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{{Short description|1950 film by Anthony Mann}}
{{Short description|1950 film by Anthony Mann}}
{{About|the film|the rifle|Winchester rifle#Model 1873}}
{{About|the film|the rifle|Winchester rifle#Model 1873}}
{{Use American English|date=September 2022}}
{{Use American English|date=July 2024}}
{{Use mdy dates|date=September 2022}}
{{Use mdy dates|date=July 2024}}
{{Infobox film
{{Infobox film
| name = Winchester '73
| name = Winchester '73
| image = Winchester 73 (1950 film poster).jpg
| image = Winchester 73 (1950 film poster).jpg
| caption = Theatrical release poster by [[Reynold Brown]]
| caption = Theatrical release poster by [[Reynold Brown]]
| director = [[Anthony Mann]]
| director = [[Anthony Mann]]
| producer = [[Aaron Rosenberg]]
| producer = [[Aaron Rosenberg]]
| screenplay = [[Borden Chase]]<br />[[Robert L. Richards]]
| screenplay = {{Ubl
|[[Borden Chase]]
|[[Robert L. Richards]]
}}
| story = Stuart N. Lake
| story = Stuart N. Lake
| starring = [[James Stewart]]<br />[[Shelley Winters]]<br />[[Dan Duryea]]<br />[[Stephen McNally]]
| starring = {{Ubl
| music = Joseph Gershenson (musical director)
|[[James Stewart]]
|[[Shelley Winters]]
|[[Dan Duryea]]
|[[Stephen McNally]]
}}
| music = Joseph Gershenson (musical director)
| cinematography = [[William Daniels (cinematographer)|William H. Daniels]]
| cinematography = [[William Daniels (cinematographer)|William H. Daniels]]
| editing = [[Edward Curtiss]]
| editing = [[Edward Curtiss]]
| color_process = Black and white
| color_process = Black and white
| studio = Universal Pictures
| studio = Universal Pictures
| distributor = [[Universal Pictures]]
| distributor = [[Universal Pictures]]
| released = {{Film date|1950|7|12|}}
| released = {{Film date|1950|7|12|}}
| runtime = 92 minutes
| runtime = 92 minutes
| country = United States
| country = United States
| language = English
| language = English
| gross = $2,250,000 (US rentals)<ref>'The Top Box Office Hits of 2006', ''Variety'', January 3, 1951.</ref>
| gross = $2,250,000 (US rentals)<ref>'The Top Box Office Hits of 2006', ''Variety'', January 3, 1951.</ref>
}}
}}
'''''Winchester '73''''' is a 1950 American [[Western (genre)|Western]] film directed by [[Anthony Mann]] and starring [[James Stewart]], [[Shelley Winters]], [[Dan Duryea]] and [[Stephen McNally]]. Written by [[Borden Chase]] and [[Robert L. Richards]], the film is about the journey of a prized rifle from one ill-fated owner to another and a cowboy's search for a murderous fugitive.<ref name="imdb">{{cite web|title=Winchester '73 |website=Internet Movie Database |date=July 12, 1950 |url=https://www.imdb.com/title/tt0043137/ |access-date=March 21, 2012}}</ref> It is the first [[Western (genre)|Western]] film collaboration between Mann and Stewart, the first of eight films they made together, and was filmed in black and white. It was also the first film where an actor received [[profit sharing|a percentage of the receipts]], a practice since known as "points", as compensation.
'''''Winchester '73''''' is a 1950 American [[Western (genre)|Western]] [[film noir]] directed by [[Anthony Mann]] and starring [[James Stewart]], [[Shelley Winters]], [[Dan Duryea]] and [[Stephen McNally]]. Written by [[Borden Chase]] and [[Robert L. Richards]], the film is set in 1876 in a variety of famed Western locations and follows the journey of a prized rifle from one ill-fated owner to another, as well as a cowboy's search for a murderous fugitive. It is the first Western film collaboration between Mann and Stewart, the first of eight films that they made together, and was filmed in black and white. It is also the first film from which an actor received [[profit sharing|a percentage of the receipts]], a practice known as "points", as compensation.


Among the film's cast of supporting actors, [[Rock Hudson]] portrays a Native American and [[Tony Curtis]] plays a besieged cavalry trooper, both in small roles at the beginning of their careers.
Among the film's cast of supporting actors, [[Rock Hudson]] portrays a Native American, and [[Tony Curtis]] plays a besieged cavalry trooper, both in minor roles at the beginning of their careers.


The film received a [[Writers Guild of America Award]] nomination for Best Written American Western.<ref name="imdbawards">{{cite web|title=Awards for Winchester '73 |website=Internet Movie Database |url=https://www.imdb.com/title/tt0043137/awards |access-date=March 21, 2012}}</ref> In 2015, the United States [[Library of Congress]] selected the film for preservation in the [[National Film Registry]], finding it "culturally, historically, or aesthetically significant".<ref name="Mike Barnes">{{cite web|url=http://www.hollywoodreporter.com/news/ghostbusters-top-gun-enter-national-849092|title='Ghostbusters,' 'Top Gun,' 'Shawshank' Enter National Film Registry|author=Mike Barnes|work=[[The Hollywood Reporter]]|date=December 16, 2015|access-date=December 16, 2015}}</ref>
The film received a [[Writers Guild of America Award]] nomination for Best Written American Western. In 2015, the United States [[Library of Congress]] selected the film for preservation in the [[National Film Registry]], finding it "culturally, historically, or aesthetically significant".<ref name="Mike Barnes">{{cite web |author=Mike Barnes |date=December 16, 2015 |title='Ghostbusters,' 'Top Gun,' 'Shawshank' Enter National Film Registry |url=http://www.hollywoodreporter.com/news/ghostbusters-top-gun-enter-national-849092 |access-date=December 16, 2015 |work=[[The Hollywood Reporter]]}}</ref>


==Plot==
==Plot==
Lin McAdam and Frankie Wilson are searching for Dutch Henry Brown, with whom Lin has a personal score to settle. They find him in a saloon in Dodge City, Kansas, but cannot fight due to the presence of Sheriff [[Wyatt Earp]]. Lin enters the town's Centennial shooting contest for a prized [[Winchester 1873]] rifle. Lin wins and goes to his room at the boarding house to pack. There, Dutch ambushes him, steals the rifle, and rides away with two cohorts.
Lin McAdam and Frankie Wilson are searching for Dutch Henry Brown, with whom Lin has a personal score to settle. They find him in a saloon in [[Dodge City, Kansas|Dodge City]], Kansas, but cannot fight due to the presence of Sheriff [[Wyatt Earp]]. Lin enters the town's Centennial shooting contest for a prized [[Winchester 1873]] rifle. Lin wins and goes to his room at the boarding house to pack. There, Dutch ambushes him, steals the rifle and rides away with two cohorts.
Arriving at Riker's Bar, they find Native American trader Joe Lamont, who sees the prize Winchester and becomes determined to own it. He raises the price of his guns and ammunition supply so high that Dutch and his men cannot afford to buy any. Dutch's only option is to trade the rifle for Lamont's three hundred dollars in gold plus their pick of weapons. Dutch makes the trade and tries to get the rifle back by gambling the three hundred in a poker game against Lamont, but loses.


Arriving at Riker's Bar, they find Native American trader Joe Lamont, who sees the prized Winchester and becomes determined to own it. He raises the prices of his guns and ammunition supply so high that Dutch and his men cannot afford to buy any. Dutch's only option is to trade the rifle for Lamont's three hundred dollars in gold, plus their pick of weapons. Dutch makes the trade and tries to get the rifle back by gambling the three hundred in a [[poker]] game against Lamont, but loses.
Lamont takes his guns to meet Native American buyers, but their leader Young Bull prefers the prize Winchester. When Lamont refuses to sell it, he is robbed and scalped.

Lamont takes his guns to meet Native American buyers, but their leader Young Bull prefers the prized Winchester. When Lamont refuses to sell it, he is robbed and scalped.


[[File:Winchester73 trailer Stewart.png|thumb|Lin McAdam (Stewart) shooting in the rifle contest.]]
[[File:Winchester73 trailer Stewart.png|thumb|Lin McAdam (Stewart) shooting in the rifle contest.]]


Meanwhile, former saloon girl Lola is in a wagon with her fiancé Steve Miller traveling toward a new home. Pursued by Young Bull and his warriors, they realize that they will not be able to outrun them. Panicking, Steve jumps on his horse and rides off to find help. Not far ahead, Steve finds a small encampment of soldiers and leads them back to rescue Lola. Lin and Wilson, chased by the same Native Americans, also ride into the encampment that night.
Meanwhile, former saloon girl Lola is in a wagon with her fiancé Steve Miller traveling toward a new home. Pursued by Young Bull and his warriors, they realize that they will not be able to outrun them. Panicking, Steve jumps on his horse and rides off to find help. Not far ahead, Steve sees a small encampment of soldiers. He races back for Lola, and together they make it into the soldiers' camp. That night, Lin and Wilson, chased by the same Native Americans, also ride into the encampment.


The soldiers are new to the territory. Lin gives their sergeant tactical advice on fighting Native Americans and they prepare for an attack expected early the next morning. After a fierce battle in which Young Bull is killed, the Native Americans leave, while Lin and High-Spade depart to continue searching for Dutch. Unknowingly, they ride past the prize Winchester where Young Bull had dropped it when he fell. It is found by a trooper and the Sergeant gives it to Steve.
The soldiers are new to the territory. Lin gives their sergeant tactical advice for fighting Native Americans, and they prepare for an attack expected early the next morning. After a fierce battle in which Young Bull is killed, the Native Americans leave, and Lin and High-Spade depart to continue searching for Dutch. Unknowingly, they ride past the coveted Winchester where Young Bull had dropped it when he fell. It is found by a trooper, and the Sergeant gives it to Steve.


[[File:Winchester73 trailer Stewart Winters.png|left|thumb|Lola Manners ([[Shelley Winters]]) accepting Lin McAdam's revolver just before the Native American attack.]]
[[File:Winchester73 trailer Stewart Winters.png|thumb|Lola Manners ([[Shelley Winters]]) accepting Lin McAdam's revolver just before the Native American attack.]]


Steve and Lola reach the Jameson house, which is set to become theirs. He wants her to stay with the Jamesons while he goes to meet outlaw Waco Johnnie Dean, but Waco and his men arrive unexpectedly, chased by a posse that surrounds the house. Once Waco sees the prize Winchester, he too covets it. He provokes Steve into a gunfight and kills him. Waco and Lola escape the posse and ride to Dutch's hideout. Dutch claims the rifle is his and forces Waco to return it.
Steve and Lola reach the Jameson house, which is set to become theirs. He wants her to stay with the Jamesons while he goes to meet outlaw Waco Johnny Dean, but Waco and his men arrive unexpectedly, chased by a posse that surrounds the house. When Waco sees the Winchester, he too covets it. He provokes Steve into a gunfight and kills him. Waco and Lola escape the posse and ride to Dutch's hideout. Dutch claims that the rifle is his and forces Waco to return it.


The gang goes to [[Tascosa, Texas]] to commit a robbery. They are joined by Lin and Wilson. Waco attempts to shoot Lin and is killed, while around them the robbery goes awry and Lola is wounded. Wilson reveals to Lola that Dutch is Lin's brother and that Dutch had robbed a bank and a stagecoach and returned to the family home hoping to hide out. When their father refused to help him, Dutch shot him in the back and Lin has sworn revenge.
The gang goes to [[Tascosa, Texas|Tascosa]], Texas, to commit a robbery. They are joined by Lin and Wilson. Waco attempts to shoot Lin and is killed, while around them, the robbery goes awry and Lola is wounded. Wilson reveals to Lola that Dutch is Lin's brother, and that Dutch had robbed a bank and a stagecoach and returned to the family home, hoping to hide out. When their father refused to help him, Dutch shot him in the back, and Lin has sworn revenge.


Lin confronts Dutch on a rocky hill and calls him by his real name, Matthew. They shoot it out on the hill and Lin kills him with the Winchester.
Lin confronts Dutch on a rocky hill and calls him by his real name, Matthew. They shoot it out on the hill, and Lin kills him, reclaiming the Winchester.


==Cast==
==Cast==
[[File:Winchester73 trailer Stewart 2.png|thumb|Stewart during the Native American attack]]
[[File:Winchester73 trailer Stewart 2.png|thumb|Stewart during the Native American attack]]

{{Cast listing|
{{Cast listing|
* [[James Stewart]] as Lin McAdam
* [[James Stewart]] as Lin McAdam
* [[Shelley Winters]] as Lola Manners
* [[Shelley Winters]] as Lola Manners
* [[Dan Duryea]] as Johnnie "Waco Johnnie" Dean
* [[Dan Duryea]] as Waco Johnny Dean
* [[Stephen McNally]] as Henry "Dutch Henry" Brown
* [[Stephen McNally]] as Dutch Henry Brown / Matthew McAdam
* [[Millard Mitchell]] as Frankie "High-Spade Frankie" Wilson
* [[Millard Mitchell]] as High-Spade Frankie Wilson
* [[Charles Drake (actor)|Charles Drake]] as Steve Miller
* [[Charles Drake (actor)|Charles Drake]] as Steve Miller
* [[John McIntire]] as Joe Lamont
* [[John McIntire]] as Joe Lamont
Line 69: Line 76:
* [[James Millican]] as Wheeler
* [[James Millican]] as Wheeler
* [[Abner Biberman]] as Latigo Means
* [[Abner Biberman]] as Latigo Means
* [[Tony Curtis]] as Doan (credited as "Anthony Curtis")
* [[Tony Curtis]] as Dean (credited as "Anthony Curtis")
* [[James Best]] as Crater
* [[James Best]] as Crater
}}
}}
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==Production==
==Production==
[[File:Winchester73 trailer Stewart 1.png|right|thumb|James Stewart and Jay C. Flippen]]
[[File:Winchester73 trailer Stewart 1.png|right|thumb|James Stewart and Jay C. Flippen]]
The film was originally intended to have been directed by [[Fritz Lang]]<ref>Munn, Michael (2007). ''Jimmy Stewart: The Truth Behind the Legend''. Robson, p. 198.</ref> but Universal did not want Lang to produce the film through his own Diana Productions company.<ref>{{cite book |last=Grant |first=Barry Keith |author-link= |date= 2003|title=Fritz Lang Interview|url= |location= |publisher=University Press of Mississippi|page=57|isbn=9781578065776}}</ref> Lang's idea was to have the rifle be Stewart's character's only source of strength and his only excuse for living, making the quest for his rifle a matter of life and death.<ref>Lang 2003, p. 57.</ref> With Lang out of the picture, Universal produced the film itself with the up-and-coming Anthony Mann, Stewart's choice, directing. Mann had [[Borden Chase]] rewrite the script <ref>Basinger, Jeanine (2007). ''Anthony Mann''. Wesleyan University Press, p. 79.</ref> to make the rifle a bone of contention instead, showing it passing contentiously through the hands of a variety of people.
The film was originally intended to have been directed by [[Fritz Lang]], but [[Universal Pictures|Universal]] did not want Lang to produce the film through his own company, Diana Productions.<ref>Munn, Michael (2007). ''Jimmy Stewart: The Truth Behind the Legend''. Robson, p. 198.</ref><ref>{{cite book |last=Grant |first=Barry Keith |author-link= |url= |title=Fritz Lang Interviews |date=2003 |publisher=University Press of Mississippi |isbn=9781578065776 |location= |page=57}}</ref> Lang's idea was for the rifle to be Stewart's character's only source of strength and his only excuse for living, making the quest for his rifle a matter of life and death.<ref>Lang 2003, p. 57.</ref>
With Lang out of the picture, Universal produced the film with up-and-coming [[Anthony Mann]], Stewart's choice (he had admired ''[[The Furies (1950 film)|The Furies]]''), directing. Mann had [[Borden Chase]] rewrite the script <ref>Basinger, Jeanine (2007). ''Anthony Mann''. Wesleyan University Press, p. 79.</ref> to instead make the rifle a bone of contention, showing it passing contentiously through the hands of a variety of people.

Mann said, "I didn't like the property; I didn't like Winchester at all. This was Lang's version. I was working at Metro and everybody was pressuring me to make the film and I said, 'T'd like to make the film, if you let me rewrite it completely. I want a new writer, new everything; I don't want the property the way it is.' Finally, after a lot of haranguing, they agreed that I could do that and I brought in Borden Chase and we started from scratch on the script and it developed day by day."<ref name="mann">{{cite magazine |last1=Wicking |first1=Christopher |last2=Pattinson |first2=Barrie |date=July–October 1969 |title=Interviews with Anthony Mann |url=https://archive.org/details/Screen_Volume_10_Issue_4-5/page/n31/mode/2up |magazine=Screen |page=49 |volume=10}}</ref>


Stewart had wished to make ''[[Harvey (1950 film)|Harvey]]'' for Universal-International but, when the studio could not pay the $200,000 salary (${{formatprice|{{inflation|US-GDP|200000|1950|r=-3}}}} in today's dollars{{inflation-fn|US-GDP}}) he wanted, studio head [[William Goetz]] offered to allow Stewart to make both ''Harvey'' and ''Winchester '73'' for [[profit sharing|a percentage of the profits]], spread over some time and at a lower [[capital gain|capital gain tax]] rate than a single payment to Stewart would be.<ref>Eyman, Scott (2005). ''The Lion of Hollywood: The Life and Legend of Louis B. Mayer''. Robson, p. 456.</ref><ref>Basinger 2007, p. 79.</ref> Stewart's then-agent [[Lew Wasserman]] was able to get his client 50 percent of the profits, eventually amounting to $600,000, from the film's unexpected success.<ref>McDonald, Paul (2000). ''The Star System: Hollywood's Production of Popular Identities''. Wallflower Press, p. 75.</ref><ref>{{cite news|title=A Town Called Hollywood: Top Stars Now Share in Profits of Major Pictures|author=Philip K. Scheuer|work=Los Angeles Times|date=July 24, 1955|page=d2}}, quotes Goetz putting the figure at $530,000.</ref> Stewart's deal also gave him control of the director and co-stars.<ref>Mann, Denise (2008). ''Hollywood Independents: The Postwar Talent Takeover''. University of Minnesota Press, p. 51.</ref> This is acknowledged today as the first confirmed time in the sound era a film actor received some of the movie's receipts as compensation, a practice now called "points".<ref name="Feature Film Distribution Deal">{{cite book |last1=Cones |first1=John |title=The Feature Film Distribution Deal: A Critical Analysis of the Single Most Important Film Industry Agreement |date=1997 |publisher=[[Southern Illinois University Press]] |location=[[Carbondale, Illinois]], United States |isbn=9780809320820 |pages=19–21 |url=https://books.google.com/books?id=EoeJ7VmwnDIC&pg=PA19 |access-date=December 20, 2022}}</ref>
Stewart had wished to make ''[[Harvey (1950 film)|Harvey]]'' for [[Universal-International]], but the studio could not afford his $200,000 salary (${{formatprice|{{inflation|US-GDP|200000|1950|r=-3}}}} in today's dollars),{{inflation-fn|US-GDP}} so studio head [[William Goetz]] offered to allow Stewart to make both ''Harvey'' and ''Winchester '73'' for [[profit sharing|a percentage of the profits]], spread over some time and at a lower [[capital gain|capital gain tax]] rate than a single payment to Stewart would be.<ref>Eyman, Scott (2005). ''The Lion of Hollywood: The Life and Legend of Louis B. Mayer''. Robson, p. 456.</ref><ref>Basinger 2007, p. 79.</ref> Stewart's agent [[Lew Wasserman]] was able to get his client 50 percent of the profits, eventually amounting to $600,000 from the film's unexpected success.<ref>McDonald, Paul (2000). ''The Star System: Hollywood's Production of Popular Identities''. Wallflower Press, p. 75.</ref><ref>{{cite news |author=Philip K. Scheuer |date=July 24, 1955 |title=A Town Called Hollywood: Top Stars Now Share in Profits of Major Pictures |work=Los Angeles Times |page=d2}}, quotes Goetz putting the figure at $530,000.</ref> Stewart's deal also gave him control of the director and co-stars.<ref>Mann, Denise (2008). ''Hollywood Independents: The Postwar Talent Takeover''. University of Minnesota Press, p. 51.</ref> It is acknowledged as the first confirmed time in the sound era that a film actor received some of the movie's receipts as compensation, a practice now called "points".<ref name="Feature Film Distribution Deal">{{cite book |last1=Cones |first1=John |url=https://books.google.com/books?id=EoeJ7VmwnDIC&pg=PA19 |title=The Feature Film Distribution Deal: A Critical Analysis of the Single Most Important Film Industry Agreement |date=1997 |publisher=[[Southern Illinois University Press]] |isbn=9780809320820 |location=[[Carbondale, Illinois]], United States |pages=19–21 |access-date=December 20, 2022}}</ref>


===Casting===
===Casting===
Stewart was already cast in the part of Lin McAdam and spent a lot of time practicing with the rifle so he would look like an authentic Westerner. As Mann later related, "[Stewart] was magnificent walking down a street with a Winchester rifle cradled in his arm. And he was great too actually firing the gun. He studied hard at it. His knuckles were raw with practicing... It was those sorts of things that helped make the film look so authentic, gave it its sense of reality." An expert marksman from the Winchester company, Herb Parsons, did the trick shooting required for the film and assisted Stewart in his training.
Stewart was already cast in the part of Lin McAdam and spent a lot of time practicing with the rifle so that he would look like an authentic Westerner. As Mann later related, "[Stewart] was magnificent walking down a street with a Winchester rifle cradled in his arm. And he was great too actually firing the gun. He studied hard at it. His knuckles were raw with practicing... It was those sorts of things that helped make the film look so authentic, gave it its sense of reality." An expert [[marksman]] from the Winchester company, Herb Parsons, did the trick shooting required for the film and assisted Stewart with his training.


[[Shelley Winters]] was cast as a dance-hall girl. Winters did not understand the film, nor think much of her part in it, saying, "Here you've got all these men... running around to get their hands on this goddamn rifle instead of going after a beautiful blonde like me. What does that tell you about the values of that picture? If I hadn't been in it, would anybody have noticed?"
[[Shelley Winters]] was cast as a dance-hall girl. Winters did not understand the film, nor think much of her part in it, saying, "Here you've got all these men... running around to get their hands on this goddamn rifle instead of going after a beautiful blonde like me. What does that tell you about the values of that picture? If I hadn't been in it, would anybody have noticed?"<ref name="auto">{{Cite web |date=March 15, 2015 |title=Winchester '73, review |url=https://www.telegraph.co.uk/culture/film/filmreviews/11466703/Winchester-73-review.html |website=www.telegraph.co.uk}}</ref>


The part of [[Wyatt Earp]] was given to [[Will Geer]], who was not alone in feeling he was miscast for the role. [[Millard Mitchell]] was cast as High-Spade Frankie Wilson. That same year, Mitchell appeared in ''[[The Gunfighter]]'', starring [[Gregory Peck]]. He would appear in another Stewart-Mann western, ''[[The Naked Spur]]'' (1953), as a grizzled old prospector.
The part of [[Wyatt Earp]] was given to [[Will Geer]], who was not alone by feeling that he was miscast for the role. [[Millard Mitchell]] was cast as High-Spade Frankie Wilson. That same year, Mitchell appeared in ''[[The Gunfighter]]'' starring [[Gregory Peck]]. He would appear in another Stewart-Mann Western ''[[The Naked Spur]]'' (1953) as a grizzled old prospector.


[[Jay C. Flippen]] appeared as cavalry sergeant Wilkes. He would also appear in the second Stewart-Mann Western, ''[[Bend of the River]]'' (1952), along with [[Rock Hudson]], who appears in ''Winchester '73'' as a Native American.
[[Jay C. Flippen]] appears as cavalry sergeant Wilkes. He would also appear in the second Stewart-Mann Western ''[[Bend of the River]]'' (1952) with [[Rock Hudson]], who appears in ''Winchester '73'' as a Native American.


The Stewart and Mann collaboration established a new [[persona]] for Stewart, more violent and disillusioned than ever before, but still likable.<ref>Basinger 2007, p. 80.</ref>
The Stewart and Mann collaboration established a new [[persona]] for Stewart, more violent and disillusioned than ever before, but still likable.<ref>Basinger 2007, p. 80.</ref>


===Locations===
=== Locations ===
''Winchester '73'' was filmed at:
''Winchester '73'' was filmed at:
*Mescal, Arizona, US
* [[Mescal, Arizona|Mescal]], Arizona, U.S.
*Old Tucson, 201 S. Kinney Road, [[Tucson, Arizona]], US
* [[Old Tucson Studios|Old Tucson]], 201 S. Kinney Road, [[Tucson, Arizona|Tucson]], Arizona, U.S.
*Backlot, Universal Studios, 100 Universal City Plaza, Universal City, California, US<ref name="imdblocations">{{cite web|title=Locations for Winchester '73 |website=Internet Movie Database |url=https://www.imdb.com/title/tt0043137/locations |access-date=March 21, 2012}}</ref>
* Backlot, Universal Studios, 100 Universal City Plaza, [[Universal City, California|Universal City]], California, U.S.<ref name="imdblocations">{{cite web |title=Locations for Winchester '73 |url=https://www.imdb.com/title/tt0043137/locations |access-date=March 21, 2012 |website=Internet Movie Database}}</ref>


==Reception==
==Reception==
As part of the publicity campaign around the release of the film, Universal Pictures sponsored a contest, by placing magazine ads, to find some of the rare remaining "One of One Thousand" Model 1873 Winchester rifles.<ref name="guns">{{cite web |last=Fjestad |first=Steve |date=December 14, 2007 |title=Winchester Model 1873 Rifle |url=http://www.gunsandammo.com/video/winchester-model-rifle/ |access-date=February 10, 2013 |work=Guns & Ammo}}</ref> This resulted in many previously unknown original rifles being brought into the spotlight and drew public interest to the field of antique gun collecting. The winner of the contest received a new [[Winchester Model 1894]] rifle since the Model 1873 was out of production at that time.<ref>Gordon, James D. ''Winchester's New Model of 1873: A Tribute''. Self-published, 1997, p. 391.</ref>
As part of the publicity campaign for the release of the film, Universal Pictures sponsored a contest, by placing magazine ads, to find some of the rare remaining "One of One Thousand" Model 1873 Winchester rifles.<ref name="guns">{{cite web |last=Fjestad |first=Steve |date=December 14, 2007 |title=Winchester Model 1873 Rifle |url=http://www.gunsandammo.com/video/winchester-model-rifle/ |access-date=February 10, 2013 |work=Guns & Ammo}}</ref> This resulted in many previously unknown original rifles being brought into the spotlight, and drew public interest to the field of antique gun collecting. The winner of the contest received a new [[Winchester Model 1894]] rifle, for the Model 1873 was out of production at that time.<ref>Gordon, James D. ''Winchester's New Model of 1873: A Tribute''. Self-published, 1997, p. 391.</ref>


The film was a financial success, turning a significant profit. It has gained a reputation as a classic of the [[Western (genre)|Western]] genre since and durably helped to redefine the public perception of [[James Stewart]].
The film was a financial success, turning a significant profit. It has since gained a reputation as a classic of the Western genre, and durably helped to redefine the public perception of James Stewart.{{citation needed|date=July 2024}}


Contemporary critics are enthusiastic. Writing for the ''[[The Daily Telegraph|Telegraph]]'', Martin Chilton gave the movie 5 stars and described the film as "the first in a series of Western masterpieces".<ref>{{Cite web|url=https://www.telegraph.co.uk/culture/film/filmreviews/11466703/Winchester-73-review.html|title=Winchester '73, review}}</ref> In ''[[Empire (magazine)|Empire]]'', William Thomas calls the film "the marvellously-scripted story of a man and a gun". He also awarded 5 stars.<ref>{{Cite web|url=https://www.empireonline.com/movies/winchester-73/review/|title=Winchester 73}}</ref> The film holds a [[List of films with a 100% rating on Rotten Tomatoes|100% rating on Rotten Tomatoes]] based on 27 reviews, with an average of 8.5/10.<ref>{{cite web |title= Winchester '73 |url= https://www.rottentomatoes.com/m/1023739_winchester_73? |website=[[Rotten Tomatoes]] }}</ref>
Contemporary reviews have been enthusiastic. Writing for the ''[[The Daily Telegraph|Telegraph]]'', Martin Chilton gave the movie five stars out of five, and described the film as "the first in a series of Western masterpieces".<ref name="auto" /> In ''[[Empire (magazine)|Empire]]'', William Thomas calls the film "the marvellously-scripted story of a man and a gun". He also awarded five stars out of five.<ref>{{Cite web |date=June 25, 2000 |title=Winchester 73 |url=https://www.empireonline.com/movies/reviews/winchester-73-review/ |website=Empire}}</ref> The film holds a [[List of films with a 100% rating on Rotten Tomatoes|100% rating on Rotten Tomatoes]], based on 27 reviews, with an average of 8.5/10.<ref>{{cite web |title=Winchester '73 |url=https://www.rottentomatoes.com/m/1023739_winchester_73? |website=[[Rotten Tomatoes]]}}</ref>


==Honors==
==Honors==
The film received a [[Writers Guild of America Award]] nomination for Best Written American Western.<ref name="imdbawards"/> In 2015, the United States [[Library of Congress]] selected the film for preservation in the [[National Film Registry]], finding it "culturally, historically, or aesthetically significant".<ref name="Mike Barnes"/>
The film received a [[Writers Guild of America Award]] nomination for Best Written American Western.{{citation needed|date=July 2024}} In 2015, the United States [[Library of Congress]] selected the film for preservation in the [[National Film Registry]], finding it "culturally, historically, or aesthetically significant".<ref name="Mike Barnes" />


==Remake==
==Remake==
''Winchester '73'' was [[Remake|remade]] as a [[made-for-TV]] film in 1967 featuring [[Tom Tryon]], [[John Saxon]], Dan Duryea, [[John Drew Barrymore]], [[Joan Blondell]], [[John Dehner]] and [[Paul Fix]]. The remake was directed by [[Herschel Daugherty]] with cinematography by [[Bud Thackery]].
''Winchester '73'' was [[Remake|remade]] as a [[made-for-TV]] film in 1967 featuring [[Tom Tryon]], [[John Saxon]], Dan Duryea, [[John Drew Barrymore]], [[Joan Blondell]], [[John Dehner]] and [[Paul Fix]]. The remake was directed by [[Herschel Daugherty]], with cinematography by [[Bud Thackery]].


==See also==
==See also==
* ''[[Babel (film)|Babel]]'', a non-linear film that features various owners of a prized rifle.
* [[Gun (TV series)]]
* ''[[Gun (TV series)|Gun]]'', a 1997 anthology television series following sequential owners of a [[semi-automatic pistol]].
* ''[[The King's Ankus]]'', a tale in [[Rudyard Kipling]]'s ''[[The Second Jungle Book]]'' that follows a valuable object as it causes murderous acts.
* ''[[The King's Ankus]]'', a tale in [[Rudyard Kipling]]'s ''[[The Second Jungle Book]]'' that follows a valuable object as it causes murderous acts.


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* {{IMDb title|id=0043137|title=Winchester '73}} (1950 film)
* {{IMDb title|id=0043137|title=Winchester '73}} (1950 film)
* {{IMDb title|id=0062496|title=Winchester '73}} (1967 TV movie)
* {{IMDb title|id=0062496|title=Winchester '73}} (1967 TV movie)
* {{TCMDb title|id=95933|title=Winchester '73}}
* {{allMovie title|1074591}}
* {{TCMDb title|id=95933}}
* {{AFI film|26569}}
* [http://theartofmemory.blogspot.com/2008/06/univers-du-western-winchester-73.html ''Winchester '73''] film stills
* [http://theartofmemory.blogspot.com/2008/06/univers-du-western-winchester-73.html ''Winchester '73''] film stills
* [http://sarahbethonline.com/danduryea/films/winchester.html Winchester '73 at Dan Duryea Central]
* [http://sarahbethonline.com/danduryea/films/winchester.html Winchester '73 at Dan Duryea Central]
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[[Category:Revisionist Western (genre) films]]
[[Category:Revisionist Western (genre) films]]
[[Category:1950s American films]]
[[Category:1950s American films]]
[[Category:English-language Western (genre) films]]

Latest revision as of 08:30, 7 September 2024

Winchester '73
Theatrical release poster by Reynold Brown
Directed byAnthony Mann
Screenplay by
Story byStuart N. Lake
Produced byAaron Rosenberg
Starring
CinematographyWilliam H. Daniels
Edited byEdward Curtiss
Music byJoseph Gershenson (musical director)
Color processBlack and white
Production
company
Universal Pictures
Distributed byUniversal Pictures
Release date
  • July 12, 1950 (1950-07-12)
Running time
92 minutes
CountryUnited States
LanguageEnglish
Box office$2,250,000 (US rentals)[1]

Winchester '73 is a 1950 American Western film noir directed by Anthony Mann and starring James Stewart, Shelley Winters, Dan Duryea and Stephen McNally. Written by Borden Chase and Robert L. Richards, the film is set in 1876 in a variety of famed Western locations and follows the journey of a prized rifle from one ill-fated owner to another, as well as a cowboy's search for a murderous fugitive. It is the first Western film collaboration between Mann and Stewart, the first of eight films that they made together, and was filmed in black and white. It is also the first film from which an actor received a percentage of the receipts, a practice known as "points", as compensation.

Among the film's cast of supporting actors, Rock Hudson portrays a Native American, and Tony Curtis plays a besieged cavalry trooper, both in minor roles at the beginning of their careers.

The film received a Writers Guild of America Award nomination for Best Written American Western. In 2015, the United States Library of Congress selected the film for preservation in the National Film Registry, finding it "culturally, historically, or aesthetically significant".[2]

Plot

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Lin McAdam and Frankie Wilson are searching for Dutch Henry Brown, with whom Lin has a personal score to settle. They find him in a saloon in Dodge City, Kansas, but cannot fight due to the presence of Sheriff Wyatt Earp. Lin enters the town's Centennial shooting contest for a prized Winchester 1873 rifle. Lin wins and goes to his room at the boarding house to pack. There, Dutch ambushes him, steals the rifle and rides away with two cohorts.

Arriving at Riker's Bar, they find Native American trader Joe Lamont, who sees the prized Winchester and becomes determined to own it. He raises the prices of his guns and ammunition supply so high that Dutch and his men cannot afford to buy any. Dutch's only option is to trade the rifle for Lamont's three hundred dollars in gold, plus their pick of weapons. Dutch makes the trade and tries to get the rifle back by gambling the three hundred in a poker game against Lamont, but loses.

Lamont takes his guns to meet Native American buyers, but their leader Young Bull prefers the prized Winchester. When Lamont refuses to sell it, he is robbed and scalped.

Lin McAdam (Stewart) shooting in the rifle contest.

Meanwhile, former saloon girl Lola is in a wagon with her fiancé Steve Miller traveling toward a new home. Pursued by Young Bull and his warriors, they realize that they will not be able to outrun them. Panicking, Steve jumps on his horse and rides off to find help. Not far ahead, Steve sees a small encampment of soldiers. He races back for Lola, and together they make it into the soldiers' camp. That night, Lin and Wilson, chased by the same Native Americans, also ride into the encampment.

The soldiers are new to the territory. Lin gives their sergeant tactical advice for fighting Native Americans, and they prepare for an attack expected early the next morning. After a fierce battle in which Young Bull is killed, the Native Americans leave, and Lin and High-Spade depart to continue searching for Dutch. Unknowingly, they ride past the coveted Winchester where Young Bull had dropped it when he fell. It is found by a trooper, and the Sergeant gives it to Steve.

Lola Manners (Shelley Winters) accepting Lin McAdam's revolver just before the Native American attack.

Steve and Lola reach the Jameson house, which is set to become theirs. He wants her to stay with the Jamesons while he goes to meet outlaw Waco Johnny Dean, but Waco and his men arrive unexpectedly, chased by a posse that surrounds the house. When Waco sees the Winchester, he too covets it. He provokes Steve into a gunfight and kills him. Waco and Lola escape the posse and ride to Dutch's hideout. Dutch claims that the rifle is his and forces Waco to return it.

The gang goes to Tascosa, Texas, to commit a robbery. They are joined by Lin and Wilson. Waco attempts to shoot Lin and is killed, while around them, the robbery goes awry and Lola is wounded. Wilson reveals to Lola that Dutch is Lin's brother, and that Dutch had robbed a bank and a stagecoach and returned to the family home, hoping to hide out. When their father refused to help him, Dutch shot him in the back, and Lin has sworn revenge.

Lin confronts Dutch on a rocky hill and calls him by his real name, Matthew. They shoot it out on the hill, and Lin kills him, reclaiming the Winchester.

Cast

[edit]
Stewart during the Native American attack

Production

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James Stewart and Jay C. Flippen

The film was originally intended to have been directed by Fritz Lang, but Universal did not want Lang to produce the film through his own company, Diana Productions.[3][4] Lang's idea was for the rifle to be Stewart's character's only source of strength and his only excuse for living, making the quest for his rifle a matter of life and death.[5]

With Lang out of the picture, Universal produced the film with up-and-coming Anthony Mann, Stewart's choice (he had admired The Furies), directing. Mann had Borden Chase rewrite the script [6] to instead make the rifle a bone of contention, showing it passing contentiously through the hands of a variety of people.

Mann said, "I didn't like the property; I didn't like Winchester at all. This was Lang's version. I was working at Metro and everybody was pressuring me to make the film and I said, 'T'd like to make the film, if you let me rewrite it completely. I want a new writer, new everything; I don't want the property the way it is.' Finally, after a lot of haranguing, they agreed that I could do that and I brought in Borden Chase and we started from scratch on the script and it developed day by day."[7]

Stewart had wished to make Harvey for Universal-International, but the studio could not afford his $200,000 salary ($2.01 million in today's dollars),[8] so studio head William Goetz offered to allow Stewart to make both Harvey and Winchester '73 for a percentage of the profits, spread over some time and at a lower capital gain tax rate than a single payment to Stewart would be.[9][10] Stewart's agent Lew Wasserman was able to get his client 50 percent of the profits, eventually amounting to $600,000 from the film's unexpected success.[11][12] Stewart's deal also gave him control of the director and co-stars.[13] It is acknowledged as the first confirmed time in the sound era that a film actor received some of the movie's receipts as compensation, a practice now called "points".[14]

Casting

[edit]

Stewart was already cast in the part of Lin McAdam and spent a lot of time practicing with the rifle so that he would look like an authentic Westerner. As Mann later related, "[Stewart] was magnificent walking down a street with a Winchester rifle cradled in his arm. And he was great too actually firing the gun. He studied hard at it. His knuckles were raw with practicing... It was those sorts of things that helped make the film look so authentic, gave it its sense of reality." An expert marksman from the Winchester company, Herb Parsons, did the trick shooting required for the film and assisted Stewart with his training.

Shelley Winters was cast as a dance-hall girl. Winters did not understand the film, nor think much of her part in it, saying, "Here you've got all these men... running around to get their hands on this goddamn rifle instead of going after a beautiful blonde like me. What does that tell you about the values of that picture? If I hadn't been in it, would anybody have noticed?"[15]

The part of Wyatt Earp was given to Will Geer, who was not alone by feeling that he was miscast for the role. Millard Mitchell was cast as High-Spade Frankie Wilson. That same year, Mitchell appeared in The Gunfighter starring Gregory Peck. He would appear in another Stewart-Mann Western The Naked Spur (1953) as a grizzled old prospector.

Jay C. Flippen appears as cavalry sergeant Wilkes. He would also appear in the second Stewart-Mann Western Bend of the River (1952) with Rock Hudson, who appears in Winchester '73 as a Native American.

The Stewart and Mann collaboration established a new persona for Stewart, more violent and disillusioned than ever before, but still likable.[16]

Locations

[edit]

Winchester '73 was filmed at:

Reception

[edit]

As part of the publicity campaign for the release of the film, Universal Pictures sponsored a contest, by placing magazine ads, to find some of the rare remaining "One of One Thousand" Model 1873 Winchester rifles.[18] This resulted in many previously unknown original rifles being brought into the spotlight, and drew public interest to the field of antique gun collecting. The winner of the contest received a new Winchester Model 1894 rifle, for the Model 1873 was out of production at that time.[19]

The film was a financial success, turning a significant profit. It has since gained a reputation as a classic of the Western genre, and durably helped to redefine the public perception of James Stewart.[citation needed]

Contemporary reviews have been enthusiastic. Writing for the Telegraph, Martin Chilton gave the movie five stars out of five, and described the film as "the first in a series of Western masterpieces".[15] In Empire, William Thomas calls the film "the marvellously-scripted story of a man and a gun". He also awarded five stars out of five.[20] The film holds a 100% rating on Rotten Tomatoes, based on 27 reviews, with an average of 8.5/10.[21]

Honors

[edit]

The film received a Writers Guild of America Award nomination for Best Written American Western.[citation needed] In 2015, the United States Library of Congress selected the film for preservation in the National Film Registry, finding it "culturally, historically, or aesthetically significant".[2]

Remake

[edit]

Winchester '73 was remade as a made-for-TV film in 1967 featuring Tom Tryon, John Saxon, Dan Duryea, John Drew Barrymore, Joan Blondell, John Dehner and Paul Fix. The remake was directed by Herschel Daugherty, with cinematography by Bud Thackery.

See also

[edit]

References

[edit]
  1. ^ 'The Top Box Office Hits of 2006', Variety, January 3, 1951.
  2. ^ a b Mike Barnes (December 16, 2015). "'Ghostbusters,' 'Top Gun,' 'Shawshank' Enter National Film Registry". The Hollywood Reporter. Retrieved December 16, 2015.
  3. ^ Munn, Michael (2007). Jimmy Stewart: The Truth Behind the Legend. Robson, p. 198.
  4. ^ Grant, Barry Keith (2003). Fritz Lang Interviews. University Press of Mississippi. p. 57. ISBN 9781578065776.
  5. ^ Lang 2003, p. 57.
  6. ^ Basinger, Jeanine (2007). Anthony Mann. Wesleyan University Press, p. 79.
  7. ^ Wicking, Christopher; Pattinson, Barrie (July–October 1969). "Interviews with Anthony Mann". Screen. Vol. 10. p. 49.
  8. ^ Johnston, Louis; Williamson, Samuel H. (2023). "What Was the U.S. GDP Then?". MeasuringWorth. Retrieved November 30, 2023. United States Gross Domestic Product deflator figures follow the MeasuringWorth series.
  9. ^ Eyman, Scott (2005). The Lion of Hollywood: The Life and Legend of Louis B. Mayer. Robson, p. 456.
  10. ^ Basinger 2007, p. 79.
  11. ^ McDonald, Paul (2000). The Star System: Hollywood's Production of Popular Identities. Wallflower Press, p. 75.
  12. ^ Philip K. Scheuer (July 24, 1955). "A Town Called Hollywood: Top Stars Now Share in Profits of Major Pictures". Los Angeles Times. p. d2., quotes Goetz putting the figure at $530,000.
  13. ^ Mann, Denise (2008). Hollywood Independents: The Postwar Talent Takeover. University of Minnesota Press, p. 51.
  14. ^ Cones, John (1997). The Feature Film Distribution Deal: A Critical Analysis of the Single Most Important Film Industry Agreement. Carbondale, Illinois, United States: Southern Illinois University Press. pp. 19–21. ISBN 9780809320820. Retrieved December 20, 2022.
  15. ^ a b "Winchester '73, review". www.telegraph.co.uk. March 15, 2015.
  16. ^ Basinger 2007, p. 80.
  17. ^ "Locations for Winchester '73". Internet Movie Database. Retrieved March 21, 2012.
  18. ^ Fjestad, Steve (December 14, 2007). "Winchester Model 1873 Rifle". Guns & Ammo. Retrieved February 10, 2013.
  19. ^ Gordon, James D. Winchester's New Model of 1873: A Tribute. Self-published, 1997, p. 391.
  20. ^ "Winchester 73". Empire. June 25, 2000.
  21. ^ "Winchester '73". Rotten Tomatoes.
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