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Revision as of 00:10, 13 September 2024 by 2601:8c3:8600:2ad8:f8eb:bea0:b8e5:5c89(talk)(Removed words, "and tenth overall" from introductory sentence to make it less confusing. Additionally, this was the only article on a Chuck Berry studio album to include this detail, so removing it brings it more in line stylistically with the other articles.)
St. Louis to Liverpool is the seventh studio album by the American musician Chuck Berry. Released in 1964 by Chess Records. It peaked at number 124 on the US Billboard album chart, the first of Berry's studio albums to appear on the chart.[2] Music critic Dave Marsh called St. Louis to Liverpool "one of the greatest rock & roll records ever made".[3]
Wishing to capitalize on his popularity during the British Invasion, Berry and Chess Records fashioned this album to appeal to young buyers. St. Louis to Liverpool includes four of the five charting singles he enjoyed in 1964, the final year he would have multiple records appearing on the Billboard Hot 100: "No Particular Place to Go", "You Never Can Tell", "Promised Land", and "Little Marie", a sequel to "Memphis, Tennessee". The additional eight tracks included the four B-sides of those singles; "Our Little Rendezvous", a B-side from 1960; a previously unreleased alternate take of his 1958 Christmas single "Merry Christmas Baby"; an instrumental outtake from a 1950s session; and "Liverpool Drive", a recent instrumental.
On April 13, 2004, the Chronicles division of the Universal Music Group remastered the album for CD with three bonus tracks as part of its 50th anniversary commemorative of Chess Records, including "O'Rangutang", the flip side of the fifth of his 1964 charting singles "Nadine (Is It You?)", and a track that had appeared on the 1990 rarities album Missing Berries. In 2008, Mobile Fidelity Sound Lab reissued the album with Berry Is on Top on an Ultradisc II Gold compact disc.