default search action
Google
Google Scholar
Semantic Scholar
Internet Archive Scholar
CiteSeerX
ORCID23rd NIME 2023: Mexico City, Mexico
- 23rd International Conference on New Interfaces for Musical Expression, NIME 2023, Mexico City, Mexico, May 31 - June 3, 2023. nime.org 2024
- Jack Armitage, Thor Magnusson, Andrew McPherson:
Studying Subtle and Detailed Digital Lutherie: Motivational Contexts and Technical Needs. - Pedro Pablo Lucas, Stefano Fasciani:
A Human-Agents Music Performance System in an Extended Reality Environment. - Nathan Villicaña-Shaw, Dale A. Carnegie, Jim W. Murphy, Mo H. Zareei:
Explorator Genus: Designing Transportable Mechatronic Sound Objects for Outdoor Installation Art. - Andreas Förster
, Alarith Uhde, Mathias Komesker, Christina Komesker, Irina Schmidt:
LoopBoxes - Evaluation of a Collaborative Accessible Digital Musical Instrument. - Nathan Villicaña-Shaw, Dale A. Carnegie, Jim W. Murphy, Mo H. Zareei:
Legatus: Design and Exhibition of Loudspeaker-Based, Environmentally-Reactive, Soundscape Augmentation Artifacts in Outdoor Natural Environments. - S. M. Astrid Bin:
Where Few NIMEs Have Gone Before: Lessons in instrument design from Star Trek. - Romain Michon, Joseph Bizien, Maxime Popoff, Tanguy Risset:
Making Frugal Spatial Audio Systems Using Field-Programmable Gate Arrays. - Marcelo M. Wanderley:
Prehistoric NIME: Revisiting Research on New Musical Interfaces in the Computer Music Community before NIME. - Teodoro Dannemann, Nick Bryan-Kinns, Andrew McPherson:
Self-Sabotage Workshop: a starting point to unravel sabotaging of instruments as a design practice. - Teodoro Dannemann:
Music jamming as a participatory design method. A case study with disabled musicians. - Eduardo A. L. Meneses, Thomas Piquet, Jason Noble, Marcelo M. Wanderley:
The Puara Framework: Hiding complexity and modularity for reproducibility and usability in NIMEs. - Joaquín R. Díaz Durán, Laia Turmo Vidal, Ana Tajadura-Jiménez:
Joakinator: An Interface for Transforming Body Movement and Perception through Machine Learning and Sonification of Muscle-Tone and Force.. - Brady Boettcher, Eduardo A. L. Meneses, Christian Frisson, Marcelo M. Wanderley, Joseph W. Malloch:
Addressing Barriers for Entry and Operation of a Distributed Signal Mapping Framework. - Raul Masu, Fabio Morreale, Alexander Refsum Jensenius:
The O in NIME: Reflecting on the Importance of Reusing and Repurposing Old Musical Instruments. - Torin Hopkins, Emily Doherty, Netta Ofer, Suibi Che-Chuan Weng, Peter Gyory, Chad Tobin, Leanne M. Hirshfield, Ellen Yi-Luen Do:
Stringesthesia: Dynamically Shifting Musical Agency Between Audience and Performer Based on Trust in an Interactive and Improvised Performance. - Ted Moore, Jean Brazeau:
Serge Modular Archive Instrument (SMAI): Bridging Skeuomorphic & Machine Learning Enabled Interfaces. - Yichen Wang, Mingze Xi, Matt Adcock, Charles Patrick Martin:
Mobility, Space and Sound Activate Expressive Musical Experience in Augmented Reality. - Anna-Kaisa Kaila, Petra Jääskeläinen, Andre Holzapfel:
Ethically Aligned Stakeholder Elicitation (EASE): Case Study in Music-AI. - Juan Ignacio Mendoza Garay:
The Rearranger Ball: Delayed Gestural Control of Musical Sound using Online Unsupervised Temporal Segmentation. - Francesco Ardan Dal Rì, Francesca Zanghellini, Raul Masu:
Sharing the Same Sound: Reflecting on Interactions between a Live Coder and a Violinist. - Paul Buser, Kasey Pocius, Linnea Kirby, Marcelo M. Wanderley:
Towards the T-Tree 2.0: Lessons Learned From Performance With a Novel DMI and Instrument Hub. - Teresa Pelinski, Rodrigo Diaz, Adan L. Benito Temprano, Andrew McPherson:
Pipeline for recording datasets and running neural networks on the Bela embedded hardware platform. - Juan Mariano Ramos, Pablo Ernesto Riera, Esteban Calcagno:
An embedded wavetable synthesizer for the electronic bandoneon with parameter mappings based on acoustical measurements. - Claudio Panariello, Chiara Percivati:
"WYPYM": A Study for Feedback-Augmented Bass Clarinet. - Jaehoon Choi:
Brushing Interface - DIY multi-touch interface for expressive gestural performance. - Suso Romaris:
DIGITL A Reduction of Guitar. - Nicolo Merendino, Giacomo Lepri, Antonio Rodà, Raul Masu:
Redesigning the Chowndolo: a Reflection-on-action Analysis to Identify Sustainable Strategies for NIMEs Design. - Michael Mulshine, Ge Wang, Chris Chafe, Jack Atherton, Terry Feng, Celeste Betancur:
WebChucK: Computer Music Programming on the Web. - Fernando Lopez-Lezcano, Michael Mulshine:
Affordable Speaker Arrays for Education and Artists. - Albert-Ngabo Niyonsenga, Marcelo M. Wanderley:
Tools and Techniques for the Maintenance and Support of Digital Musical Instruments. - Suraj Jaiswal, Vipul Arora:
HarMIDI: Sensor System To Read MIDI from Indian Harmoniums. - Victor Shepardson, Thor Magnusson:
The Living Looper: Rethinking the Musical Loop as a Machine Action-Perception Loop. - Hugo Scurto, Ludmila Postel:
Soundwalking Deep Latent Spaces. - Behzad Haki, Teresa Pelinski, Marina Nieto Giménez, Sergi Jordà:
Completing Audio Drum Loops with Symbolic Drum Suggestions. - Notto J. W. Thelle, Bernt Isak Wærstad:
Co-Creatives Spaces: The machine as a collaborator. - Erik Stifjell:
A FLexible musical instrument Augmentation that is Programmable, Integrated in a Box (FLAPIBox). - Alexandros Drymonitis:
LiveLily: An Expressive Live Sequencing and Live Scoring System Through Live Coding With the Lilypond Language. - Seyed Mojtaba Karbasi, Alexander Refsum Jensenius, Rolf Inge Godøy, Jim Torresen:
Exploring Emerging Drumming Patterns in a Chaotic Dynamical System using ZRob. - Tommy Davis, Kasey Pocius, Vincent Cusson, Marcelo M. Wanderley, Philippe Pasquier:
eTud, be: case studies in playing with musical agents. - Lucie F. Jones, Jeffrey Boyd, Jeremy Brown, Hua Shen:
A Wearable Technology For Wind Musicians: Does It Matter How You Breathe?. - Carla Sophie Tapparo, Brooke Chalmers, Victor Zappi:
Leveraging Android Phones to Democratize Low-level Audio Programming. - Matthew Goodheart:
Reembodied Sound and Transducer-actuated Instruments in Refraction Interlude. - Iran Sanadzadeh, Chloë Sobek:
A sustained relationship with large instruments - a case against the convenient interface. - Patty J. Preece, Melania Jack, Giacomo Lepri:
Oscillations: Composing a Performance Ecosystem through a Sonic Cyberfeminist Lens . - Anne Hege, Curtis Ullerich:
Principles of Instrument and System Design for LaptOperas. - Théo Jourdan, Baptiste Caramiaux:
Machine Learning for Musical Expression: A Systematic Literature Review. - Théo Jourdan, Baptiste Caramiaux:
Culture and Politics of Machine Learning in NIME: A Preliminary Qualitative Inquiry. - Jack Armitage, Thor Magnusson, Andrew McPherson:
A Scale-Based Ontology of Musical Instrument Design. - Eevee Zayas-Garin, Charlotte Nordmoen, Andrew McPherson:
Transmitting Digital Lutherie Knowledge: The Rashomon Effect for DMI Designers. - Olivia B. Smith, Matthew Rodger, Maarten van Walstijn, Miguel Ortiz:
Sound guiding action: the effect of timbre on learning a new percussive DMI for beginner musicians. - Halldór Úlfarsson:
Ergodynamics of String Feedback. - Derek Holzer, Luka Aron, Andre Holzapfel:
Laser Phase Synthesis. - Kobi Hartley, Steve Hodges, Joe Finney:
Jacdac-for-Max: Plug-and-Play Physical Prototyping of Musical Interfaces. - Nicola Privato, Thor Magnusson, Einar Torfi Einarsson:
Magnetic Interactions as a Somatosensory Interface. - Diemo Schwarz:
Touch Interaction for Corpus-based Audio-Visual Synthesis. - Tom Mudd, Akira Brown:
Musical pathways through the no-input mixer. - Jeffrey Snyder, Davis Polito, Matthew Wang:
The Electrosteel: An Electronic Instrument Inspired by the Pedal Steel Guitar. - John Bowers, John Richards, Tim Shaw, Robin Foster, Akihiro Kubota:
Raw Data, Rough Mix: Towards an Integrated Practice of Making, Performance and Pedagogy. - Colin Malloy, George Tzanetakis:
Steelpan-specific pitch detection: a dataset and deep learning model. - Daniel Jones:
AbletonOSC: A unified control API for Ableton Live. - Adan L. Benito Temprano, Teodoro Dannemann, Andrew McPherson:
Exploring the (un)ambiguous guitar: A Qualitative Study on the use of Gesture Disambiguation in Augmented Instrument Design. - Jonathan Diaz:
Sensattice: An emerging collaborative and modular sound sculpture. - Anastasia Clarke:
Shard-Speakers: An Inquiry into the History, Sonic Properties, and Musical Possibilities of Quartz Crystal Singing Bowls. - William Christopher Payne, Matthew Kaney, Yuhua Cao, Eric Hao Xu, Xinran Shen, Katrina Lee, Amy Hurst:
Live Coding Ensemble as Accessible Classroom. - Michal Seta, Dirk J. Stromberg, D. Andrew Stewart:
Building hybrid performances with DMIs, Hubs and Faust. - Erin M. Gee:
The BioSynth - an affective biofeedback device grounded in feminist thought. - David Fierro, Alain Bonardi, Atau Tanaka:
FAUST Multiplatform toolbox for Body Brain Digital Musical Instruments. - Hugh A. von Arnim, Stefano Fasciani, Çagri Erdem:
The Feedback Mop Cello: An Instrument for Interacting with Acoustic Feedback Loops. - Raghavasimhan Sankaranarayanan, Nitin Hugar, Qinying Lei, Thomas Ottolin, Hardik Goel, Gil Weinberg:
Mixboard - A Co-Creative Mashup Application for Novices. - Nicholas Canny:
The implementation of envelope based complex mapping strategies to extend and augment human control. - John M. Bowers:
A Hapless But Entertaining Roar: Developing a Room Feedback System through Artistic Research and Aesthetic Reflection. - Douglas Bowman Jr., Daniel Manesh, Sang Won Lee:
SHARP: Supporting Exploration and Rapid State Navigation in Live Coding Music. - Courtney Brown, Thomas Dudgeon, Cezary Gajewski:
Dinosaur Choir: Designing for Scientific Exploration, Outreach, and Experimental Music. - Takuto Fukuda, Marcelo M. Wanderley:
T-Patch: a software application for T-Stick Digital Musical Instruments. - Yue Yang, Zhaowen Wang, Zijin Li:
MuGeVI: A Multi-Functional Gesture-Controlled Virtual Instrument. - Costa K. Colachis Glass, Fabio Morreale:
TAILSPIN: An Inquiry into the Audio-Visual Feedback Equilibrium. - Jonathan Lane-Smith, Derrek Chow, Sahand Ajami, Jeremy R. Cooperstock:
The Hapstrument: A Bimanual Haptic Interface for Musical Expression. - Sergey K. Kasich:
Morphological evolution of musical interface: design case studies. - Aoi Uyama, Danny Hynds, Dingding Zheng, George Chernyshov, Tatsuya Saito, Kai Kunze, Kouta Minamizawa:
Feel What You Don't Hear: A New Framework for Non-aural Music Experiences. - Atau Tanaka:
The EAVI ExG Muscle/brain hybrid physiological sensing. - Rodrigo Diaz, Charalampos Saitis, Mark B. Sandler:
Interactive Neural Resonators. - Teodoro Dannemann, Nick Bryan-Kinns:
The Sabotaging Piano: key-to-pitch remapping as a source of new techniques in piano improvisation. - Hugh Aynsley, Tom Mitchell, Dave Meckin:
Participatory Conceptual Design of Accessible Digital Musical Instruments using Generative AI. - Jonathan Pigrem, Jennifer MacRitchie, Andrew McPherson:
Instructions Not Included: Dementia-Friendly approaches to DMI Design. - William Francis Wilson, Niccolò Granieri, Islah Ali-MacLachlan:
Time's up for the Myo? The smartwatch as a ubiquitous alternative for audio-gestural analyses.. - Adam G. Schmidt, Michael Gurevich:
The Hummellaphone: An Electromagnetically Actuated Instrument and Open-Source Toolkit. - Juan C. Duarte Regino:
AUGURY : an interface for generating soundscapes inspired by ancient divination. - Gerardo Meza:
Exploring the potential of interactive Machine Learning for Sound Generation: A preliminary study with sound artists. - Sophie Rose:
CALM: Mapping yoga practice for gestural control to externalise traumatic experiences. - Eric Easthope:
SnakeSynth: New Interactions for Generative Audio Synthesis. - Ilya Borovik, Vladimir Viro:
Real-Time Co-Creation of Expressive Music Performances Using Speech and Gestures. - Budhaditya Chattopadhyay:
Dhvāni: Sacred Sounds and Decolonial Machines. - José M. Corredera:
EMG Sonification as a Tool for Functional Rehabilitation of Spinal-Cord Injury.. - Atsuya Kobayashi, Ryo Nishikado, Nao Tokui:
Improvise+=Chain: Listening to the Ensemble Improvisation of an Autoregressive Generative Model. - Sebastian Löbbers, George Fazekas:
SketchSynth: a browser-based sketching interface for sound control. - Johann Diedrick:
The Harvester: A DIY Sampler and Synthesizer - Demo. - Juan Pablo Martinez-Avila:
Kraakavera: A Tribute to Michel Waisvisz. - Ranger Y. Liu, Satchel Peterson, Richard T. Lee, Mark Santolucito:
MaxPy: An open-source Python package for text-based generation of MaxMSP patches. - Xavier Barriga-Abril, Andres Basantes:
Missing the hubbub: Memory and Identity in the Interactive Audio.
manage site settings
To protect your privacy, all features that rely on external API calls from your browser are turned off by default. You need to opt-in for them to become active. All settings here will be stored as cookies with your web browser. For more information see our F.A.Q.
last updated on 2025-01-26 23:33 CET by the dblp team
all metadata released as open data under CC0 1.0 license
see also: Terms of Use | Privacy Policy | Imprint
dblp was originally created in 1993 at:
since 2018, dblp has been operated and maintained by:
the dblp computer science bibliography is funded and supported by:
