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Kozlov was a key figure in the New York Conceptual art scene centering around the Lannis Gallery located at 315 E 12th St near 2nd Ave in New York's East Village. She participated in a number of exhibitions in the sixties and early 1970s before falling away. He work has seen a bit of revival since her death in 2005.
Kozlov was a key figure in the New York Conceptual art scene centering around the Lannis Gallery located at 315 E 12th St near 2nd Ave in New York's East Village. She participated in a number of exhibitions in the sixties and early 1970s before falling away. He work has seen a bit of revival since her death in 2005.


Her first pieces responded to questions of sound, memory and information. "Information, No Theory" consisted of a reel-to-reel recorder with an infinite tape loop and a microphone recording ambient noise from the room. It would record and then erase the traces of what was just recorded. It was recently restaged http://vimeo.com/80166473
Her first pieces responded to questions of sound, memory and information. "Information, No Theory" consisted of a reel-to-reel recorder with an infinite tape loop and a microphone recording ambient noise from the room. It would record and then erase the traces of what was just recorded. It was recently restaged [here | http://vimeo.com/80166473]


She and [[Joseph Kosuth]] started the Museum of Normal Art out of the Lannis Gallery. For a brief moment it featured many of the artists associated with Conceptualism
She and [[Joseph Kosuth]] started the Museum of Normal Art out of the Lannis Gallery. For a brief moment it featured many of the artists associated with Conceptualism
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She was a member of the [[Art and Language]] Group starting in 1971
She was a member of the [[Art and Language]] Group starting in 1971


"Kozlov was a member of Provisional Art and Language, worked in 1974 on the Corrected Slogans (Art and Language and the Red Crayola LP), on Zoran Popovic’s A Struggle in New York in 1976 and on the Music-Language video in the same year. What back then was perceived as egalitarian in the joint, collective ambitions of the group seems today to be to the disadvantage of the women, whose share in the work barely received critical notice. For example, to take just one instance, the three women involved in A Struggle in New York, Paula Ramsden, Kathryn Bigelow and Christine Kozlov, are given only a marginal mention in Charles Harrison’s Essays on Art and Language."
"Kozlov was a member of Provisional Art and Language, worked in 1974 on the Corrected Slogans (Art and Language and the Red Crayola LP), on Zoran Popovic’s A Struggle in New York in 1976 and on the Music-Language video in the same year. What back then was perceived as egalitarian in the joint, collective ambitions of the group seems today to be to the disadvantage of the women, whose share in the work barely received critical notice. For example, to take just one instance, the three women involved in A Struggle in New York, Paula Ramsden, Kathryn Bigelow and Christine Kozlov, are given only a marginal mention in Charles Harrison’s Essays on Art and Language." <ref>http://www.springerin.at/dyn/heft_text.php?textid=1768&lang=en </ref>


==Exhibitions==
==Exhibitions==

Revision as of 21:36, 24 May 2014

Christine Kozlov
Born
Christine Kozlov

1945
Died2005
NationalityAmerican
EducationSchool of Visual Arts, New York City
Known forConceptual art

Christine Kozlov (born New York, NY, 1945-died London, United Kingdom, 2005 ), was an American conceptual artist.

career

She attended the School of Visual Arts in NYC until 1967. She met Joseph Kosuth when they were both students there.

Work

Kozlov was a key figure in the New York Conceptual art scene centering around the Lannis Gallery located at 315 E 12th St near 2nd Ave in New York's East Village. She participated in a number of exhibitions in the sixties and early 1970s before falling away. He work has seen a bit of revival since her death in 2005.

Her first pieces responded to questions of sound, memory and information. "Information, No Theory" consisted of a reel-to-reel recorder with an infinite tape loop and a microphone recording ambient noise from the room. It would record and then erase the traces of what was just recorded. It was recently restaged [here | http://vimeo.com/80166473]

She and Joseph Kosuth started the Museum of Normal Art out of the Lannis Gallery. For a brief moment it featured many of the artists associated with Conceptualism

She was a member of the Art and Language Group starting in 1971

"Kozlov was a member of Provisional Art and Language, worked in 1974 on the Corrected Slogans (Art and Language and the Red Crayola LP), on Zoran Popovic’s A Struggle in New York in 1976 and on the Music-Language video in the same year. What back then was perceived as egalitarian in the joint, collective ambitions of the group seems today to be to the disadvantage of the women, whose share in the work barely received critical notice. For example, to take just one instance, the three women involved in A Struggle in New York, Paula Ramsden, Kathryn Bigelow and Christine Kozlov, are given only a marginal mention in Charles Harrison’s Essays on Art and Language." [1]

Exhibitions

In the sixties, Christine Kozlov regularly took part in group exhibitions

Non-Anthropomorphic Art by Four Young Artists 1967

Also in In 1967 she and Joseph Kosuth founded the Museum of Normal Art, New York.

She was the only woman participant in 'Fifteen People Present Their Favorite Book', a show mounted at Lannis Gallery, New York, in 1967, curated by Joseph Kosuth who assembled fellow artists Robert Morris, Ad Reinhardt, Sol Lewitt, Robert Mangold, Dan Graham, Robert Smithson, Carl Andre, Robert Ryman, among others.

She was a participant in Lucy Lippard's Numbers" Shows 557,087« and »955,000« and also her Twenty-Six Contemporary Artists.

In 1970 Information at the Museum of Modern Art curated by Kennison McShine.

One Month March 1969 Seth Siegelaub 1969 557,087 Seattle 1969 995,000 Vancouver 1970 Conceptual Art Conceptual Aspects The New York Cultural Center 1970

Global Conceptualism: Points of Origin, 1950s-1980s Queens Museum of Art 1999

Information Museum of Modern Art, New York 1970

Twenty Six Contemporary Women Artists [Lucy Lippard] The Aldrich Museum of Contemporary Art 1971

Arte de Sistemas Museo De Arte Moderno / CAYC - Centro de Arte y Communicacion, Buenos Aires 1971

Making Their Mark: Women Artists Move Into The Mainstream 1970-85 Cincinatti Museum of Art 1993

Reconsidering the Object of Art: 1965-1975 The Museum of Contemporary Art, Los Angeles 1995

Conception, Conceptual Documents 1960-1990 Norwich Gallery, Norwich School of Art and Design, U.K. 2001

Short Careers Museum Moderner Kunst Stiftung Ludwig, Vienna 2004

Book Mentions

Changing: Essays in Art Criticism [Lucy Lippard] E. P. Dutton & Co. 1971

Conceptual Art Dutton 1972

Conceptual Art Phaidon 1998

Conceptual Art: A Critical Anthology MIT Press 1999

From the Center: feminist essays on women's art Dutton 1976

Get the Message? A Decade of Art for Social Change [Lucy Lippard] E.P. Dutton 1984

Idea Art: A Critical Anthology Dutton 1973

New Art in the 60s and 70s: Redefining Reality Thames and Hudson 2001

Rewriting Conceptual Art Reaktion Books [Critical Views], London 1999

Six Years: The dematerialization of the art object.... Praeger 1973

The Everyday [Documents of Contemporary Art] MIT Press and Whitechapel Gallery 2008

The Fox # 3 Art and Language 1976

References and notes

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