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Nicola Davanzo
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2020 – today
- 2023
- [c8]Nicola Davanzo
, Luca Valente
, Luca Andrea Ludovico
, Federico Avanzini
:
Kiroll: A Gaze-Based Instrument for Quadriplegic Musicians Based on the Context-Switching Paradigm. Audio Mostly Conference 2023: 59-62 - [c7]Nicola Davanzo
, Federico Avanzini
, Luca A. Ludovico
, Davys Moreno
, António Moreira
, Oksana Tymoshchuk
, Júlia Azevedo
, Carlos Marques
:
A Case Study on Netychords: Crafting Accessible Digital Musical Instrument Interaction for a Special Needs Scenario. CHIRA (1) 2023: 353-372 - 2021
- [c6]Nicola Davanzo
, Federico Avanzini:
Resin: a Vocal Tract Resonances and Head Based Accessible Digital Musical Instrument. Audio Mostly Conference 2021: 280-283 - [c5]Nicola Davanzo
, Matteo De Filippis, Federico Avanzini:
Netychords: An Accessible Digital Musical Instrument for Playing Chords using Gaze and Head Movements. CHIRA 2021: 202-209 - 2020
- [j1]Nicola Davanzo
, Federico Avanzini
:
Hands-Free Accessible Digital Musical Instruments: Conceptual Framework, Challenges, and Perspectives. IEEE Access 8: 163975-163995 (2020) - [c4]Nicola Davanzo
, Federico Avanzini:
A Method for Learning Netytar: An Accessible Digital Musical Instrument. CSEDU (1) 2020: 620-628 - [c3]Nicola Davanzo
, Federico Avanzini
:
Experimental Evaluation of Three Interaction Channels for Accessible Digital Musical Instruments. ICCHP (2) 2020: 437-445 - [c2]Nicola Davanzo
, Federico Avanzini:
A Dimension Space for the Evaluation of Accessible Digital Musical Instruments. NIME 2020: 214-220
2010 – 2019
- 2018
- [c1]Nicola Davanzo
, Piercarlo Dondi
, Mauro Mosconi, Marco Porta:
Playing music with the eyes through an isomorphic interface. COGAIN@ETRA 2018: 5:1-5:5
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