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ORCID15th ICMC 1989: Columbus, Ohio, USA
- Proceedings of the 1989 International Computer Music Conference, ICMC 1989, Columbus, Ohio, USA, November 2-5, 1989. Michigan Publishing 1989
- Kristi Allik, Robert Mulder:
The Interactive Arts System: Introduction to a Real Time Performance Tool. - Richard D. Ashley:
A Computer System for Learning Analytic Listening. - Richard D. Ashley:
Computer-Based Learning: Models and Lessons for Computer Music Systems. - Bridget Baird:
The Articially Intelligent Computer Performer on the Macintosh II and a Pattern Matching Algorithm for Real-time Interactive Performance. - Jean-Baptiste Barrière, Pierre-François Baisnée, Adrian Freed, Marie-Dominique Baudot:
A Digital Signal Multiprocessor and its Musical Application. - James W. Beauchamp:
The Computer Music Project at the University of Illinois at Urbana-Champaign: 1989. - Nicola Bernardini, Peter Otto:
Studio Report: Tempo Reale. - Nicola Bernardini, Peter Otto:
TRAILS: An Interactive System for Sound Location. - Peter Beyls:
The Musical Universe of Cellular Automata. - Robert A. Boie:
The Radio Drum as a Synthesizer Controller. - Gianpaolo Borin, Giovanni De Poli, Augusto Sarti:
A Modular Approach to Excitator-Resonator Interaction in Physical Models Synthesis. - Frédéric Boyer, Richard Kronland-Martinet:
Granular Resynthesis and Transformation of Sounds through Wavelet Transform Analysis. - Peter Bowcott:
Cellular Automation as a Means of High Level Compositional Control of Granular Synthesis. - Ian Bowler, Peter D. Manning, Alan Purvis, Nick Bailey:
A Transputer-based Additive Synthesis Implementation. - Michael Century:
The Banff Centre Media Arts Program: Studio Report and Artistic Retrospective. - Xavier Chabot:
Performance with Electronics: Gesture Interfaces and Software Toolkit. - Perry R. Cook:
Synthesis fo the Singing Voice Using a Physically Parameterized Model of the Human Vocal Tract. - Roger B. Dannenberg:
Music Representation Issues: A Position Paper. - Roger B. Dannenberg, Christopher Lee Fraley:
Fugue: Composition and Sound Synthesis with Lazy Evaluation and Behavioral Abstraction. - Peter Desain, Henkjan Honing, Klaus de Rijk:
A Connectionist Quantizer. - Glendon R. Diener:
Nutation: Structural Organization Versus Graphical Generality in a Common Music Notation Program. - Charles Dodge, Curtis Bahn:
Studio Report for the Center for Computer Music at Brooklyn College. - Pierre Dutilleux:
Spinning the sounds in real-time. - Lounette M. Dyer:
Position Paper for Music Representation Panel. - Arne Wigenfeldt:
Contour: A Real-time Midi System Based on Gestural Input. - Brian Evans:
Enhancing Scientific Animations with Sonic Maps. - Adrian Freed:
New Media for Musicological Research and Education - The Country Blues in HyperMedia. - Ichiro Fujinaga, Bo Alphonce, Bruce W. Pennycook:
Issues in the Design of an Optical Music Recognition System. - Guy E. Garnett:
Meta-Issues in Music Representation: Notes of a Panel Discussion. - Malcolm C. Harrison, Suzanne Haig, Gershon Horowitz:
A Shortest-path Algorithm for Musical Harmony. - Kenji Hirata, Tatsuya Aoyagi:
Music Server. - Frode Holm:
Frequency Scheduling: Realtime Scheduling in Multiprocessing Systems. - David Huron:
Characterizing Musical Textures. - David A. Jaffe:
Overview of the NeXT Music Kit. - Haruhiro Katayose, Hirokazu Kato, Masakazu Imai, Seiji Inokuchi:
An Approach to an Artificial Music Expert. - Haruhiro Katayose, Keishi Takami, Toshiyuki Fukuoka, Seiji Inokuchi:
Music Interpreter in the Kansei Music System. - David Keane, Peter Gross:
The MIDI Baton. - Gregory Kramer, Robert A. Moog, Alan Peevers:
The Hybrid: A Music Performance System. - JoAnn Kuchera-Morin, Dan Timis:
Recent Developments at The Center for Computer Music Composition. - Peter S. Langston:
Six Techniques for Algorithmic Music Composition (Extend Abstract). - Jean Laroche, Xavier Rodet:
The use of Prony's Method for the Analysis of Musical Sounds. Application to Percussive Sounds. - Mikael Laurson, Jacques Duthen:
Patchwork: a Graphic Language in preFORM. - Keith Lent, Peter L. Silsbee:
A Real Time Computer Music Synthesis System Based on the Motorola 56001. - J. P. Lewis:
Algorithms for Music Composition by Neural Nets: Improved CBR Paradigms. - George Logemann:
Experiments with a Gestural Controller. - Tod Machover, Joseph T. Chung:
Hyperinstruments: Musically Intelligent and Interactive Performance and Creativity Systems. - Toshiaki Matsushima, Sadamu Ohteru, Shuji Hashimoto:
An Integrated Music Information Processing System: PSB-er. - William F. McGee, Paul Merkley:
Real-time Acoustic Analysis of Polyphonic Music. - Mark J. Medovich:
Denodulated Vector (DVQ), and Real time Music Synthesis via DVQ Codebooks. - Hideyuki Morita, Sadamu Ohteru, Shuji Hashimoto:
Computer Music System Which Follows a Human Conductor. - Dexter Morrill, Perry R. Cook:
Hardware, Software, and Compositional Tools for a Real Time Improvised Solo Trumpet Work. - Michael Naranjo, Irène Duc:
Musical Paste and Geometric Image Modelling. - Gary Lee Nelson:
Algorithmic Approaches to Interactive Composition. - Adolfo Núñez:
The Computer and Electronic Music Studio at the CDMC, Madrid. - Daniel V. Oppenheim:
DMIX: An Environment for Composition. - Yann Orlarey, Hervé Lequay:
Midi Share. - Bruce W. Pennycook:
Computer Applications in Music at McGill University. - Russell F. Pinkston:
The Accelerando Project. - Stephen Travis Pope:
Considerations in the Design of a Music Representation Language. - Stephen Travis Pope:
Modeling Musical Structures as EventGenerators. - David Rivas, Steven S. Watkins, Paul M. Chau:
VLSI for a Physical Model of Musical Instruments Oscillations. - Curtis Roads:
Active Music Representations. - John Roeder, Keith Hamel:
A General-Purpose Object-Oriented System for Musical Graphics. - Mark Rudolph:
On the Use of Cepstral Representation in Synthesis From Reduced Performance Information. - Gregory J. Sandell:
Perception of Concurrent Timbres and Implications for Orchestration. - Brian L. Schmidt:
Designing Sound Tracks for Coin-op Games or Computer Music for Under $65.00. - Douglas Scott:
A Processor for Locating Stationary and Moving Sound Sources in a Simulated Acoustical Environment. - Xavier Serra, Julius O. Smith III:
Spectral Modeling Synthesis. - Uri Shimony, Noam Elroy, Ehud Hamami:
LZW Compression of Musical Files. - Justin R. Shuttleworth, Mike Greenhough:
Music Processing by Transputer Networks at the Electronic Music Studio in Cardiff. - Wayne Siegel:
DIEM Studio Report. - Donald Sloan:
Presic of the Standard Music Description Language. - Julius O. Smith III:
Unit-Generator Implementation on the NeXT DSP Chip. - Daniel Steinberg, Timothy R. Learmont:
The Multimedia File System. - Leonello Tarabella, Graziano Bertini:
A Digital Signal Processing System and A Graphic Editor for Synthesis Algorithms. - Heinrich Taube:
Common Music: A Compositional Language in Common Lisp and CLOS. - Marilyn T. Thomas, Siddhartha Chatterjee, Mark W. Maimone:
Cantabile: A Rule-based System for Composing Melody. - Sever Tipei:
Manifold Compositions: A (Super)Computer-Assisted Composition Experiment in Progress. - Wiliam Franklin Walker:
Kiwi: A Parallel System for Software Sound Synthesis. - Rodney Waschka II, Alexandra Kurepa:
Using Fractals in Timbre Construction: An Exploratory Study. - David Wessel, Richard Felciano, Adrian Freed, John Wawrzynek:
The Center for New Music and Audio Technologies.
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