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ORCIDTaketo Akama
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2020 – today
- 2024
[c11]Zhe Zhang, Taketo Akama:
Hyperganstrument: Instrument Sound Synthesis and Editing With Pitch-Invariant Hypernetworks. ICASSP 2024: 6640-6644- [c10]Gakusei Sato, Taketo Akama:
Annotation-Free Automatic Music Transcription with Scalable Synthetic Data and Adversarial Domain Confusion. ICME 2024: 1-6 - [i11]Zhe Zhang, Taketo Akama:
HyperGANStrument: Instrument Sound Synthesis and Editing with Pitch-Invariant Hypernetworks. CoRR abs/2401.04558 (2024) - [i10]Emilian Postolache, Natalia Polouliakh, Hiroaki Kitano, Akima Connelly, Emanuele Rodolà, Taketo Akama:
Naturalistic Music Decoding from EEG Data via Latent Diffusion Models. CoRR abs/2405.09062 (2024) - [i9]Pedro Ramoneda, Martin Rocamora, Taketo Akama:
Music Proofreading with RefinPaint: Where and How to Modify Compositions given Context. CoRR abs/2407.09099 (2024) - [i8]Lester Phillip Violeta, Taketo Akama:
A Preliminary Investigation on Flexible Singing Voice Synthesis Through Decomposed Framework with Inferrable Features. CoRR abs/2407.09346 (2024) - [i7]Osamu Take, Taketo Akama:
Annotation-Free MIDI-to-Audio Synthesis via Concatenative Synthesis and Generative Refinement. CoRR abs/2410.16785 (2024) - [i6]Wei-Hsiang Liao, Yuhta Takida, Yukara Ikemiya, Zhi Zhong, Chieh-Hsin Lai, Giorgio Fabbro, Kazuki Shimada, Keisuke Toyama, Kin Wai Cheuk, Marco A. Martínez Ramírez, Shusuke Takahashi, Stefan Uhlich, Taketo Akama, Woosung Choi, Yuichiro Koyama, Yuki Mitsufuji:
Music Foundation Model as Generic Booster for Music Downstream Tasks. CoRR abs/2411.01135 (2024) - 2023
- [c9]Gaku Narita, Junichi Shimizu, Taketo Akama:
GANStrument: Adversarial Instrument Sound Synthesis with Pitch-Invariant Instance Conditioning. ICASSP 2023: 1-5 - [c8]Keisuke Toyama, Taketo Akama, Yukara Ikemiya, Yuhta Takida, Wei-Hsiang Liao, Yuki Mitsufuji:
Automatic Piano Transcription With Hierarchical Frequency-Time Transformer. ISMIR 2023: 215-222 - [i5]Taketo Akama, Hiroaki Kitano, Katsuhiro Takematsu, Yasushi Miyajima, Natalia Polouliakh:
Self-supervised Auxiliary Loss for Metric Learning in Music Similarity-based Retrieval and Auto-tagging. CoRR abs/2304.07449 (2023) - [i4]Keisuke Toyama, Taketo Akama, Yukara Ikemiya, Yuhta Takida, Wei-Hsiang Liao, Yuki Mitsufuji:
Automatic Piano Transcription with Hierarchical Frequency-Time Transformer. CoRR abs/2307.04305 (2023) - [i3]Gakusei Sato, Taketo Akama:
Annotation-free Automatic Music Transcription with Scalable Synthetic Data and Adversarial Domain Confusion. CoRR abs/2312.10402 (2023) - 2022
- [i2]Gaku Narita, Junichi Shimizu, Taketo Akama:
GANStrument: Adversarial Instrument Sound Synthesis with Pitch-invariant Instance Conditioning. CoRR abs/2211.05385 (2022) - 2021
- [c7]Taketo Akama:
A Contextual Latent Space Model: Subsequence Modulation in Melodic Sequence. ISMIR 2021: 27-34 - [i1]Taketo Akama:
A Contextual Latent Space Model: Subsequence Modulation in Melodic Sequence. CoRR abs/2111.11703 (2021) - 2020
- [c6]Taketo Akama:
Connective Fusion: Learning Transformational Joining of Sequences with Application to Melody Creation. ISMIR 2020: 46-53
2010 – 2019
- 2019
- [c5]Kiyoshi Akama, Ekawit Nantajeewarawat, Taketo Akama:
Logical Problem Solving Framework. ACIIDS (1) 2019: 28-40 - [c4]Kiyoshi Akama, Ekawit Nantajeewarawat, Taketo Akama:
Term Rewriting that Preserves Models in KR-Logic. ACIIDS (1) 2019: 41-52 - [c3]Taketo Akama:
Controlling Symbolic Music Generation based on Concept Learning from Domain Knowledge. ISMIR 2019: 816-823 - 2018
- [c2]Kiyoshi Akama, Ekawit Nantajeewarawat, Taketo Akama:
Computation Control by Prioritized ET Rules. KEOD 2018: 82-93 - [c1]Kiyoshi Akama, Ekawit Nantajeewarawat, Taketo Akama:
Side-Change Transformation. KEOD 2018: 235-244
Coauthor Index
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last updated on 2024-12-12 21:02 CET by the dblp team
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