Yvonne Kozlovsky Golan
Prof. Yvonne Kozlovsky Golan Ph.D.
Head, MA Program for Culture and Film Studies University of Haifa Israel Yvonnek8@gmail.com Ykozlovsky@univ.haifa.ac.il 0544-601292
Pprofessor Yvonne Kozlovsky-Golan, Head and founder of, MA Interdisciplinary Program for Culture and Film Studies Faculty of Humanities, University of Haifa.
Her interdisciplinary research addresses the encounter between Cultural history, legal history and their representation in film and media. Her research focuses on the representation of memories from the period of World War II and the Holocaust and the impact thereof on construction of the historical consciousness of societies and nations regarding this historical period. Her research follows the expression of these memories in film and media in specific cultures and societies such as Germany, Israel and the United States, and analyses artistic and historical aspects of the works, according to the spirit of the time and place in which they were created.
Pprofessor Kozlovsky-Golan is the author of five books, three of which process American legal history, focusing on representations of law and order, the Holocaust, and ethics in diverse American media (such as the representation of the Nuremberg Trials), and two books regarding the misrepresentation of the World War II experiences of North African Jewry in Israeli Arab and European media and cinema.
Publications:
“The Shaping of the Holocaust Visual Image by the Nuremberg Trials: The Impact of the Movie Nazi Concentration Camps”, Jerusalem, Search and Research: Lectures and Papers No. 9: Jerusalem: Yad Vashem Publications (2006)
God Have Mercy on Your Soul: The Death Penalty in the USA: History, Law and Cinema. Tel Aviv: Resling [Heb] (2010)
The Death Penalty in American Cinema: Criminality and Retribution in Hollywood Film. London-New York: I.B. Tauris & Co Ltd. (2014)
Forgotten From the Frame: The Absence of The Holocaust Experiences of Mizrahim from the Visual Arts and Media in Israel. Tel Aviv: Resling [Heb] (2017)
Site of Amnesia: The Lost Historical Consciousness of the Mizrahi Jewry: Representation of the Experience of World War II of the Jews of North Africa and the Middle East in Israeli, European and the Middle Eastern Film and Television. Boston MA: Brill Nijhoff, Global Oriental and Hotei Publishing (2019)
Address: Israel
Head, MA Program for Culture and Film Studies University of Haifa Israel Yvonnek8@gmail.com Ykozlovsky@univ.haifa.ac.il 0544-601292
Pprofessor Yvonne Kozlovsky-Golan, Head and founder of, MA Interdisciplinary Program for Culture and Film Studies Faculty of Humanities, University of Haifa.
Her interdisciplinary research addresses the encounter between Cultural history, legal history and their representation in film and media. Her research focuses on the representation of memories from the period of World War II and the Holocaust and the impact thereof on construction of the historical consciousness of societies and nations regarding this historical period. Her research follows the expression of these memories in film and media in specific cultures and societies such as Germany, Israel and the United States, and analyses artistic and historical aspects of the works, according to the spirit of the time and place in which they were created.
Pprofessor Kozlovsky-Golan is the author of five books, three of which process American legal history, focusing on representations of law and order, the Holocaust, and ethics in diverse American media (such as the representation of the Nuremberg Trials), and two books regarding the misrepresentation of the World War II experiences of North African Jewry in Israeli Arab and European media and cinema.
Publications:
“The Shaping of the Holocaust Visual Image by the Nuremberg Trials: The Impact of the Movie Nazi Concentration Camps”, Jerusalem, Search and Research: Lectures and Papers No. 9: Jerusalem: Yad Vashem Publications (2006)
God Have Mercy on Your Soul: The Death Penalty in the USA: History, Law and Cinema. Tel Aviv: Resling [Heb] (2010)
The Death Penalty in American Cinema: Criminality and Retribution in Hollywood Film. London-New York: I.B. Tauris & Co Ltd. (2014)
Forgotten From the Frame: The Absence of The Holocaust Experiences of Mizrahim from the Visual Arts and Media in Israel. Tel Aviv: Resling [Heb] (2017)
Site of Amnesia: The Lost Historical Consciousness of the Mizrahi Jewry: Representation of the Experience of World War II of the Jews of North Africa and the Middle East in Israeli, European and the Middle Eastern Film and Television. Boston MA: Brill Nijhoff, Global Oriental and Hotei Publishing (2019)
Address: Israel
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Her interdisciplinary research addresses the encounter between Cultural history,
legal history and their representation in film and media. Her research focuses on the representation of memories from the period of World War II and the Holocaust and the impact thereof on construction of the historical consciousness of societies and nations regarding this historical period. Her research follows the expression of these memories in film and media in specific cultures and societies such as Germany, Israel and the United States, and analyses artistic and historical aspects of the works, according to the spirit of the time and place in which they were created.
Pprofessor Kozlovsky-Golan is the author of five books, three of which process American legal history, focusing on representations of law and order, the Holocaust, and ethics in diverse American media (such as the representation of the Nuremberg Trials), and two books regarding the misrepresentation of the World War II experiences of North African Jewry in Israeli Arab and European media and cinema.
Representation of the Experience of the Jews of North Africa and the Middle East during World War II in Israeli, European and Middle Eastern Film and Television
Series:
Brill's Series in Jewish Studies, Volume: 64
Author: Yvonne Kozlovsky Golan
This study deepens our historical understanding of the North-African Jewish and Middle Eastern Jewish experience during WWII, which is often under- or mis-represented by the media in Israel, the Arab world, France, and Italy. Public, historical and sociocultural discourse is examined to clarify whether these communities are accepted by the world as "Holocaust survivors". Further, it determines the extent to which their wartime history is revealed to Israeli society in its cultural performances. Importantly, this work addresses the reasons why the Holocaust of North African Jewry is absent from Israeli and world consciousness. Finally, the study contemplates the consequences of these phenomena for Israeli society as well as in the colonial countries of France and Italy. See Less
Publication Date: 25 March 2019
ISBN: 978-90-04-39562-6
Her interdisciplinary research addresses the encounter between Cultural history,
legal history and their representation in film and media. Her research focuses on the representation of memories from the period of World War II and the Holocaust and the impact thereof on construction of the historical consciousness of societies and nations regarding this historical period. Her research follows the expression of these memories in film and media in specific cultures and societies such as Germany, Israel and the United States, and analyses artistic and historical aspects of the works, according to the spirit of the time and place in which they were created.
Pprofessor Kozlovsky-Golan is the author of five books, three of which process American legal history, focusing on representations of law and order, the Holocaust, and ethics in diverse American media (such as the representation of the Nuremberg Trials), and two books regarding the misrepresentation of the World War II experiences of North African Jewry in Israeli Arab and European media and cinema.
Representation of the Experience of the Jews of North Africa and the Middle East during World War II in Israeli, European and Middle Eastern Film and Television
Series:
Brill's Series in Jewish Studies, Volume: 64
Author: Yvonne Kozlovsky Golan
This study deepens our historical understanding of the North-African Jewish and Middle Eastern Jewish experience during WWII, which is often under- or mis-represented by the media in Israel, the Arab world, France, and Italy. Public, historical and sociocultural discourse is examined to clarify whether these communities are accepted by the world as "Holocaust survivors". Further, it determines the extent to which their wartime history is revealed to Israeli society in its cultural performances. Importantly, this work addresses the reasons why the Holocaust of North African Jewry is absent from Israeli and world consciousness. Finally, the study contemplates the consequences of these phenomena for Israeli society as well as in the colonial countries of France and Italy. See Less
Publication Date: 25 March 2019
ISBN: 978-90-04-39562-6