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{{short description|Former British national radio station (1946–1967)}}
{{short description|Former British national radio station (1946–1967)}}
{{no footnotes|date=August 2011}}
{{more footnotes|date=August 2011}}
{{Use British English|date=February 2020}}
{{Use British English|date=February 2020}}
{{Use dmy dates|date=November 2019}}
{{Use dmy dates|date=November 2019}}
{{Infobox radio network
{{Infobox radio network
| name = BBC Third Programme
| name = BBC Third Programme
| logo =
| image = BBC Broadcasting House 532073098.jpg
| logo_size =
| image_size = 220
⚫
| image_alt = A photograph of Broadcasting House showing the art deco styling of the main facade was made from Portland stone.
⚫
| logo_alt =
⚫
| caption = The Third Programme headquarters was at [[Broadcasting House]] in [[London]].
| logo caption =
| collapsible =
| country = [[United Kingdom]]
| image = BBC Broadcasting House 532073098.jpg
| headquarters = [[Broadcasting House]], [[London]], [[England]]
| radio_stations = 647 [[kHz]], 1547 kHz
| image_size = 220
⚫
| owner = [[BBC]]
⚫
| image_alt = A photograph of Broadcasting House showing the art deco styling of the main facade was made from Portland stone
⚫
| launch_date = {{Start date and age|1946|09|29|df=y}}
⚫
| caption = The Third Programme headquarters was at [[Broadcasting House]] in [[London]]
⚫
| dissolved = {{End date and age|1967|09|29|df=y}}
| country = [[United Kingdom]]
| headquarters = [[Broadcasting House]], [[London]], [[England]]
| language = [[English language|English]]
| radio_stations = 647 [[kHz]]; 1547 kHz
| replaced_by = [[BBC Radio 3]]
| owner = [[BBC]]
⚫
| launch_date = {{Start date|1946|09|29|df=y}}
⚫
| dissolved = {{End date|1967|09|29|df=y}}
| language = [[English language|English]]
| replaced_by = [[BBC Radio 3]]
}}
}}


The '''BBC Third Programme''' was a national radio station produced and broadcast from 1946 until 1967, when it was replaced by [[BBC Radio 3|Radio 3]]. It first went on the air on 29 September 1946 and quickly became one of the leading cultural and intellectual forces in [[Great Britain|Britain]], playing a crucial role in disseminating the arts.<ref>{{cite book |last=Hewison |first=Robert |year=1995 |title=Culture and Consensus: England, Art and Politics Since 1940 |publisher=[[Methuen Publishing]] |location=London |isbn=0-413-69060-1 |url=https://books.google.com/books?id=NHDbCQAAQBAJ |via=[[Google Books]]}}</ref>{{page needed|date=February 2020}} It was the [[BBC]]'s third national radio network, the other two being the [[BBC Home Service|Home Service]] (mainly speech-based) and the [[BBC Light Programme|Light Programme]], principally devoted to [[light entertainment]] and [[light music|music]].
The '''BBC Third Programme''' was a national radio station produced and broadcast from 1946 until 1967, when it was replaced by [[BBC Radio 3]]. It first went on the air on 29 September 1946 and became one of the leading cultural and intellectual forces in [[Great Britain|Britain]], playing an important role in disseminating the arts, broadcasting music (mainly [[classical music|classical]]), plays, documentary features and talks.<ref>{{cite book |last=Hewison |first=Robert |year=1995 |title=Culture and Consensus: England, Art and Politics Since 1940 |page=55 |publisher=[[Methuen Publishing]] |location=London |isbn=0-413-69060-1 |url=https://books.google.com/books?id=NHDbCQAAQBAJ |via=[[Google Books]]}}</ref> It was the [[BBC]]'s third national radio network, the other two being the [[BBC Home Service|Home Service]] (mainly speech-based) and the [[BBC Light Programme|Light Programme]], principally devoted to [[light entertainment]] and [[light music|music]].


==History==
==History==
{{Further|Timeline of BBC Radio 3}}
{{Further|Timeline of BBC Radio 3}}
When it started in 1946, the Third Programme broadcast for six hours each evening from 6.00pm to midnight, although its output was cut to just 24 hours a week from October 1957, with the early part of weekday evenings being given over to educational programming (known as "Network Three"). The frequencies were also used during daytime hours to broadcast complete ball-by-ball commentary on [[Test cricket|test match cricket]], under the title ''[[Test Match Special]]".
When it started in 1946, the Third Programme broadcast for six hours each evening from 6.00 pm to midnight, although its output was cut to just 24 hours a week from October 1957, with the early part of weekday evenings being given over to educational programming (known as "Network Three"). The frequencies were also used during daytime hours to broadcast complete ball-by-ball commentary on [[Test cricket|test match cricket]], under the title ''[[Test Match Special]]''.


The Third's existence was controversial from the beginning, partly because of perceived "elitism" – it was sometimes criticised for broadcasting programmes of "two [[Academia|dons]] talking" – and also for the cost of its output relative to a small listener [[reach (advertising)|reach]]. Its existence was against the Corporation's founding principles, as [[John Reith, 1st Baron Reith|Reith]] himself had during his time at the BBC been against segmenting audiences by splitting programming genres across different networks. From the start, though, it had prominent supporters: the [[Secretary of State for Education and Skills|Education Secretary]] in the [[Clement Attlee|Attlee]] government, [[Ellen Wilkinson]], spoke rather optimistically of creating a "third programme nation". When it faced those 1957 cuts, the Third Programme Defence Society was formed and its leaders included [[T. S. Eliot]], [[Albert Camus]], and [[Laurence Olivier|Sir Laurence Olivier]].
The Third's existence was controversial from the beginning, partly because of perceived "elitism" – it was sometimes criticised for broadcasting programmes of "two [[Academia|dons]] talking" – and also for the cost of its output relative to a small listener [[reach (advertising)|reach]]. Its existence was against the corporation's founding principles, as [[John Reith, 1st Baron Reith|Reith]] himself had during his time at the BBC been against segmenting audiences by splitting programming genres across different networks. From the start, though, it had prominent supporters: the [[Secretary of State for Education and Skills|Education Secretary]] in the [[Clement Attlee|Attlee]] government, [[Ellen Wilkinson]], spoke rather optimistically of creating a "third programme nation". When it faced those 1957 cuts, the Third Programme Defence Society was formed and its leaders included [[T. S. Eliot]], [[Albert Camus]], and [[Laurence Olivier|Sir Laurence Olivier]].


This situation continued until the launch on 22 March 1965 of the BBC Music Programme, which began regular daily broadcasts of [[classical music]] (with some interruptions for live sports coverage) on the Network Three/Third Programme frequencies between 7.00am and 6.30pm on weekdays, 8.00am and 12.30pm on Saturdays, and 8.00am and 5.00pm on Sundays. The Third Programme continued as a distinct evening service, and this continued to be the case for a short while after the inception of [[BBC Radio 3|Radio 3]] on 30 September 1967, before all the elements of the BBC's "third network" were finally absorbed into Radio 3 with rebranding effect from Saturday 4 April 1970.
This situation continued until the launch on 22 March 1965 of the BBC Music Programme, which began regular daily broadcasts of [[classical music]] (with some interruptions for live sports coverage) on the Network Three / Third Programme frequencies between 7.00 am and 6.30 pm on weekdays, 8.00 am and 12.30 pm on Saturdays, and 8.00 am and 5.00 pm on Sundays. The Third Programme continued as a distinct evening service, and this continued to be the case for a short while after the inception of [[BBC Radio 3]] on 30 September 1967, before all the elements of the BBC's "third network" were finally absorbed into Radio 3 with rebranding effect from Saturday 4 April 1970.


==Output and programming==
==Output and programming==
The network was broadly cultural, a [[F.R. Leavis|Leavisite]] experiment dedicated to the discerning or "high-brow" listener from an educated, minority audience. Its founders' aims were seen as promoting "something fundamental to our civilisation" and as contributing to "the refinement of society".<ref>{{cite book |last=Carpenter |first=Humphrey |date=1996 |title=The Envy of the World: Fifty Years of the Third Programme and Radio Three |publisher=[[Weidenfeld and Nicolson]] |location=London |isbn=0-7538-0250-3 |url=https://books.google.com/books?id=oYLHQgAACAAJ |via=[[Google Books]]}}</ref>{{page needed|date=February 2020}} Its musical output provided a wide range of serious [[classical music]] and live concerts, as well as contemporary composers and [[jazz]]; popular classical music such as [[Ludwig van Beethoven|Beethoven]], [[Wolfgang Amadeus Mozart|Mozart]] and [[Pyotr Ilyich Tchaikovsky|Tchaikovsky]] primarily remained on the [[BBC Home Service|Home Service]] until 1964. Voice formed a much higher proportion of its output than the later Radio 3, with specially commissioned plays, poetry readings, talks and documentaries. Nationally known intellectuals such as [[Bertrand Russell]] and [[Isaiah Berlin]] on philosophy or [[Fred Hoyle]] on cosmology were regular contributors.
The network was broadly cultural, a [[F.R. Leavis|Leavisite]] experiment dedicated to the discerning or "high-brow" listener from an educated, minority audience. Its founders' aims were seen as promoting "something fundamental to our civilisation" and as contributing to "the refinement of society".<ref>{{cite book |last=Carpenter |first=Humphrey |date=1996 |title=The Envy of the World: Fifty Years of the Third Programme and Radio Three |publisher=[[Weidenfeld and Nicolson]] |location=London |isbn=0-7538-0250-3 |url=https://books.google.com/books?id=oYLHQgAACAAJ |via=[[Google Books]]}}</ref>{{page needed|date=February 2020}} Its musical output provided a wide range of serious [[classical music]] and live concerts, as well as contemporary composers and [[jazz]]; popular classical music such as [[Ludwig van Beethoven|Beethoven]], [[Wolfgang Amadeus Mozart|Mozart]] and [[Pyotr Ilyich Tchaikovsky|Tchaikovsky]] primarily remained on the [[BBC Home Service|Home Service]] until 1964. Voice formed a much higher proportion of its output than the later Radio 3, with specially commissioned plays, poetry readings, talks and documentaries. Nationally known intellectuals such as [[Bertrand Russell]] and [[Isaiah Berlin]] on philosophy or [[Fred Hoyle]] on cosmology were regular contributors.


The network became a principal patron of the arts, within commissioned many music works for broadcast by the BBC Music Department, playing a crucial role in the development of the career of composers such as [[Benjamin Britten]]. Particularly notable were its drama productions, including the radio plays of [[Samuel Beckett]], [[Henry Reed (poet)|Henry Reed]] (the [[Hilda Tablet]] plays), [[Harold Pinter]], [[Wyndham Lewis]], [[Joe Orton]] and [[Dylan Thomas]], whose ''[[Under Milk Wood]]'' was written specially for the programme. [[Philip O'Connor]] discovered [[Quentin Crisp]] in his radio interviews in 1963. [[Martin Esslin]], BBC Director of Drama (Radio), was associated with the network's productions of [[Europe|European]] drama, and [[Douglas Cleverdon]] with its productions of poetry and radio plays.
The network became a principal patron of the arts, within commissioned many music works for broadcast by the BBC Music Department, playing an important role in the development of the career of composers such as [[Benjamin Britten]]. Particularly notable were its drama productions, including the radio plays of [[Samuel Beckett]], [[Henry Reed (poet)|Henry Reed]] (the [[Hilda Tablet]] plays), [[Harold Pinter]], [[Wyndham Lewis]], [[Joe Orton]] and [[Dylan Thomas]], whose ''[[Under Milk Wood]]'' was written specially for the programme. [[Philip O'Connor]] discovered [[Quentin Crisp]] in his radio interviews in 1963. The series ''[[Inventions for Radio]]'' aired in 1964 and 1965, with [[sound collage]]s by [[Delia Derbyshire]] of the [[BBC Radiophonic Workshop]].<ref>{{cite journal |last1=Butler |first1=David |url=https://pure.manchester.ac.uk/ws/portalfiles/portal/156080096/Inventing_for_Radio_Revised_Shorter_Dutch_Cut.pdf |title=The Origins of Certain Lives: The Development, Reception and Influence of the 'Inventions for Radio' by Barry Bermange and Delia Derbyshire |journal=Historical Journal of Film, Radio and Television |date=4 December 2019 |volume=40 |issue=4 |pages=823–846 |doi=10.1080/01439685.2019.1697034}}</ref> [[Martin Esslin]], BBC Director of Drama (Radio), was associated with the network's productions of [[Europe]]an drama, and [[Douglas Cleverdon]] with its productions of poetry and radio plays.


The Third Programme's contribution to contemporary poetry and criticism was outstanding, under producers and presenters such as [[John Wain]], [[Ludovic Kennedy]], [[George MacBeth]] and [[Patrick Dickinson]]; here it promoted young writers such as [[Philip Larkin]] and [[Kingsley Amis]], as well as the "difficult" work of [[David Jones (poet)|David Jones]] and [[Laura Riding]]. The Third Programme was for many years as the single largest source of [[copyright]] payments to poets.
The Third Programme's contribution to contemporary poetry and criticism was significant, under producers and presenters such as [[John Wain]], [[Ludovic Kennedy]], [[George MacBeth]] and [[Patrick Dickinson]]. It promoted young writers such as [[Philip Larkin]] and [[Kingsley Amis]], as well as the "difficult" work of [[David Jones (poet)|David Jones]] and [[Laura Riding]]. The Third Programme was for many years the single largest source of [[copyright]] payments to poets.


The decision to close down the Third Programme was opposed by many within the BBC, some of them senior figures. Within the music division, a 'BBC rebellion' gathered force, with its most vocal members including [[Hans Keller]] and [[Robert Simpson (composer)|Robert Simpson]]. Ultimately however, the attempt to prevent the culture-conscious Third being replaced by what Keller called "a daytime music station" proved unsuccessful.{{fact|date=February 2020}}
The decision to close down the Third Programme was opposed by many within the BBC, some of them senior figures. Within the music division, a 'BBC rebellion' gathered force, with its most vocal members including [[Hans Keller]] and [[Robert Simpson (composer)|Robert Simpson]]. Ultimately however, the attempt to prevent the culture-conscious Third being replaced by what Keller called "a daytime music station" proved unsuccessful.{{citation needed|date=February 2020}}


===Controllers===
===Controllers===
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* [https://library.udel.edu/special/findaids/view?docId=pdf/mss0332.pdf BBC Third Programme Scripts catalogue] The collection of [[Douglas Cleverdon]], a leading talks and drama producer for the Third, at the University of Delaware Library.
* [https://library.udel.edu/special/findaids/view?docId=pdf/mss0332.pdf BBC Third Programme Scripts catalogue] The collection of [[Douglas Cleverdon]], a leading talks and drama producer for the Third, at the University of Delaware Library.
* {{BBC Online|id=radio3/classical/thirdprogramme/|title=The Third Programme {{endash}} 60 Years On}}
* {{BBC Online|id=radio3/classical/thirdprogramme/|title=The Third Programme {{endash}} 60 Years On}}
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{{BBC Radio 3}}
{{BBC Radio 3}}
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[[Category:BBC history]]
[[Category:BBC Radio 3]]
[[Category:BBC Radio 3]]
[[Category:Defunct BBC national radio stations]]
[[Category:Defunct BBC national radio stations]]

Latest revision as of 09:15, 25 November 2024

BBC Third Programme
A photograph of Broadcasting House showing the art deco styling of the main facade was made from Portland stone.
The Third Programme headquarters was at Broadcasting House in London.
Country
United Kingdom
HeadquartersBroadcasting House, London, England
Programming
Language(s)English
Ownership
OwnerBBC
History
Launch date29 September 1946; 78 years ago (1946-09-29)
Closed29 September 1967; 57 years ago (1967-09-29)
Replaced byBBC Radio 3
Coverage
Stations647 kHz, 1547 kHz

The BBC Third Programme was a national radio station produced and broadcast from 1946 until 1967, when it was replaced by BBC Radio 3. It first went on the air on 29 September 1946 and became one of the leading cultural and intellectual forces in Britain, playing an important role in disseminating the arts, broadcasting music (mainly classical), plays, documentary features and talks.[1] It was the BBC's third national radio network, the other two being the Home Service (mainly speech-based) and the Light Programme, principally devoted to light entertainment and music.

History

[edit]
Further information: Timeline of BBC Radio 3

When it started in 1946, the Third Programme broadcast for six hours each evening from 6.00 pm to midnight, although its output was cut to just 24 hours a week from October 1957, with the early part of weekday evenings being given over to educational programming (known as "Network Three"). The frequencies were also used during daytime hours to broadcast complete ball-by-ball commentary on test match cricket, under the title Test Match Special.

The Third's existence was controversial from the beginning, partly because of perceived "elitism" – it was sometimes criticised for broadcasting programmes of "two dons talking" – and also for the cost of its output relative to a small listener reach. Its existence was against the corporation's founding principles, as Reith himself had during his time at the BBC been against segmenting audiences by splitting programming genres across different networks. From the start, though, it had prominent supporters: the Education Secretary in the Attlee government, Ellen Wilkinson, spoke rather optimistically of creating a "third programme nation". When it faced those 1957 cuts, the Third Programme Defence Society was formed and its leaders included T. S. Eliot, Albert Camus, and Sir Laurence Olivier.

This situation continued until the launch on 22 March 1965 of the BBC Music Programme, which began regular daily broadcasts of classical music (with some interruptions for live sports coverage) on the Network Three / Third Programme frequencies between 7.00 am and 6.30 pm on weekdays, 8.00 am and 12.30 pm on Saturdays, and 8.00 am and 5.00 pm on Sundays. The Third Programme continued as a distinct evening service, and this continued to be the case for a short while after the inception of BBC Radio 3 on 30 September 1967, before all the elements of the BBC's "third network" were finally absorbed into Radio 3 with rebranding effect from Saturday 4 April 1970.

Output and programming

[edit]

The network was broadly cultural, a Leavisite experiment dedicated to the discerning or "high-brow" listener from an educated, minority audience. Its founders' aims were seen as promoting "something fundamental to our civilisation" and as contributing to "the refinement of society".[2][page needed] Its musical output provided a wide range of serious classical music and live concerts, as well as contemporary composers and jazz; popular classical music such as Beethoven, Mozart and Tchaikovsky primarily remained on the Home Service until 1964. Voice formed a much higher proportion of its output than the later Radio 3, with specially commissioned plays, poetry readings, talks and documentaries. Nationally known intellectuals such as Bertrand Russell and Isaiah Berlin on philosophy or Fred Hoyle on cosmology were regular contributors.

The network became a principal patron of the arts, within commissioned many music works for broadcast by the BBC Music Department, playing an important role in the development of the career of composers such as Benjamin Britten. Particularly notable were its drama productions, including the radio plays of Samuel Beckett, Henry Reed (the Hilda Tablet plays), Harold Pinter, Wyndham Lewis, Joe Orton and Dylan Thomas, whose Under Milk Wood was written specially for the programme. Philip O'Connor discovered Quentin Crisp in his radio interviews in 1963. The series Inventions for Radio aired in 1964 and 1965, with sound collages by Delia Derbyshire of the BBC Radiophonic Workshop.[3] Martin Esslin, BBC Director of Drama (Radio), was associated with the network's productions of European drama, and Douglas Cleverdon with its productions of poetry and radio plays.

The Third Programme's contribution to contemporary poetry and criticism was significant, under producers and presenters such as John Wain, Ludovic Kennedy, George MacBeth and Patrick Dickinson. It promoted young writers such as Philip Larkin and Kingsley Amis, as well as the "difficult" work of David Jones and Laura Riding. The Third Programme was for many years the single largest source of copyright payments to poets.

The decision to close down the Third Programme was opposed by many within the BBC, some of them senior figures. Within the music division, a 'BBC rebellion' gathered force, with its most vocal members including Hans Keller and Robert Simpson. Ultimately however, the attempt to prevent the culture-conscious Third being replaced by what Keller called "a daytime music station" proved unsuccessful.[citation needed]

Controllers

[edit]

Announcers

[edit]

References

[edit]
  1. ^ Hewison, Robert (1995). Culture and Consensus: England, Art and Politics Since 1940. London: Methuen Publishing. p. 55. ISBN 0-413-69060-1 – via Google Books.
  2. ^ Carpenter, Humphrey (1996). The Envy of the World: Fifty Years of the Third Programme and Radio Three. London: Weidenfeld and Nicolson. ISBN 0-7538-0250-3 – via Google Books.
  3. ^ Butler, David (4 December 2019). "The Origins of Certain Lives: The Development, Reception and Influence of the 'Inventions for Radio' by Barry Bermange and Delia Derbyshire" (PDF). Historical Journal of Film, Radio and Television. 40 (4): 823–846. doi:10.1080/01439685.2019.1697034.
[edit]
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