Article

Designing the spectator experience

Authors:

Claire O'Malley,

Mike FraserAuthors Info & Claims

CHI '05: Proceedings of the SIGCHI Conference on Human Factors in Computing Systems

Pages 741 - 750

https://doi.org/10.1145/1054972.1055074

Published: 02 April 2005 Publication History

Abstract

Interaction is increasingly a public affair, taking place in our theatres, galleries, museums, exhibitions and on the city streets. This raises a new design challenge for HCI - how should spectators experience a performer's interaction with a computer? We classify public interfaces (including examples from art, performance and exhibition design) according to the extent to which a performer's manipulations of an interface and their resulting effects are hidden, partially revealed, fully revealed or even amplified for spectators. Our taxonomy uncovers four broad design strategies: 'secretive,' where manipulations and effects are largely hidden; 'expressive,' where they tend to be revealed enabling the spectator to fully appreciate the performer's interaction; 'magical,' where effects are revealed but the manipulations that caused them are hidden; and finally 'suspenseful,' where manipulations are apparent but effects are only revealed as the spectator takes their turn.

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Index Terms

Designing the spectator experience
1. Human-centered computing
  1. Human computer interaction (HCI)

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Published In

cover image ACM Conferences

CHI '05: Proceedings of the SIGCHI Conference on Human Factors in Computing Systems

April 2005

928 pages

ISBN:1581139985

DOI:10.1145/1054972

Conference Chairs:
Wendy Kellogg
IBM T. J. Watson Research Center
,
Shumin Zhai
IBM Almaden Research Center
,
General Chair:
Gerrit van der Veer
Vrije Universiteit, The Netherlands
,
Program Chair:
Carolyn Gale
Stanford University, USA

Copyright © 2005 ACM.

Permission to make digital or hard copies of all or part of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for components of this work owned by others than ACM must be honored. Abstracting with credit is permitted. To copy otherwise, or republish, to post on servers or to redistribute to lists, requires prior specific permission and/or a fee. Request permissions from [email protected]

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Published: 02 April 2005

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April 2 - 7, 2005

Oregon, Portland, USA

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CHI '05 Paper Acceptance Rate 93 of 372 submissions, 25%;

Overall Acceptance Rate 6,199 of 26,314 submissions, 24%

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https://doi.org/10.3390/mti8080065
Sinaei Hamed MKwan PKlich MAurisano JRajabiyazdi F(2024)The Elephant in the Room: Expert Experiences Designing, Developing and Evaluating Data Visualizations on Large DisplaysProceedings of the ACM on Human-Computer Interaction10.1145/36981398:ISS(301-329)Online publication date: 24-Oct-2024
https://dl.acm.org/doi/10.1145/3698139
Correia NPrimett W(2024)Best Practices for Technology-Mediated Audience Interaction in Dance PerformancesProceedings of the 9th International Conference on Movement and Computing10.1145/3658852.3659083(1-6)Online publication date: 30-May-2024
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