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Segmentation, Transcription, Analysis and Visualisation of the Norwegian Folk Music Archive
We present an ongoing project dedicated to the transmutation of a collection of field recordings of Norwegian folk music established in the 1960s into an easily accessible online catalogue augmented with advanced music technology and computer ...
A model for annotating musical versions and arrangements across multiple documents and media
- David Lewis,
- Elisabete Shibata,
- Mark Saccomano,
- Lisa Rosendahl,
- Johannes Kepper,
- Andrew Hankinson,
- Christine Siegert,
- Kevin Page
We present a model for the annotation of musical works, where the annotations are created with respect to a conceptual abstraction of the music instead of directly to concrete encodings. This supports musicologists in constructing arguments about ...
Digitization of Choirbooks in Guatemala
This paper presents the details about the digitization of a Guatemalan polyphonic choirbook, part of a larger collection held at the Archivo Histórico Arquidiocesano de Guatemala (AHAG). The digitization of this music book is the first step in a larger ...
A Corpus Describing Orchestral Texture in First Movements of Classical and Early-Romantic Symphonies
Orchestration is the art of writing music for a possibly large ensemble of instruments, by blending or opposing their sounds and grouping them into an orchestral texture. We aim here at providing a deeper understanding of orchestration in classical and ...
The Vienna Philharmonic Orchestra’s New Year’s Concerts: Building a FAIR Data Corpus for Musicology
- David M. Weigl,
- Chanda VanderHart,
- Matthäus Pescoller,
- Delilah Rammler,
- Markus Grassl,
- Fritz Trümpi,
- Werner Goebl
The Vienna Philharmonic Orchestra’s New Year’s Concert is an annual, live-broadcast New Year’s Day staple for a vast international audience, with an alternating line-up of star conductors and an ever-changing repertoire that incorporates the same ...
FAIR but Flexible: Designing for Dynamic User Contributions in Digital Musicology Resources
- Alan Dix,
- Charlotte Armstrong,
- Rachel Cowgill,
- Michael Twidale,
- Christina Bashford,
- Stephen Downie,
- Rupert Ridgewell,
- Maureen Reagan
The FAIR principles (Findable, Accessible, Interoperable, Reusable) have become an established paradigm for scholarly data management, but effectively assume an established dataset to share, collected or curated by a professional scholar or archivist. ...
The Alignment of Open Access with FAIR Principles in Musicological Publishing and Teaching
Open Access (OA) publishing and FAIR Principles both present opportunities to make music and music scholarship available to broader audiences and for innovative uses. This paper leverages findings from interviews conducted with music scholars about ...
MeRIT: An interactive annotation tool for mensural rhythms
We introduce MeRIT, the Mensural Rhythm Interpretation Tool, a client-side JavaScript tool that interprets the rhythmic notation of pre-modern polyphonic music using rules derived from contemporary theory. The interpretation derived from the tool is ...
Phantom Curves: Scientific Discovery through Interactive Music Visualization
We introduce phantom curves, a novel music-theoretical concept based on the discrete Fourier transform (DFT), and document the creative process that led to their discovery. In particular, we emphasize the importance of interactive web applications for ...
Polyrhythm Analysis Using the composite Tool
We introduce a computational tool that allows comparison and classification of polyrhythms in notated music. By reducing different musical textures into unpitched rhythmic strands, the composite tool enables visualization of the rhythmic reductions and ...
- Proceedings of the 9th International Conference on Digital Libraries for Musicology