Musica fictaとは 意味・読み方・使い方

Musica ficta (from Latin, 'false', 'feigned', or 'contrived' music) was a term used in European music theory from the late 12th century to about 1600 to describe any pitches, whether notated or to be added by performers in accordance with their training, that lie outside the system of musica recta or musica vera ('correct' or 'true' music) as defined by the hexachord system of Guido of Arezzo. In modern usage, the term is often loosely applied to all unnotated inflections (whether properly recta or ficta) that must be inferred from the musical context and added either by an editor or by the performers themselves (Bent and Silbiger 2001).