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{{short description|1947 novel by Sinclair Lewis}}
{{Infobox Book
{{Infobox book
| name = Kingsblood Royal
| name = Kingsblood Royal
| image = [[Image:Kingsblood Royal.jpg|250px]]
| image = File:Kingsblood Royal.jpg
| author = Sinclair Lewis
| caption = Cover of the first edition
| author = [[Sinclair Lewis]]
| subject = [[Racial discrimination]]
| subject = [[Racial discrimination]]
| country = United States
| language = English
| genre = [[Satire]]
| genre = [[Satire]]
| publisher = Random House
| publisher = [[Random House]]
| pub_date = 1947
| pub_date = 1947
}}
}}
'''''Kingsblood Royal''''' is a 1947 novel by American writer [[Sinclair Lewis]].
{{TOCLeft}}

'''''Kingsblood Royal''''', a novel by [[Sinclair Lewis]], was published in 1947.


==Synopsis==
==Synopsis==
The protagonist Neil Kingsblood, a white middle class man, discovers that he has [[African American]] heritage while researching his family background. He then begins to see himself as black, despite his lack of racial features, and is forced to choose between continuing what he now sees as a hollow existence in the white community and the oppressed minority existence of the black community. After admitting his heritage to several white friends, the news quickly spreads, and he engages in a quixotic struggle against the racism prevalent in the community. The climax of the novel comes when a mob comes to evict Neil from his house in the white suburb, and he is able to stand them down.
The protagonist, Neil Kingsblood, a white middle-class man, discovers while researching his family background that he is directly descended from an African adventurer on the American frontier. (His ancestor is loosely modeled after [[Pierre Bonga]], an African American who worked as a [[North American fur trade|fur trader]] for the [[North West Company]].)<ref>William Sherman Savage, ''Blacks in the West,'' Greenwood Publishing Group, 1976, pp. 68-70</ref>

Through various machinations, Kingsblood loses his banking job and takes a lesser one. He begins to be treated differently by former acquaintances, despite the lack of visible black African ancestry. He is forced to choose between continuing what he has come to see as a hollow existence in the white community and taking on the oppressed minority status of the black community.

After Kingsblood tells several white friends about his newfound ancestry, the news quickly spreads, and he finds that acquaintances change their behavior toward him. He engages in a quixotic struggle against the racism newly apparent but widespread in his community.

Because Kingsblood is now black, it is illegal for him and his family to live in their home, which is in a whites-only neighborhood. In the climactic scene, which is based on the real life [[Ossian Sweet]] incident which occurred in Detroit in 1925, a mob of their former neighbors comes to force the Kingsbloods out. The sense of helplessness against massive injustice is broken only by the final line of the work, which offers hope for the future.

{{Block quote|
<poem>
"Keep moving," said a policeman.
"We're moving," said Vestal.
</poem>
}}

==Background==
Earlier on in his career, Lewis had reconnected with a childhood friend, [[Edward Francis Murphy]], a priest who was a member of the [[Society of St. Joseph of the Sacred Heart (Josephites)|Josephites]] (a Catholic society that specifically works with African Americans). Via this connection, Lewis learned of the intricacies of the black community in the United States, leading directly to his creation of the novel.<ref>{{Cite web|last=McAllister|first=Jim|title=Essex County Chronicles: Late Salem priest had a remarkable life|url=https://www.salemnews.com/opinion/essex-county-chronicles-late-salem-priest-had-a-remarkable-life/article_8e625ecf-fc32-56cc-85c3-ee6130eaa96d.html|access-date=2021-08-01|website=Salem News|language=en}}</ref>

Additionally, Lewis met [[Walter Francis White]], president of the [[NAACP]] and a man of majority European ancestry, and many of his professional circles. A number among them were clearly persons of mixed ancestry, composing the educated elites of black society. Given their visible and in some cases majority European ancestry, some had relatives or friends who had [[Passing (racial identity)|chosen to live as white]]. Lewis consulted with White on the novel.


==Reception==
==Reception==
While some white critics found the novel contrived, ''[[Ebony (magazine)|Ebony]],'' a prominent African-American magazine, ranked it as the most important novel of the year. "The white establishment tended to view the novel as wildly implausible. Black people viewed it as profoundly perceptive."<ref>[http://www.racematters.org/kingsbloodroyal.htm Brent Staples, " 'Kingsblood Royal': When the Bard of Main Street Turned the Kingsbloods Black"], The New York ''Times'', 18 Aug 2002, accessed 12 Apr 2008</ref>
Shortly after the publication of ''Kingsblood Royal'', a group of white supremacists sent a letter to [[J. Edgar Hoover]] encouraging the FBI to seize all copies of the book and declare Lewis's novel an act of [[sedition]] <ref>(Lingeman, 513)</ref>. Hoover demurred, yet the perception of the novel as "seditious" is perhaps the most precise interpretation of it. ''[[Ebony (magazine)|Ebony]]'' quickly awarded ''Kingsblood Royal'' its annual prize for work that promotes interracial cooperation, and the [[NAACP]] endorsed it enthusiastically <ref>(Schorer, 760)</ref>.


That same year, Rev. [[Kenneth L. Patton]] of the First Unitarian Church in [[Madison (town), Wisconsin|Madison]], Wisconsin, having read the novel, formally "renounced" the white race and declared himself "colored," saying he was one sixty-fourth Native American. Unlike Lewis's novel, however, Patton was met with general approval, including from his congregation and his family. The [[NAACP]] even heartily welcomed him into "the colored race."<ref>"Kingsblood in Wisconsin," ''Newsweek'', 29 Sept, 1947</ref>
== References ==

* Robert Fleming, "''Kingsblood Royal'' and the Black 'Passing' Novel". ''Critical Essays on Sinclair Lewis'', editor Martin Bucco (Boston: G. K. Hall & Company, 1986)
Shortly after the publication of ''Kingsblood Royal'', a group of white supremacists sent a letter to [[J. Edgar Hoover]] encouraging the FBI to seize all copies of the book and declare Lewis' novel an act of [[sedition]].<ref>Lingeman, 513</ref>
* Richard Lingeman, ''Sinclair Lewis: Rebel from Main Street'' (New York: Random House, 2002)
* Mark Schorer, ''Sinclair Lewis: An American Life'' (New York: McGraw-Hill, 1961)


==Citations==
==Citations==
{{reflist}}
{{reflist}}

==Sources==
* Robert Fleming, "''Kingsblood Royal'' and the Black 'Passing' Novel" in ''Critical Essays on Sinclair Lewis'', editor Martin Bucco (Boston: G. K. Hall & Company, 1986)
* Richard Lingeman, ''Sinclair Lewis: Rebel from Main Street'' (New York: Random House, 2002)
* Mark Schorer, ''Sinclair Lewis: An American Life'' (New York: McGraw-Hill, 1961)


==External links==
==External links==
* {{FadedPage|id=20161203|name=Kingsblood Royal}}
*[http://www.scribd.com/doc/222162/Kingsblood-Royal-1947-by-Sinclair-Lewis Full Text]
*[http://www.racematters.org/kingsbloodroyal.htm When the Bard of Main Street Turned the Kingsbloods Black]
* [http://www.racematters.org/kingsbloodroyal.htm Brent Staples, "When the Bard of ''Main Street'' Turned the Kingsbloods Black"]

{{Sinclair Lewis}}
{{Sinclair Lewis}}


[[Category:1947 novels]]
[[Category:1947 American novels]]
[[Category:English-language novels]]
[[Category:Novels by Sinclair Lewis]]
[[Category:Novels by Sinclair Lewis]]
[[Category:American novels]]
[[Category:American satirical novels]]
[[Category:Random House books]]

[[Category:Novels about race and ethnicity]]

[[Category:Midwestern United States in fiction]]
{{1940s-novel-stub}}
[[Category:Novels set in Minnesota]]

Latest revision as of 01:31, 2 October 2023

Kingsblood Royal
Cover of the first edition
AuthorSinclair Lewis
LanguageEnglish
SubjectRacial discrimination
GenreSatire
PublisherRandom House
Publication date
1947
Publication placeUnited States

Kingsblood Royal is a 1947 novel by American writer Sinclair Lewis.

Synopsis

[edit]

The protagonist, Neil Kingsblood, a white middle-class man, discovers while researching his family background that he is directly descended from an African adventurer on the American frontier. (His ancestor is loosely modeled after Pierre Bonga, an African American who worked as a fur trader for the North West Company.)[1]

Through various machinations, Kingsblood loses his banking job and takes a lesser one. He begins to be treated differently by former acquaintances, despite the lack of visible black African ancestry. He is forced to choose between continuing what he has come to see as a hollow existence in the white community and taking on the oppressed minority status of the black community.

After Kingsblood tells several white friends about his newfound ancestry, the news quickly spreads, and he finds that acquaintances change their behavior toward him. He engages in a quixotic struggle against the racism newly apparent but widespread in his community.

Because Kingsblood is now black, it is illegal for him and his family to live in their home, which is in a whites-only neighborhood. In the climactic scene, which is based on the real life Ossian Sweet incident which occurred in Detroit in 1925, a mob of their former neighbors comes to force the Kingsbloods out. The sense of helplessness against massive injustice is broken only by the final line of the work, which offers hope for the future.

"Keep moving," said a policeman.
"We're moving," said Vestal.

Background

[edit]

Earlier on in his career, Lewis had reconnected with a childhood friend, Edward Francis Murphy, a priest who was a member of the Josephites (a Catholic society that specifically works with African Americans). Via this connection, Lewis learned of the intricacies of the black community in the United States, leading directly to his creation of the novel.[2]

Additionally, Lewis met Walter Francis White, president of the NAACP and a man of majority European ancestry, and many of his professional circles. A number among them were clearly persons of mixed ancestry, composing the educated elites of black society. Given their visible and in some cases majority European ancestry, some had relatives or friends who had chosen to live as white. Lewis consulted with White on the novel.

Reception

[edit]

While some white critics found the novel contrived, Ebony, a prominent African-American magazine, ranked it as the most important novel of the year. "The white establishment tended to view the novel as wildly implausible. Black people viewed it as profoundly perceptive."[3]

That same year, Rev. Kenneth L. Patton of the First Unitarian Church in Madison, Wisconsin, having read the novel, formally "renounced" the white race and declared himself "colored," saying he was one sixty-fourth Native American. Unlike Lewis's novel, however, Patton was met with general approval, including from his congregation and his family. The NAACP even heartily welcomed him into "the colored race."[4]

Shortly after the publication of Kingsblood Royal, a group of white supremacists sent a letter to J. Edgar Hoover encouraging the FBI to seize all copies of the book and declare Lewis' novel an act of sedition.[5]

Citations

[edit]
  1. ^ William Sherman Savage, Blacks in the West, Greenwood Publishing Group, 1976, pp. 68-70
  2. ^ McAllister, Jim. "Essex County Chronicles: Late Salem priest had a remarkable life". Salem News. Retrieved 2021-08-01.
  3. ^ Brent Staples, " 'Kingsblood Royal': When the Bard of Main Street Turned the Kingsbloods Black", The New York Times, 18 Aug 2002, accessed 12 Apr 2008
  4. ^ "Kingsblood in Wisconsin," Newsweek, 29 Sept, 1947
  5. ^ Lingeman, 513

Sources

[edit]
  • Robert Fleming, "Kingsblood Royal and the Black 'Passing' Novel" in Critical Essays on Sinclair Lewis, editor Martin Bucco (Boston: G. K. Hall & Company, 1986)
  • Richard Lingeman, Sinclair Lewis: Rebel from Main Street (New York: Random House, 2002)
  • Mark Schorer, Sinclair Lewis: An American Life (New York: McGraw-Hill, 1961)
[edit]