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ORCID41st ICMC 2015: Denton, TX, USA
- Looking Back, Looking Forward: Proceedings of the 41st International Computer Music Conference, ICMC 2015, Denton, TX, USA, September 25 - October 1, 2015. Michigan Publishing 2015
- Israel Neuman:
SIG~: Performance Interface for Schaefferian Sound-Object Improvisation. - Michael Musick, Jonathan P. Forsyth, Rachel M. Bittner:
Building a Harmonically Ecosystemic Machine: Combining Sonic Ecosystems with Models of Contemporary Harmonic Language. - Anna Einarsson, Anders Friberg:
Using Singing Voice Vibrato as a Control Parameter in a Chamber Opera. - Jorge Variego:
Architecture in Motion: a Model for Music Composition. - Roger B. Dannenberg, Jesse Stiles, Yuezhang Li, Qiao Zhang:
An Online Interactive Course on Computer Music. - Richard Dudas:
Another Take on Renovating Dated Technology for Concert Performance. - Jøran Rudi:
The Just Intonation Automat - a Musically Adaptive Interface. - Stanislaw Krupowicz:
Witold Lutosławski - An Algorithmic Music Composer? - Charles Roberts, Matthew Wright, JoAnn Kuchera-Morin:
Music Programming in Gibber. - John MacCallum, Rama Gottfried, Ilya Rostovtsev, Jean Bresson, Adrian Freed:
Dynamic Message-Oriented Middleware with Open Sound Control and Odot. - Sébastien Juchs, Pierre Hanna, Matthias Robine, Myriam Desainte-Catherine:
Rhythmic Similarity Based on a Descriptor Balancing between Meter and Tempo. - Cian O'Brien, Alexander Lerch:
Genre-specific Key Profiles. - Rodrigo F. Cádiz, Patricio de la Cuadra, Aarón Montoya, Veronica Marín, Marcelo E. Andia, Cristian Tejos, Pablo Irarrazaval:
Sonification of Medical Images Based on Statistical Descriptors. - Greg Surges, Tamara Smyth, Miller S. Puckette:
Generative Feedback Networks Using Time-Varying Allpass Filters. - Sérgio Freire:
Audio Processing by Means of FM Synthesis Parameters: Fundamentals, Real-Time Implementation, and Preliminary Compositional Applications. - David Medine:
Unsampled Digital Synthesis: Computing the Output of Implicit and Non-Linear Systems. - Johannes Kretz:
Morphing Sound in Real Time through the Timbre Tunnel. - Bret Battey, Marinos Giannoukakis, Lorenzo Picinali:
Haptic Control of Multistate Generative Music Systems. - Mickaël Tits, Joëlle Tilmanne, Nicolas D'Alessandro, Marcelo M. Wanderley:
Feature Extraction and Expertise Analysis of Pianists' Motion-Captured Finger Gestures. - Vanissa Law, Garth Paine:
Audio Collage as an Instrument for Musical Expression: Combining Freehand and Tangible Controllers. - Courtney Brown, Garth Paine:
Towards an Interactive Argentine Tango Milonga. - Thibault Bertrand, Konrad Kaczmarek, Larry Wilen:
Musical Acoustics & Instrument Design: When Engineering Meets Music. - Anil Çamci, Zeynep Özcan, Damla Pehlevan:
Interactive Virtual Soundscapes: A Research Report. - Robert Hamilton:
Measuring the Effectiveness of Sonified Crossmodal Attribute Pairings Using Contour Matching, Symmetry and Perceived Similarity. - Marie González, Patricio de la Cuadra, Rodrigo F. Cádiz:
Fuzzy Equalization of Musical Genres. - Chuck-jee Chau, Bin Wu, Andrew Horner:
The Effects of Early-Release on Emotion Characteristics and Timbre in Non-Sustaining Musical Instrument Tones. - Seth Shafer:
VizScore: An On-Screen Notation Delivery System for Live Performance. - Douglas Geers, Nicholas R. Nelson, Red Wierenga:
Brooklyn College Center for Computer Music. - Jaesong You, Andrew Telichan, Michael Musick, Tae Hong Park:
Studio Report 2015: New York University (NYU) Music Technology Program. - Mark Ballora:
Studio Report: Music Technology at the Pennsylvania State University. - Geoffrey Wright, McGregor Boyle, Joshua Armenta, Ryan Woodward, Sunhuimei Xia:
Peabody Computer Music: 46 Years of Looking to the Future. - Garth Paine, Barry Moon:
Studio Report: Arizona State University. - Ron Kuivila, Paula Matthusen:
Wesleyan University Electronic Music Studios Report. - Asbjørn Blokkum Flø, Hans Wilmers:
The Intrinsic Value of Timbre in Doppelganger. - Rosalia Soria-Luz:
State Space Models: Virtual World for Composition. - Jennifer Hsu, Tamara Smyth:
Specifying Sounding Frequency of a Voice Model during Live Interactive Saxophone Performance. - Adrian Moore:
Cross-Modality in Multi-Channel Acousmatic Music: The Physical and Virtual in Music Where There Is Nothing to See. - Erik Nyström:
Low-Level Topology of Spatial Texture. - Jaeseong You, Andrew Telichan, Tae Hong Park:
Developing a Socio-Historical Model for Electro-Acoustic Music Analysis: The Challenge from an Adornian Perspective. - Kyungho Lee, Michael J. Junokas, Mohammad Amanzadeh, Guy E. Garnett:
Exploratory Analysis on Expressions in Two Different 4/4 Beat Patterns. - Jason Long, Josh Bailey, James McVay, Dale A. Carnegie, Ajay Kapur:
Improving the Musical Expressiveness of Tesla Coils with Software. - Willian Hua, Andrea Salgian:
Automatic Transcription of Japanese Taiko Drumming Using the Microsoft Kinect. - Dekai Wu, Karteek Addanki:
Neural Versus Symbolic Rap Battle Bots. - Mark Ballora:
Piece Description: Growth of the Universe (in log time). - Sebastian Madgwick, Thomas Mitchell, Carlos Barreto, Adrian Freed:
Simple Synchronisation for Open Sound Control. - Antonio Deusany de Carvalho Junior, Marcelo Queiroz, Georg Essl:
Computer Music through the Cloud: Evaluating a Cloud Service for Collaborative Computer Music Applications. - Akinori Ito, Kengo Watanabe, Genki Kuroda, Ken'ichiro Ito:
iSuperColliderKit: A Toolkit for iOS Using an Internal SuperCollider Server as a Sound Engine. - Hans Anderson, Kin Wah Edward Lin, Clifford So, Simon Lui:
Flatter Frequency Response from Feedback Delay Network Reverbs. - Timothy M. Walker:
Hierarchical Genomes in a Genetic Algorithm for Control of a Guitar Synthesizer. - Ryan McGee:
Spatial Modulation Synthesis. - Michael Solomon, Urs Liska, Trevor Baca:
Initial Survey Results from The LilyPond Consortium. - Jae Hyun Ahn, Richard Dudas:
Physical Modeling Synthesis of the Stone Chime Instrument "Pyeongyeong". - Dominic Thibault:
fXfD, A Digital Approach to the No-Input Practice. - Tom Erbe:
Building the Erbe-Verb: Extending the Feedback Delay Network Reverb for Modular Synthesizer Use. - John Sullivan:
Noisebox: Design and Prototype of a New Digital Musical Instrument. - Thibaut Carpentier, Markus Noisternig, Olivier Warusfel:
Twenty Years of Ircam Spat: Looking Back, Looking Forward. - Stuart James:
Spectromorphology and Spatiomorphology of Sound Shapes: Audio-Rate AEP and DBAP Panning of Spectra. - Lee Tae Hoon, Manish Reddy Vuyyuru, T. Ananda Kumar, Simon Lui:
Binaural Navigation for the Visually Impaired with a Smartphone. - Jonathan P. Forsyth, Rachel M. Bittner, Michael Musick, Juan Pablo Bello
:
Improving and Adapting Finite State Transducer Methods for Musical Accompaniment. - Eita Nakamura, Shigeki Sagayama:
Automatic Piano Reduction from Ensemble Scores Based on Merged-Output Hidden Markov Model. - Donya Quick:
Composing with Kulitta. - Felipe Otondo, Rodrigo Torres:
Wearable Sound System for Dance and Music. - Cat Hope, Aaron Wyatt, Lindsay Vickery:
The Decibel ScorePlayer: New Developments and Improved Functionality. - Ethan Cayko:
Network Gyre - Exercising the Network's Rhythmic Potential. - Hans Timmermans:
Sound Spatialisation from a Composer's Perspective. - Kurt James Werner:
The XQIFFT: Increasing the Accuracy of Quadratic Interpolation of Spectral Peaks via Exponential Magnitude Spectrum Weighting. - Seunghun Kim, Graham Wakefield, Juhan Nam:
Augmenting Room Acoustics and System Interaction for Intentional Control of Audio Feedback. - Paul Clift, Adrien Mamou-Mani, René Caussé:
Extending Brass & Woodwind Instruments with Acoustic-Aggregate-Synthesis. - John MacCallum, Matthew Goodheart, Adrian Freed:
Antony: A Reimagining. - Scot Gresham-Lancaster:
Notes on "Culture of Fire" for Analog Neural Network Synthesizer, Geiger Muller Counters and Computer. - Richard Garrett:
Audio Spray Gun 0.8 - the Generation of Large Sound-Groups and Their Use in Three-Dimensional Spatialisation. - Marco Buongiorno Nardelli:
materialssoundmusic: a Computer-Aided Data-Driven Composition Environment for the Sonification and Dramatization of Scientific Data Streams. - Lindsay Vickery:
An Approach to the Generation of Real-Time Notation via Audio Analysis: The Semantics of Redaction. - Roger Alsop:
In and Out, Over and Under: An Interactive Audio-Visual Installation Responding to Percy Grainger's Free Music and the Grainger Museum. - Thibaut Carpentier:
ToscA: an OSC Communication Plugin for Object-Oriented Spatialization Authoring. - Chuck-jee Chau, Andrew Horner:
The Effects of Pitch and Dynamics on the Emotional Characteristics of Piano Sounds. - Mark Santolucito, Donya Quick, Paul Hudak:
Media Modules: Intermedia Systems in a Pure Functional Paradigm. - Benjamin Taylor, Jesse T. Allison:
Gesture Capture, Processing, and Asynchronous Playback within Web Audio Instruments. - Mo H. Zareei, Ajay Kapur, Dale A. Carnegie:
Rasping Music: Remodeling Early Minimalist Music through Mechatronic Sound-Sculpture. - Hanlin Hu, Brett Park, David Gerhard:
Mapping Tone Helixes to Cylindrical Lattices Using Chiral Angles. - Yi Qin, Da-Lei Fang, Zhi-Bo Xu, Yan Da:
Mirror Mind: New Possibilities for Overall Interactive Design in New Music-Media Theatre. - Yago de Quay, João Beira:
Brain-Computer Interfaces and Their Application as an Audiovisual Instrument. - Simon Fay:
"There is pleasure...": An Improvisation Using the AAIM Performance System. - Alba Francesca Battista, Carlos Maximiliano Mollo, Nicola Monopoli:
RCCM Canons: Not Only a Problem of Cage. - Rodney Waschka II:
Minimal Fitness Functions in Genetic Algorithms for the Composition of Piano Music. - Aurie Y. Hsu, Steven T. Kemper:
Kinesonic Composition as Choreographed Sound: Composing Gesture in Sensor-Based Music. - Kimberlee Graham-Knight, George Tzanetakis:
Adaptive Music Technology: History and Future Perspectives. - Ian Hattwick, Ivan Franco, Marcello Giordano, Deborah Egloff, Marcelo M. Wanderley, Valérie Lamontagne, Ian A. Arawjo, Christopher L. Salter, Maurizio Martinucci:
Composition Techniques for the Ilinx Vibrotactile Garment. - John ffitch, Victor Lazzarini, Steven Yi, Michael Gogins, Andrés Cabrera:
The New Developments in Csound 6.
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