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Systemic Aspects of Musical Activity

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GI Gesellschaft für Informatik e. V.

Part of the book series: Lecture Notes in Computer Science ((LNCS,volume 1))

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Abstract

In 1971 we presented a programming language, EUTERPE, as a tool for modeling musical structures ([Smoliar, 1971]). We demonstrated that this language provided a formalism wherein familiar concepts of musical analysis could be readily expressed. We also discovered that the language could be used to produce intriguing specimens of original composition ([Smoliar, 1972]). In this paper we wish to consider extending the analytical and compositional potential of EUTERPE.

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References

  1. Apel, W. Harvard Dictionary of Music, The Belknap Press of Harvard University Press, 1969.

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  2. Berry, W. Form in Music, Prentice-Hall, Inc., 1966.

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  3. Dijkstra, E.W. The humble programmer. Comm. ACM 15, 10 (October 1972), 859–866.

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  4. Laske, O.E. Introduction to a generative theory of music. Sonological Report No. 1, Institute of Sonology, Utrecht State University, 1973.

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  6. Smoliar, S.W. A parallel processing model of musical structures. AI TR-242, Massachusetts Institute of Technology Artificial Intelligence Laboratory, September, 1971.

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© 1973 Springer-Verlag Berlin Heidelberg

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Smoliar, S.W. (1973). Systemic Aspects of Musical Activity. In: Brauer, W. (eds) GI Gesellschaft für Informatik e. V.. Lecture Notes in Computer Science, vol 1. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-662-41148-3_26

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  • DOI: https://doi.org/10.1007/978-3-662-41148-3_26

  • Publisher Name: Springer, Berlin, Heidelberg

  • Print ISBN: 978-3-662-40668-7

  • Online ISBN: 978-3-662-41148-3

  • eBook Packages: Springer Book Archive

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