Papers by Abdoolhossein Laleh
INTERRELATION BETWEEN CULTURE AND CINEMA AND CULTURE IN THE LANGUAGE OF CINEMA PROCEEDINGS BOOK June 14-15-16,, 2021
Cinema is a widespread media that covers all areas of human life, from imagination and emotion to... more Cinema is a widespread media that covers all areas of human life, from imagination and emotion to thought and illusion, from social sciences to law. It deals with every aspect related to human beings, because cinema is a collectivist art that is completed with the participation of the audience. Naturally, one of its areas of interest is politics. For various reasons, sometimes a filmmaker wants to address social, political, societal ttitudes and challenges. When we look at the history of cinema, we see that in such typical films awareness is the main and secret intention of the filmmaker. However, sometimes such tendencies are used as a tool in the hands of those in power and the movie in question is turned into state of
propaganda. In this article, this subject will be examined in depth through the examples given from Iranian cinema, and the dimensions of the said category will be revealed with the following three sample films: Mina’s Choice: 2016 – Kamal Tabrizi– Potassium Cyanide :
2016 – Behrouz Shoeibi) – Breath: 2016 – Narges Abyar).
Pop Culture, Identity, Iran
Local Criticism and Cultural Dos
The Dramatic aspects of : Deje Hooshroba and comparing it
with two stories: King Leer (Shakespea... more The Dramatic aspects of : Deje Hooshroba and comparing it
with two stories: King Leer (Shakespeare) and
Fereydoon and his sons (Ferdousi)
History in Iranian Cinema
National Iranian film And Conflicting Components
Articles of Turkish cinema
Conference Presentations by Abdoolhossein Laleh
ULUSLARARASI “GEÇMİŞTEN GÜNÜMÜZE URFA’DA MÜZİK” SEMPOZYUMU, 2018
Türk musikisinde etkisini bırakan Dâru'l-elhân'ın yanı sıra, Kenz'ül-elhan, 2 Mekâsid'ül-elhan3 v... more Türk musikisinde etkisini bırakan Dâru'l-elhân'ın yanı sıra, Kenz'ül-elhan, 2 Mekâsid'ül-elhan3 ve Câmi'ul elhan4 okulları, aynı zamanda İslam coğrafyasının müzik geleneğini de oluşturmakta ve bugün çeşitli isimlerle tanınan ülkeleri birbirine bağlamaktadır; Tebriz'den Bakü'ya, oradan İstanbul'a, Kerkük'ten Halep'e ve Konya'dan Şanlıurfa'ya kadar. Kuşkusuz bu bağlamda doğu müziğinin en önemli kuramcı ve bestekârlarından birisi Abdülkâdir Merâgî'dir. Onun eserleri İslam coğrafyasında tanındığı gibi İran'ın musiki camiasında da pek ilgi çekmiştir. Bu nedenle ona ait olduğu düşünülen bestelerden ve yazdığı eserlerindeki musiki notalarından yola çıkarak, İran sinemasına ve tv dizilerine besteler yapılmıştır. Örneğin 1992-1998'de 22 bölümden oluşan İmam Ali isimli dizinin5 müziği, Abdülkadir Merâgî'nin sisteminden esinlenerek bestelenmiş ve büyük bir başarıya imza atmıştır. Filmin müziğini, Ferhat Fahrod-dini (1938 Tebriz), Azerbaycan, İran ve Arap musikisinden esinlenerek bestelemiştir. O sonraları bu bestenin nasıl yazıldığını izah ederken Abdülkadir Merâgî'ye ait sistemden etkilendiğini belirtmiştir. İran toplumunda, bu filmin müziği filmin kendisi kadar önemsenmekte ve dünya çapında da ilgi çekmektedir; tıpkı Mustafa El Akkad'ın (1930-2005) yönettiği Çağrı isimli filmin (1976) müziği gibi. Bu filmin müziğini de Maurice Jarre (1924-2009) bestelemiştir.
How to reflect the US-Iraq war in Western and Middle Eastern media
Thesis Chapters by Abdoolhossein Laleh
ARCENG INTERNATIONAL ANKARA SCIENTIFIC STUDIES CONFERENCE, 2024
Is carpet an art or a handmade industry? The nature of this art is still a subject of serious dis... more Is carpet an art or a handmade industry? The nature of this art is still a subject of serious discussion, but the aesthetic elements incorporated in carpets and the warp and weft of carpets demonstrate that carpets are undoubtedly one of the recognized forms of art. The practicality of this art has made it difficult for some to understand its artistic values and appreciate its artistic qualities. By comparing visual values such as color in carpet art with the topic of color in painting, the artistic aspects of carpets become more evident. This descriptive-analytical research aims to show how carpets, similar to paintings, possess recognized visual values and even styles similar to painting styles such as Impressionism or Pointillism. The main objective of this research is to strengthen the field of aesthetics in Iranian carpet art. The central question of this research is how carpets can be considered an art form similar to painting, and what similarities and differences exist between the use of color in painting and carpet art
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Papers by Abdoolhossein Laleh
propaganda. In this article, this subject will be examined in depth through the examples given from Iranian cinema, and the dimensions of the said category will be revealed with the following three sample films: Mina’s Choice: 2016 – Kamal Tabrizi– Potassium Cyanide :
2016 – Behrouz Shoeibi) – Breath: 2016 – Narges Abyar).
with two stories: King Leer (Shakespeare) and
Fereydoon and his sons (Ferdousi)
Conference Presentations by Abdoolhossein Laleh
Thesis Chapters by Abdoolhossein Laleh
propaganda. In this article, this subject will be examined in depth through the examples given from Iranian cinema, and the dimensions of the said category will be revealed with the following three sample films: Mina’s Choice: 2016 – Kamal Tabrizi– Potassium Cyanide :
2016 – Behrouz Shoeibi) – Breath: 2016 – Narges Abyar).
with two stories: King Leer (Shakespeare) and
Fereydoon and his sons (Ferdousi)