Otis Blackwell: Difference between revisions
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{{Short description|American |
{{Short description|American songwriter (1931–2002)}} |
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{{Distinguish|text = the songwriter and record producer [[Robert "Bumps" Blackwell]]}} |
{{Distinguish|text = the songwriter and record producer [[Robert "Bumps" Blackwell]]}} |
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{{Use mdy dates|date= |
{{Use mdy dates|date=August 2022}} |
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{{Infobox musical artist |
{{Infobox musical artist |
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|name = Otis Blackwell |
|name = Otis Blackwell |
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|image = |
|image = Otis Blackwell.jpg |
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|caption = |
|caption = |
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|image_size = |
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|background = solo_singer |
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|birth_name = |
|birth_name = |
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|alias = John Davenport |
|alias = John Davenport |
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|birth_date = {{birth date|1931|2|16}} |
|birth_date = {{birth date|1931|2|16}} |
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|death_date = {{death date and age|2002|5|6|1931|2|16}} |
|death_date = {{death date and age|2002|5|6|1931|2|16}} |
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|death_place = [[Nashville, Tennessee]], U.S. |
|death_place = [[Nashville, Tennessee]], U.S. |
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|birth_place |
|birth_place = [[Brooklyn, New York]], U.S. |
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|instrument = Piano |
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|years_active = 1950s–2002 |
|years_active = 1950s–2002 |
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|label = [[RCA records|RCA]], [[Groove Records|Groove]], [[Atlantic records|Atlantic]] |
|label = [[RCA records|RCA]], [[Groove Records|Groove]], [[Atlantic records|Atlantic]] |
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|associated_acts = |
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|website = |
|website = |
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}} |
}} |
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'''Otis Blackwell''' (February 16, 1931 – May 6, 2002) was an American songwriter |
'''Otis Blackwell''' (February 16, 1931 – May 6, 2002) was an American songwriter whose work influenced [[rock and roll]]. His compositions include "[[Fever (1956 song)|Fever]]" (recorded by [[Little Willie John]]), "[[Great Balls of Fire]]" and "[[Breathless (Jerry Lee Lewis song)|Breathless]]" (recorded by [[Jerry Lee Lewis]]), "[[Don't Be Cruel]]", "[[All Shook Up]]", and "[[Return to Sender (song)|Return to Sender]]" (with [[Winfield Scott (songwriter)|Winfield Scott]]; recorded by [[Elvis Presley]]), and "[[Handy Man (song)|Handy Man]]" (recorded by [[Jimmy Jones (singer)|Jimmy Jones]]).<ref name="allmusic">{{cite web|url={{AllMusic|class=artist|id=p30250/biography|pure_url=yes}}|title=Otis Blackwell – Biography|publisher=[[AllMusic]]|access-date=November 20, 2006}}</ref> |
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==Biography== |
== Biography == |
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Blackwell was born in [[Brooklyn]], New York.<ref>{{cite news|url=https://www.washingtonpost.com/archive/local/2002/05/08/early-rock-and-roll-composer-otis-blackwell-dies-at-age-70/e84c53f0-2ae7-406b-bbef-fbdf3158a99c/|newspaper=The Washington Post|first=Adam|last=Bernstein|title= |
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Blackwell was born in [[Brooklyn]], New York.{{Citation needed|date= October 2019}} He learned to play the piano as a child and grew up listening to both [[R&B]] and [[country music]].{{Citation needed|date= October 2019}} |
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Early Rock-and-Roll Composer Otis Blackwell Dies at Age 70|date=May 8, 2002|accessdate=July 2, 2023}}</ref> He learned to play the piano as a child and grew up listening to both [[Rhythm and blues|R&B]] and [[country music]].<ref>{{cite magazine|magazine=The Many Worlds of Music| url=https://books.google.com/books?id=sh09AQAAIAAJ&q=otis+blackwell+country+music| title=Otis Blackwell|first=David|last=Hinkley|date=1986|publisher=BMI|accessdate=July 2, 2023}}</ref> |
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His first success was winning a local talent contest ("Amateur Night") at the [[Apollo Theater]] |
His first success was winning a local talent contest ("Amateur Night") at the [[Apollo Theater]] in [[Harlem]] in 1952.<ref name="spectro">{{cite web|url=http://www.spectropop.com/remembers/OBobit.htm|title=Otis Blackwell (1931–2002)|publisher=Spectropop|access-date=November 20, 2006}}</ref> This led to a recording contract with RCA and then with Jay-Dee. His first release was his own composition "[[Daddy Rolling Stone]]",<ref>{{Cite news|url=https://www.nytimes.com/2002/05/09/arts/otis-blackwell-70-wrote-hits-for-presley-and-others.html|title=Otis Blackwell, 70; Wrote Hits for Presley and Others|date=May 9, 2002|work=The New York Times|access-date=October 10, 2017|issn=0362-4331}}</ref> which became a favorite in [[Jamaica]], where it was recorded by Derek Martin.<ref name="Larkin" /> The song later became part of [[The Who]]'s [[Mod (subculture)|mod]] repertoire.<ref name="Larkin" /> Enjoying some early recording and performing success, he found his first love was songwriting and by 1955 had settled into the groove that he would ride for decades.<ref>Trager, Oliver (2004). ''Keys to the Rain: The Definitive Bob Dylan Encyclopedia''. Billboard Books. p. 700. {{ISBN|0-8230-7974-0}}.</ref> His first successes as a songwriter came in 1956, when [[Little Willie John]]'s R&B hit with the sultry "[[Fever (1956 song)|Fever]]" was an even bigger pop success for [[Peggy Lee]], and "[[Don't Be Cruel]]" began a highly profitable association with [[Elvis Presley]].<ref name="Larkin" /> |
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Blackwell was one of the leading |
Blackwell was one of the leading figures of early rock and roll, although he was not well known by the public. His own records never cracked the [[Top 40]], yet he wrote million-selling songs for [[Elvis Presley]], [[Jerry Lee Lewis]], [[Dee Clark]] and others. He also recruited other songwriters to write for Presley, such as [[Winfield Scott (songwriter)|Winfield Scott]].<ref name="elvis">{{cite web|url=http://www.elvis.com.au/presley/elvisnews_qandawithwinfieldscott.shtml|title=Winfield Scott|publisher=Elvis.com.au|access-date=November 20, 2006}}</ref> |
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In the [[liner notes]] of ''[[Elvis' Golden Records]]'' (1958), Anne Fulchino |
In the [[liner notes]] of ''[[Elvis' Golden Records]]'' (1958), Anne Fulchino of [[RCA Records]], wrote, |
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<blockquote>While sipping coffee, [[Steve Sholes]] pulled out a demonstration record of '[[Don't Be Cruel]]' and told Elvis it was a new song written by Otis Blackwell, whom Elvis had long admired as a rhythm and blues artist. It took just a few bars to convince Presley that it was a perfect song for him, and he decided to cut it right away. Presley learned the song within minutes—he had an inherent musical sense—and in short order a great master was put on tape. |
<blockquote>While sipping coffee, [[Steve Sholes]] pulled out a demonstration record of '[[Don't Be Cruel]]' and told Elvis it was a new song written by Otis Blackwell, whom Elvis had long admired as a rhythm and blues artist. It took just a few bars to convince Presley that it was a perfect song for him, and he decided to cut it right away. Presley learned the song within minutes—he had an inherent musical sense—and in short order a great master was put on tape. |
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It is not often that the title of a song will create a whole new expression in Americana. '[[All Shook Up]]' did exactly that. Youngsters and adults alike have made the phrase a common part of everyday usage. The background to the song itself is a rather interesting one. Since the huge success of 'Don't Be Cruel', Elvis had been anxious to record another song from the pen of Otis Blackwell. Eventually, Blackwell came around with 'All Shook Up' (first recorded by [[David Hess|David Hill]] on Aladdin). Presley was not completely satisfied with the song, and with Blackwell's consent re-wrote part of the lyrics. Thus, as co-writer as well as artist, Presley produced his ninth consecutive gold record, his first in the year 1957.</blockquote> |
It is not often that the title of a song will create a whole new expression in Americana. '[[All Shook Up]]' did exactly that. Youngsters and adults alike have made the phrase a common part of everyday usage. The background to the song itself is a rather interesting one. Since the huge success of 'Don't Be Cruel', Elvis had been anxious to record another song from the pen of Otis Blackwell. Eventually, Blackwell came around with 'All Shook Up' (first recorded by [[David Hess|David Hill]] on Aladdin). Presley was not completely satisfied with the song, and with Blackwell's consent re-wrote part of the lyrics. Thus, as co-writer as well as artist, Presley produced his ninth consecutive gold record, his first in the year 1957.</blockquote> |
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During an appearance on ''[[Late Night with David Letterman]]'', Blackwell said he never met Presley in person. When he was having a contract dispute with his publishing company, he also wrote under the white-sounding pen name John Davenport.<ref name="spectro"/> Blackwell composed more than a thousand songs, garnering worldwide sales of close to 200 million records.<ref name="fame">{{cite web|url=http://www.songwritershalloffame.org/exhibit_bio.asp?exhibitId=152|title=Otis Blackwell – Biography|publisher=Songwriters Hall of Fame|access-date=November 20, 2006|archive-url=https://web.archive.org/web/20061001194228/http://www.songwritershalloffame.org/exhibit_bio.asp?exhibitId=152 <!-- Bot retrieved archive --> |archive-date=October 1, 2006}}</ref> Presley's manager, [[Colonel Tom Parker]], asked Blackwell to appear in the Presley movie ''[[Girls! Girls! Girls!]]'', for which he had written "[[Return to Sender (song)|Return to Sender]]", but a superstition about meeting Presley kept him from accepting.<ref>Giddins, Gary (2000). ''Riding on a Blue Note: Jazz and American''. Da Capo Press. p. 37.</ref> |
During an appearance on ''[[Late Night with David Letterman]]'', Blackwell said he never met Presley in person.<ref>{{citeweb|url=https://www.youtube.com/watch?v=AgzzJ-eV8JY&t=330s|title=Otis Blackwell on Letterman, January 10, 1984|publisher=[[YouTube]]|quote=No, I never met Elvis|date=January 10, 1984|accessdate=October 14, 2024}}</ref> When he was having a contract dispute with his publishing company, he also wrote under the white-sounding pen name John Davenport.<ref name="spectro" /> Blackwell composed more than a thousand songs, garnering worldwide sales of close to 200 million records.<ref name="fame">{{cite web|url=http://www.songwritershalloffame.org/exhibit_bio.asp?exhibitId=152|title=Otis Blackwell – Biography|publisher=Songwriters Hall of Fame|access-date=November 20, 2006|archive-url=https://web.archive.org/web/20061001194228/http://www.songwritershalloffame.org/exhibit_bio.asp?exhibitId=152 <!-- Bot retrieved archive --> |archive-date=October 1, 2006}}</ref> Presley's manager, [[Colonel Tom Parker]], asked Blackwell to appear in the Presley movie ''[[Girls! Girls! Girls!]]'', for which he had written "[[Return to Sender (song)|Return to Sender]]", but a superstition about meeting Presley kept him from accepting.<ref>Giddins, Gary (2000). ''Riding on a Blue Note: Jazz and American''. Da Capo Press. p. 37.</ref> |
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In 1956, Blackwell gave "Don't Be Cruel" to friend [[Frankie Valli]]'s group, |
In 1956, Blackwell gave "Don't Be Cruel" to friend [[Frankie Valli]]'s group, ''The Four Lovers'', but as they were recording it he asked to take it back and in turn gave it to the up-and-coming Presley. In exchange for this song, he gave them "You're the Apple of My Eye", which became a chart hit for the Four Lovers (Billboard number 64).<ref>The group performed the song on [[Ed Sullivan]]'s television show that same year and was probably instrumental in at least shaping events for the group to eventually becoming [[The Four Seasons (band)|the Four Seasons]]. A shortened version of "You're the Apple of My Eye" is also featured in the Broadway show ''Jersey Boys''.</ref> |
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As the tide of |
As the tide of Rock and roll receded, Blackwell recorded R&B songs for numerous labels, including Atlantic, MGM and Epic. In later years, he was in semi-retirement, making only occasional live appearances.<ref name="Larkin">{{cite book|title=[[Encyclopedia of Popular Music|The Virgin Encyclopedia of Popular Music]]|editor=Colin Larkin|editor-link=Colin Larkin (writer)|publisher=[[Virgin Books]]|date=1997|edition=Concise|isbn=1-85227-745-9|page=143}}</ref> |
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In the 1980s, Blackwell toured and recorded with [[the Smithereens]] as his backing band for both live shows and studio recordings. The partnership produced two self-funded albums, |
In the 1980s, Blackwell toured and recorded with [[the Smithereens]] as his backing band for both live shows and studio recordings. The partnership produced two self-funded albums, ''Let's Talk About Us'' and ''From the Beginning'', which were released independently on Blackwell's ROC-CO imprint.<ref>{{cite web|website=Discogs|url=https://www.discogs.com/label/1512498-Roc-Co-Records|title=Roc-Co Records|accessdate=July 2, 2023}}</ref> |
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In 1991, Blackwell was paralyzed by a stroke. Three years later, Shanachie released the album ''Brace Yourself! A Tribute to Otis Blackwell'', containing 15 songs written by Blackwell and recorded by the likes of [[Kris Kristofferson]] ("All Shook Up"), Blondie's [[Debbie Harry]] ("[[Don't Be Cruel]]"), the Smithereens ("Let's Talk About Us"), [[Graham Parker]] ("Paralyzed"), and [[Ronnie Spector]] ("Brace Yourself").<ref>{{Cite |
In 1991, Blackwell was paralyzed by a stroke. Three years later, Shanachie released the album ''Brace Yourself! A Tribute to Otis Blackwell'', containing 15 songs written by Blackwell and recorded by the likes of [[Kris Kristofferson]] ("All Shook Up"), Blondie's [[Debbie Harry]] ("[[Don't Be Cruel]]"), the Smithereens ("Let's Talk About Us"), [[Graham Parker]] ("Paralyzed"), and [[Ronnie Spector]] ("Brace Yourself").<ref>{{Cite magazine|url=https://www.billboard.com/articles/news/75859/songwriter-otis-blackwell-dies|title=Songwriter Otis Blackwell Dies|magazine=Billboard|access-date=September 20, 2019}}</ref> |
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Blackwell died of a heart attack in 2002 |
Blackwell died of a heart attack in 2002 in [[Nashville, Tennessee]], and was interred in [[Woodlawn Memorial Park (Nashville, Tennessee)|Woodlawn Memorial Park]]. |
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==Awards and |
== Awards and recognition == |
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Otis Blackwell was inducted into the [[Nashville Songwriters Hall of Fame]] in 1986 and in 1991 into the National Academy of Popular Music's [[Songwriters Hall of Fame]].<ref name="spectro"/> Blackwell's crowning moment came in the late 1980s when the [[Black Rock Coalition]], a prominent organization of black rock musicians, led by [[Vernon Reid]], the lead guitarist of the band, [[Living Colour]], held a tribute for him at the Prospect Park Bandshell in his native [[Brooklyn]]. Many prominent musicians and singers took part including Blackwell himself, who performed an assortment of his best songs, including "One Broken Heart for Sale", "Back Trail", "[[Don't Be Cruel]]" and "[[Daddy Rolling Stone]]".{{Citation needed|date= October 2019}} |
Otis Blackwell was inducted into the [[Nashville Songwriters Hall of Fame]] in 1986 and in 1991 into the National Academy of Popular Music's [[Songwriters Hall of Fame]].<ref name="spectro" /> Blackwell's crowning moment came in the late 1980s when the [[Black Rock Coalition]], a prominent organization of black rock musicians, led by [[Vernon Reid]], the lead guitarist of the band, [[Living Colour]], held a tribute for him at the Prospect Park Bandshell in his native [[Brooklyn]]. Many prominent musicians and singers took part including Blackwell himself, who performed an assortment of his best songs, including "One Broken Heart for Sale", "Back Trail", "[[Don't Be Cruel]]" and "[[Daddy Rolling Stone]]".{{Citation needed|date= October 2019}} |
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Blackwell was named one of the 2010 recipients of [[Ahmet Ertegun]] Award in the [[Rock and Roll Hall of Fame]].<ref>{{cite web |url=http://www.rockhall.com/induction2010/ |title=Congratulations to the 2010 Rock and Roll Hall of Fame Inductees! |access-date=December 15, 2009 |url-status=dead |archive-url=https://web.archive.org/web/20091223194626/http://www.rockhall.com/induction2010/|archive-date=December 23, 2009}}</ref> This category encompasses those who primarily work behind the scenes in the music industry.{{Citation needed|date= October 2019}} |
Blackwell was named one of the 2010 recipients of [[Ahmet Ertegun]] Award in the [[Rock and Roll Hall of Fame]].<ref>{{cite web |url=http://www.rockhall.com/induction2010/ |title=Congratulations to the 2010 Rock and Roll Hall of Fame Inductees! |access-date=December 15, 2009 |url-status=dead |archive-url=https://web.archive.org/web/20091223194626/http://www.rockhall.com/induction2010/|archive-date=December 23, 2009}}</ref> This category encompasses those who primarily work behind the scenes in the music industry.{{Citation needed|date= October 2019}} |
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In 2022, Blackwell was inducted into the [[Blues Hall of Fame]].<ref>{{Cite web|url=https://blues.org/hall/|title=BLUES HALL OF FAME |
In 2022, Blackwell was inducted into the [[Blues Hall of Fame]].<ref>{{Cite web|url=https://blues.org/hall/|title=BLUES HALL OF FAME – About/Inductions|website=Blues.org|access-date=March 20, 2022}}</ref> |
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==Legacy== |
== Legacy == |
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Blackwell |
Blackwell is considered one of the greatest [[Rhythm and blues|R&B]] songwriters of all time.<ref name="stone">{{cite book|first=Anthony Decurtis (Eds.)|last=Holly George-Warren &|year=1976|title=The Rolling Stone Illustrated History of Rock & Roll|edition=3rd|publisher=Random House|location=New York|pages=27|isbn=0-679-73728-6}}</ref> His songwriting style is as uniquely identifiable as that of [[Leiber and Stoller]], [[Chuck Berry]], or [[Willie Dixon]] and helped redefine popular music in America in the 1950s.<ref name="fame" /> This is true even though he often collaborated with such partners as [[Winfield Scott (songwriter)|Winfield Scott]], [[Eddie Cooley]], and [[Jack Hammer (songwriter)|Jack Hammer]]. Blackwell was one of the most important innovators who helped invent the musical vocabulary of rock and roll at its very beginning.<ref name="allmusic" /> His works have been recorded by a host of major artists, including Elvis Presley, [[Jerry Lee Lewis]], [[Ray Charles]], [[Otis Redding]], [[James Brown]], [[The Who]], [[Johnny Thunders]], [[Billy Joel]], [[James Taylor]], [[Dolly Parton]], [[Conway Twitty]], the [[The Judds|Judds]], [[Carl Perkins]], [[Lonnie Lee]], and [[Peggy Lee]], among numerous others. At other times in his career, Blackwell was also successful as a record producer, having helped turn out hits for artists as diverse as [[Connie Francis]], [[Mahalia Jackson]], and [[Sal Mineo]].<ref>{{Cite web|url=http://www.songwritershalloffame.org/exhibit_bio.asp?exhibitId=152|title=Song Writers Hall Of Fame info|website=Songwritershalloffame.org|access-date=September 20, 2019}}</ref> |
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==Songs== |
== Songs == |
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Songs composed by Blackwell, with the performers who made them famous, include the following:<ref name="Larkin"/> |
Songs composed by Blackwell, with the performers who made them famous, include the following:<ref name="Larkin" /> |
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* "[[All Shook Up]]" ([[Elvis Presley]]) |
* "[[All Shook Up]]" ([[Elvis Presley]]) |
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* "[[Don't Be Cruel]]" (Elvis Presley); inducted into the [[Grammy Hall of Fame]] in 2002 |
* "[[Don't Be Cruel]]" (Elvis Presley); inducted into the [[Grammy Hall of Fame]] in 2002 |
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* "[[Fever (1956 song)|Fever]]" as "John Davenport" with [[Eddie Cooley]] ([[Peggy Lee]], inducted into the [[Grammy Hall of Fame]] in 1998; [[Little Willie John]], [[Madonna (entertainer)|Madonna]], the [[The McCoys|McCoys]], [[Elvis Presley]], [[Bob Dylan]], Over the Rhine, and numerous other performers). |
* "[[Fever (1956 song)|Fever]]" as "John Davenport" with [[Eddie Cooley]] ([[Peggy Lee]], inducted into the [[Grammy Hall of Fame]] in 1998; [[Little Willie John]], [[Madonna (entertainer)|Madonna]], the [[The McCoys|McCoys]], [[Elvis Presley]], [[Bob Dylan]], Over the Rhine, and numerous other performers). |
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* "[[Great Balls of Fire]]" ([[Jerry Lee Lewis]]); inducted into the [[Grammy Hall of Fame]] in 1998 |
* "[[Great Balls of Fire]]" ([[Jerry Lee Lewis]]); inducted into the [[Grammy Hall of Fame]] in 1998 |
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* "[[Hey Little Girl (1959 song)|Hey Little Girl]]" ([[Dee Clark]]) |
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* "[[Handy Man (song)|Handy Man]]" ([[Jimmy Jones (singer)|Jimmy Jones]], [[Del Shannon]], [[James Taylor]]) |
* "[[Handy Man (song)|Handy Man]]" ([[Jimmy Jones (singer)|Jimmy Jones]], [[Del Shannon]], [[James Taylor]]) |
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* "[[ |
* "[[Hey Little Girl (Dee Clark song)|Hey Little Girl]]" ([[Dee Clark]]) |
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* "[[One Broken Heart for Sale]]"([[Elvis Presley]]) |
* "[[One Broken Heart for Sale]]"([[Elvis Presley]]) |
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* "[[Paralyzed (Elvis Presley song)|Paralyzed]]" (Elvis Presley) |
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* "[[Return to Sender (song)|Return to Sender]]" (Elvis Presley) |
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== |
== Selected discography == |
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{|class="wikitable" |
{|class="wikitable" |
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!Year |
!Year |
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|2005 |
|2005 |
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|''1952–1954'' |
|''The Chronological Otis Blackwell 1952–1954'' |
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|Blues, rock & roll, R&B |
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|Classics (Blues & Rhythm series) |
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|- |
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|2020 |
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|''I Sing 'Em and I Write 'Em'' |
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|Blues, rock & roll, R&B |
|Blues, rock & roll, R&B |
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|Jasmine |
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|Classics R&B |
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==References== |
== References == |
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{{Reflist}} |
{{Reflist}} |
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==Sources and further reading== |
== Sources and further reading == |
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* [[Val Wilmer|Wilmer, Val]]. "Rock and Roll Genius" [interview with Otis Blackwell]. ''[[Melody Maker]]''. February 5, 1977, Vol. 52: pp. 8, 44. |
* [[Val Wilmer|Wilmer, Val]]. "Rock and Roll Genius" [interview with Otis Blackwell]. ''[[Melody Maker]]''. February 5, 1977, Vol. 52: pp. 8, 44. |
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* [[Val Wilmer|Wilmer, Val]]. "'I'm Happy as All Hell that the Man Took My Songs'" [interview with Otis Blackwell]. ''[[Time Out (magazine)|Time Out]]''. March 6–12, 1981, pp. 12–13 |
* [[Val Wilmer|Wilmer, Val]]. "'I'm Happy as All Hell that the Man Took My Songs'" [interview with Otis Blackwell]. ''[[Time Out (magazine)|Time Out]]''. March 6–12, 1981, pp. 12–13 |
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==External links== |
== External links == |
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* [http://www.spectropop.com/remembers/OBobit.htm Spectropop obituary] |
* [http://www.spectropop.com/remembers/OBobit.htm Spectropop obituary] |
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* [https://web.archive.org/web/20120717010749/http://www.kyleesplin.com/jllsb/JLLSBDIR/pages/68apage.htm 1979 interview] |
* [https://web.archive.org/web/20120717010749/http://www.kyleesplin.com/jllsb/JLLSBDIR/pages/68apage.htm 1979 interview] |
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[[Category:Urban blues musicians]] |
[[Category:Urban blues musicians]] |
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[[Category:East Coast blues musicians]] |
[[Category:East Coast blues musicians]] |
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[[Category:African-American male |
[[Category:African-American male songwriters]] |
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[[Category:Singer-songwriters from New York (state)]] |
[[Category:Singer-songwriters from New York (state)]] |
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[[Category:20th-century American pianists]] |
[[Category:20th-century American pianists]] |
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[[Category:African-American pianists]] |
[[Category:African-American pianists]] |
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[[Category:20th-century African-American male singers]] |
[[Category:20th-century African-American male singers]] |
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[[Category:20th-century American male singers]] |
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[[Category:20th-century American singers]] |
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[[Category:Burials at Woodlawn Memorial Park Cemetery (Nashville, Tennessee)]] |
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[[Category:Rock and roll musicians]] |
Latest revision as of 21:24, 16 December 2024
Otis Blackwell | |
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Background information | |
Also known as | John Davenport |
Born | Brooklyn, New York, U.S. | February 16, 1931
Died | May 6, 2002 Nashville, Tennessee, U.S. | (aged 71)
Genres | |
Occupation(s) | Songwriter, singer, pianist |
Years active | 1950s–2002 |
Labels | RCA, Groove, Atlantic |
Otis Blackwell (February 16, 1931 – May 6, 2002) was an American songwriter whose work influenced rock and roll. His compositions include "Fever" (recorded by Little Willie John), "Great Balls of Fire" and "Breathless" (recorded by Jerry Lee Lewis), "Don't Be Cruel", "All Shook Up", and "Return to Sender" (with Winfield Scott; recorded by Elvis Presley), and "Handy Man" (recorded by Jimmy Jones).[1]
Biography
[edit]Blackwell was born in Brooklyn, New York.[2] He learned to play the piano as a child and grew up listening to both R&B and country music.[3]
His first success was winning a local talent contest ("Amateur Night") at the Apollo Theater in Harlem in 1952.[4] This led to a recording contract with RCA and then with Jay-Dee. His first release was his own composition "Daddy Rolling Stone",[5] which became a favorite in Jamaica, where it was recorded by Derek Martin.[6] The song later became part of The Who's mod repertoire.[6] Enjoying some early recording and performing success, he found his first love was songwriting and by 1955 had settled into the groove that he would ride for decades.[7] His first successes as a songwriter came in 1956, when Little Willie John's R&B hit with the sultry "Fever" was an even bigger pop success for Peggy Lee, and "Don't Be Cruel" began a highly profitable association with Elvis Presley.[6]
Blackwell was one of the leading figures of early rock and roll, although he was not well known by the public. His own records never cracked the Top 40, yet he wrote million-selling songs for Elvis Presley, Jerry Lee Lewis, Dee Clark and others. He also recruited other songwriters to write for Presley, such as Winfield Scott.[8]
In the liner notes of Elvis' Golden Records (1958), Anne Fulchino of RCA Records, wrote,
While sipping coffee, Steve Sholes pulled out a demonstration record of 'Don't Be Cruel' and told Elvis it was a new song written by Otis Blackwell, whom Elvis had long admired as a rhythm and blues artist. It took just a few bars to convince Presley that it was a perfect song for him, and he decided to cut it right away. Presley learned the song within minutes—he had an inherent musical sense—and in short order a great master was put on tape. It is not often that the title of a song will create a whole new expression in Americana. 'All Shook Up' did exactly that. Youngsters and adults alike have made the phrase a common part of everyday usage. The background to the song itself is a rather interesting one. Since the huge success of 'Don't Be Cruel', Elvis had been anxious to record another song from the pen of Otis Blackwell. Eventually, Blackwell came around with 'All Shook Up' (first recorded by David Hill on Aladdin). Presley was not completely satisfied with the song, and with Blackwell's consent re-wrote part of the lyrics. Thus, as co-writer as well as artist, Presley produced his ninth consecutive gold record, his first in the year 1957.
During an appearance on Late Night with David Letterman, Blackwell said he never met Presley in person.[9] When he was having a contract dispute with his publishing company, he also wrote under the white-sounding pen name John Davenport.[4] Blackwell composed more than a thousand songs, garnering worldwide sales of close to 200 million records.[10] Presley's manager, Colonel Tom Parker, asked Blackwell to appear in the Presley movie Girls! Girls! Girls!, for which he had written "Return to Sender", but a superstition about meeting Presley kept him from accepting.[11]
In 1956, Blackwell gave "Don't Be Cruel" to friend Frankie Valli's group, The Four Lovers, but as they were recording it he asked to take it back and in turn gave it to the up-and-coming Presley. In exchange for this song, he gave them "You're the Apple of My Eye", which became a chart hit for the Four Lovers (Billboard number 64).[12]
As the tide of Rock and roll receded, Blackwell recorded R&B songs for numerous labels, including Atlantic, MGM and Epic. In later years, he was in semi-retirement, making only occasional live appearances.[6]
In the 1980s, Blackwell toured and recorded with the Smithereens as his backing band for both live shows and studio recordings. The partnership produced two self-funded albums, Let's Talk About Us and From the Beginning, which were released independently on Blackwell's ROC-CO imprint.[13]
In 1991, Blackwell was paralyzed by a stroke. Three years later, Shanachie released the album Brace Yourself! A Tribute to Otis Blackwell, containing 15 songs written by Blackwell and recorded by the likes of Kris Kristofferson ("All Shook Up"), Blondie's Debbie Harry ("Don't Be Cruel"), the Smithereens ("Let's Talk About Us"), Graham Parker ("Paralyzed"), and Ronnie Spector ("Brace Yourself").[14]
Blackwell died of a heart attack in 2002 in Nashville, Tennessee, and was interred in Woodlawn Memorial Park.
Awards and recognition
[edit]Otis Blackwell was inducted into the Nashville Songwriters Hall of Fame in 1986 and in 1991 into the National Academy of Popular Music's Songwriters Hall of Fame.[4] Blackwell's crowning moment came in the late 1980s when the Black Rock Coalition, a prominent organization of black rock musicians, led by Vernon Reid, the lead guitarist of the band, Living Colour, held a tribute for him at the Prospect Park Bandshell in his native Brooklyn. Many prominent musicians and singers took part including Blackwell himself, who performed an assortment of his best songs, including "One Broken Heart for Sale", "Back Trail", "Don't Be Cruel" and "Daddy Rolling Stone".[citation needed]
Blackwell was named one of the 2010 recipients of Ahmet Ertegun Award in the Rock and Roll Hall of Fame.[15] This category encompasses those who primarily work behind the scenes in the music industry.[citation needed]
In 2022, Blackwell was inducted into the Blues Hall of Fame.[16]
Legacy
[edit]Blackwell is considered one of the greatest R&B songwriters of all time.[17] His songwriting style is as uniquely identifiable as that of Leiber and Stoller, Chuck Berry, or Willie Dixon and helped redefine popular music in America in the 1950s.[10] This is true even though he often collaborated with such partners as Winfield Scott, Eddie Cooley, and Jack Hammer. Blackwell was one of the most important innovators who helped invent the musical vocabulary of rock and roll at its very beginning.[1] His works have been recorded by a host of major artists, including Elvis Presley, Jerry Lee Lewis, Ray Charles, Otis Redding, James Brown, The Who, Johnny Thunders, Billy Joel, James Taylor, Dolly Parton, Conway Twitty, the Judds, Carl Perkins, Lonnie Lee, and Peggy Lee, among numerous others. At other times in his career, Blackwell was also successful as a record producer, having helped turn out hits for artists as diverse as Connie Francis, Mahalia Jackson, and Sal Mineo.[18]
Songs
[edit]Songs composed by Blackwell, with the performers who made them famous, include the following:[6]
- "Breathless" (Jerry Lee Lewis, X)
- "Don't Be Cruel" (Elvis Presley); inducted into the Grammy Hall of Fame in 2002
- "Fever" as "John Davenport" with Eddie Cooley (Peggy Lee, inducted into the Grammy Hall of Fame in 1998; Little Willie John, Madonna, the McCoys, Elvis Presley, Bob Dylan, Over the Rhine, and numerous other performers).
- "Great Balls of Fire" (Jerry Lee Lewis); inducted into the Grammy Hall of Fame in 1998
- "Handy Man" (Jimmy Jones, Del Shannon, James Taylor)
- "Hey Little Girl" (Dee Clark)
- "Let's Talk About Us" (Jerry Lee Lewis)
- "Nine Times Out of Ten" with Waldense Hall (Cliff Richard,[19] Ral Donner)
- "One Broken Heart for Sale"(Elvis Presley)
- "Paralyzed" (Elvis Presley)
- "Return to Sender" (Elvis Presley)
Selected discography
[edit]Year | Title | Genre | Label |
---|---|---|---|
1955 | Otis Blackwell 1953–55 | Blues, rock & roll, R&B | Flyright |
1978 | These Are My Songs | Blues, rock & roll, R&B | Inner City |
2005 | The Chronological Otis Blackwell 1952–1954 | Blues, rock & roll, R&B | Classics (Blues & Rhythm series) |
2020 | I Sing 'Em and I Write 'Em | Blues, rock & roll, R&B | Jasmine |
References
[edit]- ^ a b "Otis Blackwell – Biography". AllMusic. Retrieved November 20, 2006.
- ^ Bernstein, Adam (May 8, 2002). "Early Rock-and-Roll Composer Otis Blackwell Dies at Age 70". The Washington Post. Retrieved July 2, 2023.
- ^ Hinkley, David (1986). "Otis Blackwell". The Many Worlds of Music. BMI. Retrieved July 2, 2023.
- ^ a b c "Otis Blackwell (1931–2002)". Spectropop. Retrieved November 20, 2006.
- ^ "Otis Blackwell, 70; Wrote Hits for Presley and Others". The New York Times. May 9, 2002. ISSN 0362-4331. Retrieved October 10, 2017.
- ^ a b c d e Colin Larkin, ed. (1997). The Virgin Encyclopedia of Popular Music (Concise ed.). Virgin Books. p. 143. ISBN 1-85227-745-9.
- ^ Trager, Oliver (2004). Keys to the Rain: The Definitive Bob Dylan Encyclopedia. Billboard Books. p. 700. ISBN 0-8230-7974-0.
- ^ "Winfield Scott". Elvis.com.au. Retrieved November 20, 2006.
- ^ "Otis Blackwell on Letterman, January 10, 1984". YouTube. January 10, 1984. Retrieved October 14, 2024.
No, I never met Elvis
- ^ a b "Otis Blackwell – Biography". Songwriters Hall of Fame. Archived from the original on October 1, 2006. Retrieved November 20, 2006.
- ^ Giddins, Gary (2000). Riding on a Blue Note: Jazz and American. Da Capo Press. p. 37.
- ^ The group performed the song on Ed Sullivan's television show that same year and was probably instrumental in at least shaping events for the group to eventually becoming the Four Seasons. A shortened version of "You're the Apple of My Eye" is also featured in the Broadway show Jersey Boys.
- ^ "Roc-Co Records". Discogs. Retrieved July 2, 2023.
- ^ "Songwriter Otis Blackwell Dies". Billboard. Retrieved September 20, 2019.
- ^ "Congratulations to the 2010 Rock and Roll Hall of Fame Inductees!". Archived from the original on December 23, 2009. Retrieved December 15, 2009.
- ^ "BLUES HALL OF FAME – About/Inductions". Blues.org. Retrieved March 20, 2022.
- ^ Holly George-Warren &, Anthony Decurtis (Eds.) (1976). The Rolling Stone Illustrated History of Rock & Roll (3rd ed.). New York: Random House. p. 27. ISBN 0-679-73728-6.
- ^ "Song Writers Hall Of Fame info". Songwritershalloffame.org. Retrieved September 20, 2019.
- ^ "Cliff Richard and the Shadows – Nine Times Out Of Ten". 45cat.com.
Sources and further reading
[edit]- Wilmer, Val. "Rock and Roll Genius" [interview with Otis Blackwell]. Melody Maker. February 5, 1977, Vol. 52: pp. 8, 44.
- Wilmer, Val. "'I'm Happy as All Hell that the Man Took My Songs'" [interview with Otis Blackwell]. Time Out. March 6–12, 1981, pp. 12–13
External links
[edit]- 1931 births
- 2002 deaths
- African-American rock musicians
- American rock pianists
- American male pianists
- American rock singers
- American rock songwriters
- Musicians from Brooklyn
- Cub Records artists
- RCA Victor artists
- Groove Records artists
- Urban blues musicians
- East Coast blues musicians
- African-American male songwriters
- Singer-songwriters from New York (state)
- 20th-century American pianists
- African-American pianists
- 20th-century African-American male singers
- 20th-century American male singers
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- Burials at Woodlawn Memorial Park Cemetery (Nashville, Tennessee)
- Rock and roll musicians