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Composing the digital rainstick

Published: 10 October 2004 Publication History

Abstract

This paper describes work on a composed instrument, the digital rainstick. The instrument is an acoustic rainstick that is augmented by five sensors that send real time performance data to the computer. A generative mechanism creates sound outputs that extend the sonic and expressive means of the rainstick, while collaborating with the performer to generate a compelling musical form that unfolds over the duration of the piece. The design and implementation of the hardware and software tools are first described, followed by a discussion of the results of this work.

References

[1]
Bahn, C., Trueman, D. interface: electronic chamber ensemble. Proceedings of New Interfaces for Musical Expression (Seattle, 2001).
[2]
Caistor, N. The Rainstick Pack: Explore the Mysteries and Traditions of Native Chilean Culture. Universe Books, New York, 1998.
[3]
Cook, P. Principles for Designing Computer Music Controllers. Proceedings of New Interfaces for Musical Expression (Seattle, 2001).
[4]
Dobrian, C. Aesthetic Considerations in the Use of "Virtual" Music Instruments. Workshop on Current Research Directions in Computer Music (Barcelona, 2001).
[5]
Interlink Force Sensing Resistors (FSR s). http://interlinkelec.com.
[6]
Orio, N., Schnell, N., Wanderley, N. Input Devices for Musical Expression: Borrowing Tools from HCI. Proceedings of New Interfaces for Musical Expression (Seattle, 2001).
[7]
Trueman, D., Cook, P. BoSSA: The Deconstructed Violin Reconstructed. Proceedings of the International Computer Music Conference (Beijing, 1999).
[8]
Trueman, D., DuBois, L. PeRColate, A collection of synthesis, signal processing, and image processing objects. http://music.columbia.edu/PeRColate.
[9]
Wessel, D., Wright, M. Problems and Prospects for Musical Control of Computers. Proceedings of New Interfaces for Musical Expression (Seattle, 2001).

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  1. Composing the digital rainstick

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      cover image ACM Conferences
      MULTIMEDIA '04: Proceedings of the 12th annual ACM international conference on Multimedia
      October 2004
      1028 pages
      ISBN:1581138938
      DOI:10.1145/1027527
      Permission to make digital or hard copies of all or part of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for components of this work owned by others than ACM must be honored. Abstracting with credit is permitted. To copy otherwise, or republish, to post on servers or to redistribute to lists, requires prior specific permission and/or a fee. Request permissions from [email protected]

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      New York, NY, United States

      Publication History

      Published: 10 October 2004

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      Author Tags

      1. HCI
      2. audio synthesis
      3. composed instruments
      4. feedback
      5. music
      6. musical expression
      7. performance
      8. sensors
      9. sound

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