Senster 2.0: Cultural context of media art curatorship

In the following paper, I would like to explore what kind of knowledge and skills underpin an array of practices emerging during realisation of a media art museum project. Referring to a specific case study I argue that media art projects have potential to reframe contemporary practices via new research, design and execution modes of participation and operation.

Content

Author and article information

Contributors

Anna Olszewska

Conference

Publication date: July 2018

Publication date (Print): July 2018

Pages: 64-69

Affiliations

[0001]AGH University of Science and Technology

Senster 2.0 Curator

Krakow, Poland

Article

DOI: 10.14236/ewic/EVA2018.12

SO-VID: da3238ca-ea05-411d-92de-cfd5797b492b

License:

This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Electronic Visualisation and the Arts

Conference acronym: EVA

Conference number:

Conference location: London, UK

Conference date: 9 - 13 July 2018

Conference sponsor: Electronic Workshops in Computing (eWiC)

Conference theme: Electronic Visualisation and the Arts

History

Product

1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2018.12

Self URI (journal page): https://ewic.bcs.org/

REFERENCES

B. Graham 2002 An Interview with Benjamin Weil In CRUMB Interviews http://www.crumbweb.org/getInterviewDetail.php?id=13&op=3 (retrieved 26 March 2018
B. GrahamS. Cook 2010 Rethinking Curating: Art after New Media-Leonardo Books The MIT Press
B. GrahamV. Gfader, 2008 Interview with Laura Fernández & Marcos García In CRUMB Interviews http://www.crumbweb.org/getInterviewDetail.php?id=32&ts=1520878679&op=3&sublink=11 (retrieved 26 March 2018
B. Nichols 1988 The Work of Culture in the Age of Cybernetic Systems Screen 29 1:22 46
A. Olszewska 2018 The Senster: Diaries http://senster.agh.edu.pl/dzienniki/ (retrieved 26 March 2018
Paul Ch. 2007 The Myth of Immateriality—Presenting and Preserving New Media O. Grau (ed.) MediaArtHistories MIT Press Cambridge, MA
J. Walewska 2015 Portret artysty jako inżyniera. Twórczość Edwarda Ihnatowicza / Portrait of the artist as an engineer: the works of Edward Ihnatowicz Wydawnictwo Naukowe UMK, Toruń. (in Polish)
A. Zivanovic (s.t.) The Senster http://www.senster.com/ihnatowicz/senster/ (retrieved 26 March 2018
A. ZivanovicS. Boyd Davis 2011 Elegant motion: The Senster and other cybernetic sculptures by Edward Ihnatowicz Kybernetes 40 1/2:47 62

Comments

Comment on this article

[1] B. Graham 2002 An Interview with Benjamin Weil In CRUMB Interviews http://www.crumbweb.org/getInterviewDetail.php?id=13&op=3 (retrieved 26 March 2018

[2] B. GrahamS. Cook 2010 Rethinking Curating: Art after New Media-Leonardo Books The MIT Press

[3] B. GrahamV. Gfader, 2008 Interview with Laura Fernández & Marcos García In CRUMB Interviews http://www.crumbweb.org/getInterviewDetail.php?id=32&ts=1520878679&op=3&sublink=11 (retrieved 26 March 2018

[4] B. Nichols 1988 The Work of Culture in the Age of Cybernetic Systems Screen 29 1:22 46

[5] A. Olszewska 2018 The Senster: Diaries http://senster.agh.edu.pl/dzienniki/ (retrieved 26 March 2018

[6] Paul Ch. 2007 The Myth of Immateriality—Presenting and Preserving New Media O. Grau (ed.) MediaArtHistories MIT Press Cambridge, MA

[7] J. Walewska 2015 Portret artysty jako inżyniera. Twórczość Edwarda Ihnatowicza / Portrait of the artist as an engineer: the works of Edward Ihnatowicz Wydawnictwo Naukowe UMK, Toruń. (in Polish)

[8] A. Zivanovic (s.t.) The Senster http://www.senster.com/ihnatowicz/senster/ (retrieved 26 March 2018

[9] A. ZivanovicS. Boyd Davis 2011 Elegant motion: The Senster and other cybernetic sculptures by Edward Ihnatowicz Kybernetes 40 1/2:47 62

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