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[[File:Beethoven - Concerto in C minor, cadenza.png|thumb|Cadenza indication from Beethoven's [[Piano Concerto No. 3 (Beethoven)|Piano Concerto No. 3]]: [[fermata]] over rest indicates beginning, fermata over the [[trill (music)|trill]] indicates close.<ref name="Grove">Sir [[George Grove]] (1904). ''[[Grove's Dictionary of Music and Musicians]]'', Vol. 1, p. 442. [[John Alexander Fuller-Maitland]], ed. Macmillan Company.</ref> [[File:Beethoven - Concerto in C minor, cadenza.mid|thumb]]]]
[[File:Mozart - Piano Concert in Bb major K. 595, first movement, cadenza.png|thumb|upright=1.8|Cadenza indication from the first movement of Mozart's [[Piano Concerto No. 27 (Mozart)|Piano Concerto in B{{music|b}} major]], K. 595.<ref name=Randel>{{cite book|last=Randel|first=Don Michael|author-link=Don Michael Randel|year=2003|title=Harvard Dictionary of Music|isbn=978-0-674-01163-2|page=[https://archive.org/details/harvarddictionar0004unse/page/132 132]|title-link=Harvard Dictionary of Music|publisher=Harvard University Press }}</ref> The [[Cadential six-four|I{{su|p=6|b=4}}]]–[[dominant (music)|V]]–[[tonic (music)|I]] [[chord progression|progression]] at the cadenza is typical of the Classical concerto.{{sfn|Randel|2003}}[[File:Mozart - Piano Concert in Bb major K. 595, first movement, cadenza.mid|thumb]]]]
[[File:Cadenza ad libitum - Hungarian Rhapsody No. 2 (Franz Liszt).gif|thumb|upright=1.5|''Cadenza [[ad libitum]]'' in Franz Liszt's [[Hungarian Rhapsody No. 2]]]]
[[File:Mozart - 6 Variations on an aria from I Filosofi Immaginarii K. 398 (416e), first movement, cadenza written out.png|thumb|upright=1.8|Written-out cadenza from Mozart's K. 398 (end of variation 6) demonstrates the often unmetered quality of cadenzas.<ref>Kinderman, William (2006). ''Mozart's Piano Music'', Ex. 4.2. Oxford University Press. {{ISBN|9780199880164}}.</ref> [[File:Mozart - 6 Variations on an aria from I Filosofi Immaginarii K. 398 (416e), first movement, cadenza written out.mid|thumb]]]]