Walter Dewey Redman (May 17, 1931 – September 2, 2006)[1] was an American saxophonist who performed free jazz as a bandleader and with Ornette Coleman and Keith Jarrett.
Dewey Redman | |
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Background information | |
Birth name | Walter Dewey Redman |
Born | Fort Worth, Texas, United States | May 17, 1931
Died | September 2, 2006 Brooklyn, New York, United States | (aged 75)
Genres | Jazz, avant-garde jazz, free jazz |
Occupation(s) | Musician, composer |
Instrument(s) | Tenor saxophone, alto saxophone, suona, clarinet |
Labels | Impulse!, Black Saint, Galaxy, ECM |
Redman mainly played tenor saxophone, though he occasionally also played alto, the Chinese suona (which he called a musette), and clarinet. His son is saxophonist Joshua Redman.
Biography
editRedman was born in Fort Worth, Texas. He attended I.M. Terrell High School, and played in the school band with Ornette Coleman, Prince Lasha, and Charles Moffett.[2][3] After high school, he briefly enrolled in the electrical engineering program at the Tuskegee Institute in Alabama but became disillusioned with the program and returned home to Texas. In 1953, he earned a bachelor's degree in Industrial Arts from Prairie View Agricultural and Mechanical University. While at Prairie View, he switched from clarinet to alto saxophone, then to tenor. After graduating, he served for two years in the U. S. Army.[4]
After his discharge from the Army, Redman began working on a master's degree in education at the University of North Texas. While working on his degree, he taught music to fifth graders in Bastrop, Texas and worked as a freelance saxophonist at night and weekends in Austin, Texas. In 1957, he graduated in Education with a minor in Industrial Arts.[5] While at North Texas, he did not enroll in any music classes.[6]
In 1959 he moved to San Francisco, resulting in a collaboration with clarinettist Donald Garrett.[7][5][4]
Redman was best known for his 1968-1972 collaboration with saxophonist Ornette Coleman, with whom he had performed in his Fort Worth high school marching band. He also played in pianist Keith Jarrett's American Quartet (1971–1976). Jarrett's The Survivors' Suite was voted Jazz Album of the Year by Melody Maker in 1978. In the 1970s Redman formed the quartet Old and New Dreams with Don Cherry, Charlie Haden, and Ed Blackwell. They recorded four albums in the period to 1987.
Redman recorded as a sideman with Paul Motian and Pat Metheny. In 1981 he performed at the Woodstock Jazz Festival for the tenth anniversary of the Creative Music Studio. He was the subject of the award-winning documentary film Dewey Time directed by Daniel Berman (2001).
On February 19 and 21, 2004, he played tenor saxophone as a special guest with Jazz at Lincoln Center in a concert entitled "The Music of Ornette Coleman". Reviewing the performance, Howard Mandel wrote, "Redman, a veteran of Coleman's bands, played on 'Ramblin' and 'Peace', demonstrating more originality, maturity and conviction than anyone else on the bandstand."[8]
Redman died of liver failure in Brooklyn, New York, on September 2, 2006.[9]
Discography
editAs leader
edit- Look for the Black Star (Freedom, 1966; re-released on Arista Freedom in 1975)
- Tarik (BYG Actuel, 1969)
- The Ear of the Behearer (Impulse!, 1973)
- Coincide (Impulse!, 1974)
- Musics (Galaxy, 1979)
- Soundsigns (Galaxy, 1979)
- Red and Black in Willisau with Ed Blackwell (Black Saint, 1980)
- The Struggle Continues (ECM, 1982)
- Living on the Edge (Black Saint, 1989)
- Choices featuring Joshua Redman (Enja, 1992)
- African Venus featuring Joshua Redman (Evidence, 1994; re-released on Venus in 1998 as "Satin Doll") – recorded in 1992
- In London (Palmetto, 1998) – recorded in 1996
- Momentum Space with Cecil Taylor and Elvin Jones (Verve, 1999) – recorded in 1998
With Ed Blackwell, Don Cherry and Charlie Haden
- Old and New Dreams (Black Saint, 1976)
- Old and New Dreams (ECM, 1979)
- Playing (ECM, 1980)
- A Tribute to Blackwell (Black Saint, 1987)
As sideman
editWith Jane Bunnett
- In Dew Time (Dark Light, 1988)
- Radio Guantánamo: Guantánamo Blues Project, Vol. 1 (Blue Note, 2006)
With Ornette Coleman
- New York Is Now! (Blue Note, 1968)
- Love Call (Blue Note, 1968)
- Ornette at 12 (Impulse!, 1968)
- Crisis (Impulse!, 1969)
- Friends and Neighbors: Live at Prince Street (Flying Dutchman, 1970)
- Live in Paris 1971 (Jazz Row, 1971)
- The Belgrade Concert (Jazz Door, 1971)
- Science Fiction (Columbia, 1971)
- Broken Shadows (Columbia, 1971-2 [1982])
- The Complete Science Fiction Sessions (Columbia, 1971–2 [2000])
With Charlie Haden's Liberation Music Orchestra
- Liberation Music Orchestra (Impulse!, 1970)
- The Ballad of the Fallen (ECM, 1982)
- Dream Keeper (Blue Note, 1990)
With Keith Jarrett
- El Juicio (Atlantic, 1971)
- Birth (Atlantic, 1971)
- Expectations (Columbia, 1972)
- Fort Yawuh (Impulse!, 1973)
- Treasure Island (Impulse!, 1974)
- Death and the Flower (Impulse!, 1974)
- Back Hand (Impulse!, 1974)
- Shades (Impulse!, 1975)
- Mysteries (Impulse!, 1975)
- The Survivors' Suite (ECM, 1976)
- Bop-Be (Impulse!, 1977)
- Eyes of the Heart (ECM, 1979)
With Paul Motian
- Monk in Motian (JMT, 1988)
- Trioism (JMT, 1993)
With Michel Benita
- Preferences (Label Bleu, 1990)
- Soul (Label Bleu, 1993)
With others
- Jon Ballantyne, 4tets (Real Artist Works, 2000)
- Ed Blackwell, Walls–Bridges (Black Saint, 1992)
- Michael Bocian, Reverence (Enja, 1994)
- David Bond, The Key of Life (Vineyard, 2009)
- Cameron Brown, Here and How! (OmniTone, 1997)
- Don Cherry, Relativity Suite (JCOA, 1973)
- Anthony Cox, Dark Metals (Polygram, 1991)
- Mark Helias, Split Image (Enja, 1984)
- Billy Hart, Enchance (Horizon, 1977)
- Leroy Jenkins, For Players Only (JCOA, 1975)
- Pat Metheny, 80/81 (ECM, 1980)
- Roswell Rudd & The Jazz Composer's Orchestra, Numatik Swing Band (JCOA, 1973)
- Clifford Thornton & The Jazz Composers Orchestra, The Gardens of Harlem (JCOA, 1975)
- Randy Weston, The Spirits of Our Ancestors (Antilles, 1991)
- Matt Wilson, As Wave Follows Wave (Palmetto, 1996)
- Dane Belany, Motivations (Sahara, 1975)
- John Menegon, Search Light (Maki Records 2003)
References
editGeneral references
- In Black and White. A guide to magazine articles, newspaper articles, and books concerning Black individuals and groups. Third edition, Supplement. Edited by Mary Mace Spradling. Detroit: Gale Research, 1985
- The Negro Almanac. A reference work on the Afro American. Third edition. Edited by Harry A. Ploski and Warren Marr, II. New York: Bellwether Co., 1976. Later editions published as The African-American Almanac
- The African-American Almanac. Sixth edition. Detroit: Gale Research, 1994. Formerly published as The Negro Almanac
- The African American Almanac. Eighth edition. Detroit: Gale Group, 2000. Formerly published as The Negro Almanac
- The African American Almanac. Ninth edition. Detroit: Gale Group, 2003. Formerly published as The Negro Almanac
- All Music Guide to Jazz. The experts' guide to the best jazz recordings. Second edition. Edited by Michael Erlewine. San Francisco: Miller Freeman Books, 1996
- All Music Guide to Jazz. The definitive guide to jazz music. Fourth edition. Edited by Vladimir Bogdanov, Chris Woodstra and Stephen Thomas Erlewine. San Francisco: Backbeat Books, 2002
- Biography Index. A cumulative index to biographical material in books and magazines. Volume 13: September 1982 – August 1984. New York: H.W. Wilson Co., 1984
- Biography Index. A cumulative index to biographical material in books and magazines. Volume 18: September 1992 – August 1993 New York: H.W. Wilson Co., 1993
- Biography Index. A cumulative index to biographical material in books and magazines. Volume 26: September 2000 – August 2001 New York: H. W. Wilson Co., 2001
- Biography Index. A cumulative index to biographical material in books and magazines. Volume 29: September 2003 – August 2004. New York: H. W. Wilson Co., 2004
- Contemporary Musicians. Profiles of the people in music. Volume 32. Detroit: Gale Group, 2001
- The Encyclopedia of Popular Music. Third edition. Eight volumes. Edited by Colin Larkin. London: MUZE, 1998. Grove's Dictionaries, New York, 1998
- The Illustrated Encyclopedia of Jazz. By Brian Case and Stan Britt. New York: Harmony Books, 1978
- The Negro Almanac. A reference work on the Afro-American. Fourth edition. Compiled and edited by Harry A. Ploski and James Williams. New York: John Wiley & Sons, 1983
- The Negro Almanac. A reference work on the African American. Fifth edition. Detroit: Gale Research, 1989
- The New Grove Dictionary of American Music. Four volumes. Edited by H. Wiley Hitchcock and Stanley Sadie. London: Macmillan Press, 1986
- The New Grove Dictionary of Jazz. First edition. Two volumes. Edited by Barry Kernfeld. London: Macmillan Press, 1988
- The Penguin Encyclopedia of Popular Music. Edited by Donald Clarke. New York: Viking Press, 1989
- Who's Who in America. 42nd edition, 1982–1983. Wilmette, IL: Marquis Who's Who, 1982
- Who's Who in America. 43rd edition, 1984–1985. Wilmette, IL: Marquis Who's Who, 1984
- Baker's Biographical Dictionary of Musicians. Ninth edition. Edited by Laura Kuhn. New York: Schirmer Books, 2001
- The New Grove Dictionary of Jazz. Edited by Barry Kernfeld. New York: St. Martin's Press, 1994
- The New Grove Dictionary of Jazz. Second edition. Three volumes. Edited by Barry Kernfeld. London: Macmillan Publishers, 2002
- ASCAP Biographical Dictionary. Fourth edition. Compiled for the American Society of Composers, Authors and Publishers by Jaques Cattell Press. New York: R.R. Bowker, 1980
- Biographical Dictionary of Afro-American and African Musicians. By Eileen Southern. Westport, CT: Greenwood Press, 1982
- Biographical Dictionary of Jazz. By Charles Eugene Claghorn. Englewood Cliffs, NJ: Prentice Hall, 1982
- The Encyclopedia of Jazz in the Seventies. By Leonard Feather and Ira Gitler. New York: Horizon Press, 1976
- Who's Who in America. 59th edition, 2005. New Providence, NJ: Marquis Who's Who, 2004
Inline citations
- ^ "Jazz Police – Dewey Redman, an Enduring Original, 1931–2006". Archived from the original on October 29, 2006. Retrieved September 2, 2017.
- ^ "Dewey Redman" (PDF). Texas State University–San Marcos. Archived from the original (PDF) on January 15, 2016. Retrieved July 26, 2012.
- ^ Litweiler, John (1994) [1992]. "Chapter 1". Ornette Coleman: A Harmolodic Life (paperback ed.). New York: Da Capo. pp. 27–30. ISBN 0-306-80580-4.
- ^ a b Ratliff, Ben (September 4, 2006). "Dewey Redman, 75, Jazz Saxophonist, Dies". The New York Times. Retrieved July 20, 2021.
- ^ a b Obituary: Dewey Redman Dies, Down Beat, September 5, 2006
- ^ University of North Texas Registrar Records
- ^ "Dewey Redman Dies". September 5, 2006.
- ^ "Jazz At Lincoln Center Vs. Ornette Coleman : Features : One Final Note". Onefinalnote.com. Retrieved September 2, 2017.
- ^ Fordham, John (October 3, 2006). "Obituary: Dewey Redman". The Guardian. Retrieved July 10, 2018.
External links
edit- "Dewey Redman: The Sound of a Giant", at All About Jazz
- "Dewey Redman: an Enduring Original, 1931–2006", obituary in Jazz Police magazine, by Andrea Carter
- obituary at The Bad Plus blog
- Dewey Redman obituary from All About Jazz