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{{Short description|1997 American thriller film}}
{{Use mdy dates|date=April 2019}}
{{Infobox film
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* [[David Brown (producer)|David Brown]]
* [[Robert Evans (producer)|Robert Evans]]
* [[William J.
* [[Mace Neufeld]]
}}
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| editing = [[Terry Rawlings]]
| studio = {{Plainlist|
* Mace Neufeld Productions▼
* [[Rysher Entertainment]]
▲* [[Mace Neufeld|Mace Neufeld Productions]]
}}
| distributor = [[Paramount Pictures]]
| released = {{Film date|1997|
| runtime = 116 minutes
| country = United States
| language = English<br>Russian
| budget = $90 million<ref name="the-numbers1997"
| gross = $169.4 million<ref name="the-numbers1997"
}}
'''''The Saint''''' is a 1997 American
It is loosely based on the character of [[The Saint (Simon Templar)|Simon Templar]] created by [[Leslie Charteris]] in 1928 for a series of books published as "The Saint", which ran until 1983. The Saint character has also featured in a [[The Saint (film series)|series]] of [[
==Plot==
At the [[Ignatius of Loyola|Saint Ignatius]] Orphanage, a rebellious boy named [[Giovanni Battista de' Rossi|John Rossi]] refers to himself as "Simon Templar" and leads
As an adult,
▲At the [[Ignatius of Loyola|Saint Ignatius]] Orphanage, a rebellious boy named John Rossi refers to himself as "Simon Templar" and leads a group of fellow orphans as they attempt to run away to escape their harsh treatment. Just as Simon is caught by the head priest, he witnesses the tragic death of a girl, to whom he had taken a liking, when she accidentally falls from a balcony.
Using the alias "[[Thomas More]]", Simon poses as a [[Boer]] traveller to seduce Emma, and steals the formula, but when Simon develops romantic feelings for her, he decides to give up on stealing the formula, and when Tretiak threatens to kidnap her, Simon finally steals the formula after a [[one-night stand]]. Tretiak realizes the formula is incomplete and sends Ilya and his henchmen to kill Simon, who narrowly escapes. Simon returns to Russia to demand his payment from Tretiak while disguised as Tretiak himself. A heartbroken Emma reports the theft of her formula to Inspectors [[Claud Eustace Teal|Teal]] and Rabineau of [[Scotland Yard]], who inform her Simon is a wanted international thief.
▲As an adult, Simon ([[Val Kilmer]]), now a professional thief dubbed "The Saint" for using the names of [[Catholic saint]]s as aliases, steals a valuable microchip belonging to a Russian oil company. Simon stages the burglary during a political rally held for the company's owner, Ivan Tretiak ([[Rade Šerbedžija]]). Tretiak is a former [[Communist Party of the Soviet Union|Communist Party]] boss and a billionaire oil and gas oligarch who is rallying support against the [[President of the Russian Federation|Russian president]]. Simon is caught in the act by Tretiak's son Ilya ([[Valery Nikolaev]]) but escapes with the microchip. After learning of the heist, Tretiak contacts Simon and hires him to steal a revolutionary [[Cold fusion|cold-fusion]] formula discovered by U.S. [[Electrochemistry|electrochemist]] Emma Russell ([[Elisabeth Shue]]). He wishes to acquire Emma's formula—which creates clean, inexpensive energy—so he can monopolize the energy market during a severe oil shortage in Russia.
Emma tracks down Simon to a Moscow hotel where Tretiak has them arrested, but they escape and flee through the suburbs. They are sheltered by a prostitute and her family and meet Frankie, a [[spiv]] who sells them directions through the sewers to the U.S. embassy. Finding Ilya and his men waiting for them, Simon lets himself be caught to allow Emma to safely reach the embassy, then escapes after igniting a car's gas tank and leaving Ilya severely burned.
▲Simon plants a listening device in Tretiak's office and learns he plans to stage a ''coup d'état'' by selling the cold-fusion formula to Russian President Karpov to frame him for wasting billions on useless technology. Tretiak then plans to use the political fallout to install himself as President. Emma finishes the equations to complete the formula, and Simon delivers the information to Tretiak's physicist, Dr. Lev Botvin ([[Henry Goodman]]), who builds an apparatus that proves the formula works. Simon infiltrates the President's [[Kremlin]] residence and informs him of Tretiak's conspiracy just before Tretiak loyalists detain him. In front of a massive gathering in [[Red Square]], Tretiak makes public accusations against President [[Anatoly Karpov|Karpov]], but when the [[Cold fusion|cold-fusion]] reactor is successfully initiated, Tretiak is exposed as a fraud and arrested. He is also revealed to have caused the heating-oil shortage in Moscow by illegally stockpiling vast amounts of heating oil underneath his mansion.
▲Sometime later, Simon and Emma reunite at a cottage somewhere in England where he gives back her formula and they start a secret relationship. At a news conference at the [[University of Oxford]], Emma presents her cold fusion formula to the world. Simon attends the conference in disguise and once again avoids being captured by Inspectors Teal and Rabineau when they spot him in the crowd. As he drives away, he listens to a news radio broadcast (voiced by [[Roger Moore]]) reporting that $3 billion was recently donated to the [[Red Cross]], [[Salvation Army]] and the [[United Nations Children's Fund]]. It is implied that Simon, who had access to Tretiak's accounts, donated the money anonymously. Furthermore, a non-profit foundation led by Dr. Botvin is being established to develop the cold-fusion technology.
==Cast==
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* Egor Pazenko as Scratchface
* Adam Smith as Young Simon Templar
* Verity-Jane Dearsley as Agnes
* [[Roger Moore]] as Radio Announcer Voice
* [[David Schneider (actor)|David Schneider]] as Bar Waiter
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==Production {{anchor|Production history}}==
Film adaptations of Leslie Charteris's anti-hero Simon Templar (The Saint) date back to the late 1930s when [[RKO Radio Pictures]] launched a popular series of [[B
In the mid-1980s, tabloid gossip newspapers such as the ''[[National Enquirer]]'' reported that Moore was planning to produce a new Saint movie, with [[Pierce Brosnan]] (then known for playing the Templar-influenced character [[Remington Steele]] on TV and later of [[James Bond]] fame) being considered for the role, though nothing came of this project.
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The reference work ''The Saint: A Complete History'' by [[Burl Barer]] (McFarland 1992) was written at a time when another set of plans were under way to launch a new Saint film series, which would have been faithful to the original writings of Leslie Charteris and feature characters from the original books. This project also failed.
A few years later, [[Paramount Pictures]]' attempt to make a film of ''The Saint'' started with the powerhouse [[Above
Robert Evans left the project—although, contractually, his name remains on the final film's credits—and [[David Brown (producer)|David Brown]] (''[[Jaws (film)|Jaws]]'', ''[[Driving Miss Daisy]]'') took over. A new story was commissioned from [[Jonathan Hensleigh]] (''[[Die Hard with a Vengeance]]''), which cast Simon Templar as a mercenary hired by a billionaire Russian oil and gas tycoon to steal the secret of cold fusion from an eccentric but beautiful American scientist. The story would take place in [[Washington, D.C.]], [[The Hamptons|Upstate New York]], [[
</ref> [[Phillip Noyce]] was hired to direct.
Providing a link to both the 1960s ''[[The Saint (TV series)|The Saint]]'' TV series and the later ''[[Return of the Saint]]'' revival of the 1970s, [[Robert S. Baker]], the producer of both series, was brought in an executive producer of the film.
In a 1997 interview with [[Des O'Connor]] for his [[ITV (TV network)|ITV]] show, [[Hugh Grant]] says he passed on the role after a meeting with Noyce because he
Strick's rewrite relocated the action to [[London]] and [[Oxford]] and merged two villains together by having Tretiak running for president himself rather than endorsing a puppet candidate. Kilmer was constantly pressing for more disguises in the film, although Paramount wanted to keep that idea for their ''[[Mission: Impossible (1966 TV series)|Mission: Impossible]]'' franchise. The Saint, as devised by Charteris in the 1930s, used crude disguises instead of the sophisticated ones shown in this film.
Unusually for an action star of the time (as in heroes played by [[Steven Seagal]], [[Bruce Willis]] or [[Mel Gibson]]), this Saint refrained from killing and even the main villains live to stand trial. Charteris's version had no qualms about taking another life.
In the original version of the film—as in the original Jonathan Hensleigh script—Emma, having escaped Russia via the American embassy, collapses while giving a lecture and dies in Simon Templar's arms. Watching the videotape back, he sees Ilya Tretiak stabbing her in the leg with the tip of his cane. The final half-hour has Simon returning to Moscow to destroy the villains' plans and avenge her death. With Dr. Botvin's help, he switches the formulas around and humiliates Ivan Tretiak during his show trial of the Russian president. The Tretiaks shoot their way out of the crowd and escape back to their mansion, with Simon and the [[
The [[novelization]] features an alternate version in which Emma lives and Simon and Ilya still battle on the chandelier. In the end the producers decided to cut Emma's death scene and Templar's battle with Ilya, inserted footage of the Tretiaks being arrested and filmed a new epilogue at Oxford. (Footage from the original ending features prominently in the film's trailer.)
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{{Main|The Saint (novel)}}
A novelization based upon the film script was written by [[Burl Barer]].<ref>{{cite book |last=Barer
==Soundtrack==
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On [[Rotten Tomatoes]] the film has an approval rating of 30% based on 46 reviews. The websites consensus states: "''The Saint'' is watchable thanks to Val Kilmer and Elisabeth Shue, but the film's muddled screenplay stretches credulity".<ref>{{cite web |url= https://www.rottentomatoes.com/m/saint/ |title= The Saint |website= [[Rotten Tomatoes]] }}</ref> On [[Metacritic]] the film has a score of 50 out of 100 based on 22 reviews, indicating "Mixed or average reviews".<ref name="metacritic">{{cite web |title=Critic Reviews for The Saint |url= https://www.metacritic.com/movie/the-saint/ |website= [[Metacritic]] |date=April 4, 1997 |access-date=September 24, 2012}}</ref> Audiences surveyed by [[CinemaScore]] gave the film a grade B+ on scale of A to F.<ref>{{cite web |url= https://www.cinemascore.com/publicsearch/index/title/ |title= Cinemascore |url-status= dead |archive-url= https://web.archive.org/web/20181220122629/https://www.cinemascore.com/publicsearch/index/title/ |archive-date= 2018-12-20 }}</ref>
Edward Guthmann of the ''[[San Francisco Chronicle]]'' notes Kilmer is the "master of disguises", as "Templar's genius, like Kilmer's, involves slipping in and out of skins rapidly and offering only the slightest hint at the person who hides beneath the charade... Kilmer dons 12 disguises in all, polishes them with impeccable accents and pliable postures", with Shue's character offering "the same sympathetic dignity she brought to ''[[Leaving Las Vegas]]''".<ref>{{cite web|url=http://www.sfgate.com/movies/article/Catch-Kilmer-If-You-Can-Crafty-actor-brings-2847155.php |title=Catch Kilmer If You Can / Crafty actor brings master of disguises, 'The Saint,' back to the big screen |publisher=SFGate |date=April 4, 1997 |access-date=September 24, 2012}}</ref> Liam Lacey of ''The Toronto Globe and Mail'' said ''The Saint'' is "More entertaining than ''[[Mission: Impossible (film)|Mission: Impossible]]'' or the last [[James Bond|Bond]] film ''[[GoldenEye]]''. It brings back the humour and
It received two thumbs down on a 1997 episode of ''[[At the Movies (1986 TV program)|Siskel & Ebert]]''. [[Gene Siskel]] criticized the romantic plot between Shue and Kilmer's characters, and described Shue's character as "lousy". He also disliked the disguises, saying "I think the disguises are a big mistake. I think it becomes the '[[The Nutty Professor (1996 film)|Nutty Saint]]' if you will. I think it really works cross-purposes to establishing any kind of tension in the picture."<ref name="worst97">{{cite news |last=Ebert |first=Roger |author-link=Roger Ebert |last2=Siskel |first2=Gene |author-link2=Gene Siskel |date=5 April 1997 |title=The Saint/Inventing the Abbotts/Double Team/That Old Feeling/Chasing Amy |publisher=Buena Vista Television}}</ref>
==Reboot==
==References==
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==External links==
{{wikiquote}}
* {{
* {{
* {{AFI film|
* [http://www.dailyscript.com/scripts/the_saint.html Jonathan Hensleigh's original script]
* [https://www.boxofficemojo.com/movies/?id=saint.htm ''The Saint''
{{Phillip Noyce}}
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[[Category:1997 action thriller films]]
[[Category:1990s romance films]]
[[Category:
[[Category:1990s spy films]]
[[Category:American spy films]]
[[Category:American romance films]]
[[Category:American films]]▼
[[Category:American action thriller films]]
[[Category:Paramount Pictures films]]
[[Category:The Saint (Simon Templar)]]
[[Category:Films about coups d'état]]
[[Category:Films based on television series]]
[[Category:Films directed by Phillip Noyce]]
[[Category:Films set in 1997]]
[[Category:Films set in England]]
[[Category:Films set in London]]
[[Category:Films set in Moscow]]
[[Category:Films set in Oxford]]
[[Category:Films set in Oxfordshire]]
[[Category:Films set in Russia]]
[[Category:Films
[[Category:Films shot in London]]
[[Category:Films shot in Moscow]]
[[Category:Films shot in Oxford]]
[[Category:Films shot in Oxfordshire]]
[[Category:Films shot in Russia]]
[[Category:Films produced by David Brown]]
[[Category:Films scored by Graeme Revell]]
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[[Category:Films produced by Mace Neufeld]]
[[Category:Films about nuclear technology]]
[[Category:Films with screenplays by Jonathan Hensleigh]]
[[Category:Films with screenplays by Wesley Strick]]
[[Category:Rysher Entertainment films]]
[[Category:
[[Category:English-language action thriller films]]
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