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George Onslow (composer): Difference between revisions

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{{Short description|French composer (1784–1853)}}
{{Use British English|date=May 2011}}
{{Use dmy dates|date=June 2020}}
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==Life==
George Onslow was born in [[Clermont-Ferrand]], the son ofto an English father, [[Edward Onslow]], and a French mother, Marie Rosalie de Bourdeilles de Brantôme; his paternal grandfather was [[George Onslow, 1st Earl of Onslow]].<ref name="bickley">Bickley (n.d.)</ref> In Onslow's own brief autobiography (written in the third person) he comments that in his childhood, "music studies formed but a secondary part of his education" but names [[Jan Ladislav Dussek]] and [[Johann Baptist Cramer]] amongst his piano teachers.<ref name="niaux2004">Niaux (2004).</ref> It has been suggested that he received this tuition in London under the aegis of his grandfather the Earl.<ref name="bickley"/> However, other research indicates he may not have studied with Dussek until 1797–1798 in [[Hamburg]], where his family was living in exile after his father had become involved in counter-[[French Revolution|revolutionary]] activities in France. This research also indicates that there is no evidence to support the suggestions sometimes made that Onslow at any time visited [[Vienna]], or that he met, or studied, there with [[Ludwig van Beethoven]].<ref name="niaux2004"/>
 
[[Image:Château de Chalendrat.jpg|thumb|upright=0.8|left|Château de Chalendrat]]
 
Onslow states in his autobiography that his attitude to music was transformed by his experience of hearing the overture to [[Étienne Méhul]]'s opera ''[[Stratonice (opera)|Stratonice]]'' in Paris in 1801. In Onslow's own later words: "On hearing this piece, I experienced so lively an emotion in the depths of my soul that I sensed myself at once penetrated by feelings previously unknown to me; even today this moment is present in my thought. After this, I saw music with other eyes; the veil which had hidden its beauties from me was rent; it became the source of my most intimate joy, and the faithful companion of my life."<ref name="fetis90">Fétis (1841), p. 90.</ref> This led him to compose his first [[string quintet]]s (Op. 1 nos. 1–3) and [[string quartet]]s (Op. 4 nos. 1–3), although he had not at this stage received any composition tuition. These were published at his own expense; Onslow was always wealthy and did not need critical or financial support. The critic [[François-Joseph Fétis]] noted that, despite his absence of training, Onslow "had all the leisure necessary to overcome these obstacles".<ref name="bickley"/> Onslow learnt to play the [[violoncello|cello]], and towould play the [[chamber music]] of [[Wolfgang Amadeus Mozart|Mozart]], [[Franz Joseph Haydn|Haydn]] and Beethoven with other local amateurs.<ref name="fetis90"/> However, aware of the need to develop his technical musical skills, in 1808 he began to study composition with [[Anton Reicha]] in Paris. At this time he also married a French heiress, Charlotte Françoise Delphine de Fontanges, by whom he was to have three children.<ref name="bickley"/>
 
[[File:Chateau de Bellerive, Perignat.jpg|thumb|upright=0.8|right|Château de Bellerives, Pérignat (demolished 1990), on an old postcard]]
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==Music==
{{see also|List of compositions by George Onslow}}
[[File:Galerie des compositeurs dramatiques modernes - Nicolas-Eustache Maurin (d. 1850).jpg|thumb|left|"Galerie des compositeurs dramatiques modernes" (1844) by Nicolas-Eustache Maurin (d. 1850). The engraving shows (back row left to right): [[Hector Berlioz]], [[Gaetano Donizetti]], Onslow, [[Daniel Auber]], [[Felix Mendelssohn]], [[Henri-Montan Berton]]; (front row left to right): [[Fromental Halévy]], [[Giacomo Meyerbeer]], [[Gaspare Spontini]], [[Gioacchino Rossini]]]]
 
Onslow was a prolific composer of chamber music (including 36 string quartets and 34 string quintets). He also wrote 10 [[piano trio]]s, three performed operas (an early opera, ''Les deux oncles'', remains in manuscript) and four symphonies, apart from various works for solo piano, [[piano duet]], and sonatas for solo strings and piano.<ref name="niaux2013"/> Of his string quintets, the first three (Op. 1) were written for two violins, two violas and cello, as with the quintets of Mozart. The remainder were nearly all written for two violins, one viola, and two cellos. After hearing the virtuoso double-bassist [[Domenico Dragonetti]] step in to play in a performance of his tenth quintet, Onslow began to provide in his subsequent quintets the option of replacing one of the cellos with a double-bass.<ref>[http://www.editionsilvertrust.com/onslow-string-quintet-19.htm "String Quintet No.19 in c minor, Op.44"] on Silvertrust Editions website, accessed 15 September 2014.</ref>
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Such comments enabled Onslow's publisher Camille Pleyel, in the same year, to promote the composer as "{{Lang|fr|notre Beethoven français}}" ("our French Beethoven"), an epithet which was to be frequently repeated by critics,<ref>Niaux (2009), p. 2.</ref> and was also a trigger for rebuttal by those not so convinced of the similarity; as for example [[Paul Scudo]] who wrote in 1854 that to compare Onslow with Beethoven was like comparing [[Casimir Delavigne]] (a popular librettist of the time) with [[William Shakespeare|Shakespeare]].<ref>Niaux (2009), p. 5.</ref> Indeed Onslow himself would have disowned comparison with Beethoven's late style, according to his conversation as recorded by the music journalist [[Joseph d'Ortigue]]: "The [[Late string quartets (Beethoven)|last quartets of Beethoven]] are mistakes, absurdities, the reveries of a sick genius....I would burn everything I have composed if I someday wrote anything resembling such chaos."<ref>d'Ortigue (1833), p. 154.</ref> However Onslow's interest in classical forms and counterpoint, and the styles of emotional expressiveness in his music, place his music close to the works of his teacher Reicha, and to Onslow's German and Austrian contemporaries of early [[Romanticism|Romantic music]], such as [[Ignaz Moscheles|Moscheles]], [[Johann Nepomuk Hummel|Hummel]], and [[Franz Schubert|Schubert]].<ref name="niaux2013"/> In the opinion of [[Robert Schumann]], only Onslow and Mendelssohn approached Beethoven's mastery of the quartet form.<ref>Sowell (2003), pp. 239–240.</ref>
 
In the years after his death, Onslow's reputation progressively declined;.<ref name="niaux2013"/> When [[Richard Wagner]] was conducting the overture to the opera ''L'Alcalde de la Vega'' in London for the Philharmonic Society in 1855, [[Richard Wagner]]he found it "trivial" and threatened to quit his contract for the rest of the Society's concert series.<ref>Davison (1912), p. 170.</ref> However, from the late twentieth century onwards, commercial recordings of his music began to appear.<ref>[http://george.onslow.free.fr/discoUK.html "Discography"] on the George Onslow website, accessed 18 September 2014.</ref>
 
==References==
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;Sources
*Bickley, Diana (n.d.). [http://0-www.oxforddnb.com.catalogue.ulrls.lon.ac.uk/view/article/20791 "Onslow, (André) George Louis"], ''[[Oxford Dictionary of National Biography]]'' online, accessed 9 September 2014.{{Subscription required}}
* Cairns, David (1999). ''Berlioz: The Making of an Artist 1803-1832.'' London: Allen Lane/The Penguin Press. {{ISBN|9780713993851}}.
* Davison, J. W. (1912). ''From Mendelssohn to Wagner: Memoirs''. London: Wm. Reeves.
* Fétis, François-Joseph (1841). [https://books.google.com/books?id=Bs09AAAAcAAJ&pg=PA90 "Onslow, (George)"], in ''Biographie universelle des musiciens et bibliographie générale de la musique'', vol. 7, pp.&nbsp;88–91. Brussels: Melines, Cans et compagmie. Accessed via [[Google Books]] 15 September 2014.{{in lang|fr}}
*Hagels, Bert (2009). [https://docs.google.com/viewer?a=v&pid=sites&srcid=ZGVmYXVsdGRvbWFpbnxvbnNsb3dhc3NvY2lhdGlvbnxneDo2MTIxOTZkYTQwYTQxMjJk "Zur Rezeption Onslows in Deutschland bis 1830"], ''Association George Onslow'' , Accessed 11 September 2014. {{in lang|de}}
*{{cite book|last=Hall-Swadley|first=Janita R. |title=The Collected Writings of Franz Liszt: F. Chopin|url=https://books.google.com/books?id=DrivAkWuo8cC&pg=PA32|date=2011|publisher=Scarecrow Press|isbn=978-1-4616-6409-3}}
*Jam, Baudime (2003). ''George Onslow'', Clermont-Ferrand: Les Éditions du Mélophile, {{ISBN|9782952007603}} {{in lang|fr}}
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*Niaux, Viviane (2004). [https://sites.google.com/site/onslowassociation/bibliographie/bibliographie-complete/l-apprentissage-musical-de-george-onslow " L’apprentissage musical de George Onslow et les voyages de 1784 à 1807 à travers les sources et documents du XIXe siècle"], ''Bulletin de l’Association George Onslow'', n°4, pp.&nbsp;5–11. Accessed 9 September 2014. {{in lang|fr}}
* Niaux, Viviane (2009). [http://halshs.archives-ouvertes.fr/docs/00/51/07/33/PDF/Niaux_George_Onslow_le_Beethoven_francais.pdf "George Onslow : le Beethoven français ?"]. Paper given at the colloquium ''Les Sources du romantisme français : à la croisée des influences italiennes et germaniques (1780–1830)'', Palazzetto Bru-Zane, Venice. Accessed 11 September 2014. {{in lang|fr}}
*Niaux, Viviane (2013). [http://0-www.oxfordmusiconline.com.catalogue.ulrls.lon.ac.uk/subscriber/article/grove/music/20353 "Onslow, George"], ''[[Grove Music Online]]'', accessed 9 September 2014. {{Subscription required}}
*d'Ortigue, Joseph (1833). [https://books.google.com/books?id=iowNAAAAQAAJ&pg=PA148 "George Onslow"] in ''Révue de Paris'', 1ère série, LVI, Novembre 1833, pp.&nbsp;148–163. Accessed 11 September 2014. {{in lang|fr}}
* Onslow, George (1835). ''[http://hz.imslp.info/files/imglnks/usimg/3/3f/IMSLP22217-PMLP50950-Onslow_StringQuintet_No15_Op38.pdf Quintetto no. 15]'' (PDF), Leipzig: Fr. Kistner. (On [[IMSLP]], accessed 10 September 2014).
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==External links==
{{Commons category|George Onslow}}
* [https://sites.google.com/site/onslowassociation/ Association George Onslow website] {{in lang|fr}} Site edited by Viviane Niaux
* [http://george.onslow.online.fr/accueilUK.html "George Onslow&nbsp;– the French Beethoven" website]
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[[Category:1784 births]]
[[Category:1853 deaths]]
[[Category:19th-century French classical composers]]
[[Category:19th-century French composers]]
[[Category:19th-century French male musicians]]
[[Category:ChevaliersKnights of the LégionLegion d'honneurof Honour]]
[[Category:French classical composers]]
[[Category:French male classical composers]]
[[Category:French opera composers]]
[[Category:French people of English descent]]
[[Category:French Romantic composers]]
[[Category:Honorary Membersmembers of the Royal Philharmonic Society]]
[[Category:MaleFrench male opera composers]]
[[Category:Pupils of Anton Reicha]]
[[Category:Onslow family|George]]
[[Category:PeopleMusicians from Clermont-Ferrand]]
[[Category:String quartet composers]]
[[Category:Composers for piano]]