Giulio Rosati: Difference between revisions
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{{short description|Italian painter (1857–1917) specialized in Orientalist and academic scenes}} |
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{{Infobox artist |
{{Infobox artist |
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| name = Giulio Rosati |
| name = Giulio Rosati |
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| image = Image:Giulio Rosati 18.jpg |
| image = Image:Giulio Rosati 18.jpg |
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| image_size = |
| image_size = |
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| caption = ''The [[ |
| caption = ''The [[Trictrac]] Players,'' painting y Giulio Rosati |
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| birth_name = |
| birth_name = |
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| birth_date = 1861 |
| birth_date = 1861 |
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| birth_place = [[Rome]], [[ |
| birth_place = [[Rome]], [[Papal States]] |
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| death_date = 1917 |
| death_date = 1917 |
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| death_place = Rome, Italy |
| death_place = Rome, Italy |
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| notable_works = |
| notable_works = |
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}} |
}} |
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'''Giulio Rosati''' ([[Rome]] 1857 – Rome 1917) was an |
'''Giulio Rosati''' ([[Rome]] 1857 – Rome 1917) was an Italian painter who specialized in [[orientalism|Orientalist]] and academic scenes. |
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==Biography== |
==Biography== |
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[[Image:Rosati harem-dance.jpg|thumb|right|''The Harem Dance'']] |
[[Image:Rosati harem-dance.jpg|thumb|right|''The Harem Dance'']] |
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Giulio Rosati was born in Rome in 1861 into a family of bankers and militarists. He did not follow his family's career and instead studied art at the [[Accademia di San Luca]] under [[Dario Querci]] and [[Francesco Podesti]]. He also studied with [[Luis Álvarez Catalá|Luis Álvarez y Catalá]] (1836-1901), director of the Prado Museum, Madrid. He worked mainly in |
Giulio Rosati was born in Rome in 1861 into a family of bankers and militarists. He did not follow his family's career and instead studied art at the [[Accademia di San Luca]] under [[Dario Querci]] and [[Francesco Podesti]]. He also studied with [[Luis Álvarez Catalá|Luis Álvarez y Catalá]] (1836-1901), director of the Prado Museum, Madrid. He worked mainly in watercolour, and occasionally in oil, and focussed most of his entire painting career on Orientalist art. He devoted himself particularly to representations of the Maghreb, that he never visited himself. His painting, ''Oriental Scene'' was exhibited at the Exposition di Belle Arte, in Rome in 1900.<ref>Juler, C., ''Les Orientalistes de l'école Italienne,'' [French edition], Paris, ARC, 1994, p. 138</ref> |
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He was part of a large group of painters, who at the time were depicting similar Middle Eastern subject matter. He became one of the most prolific Orientalist painters of the 19th century. Unlike other Orientalists, he never journeyed to the Middle East. He rarely participated in exhibitions, preferring to sell his works directly through art dealers.<ref>Thornton, L., ''The Orientalists: Painter Travellers,''[Edition en langue anglaise], Paris, ACR, 1994, p.160</ref> |
He was part of a large group of painters, who at the time were depicting similar Middle Eastern subject matter. He became one of the most prolific Orientalist painters of the 19th century. Unlike other Orientalists, he never journeyed to the Middle East. He rarely participated in exhibitions, preferring to sell his works directly through art dealers.<ref>Thornton, L., ''The Orientalists: Painter Travellers,''[Edition en langue anglaise], Paris, ACR, 1994, p.160</ref> |
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File:Inspecting New Arrivals by Giulio Rosati 2.jpg|''Inspecting New Arrivals'' |
File:Inspecting New Arrivals by Giulio Rosati 2.jpg|''Inspecting New Arrivals'' |
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File:Rosati harem-dance.jpg|''Dancing in the Harem'' |
File:Rosati harem-dance.jpg|''Dancing in the Harem'' |
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File:Giulio Rosati 13.jpg|''The Carpent Merchant'' |
File:Giulio Rosati 13.jpg|''The Carpent Merchant [[tunis]]'' |
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File:The Backgammon Players by Giulio Rosati.jpg|''The Backgammon Players'' |
File:The Backgammon Players by Giulio Rosati.jpg|''The Backgammon Players'' |
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File:Giulio Rosati 19.jpg|''Nomads'' |
File:Giulio Rosati 19.jpg|''Nomads [[Kairouan]]'' |
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File:Giulio Rosati 7.jpg|''An Arab Market'' |
File:Giulio Rosati 7.jpg|''An Arab Market [[Cairo|Caire]]'' |
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File:Giulio Rosati 10.jpg|''A Discussion'' |
File:Giulio Rosati 10.jpg|''A Discussion'' |
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</gallery> |
</gallery> |
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[[Category:Italian male painters]] |
[[Category:Italian male painters]] |
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[[Category:20th-century Italian painters]] |
[[Category:20th-century Italian painters]] |
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[[Category:Orientalist painters]] |
[[Category:Italian Orientalist painters]] |
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[[Category: |
[[Category:Painters from Rome]] |
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[[Category: |
[[Category:19th-century births]] |
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[[Category:1857 births]] |
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[[Category:1917 deaths]] |
[[Category:1917 deaths]] |
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[[Category:19th-century Italian male artists]] |
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[[Category:20th-century Italian male artists]] |
Latest revision as of 08:57, 8 April 2024
Giulio Rosati | |
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Born | 1861 |
Died | 1917 Rome, Italy |
Nationality | Italian |
Education | Accademia di San Luca |
Movement | Orientalist themes |
Giulio Rosati (Rome 1857 – Rome 1917) was an Italian painter who specialized in Orientalist and academic scenes.
Biography
[edit]Giulio Rosati was born in Rome in 1861 into a family of bankers and militarists. He did not follow his family's career and instead studied art at the Accademia di San Luca under Dario Querci and Francesco Podesti. He also studied with Luis Álvarez y Catalá (1836-1901), director of the Prado Museum, Madrid. He worked mainly in watercolour, and occasionally in oil, and focussed most of his entire painting career on Orientalist art. He devoted himself particularly to representations of the Maghreb, that he never visited himself. His painting, Oriental Scene was exhibited at the Exposition di Belle Arte, in Rome in 1900.[1]
He was part of a large group of painters, who at the time were depicting similar Middle Eastern subject matter. He became one of the most prolific Orientalist painters of the 19th century. Unlike other Orientalists, he never journeyed to the Middle East. He rarely participated in exhibitions, preferring to sell his works directly through art dealers.[2]
His son, Alberto Rosati (1893–1971), was also an Orientalist painter. However, his son was far less productive than his father.
Notable paintings
[edit]- Picking the Favourite (1880)
- Arab Horsemen Conversing with Carpet Merchant
- Bedouins Preparing a Combat Patrol (1895)
- The Inspection of the New Arrivals
- A Discussion in the Desert
- A Horseman stopping at a Bedouin Camp
- Circassian Beauties Being Inspected
- Gossiping
- Arms Dealers
- The Backgammon Players
- The Chess Players
- The Carpet Merchant
- The Tric Trac Players
- Dancing in the Harem
- The Musicians
- The Wedding
- The Slave Market
Gallery
[edit]-
Bedouins Preparing a Combat Patrol (1895)
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Inspecting New Arrivals
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Dancing in the Harem
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The Carpent Merchant tunis
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The Backgammon Players
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Nomads Kairouan
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An Arab Market Caire
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A Discussion