sanz, José Mariano Elízaga, Santiago Herrera, Cruz Balcázar, Diego Altamirano y otros ...
First printed edition, 1996; first electronic edition, 2016Biographical study, interviews, musica... more First printed edition, 1996; first electronic edition, 2016Biographical study, interviews, musical description, catalogue, bibliography pictures and other information about José F. Vásquez, composer, music teacher and conductor founder of the former National University Symphonic Orchestra of Mexico, today OFUNAM (Mexico City)
This research and practice project studies the way in which some aspects of linguistic order are ... more This research and practice project studies the way in which some aspects of linguistic order are also found in music’s order. Whereas some aspects of order and organisation are attributed to music because of their psychophysical integration, other aspects seem to be more related to the configuration of music in memory and experience (i.e. individual memory and memory-in-society processes). These foundations are also shared by speech and visual symbolizing. Given that order in music is commonly referred and/or justified by verbal or visual language, cases of analogy and metaphor are discussed, within the context of music composition and analysis. This project also explores the role of figuration and referentiality in some examples of geometry associa-ted with musical ideas, in order to analyse how such mediums are intertwined with speech and musical elaboration. Keywords
Revista/Journal (Dir. Jose Antonio Robles Cahero). Contenido: JOSE ANTONIO ROBLES CAHERO, Present... more Revista/Journal (Dir. Jose Antonio Robles Cahero). Contenido: JOSE ANTONIO ROBLES CAHERO, Presentacion, pag. 3. ARTICULOS: LA CATEDRA JESUS C. ROMERO. Introduccion, pag. 9. ROBERT STEVENSON, Aportaciones del doctor Jesus C. Romero a la musicologia mexicana, pag. 11. ROBERT STEVENSON, Reflexiones sobre el concepto de musica precortesiana en Mexico, pag. 25. AUREA MAYA Y EUGENIO DELGADO, El Archivo Musical de Cenobio Paniagua: nuevas posibilidades de investigacion a partir de su descubrimiento, pag. 38. AURELIO TELLO, Perspectivas de la investigacion musical, pag. 42. JOSE ANTONIO ROBLES CAHERO, Una labor de medio siglo en la investigacion musical: entrevista con Robert Stevenson, pag. 48. ADRIANA PEREZ SOTO Y RICARDO MIRANDA, Robert Stevenson y la musica mexicana: bibliografia selecta, pag. 64. BERNAL JIMENEZ, A CUARENTA ANOS DE SU MUERTE: Introduccion, pag. 73. RICARDO MIRANDA, Carteles o Miguel Bernal en el Monte de los Olivos, pag. 74. LORENA DIAZ NUNEZ Y EUGENIO BERNAL, El paisaj...
Revista/Journal (Dir. Jose Antonio Robles Cahero). Contenido: JOSE ANTONIO ROBLES CAHERO, Present... more Revista/Journal (Dir. Jose Antonio Robles Cahero). Contenido: JOSE ANTONIO ROBLES CAHERO, Presentacion, pag. 3. ARTICULOS: JOHN KOEGEL, Nuevas fuentes musicales para danza, teatro y salon de la Nueva Espana, pag. 9. RICARDO MIRANDA, Reflexiones sobre el clasicismo en Mexico (1770-1840), pag. 39. CRAIGH H. RUSSELL, El manuscrito Eleanor Hague. Una muestra de la vida musical en el Mexico del siglo XVIII, pag. 51. GABRIEL PAREYON, Sumario historico de la musica en la Catedral de Guadalajara, pag. 99. ROSA VIRGINIA SANCHEZ, El trovo: una singular y casi desconocida forma poetica del huapango huasteco, pag. 125. MUSICA: VICENTE ORTIZ DE ZARATE, 1. Duo para el decendimiento de nuestro amavilisimo redentor Jesus (transcripcion de J. A. Robles Cahero), pag. 139; 2. Ejemplos musicales para violin del manuscrito Eleanor Hague, pag. 149. DOCUMENTOS: JOSE ANTONIO, Introduccion, pag. 155. 1. Dos cartas: A. de Antonio Alonso de Teran a Joaquin Colla (26.09.1807); B. Respuesta de Colla (26.09.1807...
Contenido: 1) Miranda, Ricardo. Sor Juana y la musica; 2) Pareyon, Gabriel. Manuel de Jesus Arech... more Contenido: 1) Miranda, Ricardo. Sor Juana y la musica; 2) Pareyon, Gabriel. Manuel de Jesus Arechiga. La musica en Guadalajara y su religiosidad inherente; 3) Shelley, Percy Bysshe. Poema; 4) Carmona, Gloria. Gerhardt Muench; 5) Hurtado, Eduardo. Dos poemas; 6) Tello, Aurelio. El cuarteto de arcos de don Candelario; 7) Brennan, Juan Arturo. Entrevista a Ronald Zollman; 8) Alatorre, Antonio. Una investigacion policial sobre La cucaracha; 9) Cortez, Luis Jaime. Joaquin Gutierrez Heras: la busqueda de lo irremplazable; 10) Miranda, Ricardo. Mariana Villanueva: Canto obscuro para violin solo; 11) Villanueva, Mariana. La musica, una puerta abierta al misterio; 12) Alvarez del Castillo, Fernando. John Forsman. (Contiene otros textos no incluidos en la descripcion).
MusMat|: Brazilian Journal of Music and Mathematics, Jun 15, 2022
It is a fact that the ancient peoples of the Americas had, for many centuries, robust mathematica... more It is a fact that the ancient peoples of the Americas had, for many centuries, robust mathematical and musical cultures. Although much of these cultures was not clearly recorded in writing by the first European settlers, this does not mean that their existence is insignificant, and much less, that they have been lost forever. Due to the importance of publishing studies on music and mathematics from a Latin American perspective, the following text, initiatory on the subject, proposes three key questions to promote a discussion from anthropological and historical foundations for the indigenous relationships of music and mathematics, and with the intention of motivating more questions, or formulating them in a better way, in further research.
This lecture proposes that language as a whole, belongs to the group of what we recognize as “nat... more This lecture proposes that language as a whole, belongs to the group of what we recognize as “natural fractals”; the consequences of this involve a new definition of language, as well as the construction of new tools for its investigation. Although the concept of fractal was used for the first time in 2000 as an application to sociolinguistics by Irvine and Gall, the association of the fractal theory to linguistics has been rather poor. This one seems to be an attempt for a general frame of language investigation, coming directly from the fractal principles.
Abstract: This lecture proposes that language as a whole, belongs to the group of what we recogni... more Abstract: This lecture proposes that language as a whole, belongs to the group of what we recognize as “natural fractals”; the consequences of this involve a new definition of language, as well as the construction of new tools for its investigation. Although the concept of fractal was used for the first time in 2000 as an application to sociolinguistics by Irvine and Gall, the association of the fractal theory to linguistics has been rather poor. This one seems to be an attempt for a general frame of language investigation, coming directly from the fractal principles. 1
Heterofonía: revista de investigación musical, 1997
... Autores: Gabriel Pareyón; Localización: Heterofonía: revista de investigación musical, ISSN 0... more ... Autores: Gabriel Pareyón; Localización: Heterofonía: revista de investigación musical, ISSN 0018-1137, Nº. ... secundaria sobre Alonso Vélez Sarmiento, Martín Casillas, Narciso Sort de Sanz, José Mariano Elízaga, Santiago Herrera, Cruz Balcázar, Diego Altamirano y otros ...
First printed edition, 1996; first electronic edition, 2016Biographical study, interviews, musica... more First printed edition, 1996; first electronic edition, 2016Biographical study, interviews, musical description, catalogue, bibliography pictures and other information about José F. Vásquez, composer, music teacher and conductor founder of the former National University Symphonic Orchestra of Mexico, today OFUNAM (Mexico City)
This research and practice project studies the way in which some aspects of linguistic order are ... more This research and practice project studies the way in which some aspects of linguistic order are also found in music’s order. Whereas some aspects of order and organisation are attributed to music because of their psychophysical integration, other aspects seem to be more related to the configuration of music in memory and experience (i.e. individual memory and memory-in-society processes). These foundations are also shared by speech and visual symbolizing. Given that order in music is commonly referred and/or justified by verbal or visual language, cases of analogy and metaphor are discussed, within the context of music composition and analysis. This project also explores the role of figuration and referentiality in some examples of geometry associa-ted with musical ideas, in order to analyse how such mediums are intertwined with speech and musical elaboration. Keywords
Revista/Journal (Dir. Jose Antonio Robles Cahero). Contenido: JOSE ANTONIO ROBLES CAHERO, Present... more Revista/Journal (Dir. Jose Antonio Robles Cahero). Contenido: JOSE ANTONIO ROBLES CAHERO, Presentacion, pag. 3. ARTICULOS: LA CATEDRA JESUS C. ROMERO. Introduccion, pag. 9. ROBERT STEVENSON, Aportaciones del doctor Jesus C. Romero a la musicologia mexicana, pag. 11. ROBERT STEVENSON, Reflexiones sobre el concepto de musica precortesiana en Mexico, pag. 25. AUREA MAYA Y EUGENIO DELGADO, El Archivo Musical de Cenobio Paniagua: nuevas posibilidades de investigacion a partir de su descubrimiento, pag. 38. AURELIO TELLO, Perspectivas de la investigacion musical, pag. 42. JOSE ANTONIO ROBLES CAHERO, Una labor de medio siglo en la investigacion musical: entrevista con Robert Stevenson, pag. 48. ADRIANA PEREZ SOTO Y RICARDO MIRANDA, Robert Stevenson y la musica mexicana: bibliografia selecta, pag. 64. BERNAL JIMENEZ, A CUARENTA ANOS DE SU MUERTE: Introduccion, pag. 73. RICARDO MIRANDA, Carteles o Miguel Bernal en el Monte de los Olivos, pag. 74. LORENA DIAZ NUNEZ Y EUGENIO BERNAL, El paisaj...
Revista/Journal (Dir. Jose Antonio Robles Cahero). Contenido: JOSE ANTONIO ROBLES CAHERO, Present... more Revista/Journal (Dir. Jose Antonio Robles Cahero). Contenido: JOSE ANTONIO ROBLES CAHERO, Presentacion, pag. 3. ARTICULOS: JOHN KOEGEL, Nuevas fuentes musicales para danza, teatro y salon de la Nueva Espana, pag. 9. RICARDO MIRANDA, Reflexiones sobre el clasicismo en Mexico (1770-1840), pag. 39. CRAIGH H. RUSSELL, El manuscrito Eleanor Hague. Una muestra de la vida musical en el Mexico del siglo XVIII, pag. 51. GABRIEL PAREYON, Sumario historico de la musica en la Catedral de Guadalajara, pag. 99. ROSA VIRGINIA SANCHEZ, El trovo: una singular y casi desconocida forma poetica del huapango huasteco, pag. 125. MUSICA: VICENTE ORTIZ DE ZARATE, 1. Duo para el decendimiento de nuestro amavilisimo redentor Jesus (transcripcion de J. A. Robles Cahero), pag. 139; 2. Ejemplos musicales para violin del manuscrito Eleanor Hague, pag. 149. DOCUMENTOS: JOSE ANTONIO, Introduccion, pag. 155. 1. Dos cartas: A. de Antonio Alonso de Teran a Joaquin Colla (26.09.1807); B. Respuesta de Colla (26.09.1807...
Contenido: 1) Miranda, Ricardo. Sor Juana y la musica; 2) Pareyon, Gabriel. Manuel de Jesus Arech... more Contenido: 1) Miranda, Ricardo. Sor Juana y la musica; 2) Pareyon, Gabriel. Manuel de Jesus Arechiga. La musica en Guadalajara y su religiosidad inherente; 3) Shelley, Percy Bysshe. Poema; 4) Carmona, Gloria. Gerhardt Muench; 5) Hurtado, Eduardo. Dos poemas; 6) Tello, Aurelio. El cuarteto de arcos de don Candelario; 7) Brennan, Juan Arturo. Entrevista a Ronald Zollman; 8) Alatorre, Antonio. Una investigacion policial sobre La cucaracha; 9) Cortez, Luis Jaime. Joaquin Gutierrez Heras: la busqueda de lo irremplazable; 10) Miranda, Ricardo. Mariana Villanueva: Canto obscuro para violin solo; 11) Villanueva, Mariana. La musica, una puerta abierta al misterio; 12) Alvarez del Castillo, Fernando. John Forsman. (Contiene otros textos no incluidos en la descripcion).
MusMat|: Brazilian Journal of Music and Mathematics, Jun 15, 2022
It is a fact that the ancient peoples of the Americas had, for many centuries, robust mathematica... more It is a fact that the ancient peoples of the Americas had, for many centuries, robust mathematical and musical cultures. Although much of these cultures was not clearly recorded in writing by the first European settlers, this does not mean that their existence is insignificant, and much less, that they have been lost forever. Due to the importance of publishing studies on music and mathematics from a Latin American perspective, the following text, initiatory on the subject, proposes three key questions to promote a discussion from anthropological and historical foundations for the indigenous relationships of music and mathematics, and with the intention of motivating more questions, or formulating them in a better way, in further research.
This lecture proposes that language as a whole, belongs to the group of what we recognize as “nat... more This lecture proposes that language as a whole, belongs to the group of what we recognize as “natural fractals”; the consequences of this involve a new definition of language, as well as the construction of new tools for its investigation. Although the concept of fractal was used for the first time in 2000 as an application to sociolinguistics by Irvine and Gall, the association of the fractal theory to linguistics has been rather poor. This one seems to be an attempt for a general frame of language investigation, coming directly from the fractal principles.
Abstract: This lecture proposes that language as a whole, belongs to the group of what we recogni... more Abstract: This lecture proposes that language as a whole, belongs to the group of what we recognize as “natural fractals”; the consequences of this involve a new definition of language, as well as the construction of new tools for its investigation. Although the concept of fractal was used for the first time in 2000 as an application to sociolinguistics by Irvine and Gall, the association of the fractal theory to linguistics has been rather poor. This one seems to be an attempt for a general frame of language investigation, coming directly from the fractal principles. 1
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