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- research-articleJune 2024
(Re)capturing the Emotional Geography of Lost Music Venues: A Case Study of the Willow Community Digital Archive
DLfM '24: Proceedings of the 11th International Conference on Digital Libraries for MusicologyJune 2024, Pages 23–31https://doi.org/10.1145/3660570.3660579The loss of many high-street music venues in recent years has highlighted their connectedness to place and communities. Understanding the emotional geographies of these venues, as experienced by their patrons, is key to explaining the outcry that can ...
- research-articleNovember 2023
Collaborative Musicology: Designing a Digital Library of Musical Events Ephemera
DLfM '23: Proceedings of the 10th International Conference on Digital Libraries for MusicologyNovember 2023, Pages 119–127https://doi.org/10.1145/3625135.3625147We explore the challenges and potential for collaborative musicological research in creating a Digital Library centred on musical ephemera relating to historical performances. Runs of concert programmes and season brochures, constituting a metadata-...
- research-articleJuly 2022
FAIR but Flexible: Designing for Dynamic User Contributions in Digital Musicology Resources
- Alan Dix,
- Charlotte Armstrong,
- Rachel Cowgill,
- Michael Twidale,
- Christina Bashford,
- Stephen Downie,
- Rupert Ridgewell,
- Maureen Reagan
DLfM '22: Proceedings of the 9th International Conference on Digital Libraries for MusicologyJuly 2022, Pages 41–49https://doi.org/10.1145/3543882.3543887The FAIR principles (Findable, Accessible, Interoperable, Reusable) have become an established paradigm for scholarly data management, but effectively assume an established dataset to share, collected or curated by a professional scholar or archivist. ...
- research-articleJuly 2021
Towards a Foundation for Collaborative Digital Archiving with Local Concert-Giving Organisations
- Charlotte Armstrong,
- Rachel Cowgill,
- Alan Dix,
- Christina Bashford,
- J. Stephen Downie,
- Mike Twidale,
- Maureen Reagan,
- Rupert Ridgewell
DLfM '21: Proceedings of the 8th International Conference on Digital Libraries for MusicologyJuly 2021, Pages 41–49https://doi.org/10.1145/3469013.3469019The centenaries of former chapters of the British Music Society (BMS), established in 1918, have prompted their governing bodies to take stock of their histories and build on the cataloguing, documentation and preservation of their archival ...
- short-paperJune 2016
Spreadsheets as User Interfaces
AVI '16: Proceedings of the International Working Conference on Advanced Visual InterfacesJune 2016, Pages 192–195https://doi.org/10.1145/2909132.2909271Spreadsheets are ubiquitous, familiar, often overlooked, and embody vast financial and human investment, not least in their user interface. This paper shows how spreadsheets can be used as an integral part of interactive processes, for activities from ...
- research-articleSeptember 2014
Authority and Judgement in the Digital Archive
DLfM '14: Proceedings of the 1st International Workshop on Digital Libraries for MusicologySeptember 2014, Pages 1–8https://doi.org/10.1145/2660168.2660171The transformative promise of the digital humanities is not without problems. This paper looks at digital archive curation using a database of 19th-century London concerts as a case study. We examine some of the barriers faced in its development, ...