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Kay Starr: Difference between revisions

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{{Short description|American singer (1922–2016)}}
{{Use mdy dates|date=JulyMarch 20222024}}
{{Infobox musical artist
| name = Kay Starr
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| death_date = {{death date and age|2016|11|3|1922|7|21}}
| death_place = Los Angeles, California, U.S.
| genre = [[Traditional pop music|Traditional pop]], [[jazz]], [[country music|country]], [[western swing]]
| occupation = Singer
| label = [[Capitol Records|Capitol]], [[RCA Victor Records|RCA Victor]], [[Happy Tiger Records|Happy Tiger]]
}}
 
'''Kay Starr''' (born '''Catherine Laverne Starks'''; July 21, 1922 – November 3, 2016)<ref>
[https://www.findagrave.com/memorial/172180556/kay-starr#view-photo=212403770 Gravestone photo with name '''Catherine Laverne Starks'''], findagrave.com. Accessed June 3, 2023.</ref><ref name="NY Times">{{cite news|last1=Belcher |first1=David |title=Kay Starr, Hillbilly Singer With Crossover Appeal, Dies at 94 |url=https://www.nytimes.com/2016/11/04/arts/music/kay-starr-hillbilly-singer-with-crossover-appeal-dies-at-94.html |access-date=8 May 8, 2023 |work=[[The New York Times]] |date=November 3, 2016}}</ref> was an American singer who enjoyed considerable success in the late 1940s and 1950s. She was of [[Iroquois]] and Irish heritage. Starr performed multiple genres, such as pop, jazz, and country, but her roots were in jazz.
 
==Early life==
Catherine Laverne Starks was born in [[Dougherty, Oklahoma]]<ref name="NY Times"/><ref name="Later Swing Era">{{cite book |last1=McClellan |first1=Lawrence |title=The later swing era, 1942-1955 |date=2004 |publisher=[[Greenwood Publishing Group]] |isbn=978-0313301575 |page=106}}</ref> to Annie and Harry Starks.<ref name="Oklahoma History">{{cite web |last1=Moore Campbell |first1=Ginnie |title=The Encyclopedia of Oklahoma History and Culture: Kay Starr (1922-2016) |url=https://www.okhistory.org/publications/enc/entry.php?entry=ST017 |website=Oklahoma History.org |access-date=8 May 8, 2023}}</ref> Her mother's ancestors were Irish-American while her father was a Native American [[Iroquois]]. She would later claim to be both [[Cherokee]] and [[Choctaw]] descent.<ref name="NY Times"/> At the age of three, the Starks family moved to [[Dallas, Texas]], where her father obtained a job installing building sprinklers. Her mother raised chickens to support the family as well.<ref name="Guardian">{{cite news |last1=Vacher |first1=Peter |title=Kay Starr obituary: Jazz |url=https://www.theguardian.com/music/2016/nov/06/kay-starr-obituary |access-date=8 May 8, 2023 |work=[[The Guardian]] |date=November 6, 2016}}</ref> Catherine began singing during early childhood, often performing to the chickens that her mother was raising.<ref name="Later Swing Era"/> She sang frequently around the house which caught the attention of her aunt,<ref name="Guardian"/> with whose help she took part in a local talent contest and won at the age of seven.<ref name="Later Swing Era"/><ref name="NY Times"/>
 
== Career ==
Young Catherine continued to enter talent contests and eventually landed a spot performing on Dallas's [[KTCK (AM)|WRR]] radio station.<ref name="Guardian"/> She performed two times a week and earned three dollars a performance. The Starks family moved to [[Memphis, Tennessee]] when she was 15<ref name="NY Times"/> and was given her own "Starr Segment" on Memphis's [[WREC]] station.<ref name="Guardian"/> Due to many people incorrectly saying her last name, she adapted the stage name of "Kay Starr".<ref name="NY Times"/> During high school, she worked with various [[country music]] bands. She was discovered by [[Jazz music|Jazz]] violinist [[Joe Venuti]]<ref name="Later Swing Era"/> who had obtained a contract to perform at the [[Peabody Hotel]] in the summer of 1937.<ref name="Guardian"/> Starr's parents accepted the performance opportunity as long as she was home by their midnight curfew. Venuti did not tell the hotel her real age and fibbed about Starr's mother being her sister.<ref name="NY Times"/> For the next two summers, Starr performed alongside Venuti.<ref name="Old Time Oklahoma">{{cite book |last1=Dary |first1=David |title=Stories of Old-Time Oklahoma |date=2015 |publisher=[[University of Oklahoma|University of Oklahoma Press]] |isbn=978-0806151717 |page=239}}</ref>
{{More citations needed|section|date=June 2023}}
Young Catherine continued to enter talent contests, and eventually landed a spot performing on Dallas's [[KTCK (AM)|WRR]] radio station.<ref name="Guardian" /> She performed two times a week and earned three dollars a performance. The Starks family moved to [[Memphis, Tennessee]] when she was 15<ref name="NY Times" /> and was given her own "Starr Segment" on Memphis's [[WREC]] station.<ref name="Guardian" /> Due to many people incorrectly saying her last name, she adapted the stage name of "Kay Starr".<ref name="NY Times" /> During high school, she worked with various [[country music]] bands. She was discovered by [[Jazz music|Jazzjazz]] violinist [[Joe Venuti]],<ref name="Later Swing Era" /> who had obtained a contract to perform at the [[Peabody Hotel]] in the summer of 1937.<ref name="Guardian" /> Starr's parents accepted the performance opportunity, as long as she was home by their midnight curfew. Venuti did not tell the hotel her real age, and fibbed about Starr's mother being her sister.<ref name="NY Times" /> For the next two summers, Starr performed alongside Venuti.<ref name="Old Time Oklahoma">{{cite book |last1=Dary |first1=David |title=Stories of Old-Time Oklahoma |date=2015 |publisher=[[University of Oklahoma|University of Oklahoma Press]] |isbn=978-0806151717 |page=239}}</ref>
 
Starr's singing attracted the attention of [[Bob Crosby]]'s manager and had her join Crosby on the road.<ref name="Later Swing Era" /> She went to [[New York City]] and played with Crosby's band for two weeks until she was dismissed by the show's sponsor for being considered "too earthy".<ref name="Guardian" /> Despite being let go, she caught the attention of [[Glenn Miller]], who needed a substitute female performer while his regular performer ([[Marion Hutton]]) was ill. For two weeks, Starr performed at the [[Starin's Glen Island|Glen Island Casino]] alongside Miller's orchestra.<ref name="Later Swing Era" /> At age 16, Starr recorded her first tracks with Miller's orchestra: "Baby Me" and "Love with a Capital 'You'". The songs failed to become a success.<ref name="NY Times" /> This was in part because the band played in a key that, while appropriate for Hutton, did not suit Kay. Starr later recalled that she sounded like "a jazzed up Alfalfa" since they weren't in her range.<ref>{{cite book |last1=Friedwald |first1=Will |title=A Biographical Guide to the Great Jazz and Pop Singers |date=2010 |publisher=[[Pantheon Books]] |isbn=978-0375421495 |page=443}}</ref>
 
Starr and her mother then returned to Memphis, where she completed high school in 1940.<ref name="Old Time Oklahoma" /> She then moved to Los Angeles and worked alongside Venuti until 1941.<ref name="Memphis">{{cite web |last1=Johnson |first1=Bev |title=Kay Starr: Memphis Music Hall of Fame |url=https://memphismusichalloffame.com/inductee/kaystarr/ |website=[[Memphis Music Hall of Fame]] |access-date=May 9, 2023}}</ref>
 
==Career==
{{Moresources|section}}
Starr then signed with [[Wingy Manone]]'s band. From 1943 to 1945 she sang with [[Charlie Barnet]]'s ensemble, retiring for a year after contracting pneumonia and later developing nodes on her vocal cords as a result of fatigue and overwork. In 1946 Starr became a soloist and a year later signed a contract with [[Capitol Records]]. The label had a number of female singers signed up, including [[Peggy Lee]], [[Ella Mae Morse]], [[Jo Stafford]], and [[Margaret Whiting]], so it was hard to find her a niche of her own. In 1948 when the [[American Federation of Musicians]] was threatening a strike, Capitol wanted to have each of its singers record a back list for future release. Being junior to all these other artists meant that every song Starr wanted to sing was taken by her rivals on the label, leaving her a list of old songs which nobody else wanted to record.
[[File:Kay Starr.gif|thumb|left|Kay Starr with Andy Mansfield on [[American Forces Network|AFRTS]]' ''America's Popular Music'' (1968)]]
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Most of Starr's songs had jazz influences. Like those of [[Frankie Laine]] and [[Johnnie Ray]], they were sung in a style that anticipated rock and roll songs. These included her hits "[[Wheel of Fortune (1951 song)|Wheel of Fortune]]" (her biggest hit, No. 1 for 10 weeks), "Side by Side",<ref name=pc2>{{cite web |url=https://digital.library.unt.edu/ark:/67531/metadc19746/m1/ |title=Show 2 - Play a Simple Melody: American pop music in the early fifties. Part 2 |publisher=Digital.library.unt.edu|access-date=August 3, 2011}}</ref> "The Man Upstairs", and "Rock and Roll Waltz". One of her biggest hits was her version of "[[(Everybody's Waitin' For) The Man with the Bag]]", a Christmas song that became a holiday favorite.<ref>Order Christmas Records Now, ''The Billboard'', December 9, 1950, page 17</ref><ref>There's Christmas in the Air, ''The Billboard'', November 29, 1952, pg. 29</ref>
[[File:WIKI KAY STARR 2.jpg|thumb|right|Kay Starr in 2009]]
After rock-and-roll swept olderestablished performers from the charts, Starr appeared in the television series ''[[Club Oasis]]'', mostly associated with the bandleader [[Spike Jones]]. She recorded several albums, including ''Movin' '' (1959), ''Losers, Weepers…'' (1960), ''I Cry By Night'' (1962), and ''Just Plain Country'' (1962).
 
After leaving Capitol for a second time in 1966, Starr continued touring in the US and the UK. She recorded several jazz and country albums on small independent labels, including ''[[How About This]]'', a 1968 album with [[Count Basie]].
 
In the late 1980s she performed in the revue ''3 Girls'' with [[Helen O'Connell]] and [[Margaret Whiting]], and in 1993 she toured the United Kingdom as part of [[Pat Boone]]'s ''April Love'' Tour. Her first live album, ''Live at Freddy's'', was released in 1997. She sang with [[Tony Bennett]] on his album ''[[Playin' with My Friends: Bennett Sings the Blues]]'' (2001). Two of her songs, ''Powder Your Face with Sunshine'' and ''It's a Good Day'', appeared in the 2007 movie ''[[Fido (film)|Fido]]''.
 
==Death==
Starr died on November 3, 2016, in Los Angeles at the age of 94 from complications of [[Alzheimer's disease]]. Starr was married six times, including, briefly in 1953, to bandleader/composer [[Vic Schoen]]. Starr was survived by a daughter.<ref name="Belcher">{{cite news|last1=Belcher |first1=David |title=Kay Starr, Hillbilly Singer With Crossover Appeal, Dies at 94 |url=https://www.nytimes.com/2016/11/04/arts/music/kay-starr-hillbilly-singer-with-crossover-appeal-dies-at-94.html |newspaper=[[The New York Times]] |access-date=July 21, 2018 |language=en |date=November 3, 2016}}</ref>
 
==Discography==
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==External links==
{{Commons}}
*[https://www.namm.org/library/oral-history/kay-starr Kay Starr Interview] at [[NAMM Oral History LibraryProgram|NAMM Oral History Collection]] (1994)]
*[https://web.archive.org/web/20090222023708/http://www.kuow.org/program.php?id=10254 Kay Starr interview on KUOW 94.9 (NPR) Seattle, 2006]
*{{IMDb name|id=0823545|name=Kay Starr}}
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[[Category:Big band singers]]
[[Category:Capitol Records artists]]
[[Category:Deaths from Alzheimer's disease in California]]
[[Category:Deaths from dementia in California]]
[[Category:Glenn Miller Orchestra members]]
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[[Category:RCA Victor artists]]
[[Category:Singers from Oklahoma]]
[[Category:TorchAmerican torch singers]]
[[Category:Traditional pop music singers]]
[[Category:20th-century Native American women]]