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DLfM '22: Proceedings of the 9th International Conference on Digital Libraries for Musicology
ACM2022 Proceeding
Publisher:
  • Association for Computing Machinery
  • New York
  • NY
  • United States
Conference:
DLfM '22: 9th International Conference on Digital Libraries for Musicology Prague Czech Republic 28 July 2022
ISBN:
978-1-4503-9668-4
Published:
28 July 2022

Reflects downloads up to 03 Oct 2024Bibliometrics
Abstract

No abstract available.

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research-article
Open Access
Segmentation, Transcription, Analysis and Visualisation of the Norwegian Folk Music Archive

We present an ongoing project dedicated to the transmutation of a collection of field recordings of Norwegian folk music established in the 1960s into an easily accessible online catalogue augmented with advanced music technology and computer ...

research-article
A model for annotating musical versions and arrangements across multiple documents and media

We present a model for the annotation of musical works, where the annotations are created with respect to a conceptual abstraction of the music instead of directly to concrete encodings. This supports musicologists in constructing arguments about ...

research-article
Digitization of Choirbooks in Guatemala

This paper presents the details about the digitization of a Guatemalan polyphonic choirbook, part of a larger collection held at the Archivo Histórico Arquidiocesano de Guatemala (AHAG). The digitization of this music book is the first step in a larger ...

research-article
A Corpus Describing Orchestral Texture in First Movements of Classical and Early-Romantic Symphonies

Orchestration is the art of writing music for a possibly large ensemble of instruments, by blending or opposing their sounds and grouping them into an orchestral texture. We aim here at providing a deeper understanding of orchestration in classical and ...

short-paper
The Vienna Philharmonic Orchestra’s New Year’s Concerts: Building a FAIR Data Corpus for Musicology

The Vienna Philharmonic Orchestra’s New Year’s Concert is an annual, live-broadcast New Year’s Day staple for a vast international audience, with an alternating line-up of star conductors and an ever-changing repertoire that incorporates the same ...

research-article
FAIR but Flexible: Designing for Dynamic User Contributions in Digital Musicology Resources

The FAIR principles (Findable, Accessible, Interoperable, Reusable) have become an established paradigm for scholarly data management, but effectively assume an established dataset to share, collected or curated by a professional scholar or archivist. ...

short-paper
The Alignment of Open Access with FAIR Principles in Musicological Publishing and Teaching

Open Access (OA) publishing and FAIR Principles both present opportunities to make music and music scholarship available to broader audiences and for innovative uses. This paper leverages findings from interviews conducted with music scholars about ...

short-paper
MeRIT: An interactive annotation tool for mensural rhythms

We introduce MeRIT, the Mensural Rhythm Interpretation Tool, a client-side JavaScript tool that interprets the rhythmic notation of pre-modern polyphonic music using rules derived from contemporary theory. The interpretation derived from the tool is ...

short-paper
Phantom Curves: Scientific Discovery through Interactive Music Visualization

We introduce phantom curves, a novel music-theoretical concept based on the discrete Fourier transform (DFT), and document the creative process that led to their discovery. In particular, we emphasize the importance of interactive web applications for ...

research-article
Polyrhythm Analysis Using the composite Tool

We introduce a computational tool that allows comparison and classification of polyrhythms in notated music. By reducing different musical textures into unpitched rhythmic strands, the composite tool enables visualization of the rhythmic reductions and ...

Contributors
  • Centre for Interdisciplinary Research in Music Media and Technology
  1. Proceedings of the 9th International Conference on Digital Libraries for Musicology

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      Acceptance Rates

      Overall Acceptance Rate 27 of 48 submissions, 56%
      YearSubmittedAcceptedRate
      DLfM '18271452%
      DLfM '17211362%
      Overall482756%