Content deleted Content added
→top: divide sentence in lead |
Removing from Category:19th-century French composers has subcat using Cat-a-lot |
||
(18 intermediate revisions by 14 users not shown) | |||
Line 1:
{{Short description|French composer (1784–1853)}}
{{Use British English|date=May 2011}}
{{Use dmy dates|date=June 2020}}
Line 6:
==Life==
George Onslow was born in [[Clermont-Ferrand]]
[[Image:Château de Chalendrat.jpg|thumb|upright=0.8|left|Château de Chalendrat]]
Onslow states in his autobiography that his attitude to music was transformed by his experience of hearing the overture to [[Étienne Méhul]]'s opera ''[[Stratonice (opera)|Stratonice]]'' in Paris in 1801. In Onslow's own later words: "On hearing this piece, I experienced so lively an emotion in the depths of my soul that I sensed myself at once penetrated by feelings previously unknown to me; even today this moment is present in my thought. After this, I saw music with other eyes; the veil which had hidden its beauties from me was rent; it became the source of my most intimate joy, and the faithful companion of my life."<ref name="fetis90">Fétis (1841), p. 90.</ref> This led him to compose his first [[string quintet]]s (Op. 1 nos. 1–3) and [[string quartet]]s (Op. 4 nos. 1–3), although he had not at this stage received any composition tuition. These were published at his own expense; Onslow was always wealthy and did not need critical or financial support. The critic [[François-Joseph Fétis]] noted that, despite his absence of training, Onslow "had all the leisure necessary to overcome these obstacles".<ref name="bickley"/> Onslow learnt to play the [[violoncello|cello]], and
[[File:Chateau de Bellerive, Perignat.jpg|thumb|upright=0.8|right|Château de Bellerives, Pérignat (demolished 1990), on an old postcard]]
Line 26:
==Music==
{{see also|List of compositions by George Onslow}}
[[File:Galerie des compositeurs dramatiques modernes - Nicolas-Eustache Maurin (d. 1850).jpg|thumb|left|"Galerie des compositeurs dramatiques modernes" (1844) by Nicolas-Eustache Maurin (d. 1850). The engraving shows (back row left to right): [[Hector Berlioz]], [[Gaetano Donizetti]], Onslow, [[Daniel Auber]], [[Felix Mendelssohn]], [[Henri-Montan Berton]]; (front row left to right): [[Fromental Halévy]], [[Giacomo Meyerbeer]], [[Gaspare Spontini]], [[Gioacchino Rossini]]]]
Onslow was a prolific composer of chamber music (including 36 string quartets and 34 string quintets). He also wrote 10 [[piano trio]]s, three performed operas (an early opera, ''Les deux oncles'', remains in manuscript) and four symphonies, apart from various works for solo piano, [[piano duet]], and sonatas for solo strings and piano.<ref name="niaux2013"/> Of his string quintets, the first three (Op. 1) were written for two violins, two violas and cello, as with the quintets of Mozart. The remainder were nearly all written for two violins, one viola, and two cellos. After hearing the virtuoso double-bassist [[Domenico Dragonetti]] step in to play in a performance of his tenth quintet, Onslow began to provide in his subsequent quintets the option of replacing one of the cellos with a double-bass.<ref>[http://www.editionsilvertrust.com/onslow-string-quintet-19.htm "String Quintet No.19 in c minor, Op.44"] on Silvertrust Editions website, accessed 15 September 2014.</ref>
Line 34:
Such comments enabled Onslow's publisher Camille Pleyel, in the same year, to promote the composer as "{{Lang|fr|notre Beethoven français}}" ("our French Beethoven"), an epithet which was to be frequently repeated by critics,<ref>Niaux (2009), p. 2.</ref> and was also a trigger for rebuttal by those not so convinced of the similarity; as for example [[Paul Scudo]] who wrote in 1854 that to compare Onslow with Beethoven was like comparing [[Casimir Delavigne]] (a popular librettist of the time) with [[William Shakespeare|Shakespeare]].<ref>Niaux (2009), p. 5.</ref> Indeed Onslow himself would have disowned comparison with Beethoven's late style, according to his conversation as recorded by the music journalist [[Joseph d'Ortigue]]: "The [[Late string quartets (Beethoven)|last quartets of Beethoven]] are mistakes, absurdities, the reveries of a sick genius....I would burn everything I have composed if I someday wrote anything resembling such chaos."<ref>d'Ortigue (1833), p. 154.</ref> However Onslow's interest in classical forms and counterpoint, and the styles of emotional expressiveness in his music, place his music close to the works of his teacher Reicha, and to Onslow's German and Austrian contemporaries of early [[Romanticism|Romantic music]], such as [[Ignaz Moscheles|Moscheles]], [[Johann Nepomuk Hummel|Hummel]], and [[Franz Schubert|Schubert]].<ref name="niaux2013"/> In the opinion of [[Robert Schumann]], only Onslow and Mendelssohn approached Beethoven's mastery of the quartet form.<ref>Sowell (2003), pp. 239–240.</ref>
In the years after his death, Onslow's reputation progressively declined
==References==
Line 41:
;Sources
*Bickley, Diana (n.d.). [http://0-www.oxforddnb.com.catalogue.ulrls.lon.ac.uk/view/article/20791 "Onslow, (André) George Louis"], ''[[Oxford Dictionary of National Biography]]'' online, accessed 9 September 2014.{{Subscription required}}
* Cairns, David (1999). ''Berlioz: The Making of an Artist 1803-1832.'' London: Allen Lane/The Penguin Press. {{ISBN|9780713993851}}.
* Davison, J. W. (1912). ''From Mendelssohn to Wagner: Memoirs''. London: Wm. Reeves.
* Fétis, François-Joseph (1841). [https://books.google.com/books?id=Bs09AAAAcAAJ&pg=PA90 "Onslow, (George)"], in ''Biographie universelle des musiciens et bibliographie générale de la musique'', vol. 7, pp. 88–91. Brussels: Melines, Cans et compagmie. Accessed via [[Google Books]] 15 September 2014.{{in lang|fr}}
*Hagels, Bert (2009). [https://docs.google.com/viewer?a=v&pid=sites&srcid=ZGVmYXVsdGRvbWFpbnxvbnNsb3dhc3NvY2lhdGlvbnxneDo2MTIxOTZkYTQwYTQxMjJk "Zur Rezeption Onslows in Deutschland bis 1830"], ''Association George Onslow''
*{{cite book|last=Hall-Swadley|first=Janita R. |title=The Collected Writings of Franz Liszt: F. Chopin|url=https://books.google.com/books?id=DrivAkWuo8cC&pg=PA32|date=2011|publisher=Scarecrow Press|isbn=978-1-4616-6409-3}}
*Jam, Baudime (2003). ''George Onslow'', Clermont-Ferrand: Les Éditions du Mélophile, {{ISBN|9782952007603}} {{in lang|fr}}
Line 53:
*Niaux, Viviane (2004). [https://sites.google.com/site/onslowassociation/bibliographie/bibliographie-complete/l-apprentissage-musical-de-george-onslow " L’apprentissage musical de George Onslow et les voyages de 1784 à 1807 à travers les sources et documents du XIXe siècle"], ''Bulletin de l’Association George Onslow'', n°4, pp. 5–11. Accessed 9 September 2014. {{in lang|fr}}
* Niaux, Viviane (2009). [http://halshs.archives-ouvertes.fr/docs/00/51/07/33/PDF/Niaux_George_Onslow_le_Beethoven_francais.pdf "George Onslow : le Beethoven français ?"]. Paper given at the colloquium ''Les Sources du romantisme français : à la croisée des influences italiennes et germaniques (1780–1830)'', Palazzetto Bru-Zane, Venice. Accessed 11 September 2014. {{in lang|fr}}
*Niaux, Viviane (2013). [http://0-www.oxfordmusiconline.com.catalogue.ulrls.lon.ac.uk/subscriber/article/grove/music/20353 "Onslow, George"], ''[[Grove Music Online]]'', accessed 9 September 2014. {{Subscription required}}
*d'Ortigue, Joseph (1833). [https://books.google.com/books?id=iowNAAAAQAAJ&pg=PA148 "George Onslow"] in ''Révue de Paris'', 1ère série, LVI, Novembre 1833, pp. 148–163. Accessed 11 September 2014. {{in lang|fr}}
* Onslow, George (1835). ''[http://hz.imslp.info/files/imglnks/usimg/3/3f/IMSLP22217-PMLP50950-Onslow_StringQuintet_No15_Op38.pdf Quintetto no. 15]'' (PDF), Leipzig: Fr. Kistner. (On [[IMSLP]], accessed 10 September 2014).
Line 60:
==External links==
{{Commons category|George Onslow}}
* [https://sites.google.com/site/onslowassociation/ Association George Onslow website] {{in lang|fr}} Site edited by Viviane Niaux
* [http://george.onslow.online.fr/accueilUK.html "George Onslow – the French Beethoven" website]
Line 72 ⟶ 73:
[[Category:1784 births]]
[[Category:1853 deaths]]
[[Category:19th-century French classical composers]]
[[Category:19th-century French male musicians]]
[[Category:
[[Category:French opera composers]]
[[Category:French people of English descent]]
[[Category:French Romantic composers]]
[[Category:Honorary
[[Category:
[[Category:Pupils of Anton Reicha]]
[[Category:Onslow family|George]]
[[Category:
[[Category:String quartet composers]]
[[Category:Composers for piano]]
|