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ORCID5. CMMR 2008: Copenhagen, Denmark
- Sølvi Ystad, Richard Kronland-Martinet, Kristoffer Jensen:
Computer Music Modeling and Retrieval. Genesis of Meaning in Sound and Music, 5th International Symposium, CMMR 2008, Copenhagen, Denmark, May 19-23, 2008, Revised Papers. Lecture Notes in Computer Science 5493, Springer 2009, ISBN 978-3-642-02517-4
1 Retrieving the Meaning
1.1 Perceptual and Cognitive Aspects
- Mitsuko Aramaki, Mireille Besson, Richard Kronland-Martinet
, Sølvi Ystad:
Timbre Perception of Sounds from Impacted Materials: Behavioral, Electrophysiological and Acoustic Approaches. 1-17 - Albrecht Schneider, Klaus Frieler:
Perception of Harmonic and Inharmonic Sounds: Results from Ear Models. 18-44 - Michael Kai Petersen, Lars Kai Hansen, Andrius Butkus:
Semantic Contours in Tracks Based on Emotional Tags. 45-66 - Rolf Inge Godøy:
Chunking Sound for Musical Analysis. 67-80 - Kristoffer Jensen, Ole Kühl:
Towards a Model of Musical Chunks. 81-92 - Leen De Bruyn, Marc Leman, Dirk Moelants, Michiel Demey:
Does Social Interaction Activate Music Listeners?. 93-106 - Kurt Jacobson, Mark B. Sandler:
Musically Meaningful or Just Noise? An Analysis of On-line Artist Networks. 107-118
1.2 Signal Structure Behavior
- José Fornari, Tuomas Eerola:
The Pursuit of Happiness in Music: Retrieving Valence with Contextual Music Descriptors. 119-133 - Mitsuko Aramaki, Loïc Brancheriau, Richard Kronland-Martinet, Sølvi Ystad:
Perception of Impacted Materials: Sound Retrieval and Synthesis Control Perspectives. 134-146 - Sebastian Ewert, Meinard Müller:
Refinement Strategies for Music Synchronization. 147-165 - Jouni Paulus, Anssi Klapuri:
Labelling the Structural Parts of a Music Piece with Markov Models. 166-176 - David Rizo, Kjell Lemström, José Manuel Iñesta Quereda:
Tree Representation in Combined Polyphonic Music Comparison. 177-195 - Cihan Isikhan, Adil Alpkocak, Yetkin Ozer:
Interval Distinction on Melody Perception for Music Information Retrieval. 196-206 - Mehdi Naccache, Amel Borgi, Khaled Ghédira:
A Learning-Based Model for Musical Data Representation Using Histograms. 207-215
2 Generating the Meaning: Tools and Performance
- Jeffrey M. Morris:
Ontological Substance and Meaning in Live Electroacoustic Music. 216-226 - Palle Dahlstedt:
Dynamic Mapping Strategies for Expressive Synthesis Performance and Improvisation. 227-242 - Jean Penny:
Amplified Breath - (Dis)Embodied Habitat: Exploring Sonic Interfaces of Performance, Electronics, Space and Flautist Identity. 243-252 - Kilian Sprotte, Mikael Laurson, Mika Kuuskankare:
KSQuant - Complex Score Manipulation in PWGL through Quantization. 253-261 - Mika Kuuskankare, Mikael Laurson:
Strategies and Methods for Creating Symbolic Electroacoustic Scores in ENP. 262-271 - Adriano Baratè, Luca A. Ludovico, Alberto Pinto:
An IEEE 1599-Based Interface for Score Analysis. 272-282 - Else Marie Pade:
New Music in the Atomic Age. 283-284
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