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RICHARD I COHEN

The Hebrew University of Jerusalem, Department of Jewish History, Faculty Member

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Richard I. Cohen, Emeritus Professor of Jewish History in the department of Jewish History and Contemporary Jewry at The Hebrew University of Jerusalem, is the academic director of the Israel Center of Research Excellence (ICore) for the Study of Cultures of Place in the Modern Jewish World. Formerly the Paulette and Claude Kelman Chair in French Jewry Studies, his research interests have focused on the history of Jews in western and central Europe and on the interrelationship between art and society in the modern period.
Phone: +97225662249
Address: 6 Yoav St.

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Festschrift by RICHARD I COHEN

*Picturing the Past: Essays in Honor of Richard I. Cohen*, ed. Ezra Mendelsohn and Eli Lederhendler (Jerusalem: Shazar, 2017; Hebrew)

Articles by RICHARD I COHEN

Richard I. Cohen, “Imagining Visually the Mishnah: From Wagenseil to Surenhuis (1674-1703),” in Piet van Boxel, Kristen Macfarlane, and Joanna Weinberg, eds., The Mishnaic Moment: Jewish Law among Jews and Christians in Early Modern Europe (Oxford: Oxford University Press, 2022), 320-358

Richard I. Cohen, “Otto Dov Kulka (1933–2021) — Scholar and Witness,” Yad Vashem Studies, vol. 49, no. 2 (2021): 11-21

Richard I. Cohen, “Introduction,” in Richard I. Cohen, ed., Symposium: Art Patronage and Jewish Culture [=Ars Judaica, vol. 16] (Ramat-Gan: Bar-Ilan University, 2020), 1-2

Richard I. Cohen, “Reflections on the Dilemmas of a Minority: Between Acculturation and Self-Determination,” in Making History Jewish. The Dialectics of Jewish History in Eastern Europe and the Middle East, Studies in Honor of Professor Israel Bartal (Leiden and Boston: Brill, 2020), 253-265

Richard I. Cohen, “In Memoriam: Vivian B. Mann (1943–2019),” Ars Judaica, no. 15 (2019): 147-152

Asher D. Biemann, Richard I. Cohen, and Sarah E. Wobick-Segev, “Introduction,” in Spiritual Homelands: The Cultural Experience of Exile, Place and Displacement among Jews and Others (Berlin: de Gruyter, 2019), 1-8

Richard I. Cohen, “Interpretzioni della storia ebraica. La lotte con la tradizione nella modernità,” Studium 114 (May-June 2018): 437-446

Richard I. Cohen, “Pillantás a másikra: az arab zsidó,” (“A Glance at the Other: The Arab Jew”),” Múlt és Jövö, 2-3 (2018): 205-210

Richard I. Cohen, “Restituting Art – Some Reflections,” in Konrad J. Kuhn, Katrin Sontag, Walter Leimgruber, eds., Lebenskunst. Erkundungen zu Bibliographie, Lebenswelt und Erinnerung. Festschrift für Jacques Picard (Köln, Weimar, Wien: Böhlau Verlag, 2017), 456-463

Richard I. Cohen, “Preface,” in Richard I. Cohen, ed., Place in Modern Jewish Culture and Society [=Studies in Contemporary Jewry, vol. 30] (New York: Oxford University Press, 2017), vii-xi

Richard I. Cohen, “Authority and Its Discontent in 17th Century Amsterdam Jewry: Fin-de-Siècle Interpretations,” in Ruth HaCohen (Pinczower), et al., eds., The Interpretive Imagination: Religion and Art in Jewish Culture in Its Contexts (Jerusalem: Magnes, 2016), 94-115 (Hebrew)

Richard I. Cohen, “In Memoriam: Ezra Mendelsohn,” in Eli Lederhendler, ed., A Club of Their Own: Jewish Humorists and the Contemporary World [=Studies in Contemporary Jewry, vol. 29] (New York: Oxford University Press, 2016), 233- 242

Richard I. Cohen, “‘Jewish Orientalism’: ‘Western Jews’ and ‘Eastern’ Jews,” in Immanuel Etkes, et al., eds., Avnei Derekh: Essays in Jewish History Dedicated to Zvi (Kuti) Yekutiel (Jerusalem: Shazar, 2016), 433- 446 (Hebrew)

Mirjam Rajner and Richard I. Cohen, “Samuel Hirszenberg’s First Steps as an Artist and His Revealing Sketchbook,” in Hirszenberg Brothers in Search of the Promised Land (2016), 320-347

Richard I. Cohen, “In Memoriam: Ezra Mendelsohn,” Zion, vol. 80, no. 4 (2015): 465-472 (Hebrew)

Richard I. Cohen, “Imagining Moses Mendelssohn (1771-2014),” in Shmuel Feiner, ed., Braun Lectures in the History of the Jews in Prussia, no. 18 (Ramat-Gan: Bar-Ilan University Press, 2014), 5-40 (Hebrew)

Richard I. Cohen and Mirjam Rajner, “Invoking Samuel Hirszenberg’s Artistic Legacy: Encountering ‘Exile’,” Images, vol. 8 (2014): 46-65

Adam Shear, Richard I. Cohen, Elchanan Reiner, Natalie B. Dohrmann, “Introduction: From Venice to Philadelphia—Revisiting the Early Modern,” in Richard I. Cohen, et al., eds., Jewish Culture in Early Modern Europe: Essays in Honor of David B. Ruderman (Cincinnati: HUC Press, 2014), xi-xxvi

Mirjam Rajner and Richard I. Cohen, “Wandalin Strzałecki’s Song on the Destruction of Jerusalem: A Homage to Maurycy Gottlieb and Poland,” Biuletyn Historii Sztuki (Summer 2014): 83-112

*Picturing the Past: Essays in Honor of Richard I. Cohen*, ed. Ezra Mendelsohn and Eli Lederhendler (Jerusalem: Shazar, 2017; Hebrew)

Richard I. Cohen, “Imagining Visually the Mishnah: From Wagenseil to Surenhuis (1674-1703),” in Piet van Boxel, Kristen Macfarlane, and Joanna Weinberg, eds., The Mishnaic Moment: Jewish Law among Jews and Christians in Early Modern Europe (Oxford: Oxford University Press, 2022), 320-358

Richard I. Cohen, “Otto Dov Kulka (1933–2021) — Scholar and Witness,” Yad Vashem Studies, vol. 49, no. 2 (2021): 11-21

Richard I. Cohen, “Introduction,” in Richard I. Cohen, ed., Symposium: Art Patronage and Jewish Culture [=Ars Judaica, vol. 16] (Ramat-Gan: Bar-Ilan University, 2020), 1-2

Richard I. Cohen, “Reflections on the Dilemmas of a Minority: Between Acculturation and Self-Determination,” in Making History Jewish. The Dialectics of Jewish History in Eastern Europe and the Middle East, Studies in Honor of Professor Israel Bartal (Leiden and Boston: Brill, 2020), 253-265

Richard I. Cohen, “In Memoriam: Vivian B. Mann (1943–2019),” Ars Judaica, no. 15 (2019): 147-152

Asher D. Biemann, Richard I. Cohen, and Sarah E. Wobick-Segev, “Introduction,” in Spiritual Homelands: The Cultural Experience of Exile, Place and Displacement among Jews and Others (Berlin: de Gruyter, 2019), 1-8

Richard I. Cohen, “Interpretzioni della storia ebraica. La lotte con la tradizione nella modernità,” Studium 114 (May-June 2018): 437-446

Richard I. Cohen, “Pillantás a másikra: az arab zsidó,” (“A Glance at the Other: The Arab Jew”),” Múlt és Jövö, 2-3 (2018): 205-210

Richard I. Cohen, “Restituting Art – Some Reflections,” in Konrad J. Kuhn, Katrin Sontag, Walter Leimgruber, eds., Lebenskunst. Erkundungen zu Bibliographie, Lebenswelt und Erinnerung. Festschrift für Jacques Picard (Köln, Weimar, Wien: Böhlau Verlag, 2017), 456-463

Richard I. Cohen, “Preface,” in Richard I. Cohen, ed., Place in Modern Jewish Culture and Society [=Studies in Contemporary Jewry, vol. 30] (New York: Oxford University Press, 2017), vii-xi

Richard I. Cohen, “Authority and Its Discontent in 17th Century Amsterdam Jewry: Fin-de-Siècle Interpretations,” in Ruth HaCohen (Pinczower), et al., eds., The Interpretive Imagination: Religion and Art in Jewish Culture in Its Contexts (Jerusalem: Magnes, 2016), 94-115 (Hebrew)

Richard I. Cohen, “In Memoriam: Ezra Mendelsohn,” in Eli Lederhendler, ed., A Club of Their Own: Jewish Humorists and the Contemporary World [=Studies in Contemporary Jewry, vol. 29] (New York: Oxford University Press, 2016), 233- 242

Richard I. Cohen, “‘Jewish Orientalism’: ‘Western Jews’ and ‘Eastern’ Jews,” in Immanuel Etkes, et al., eds., Avnei Derekh: Essays in Jewish History Dedicated to Zvi (Kuti) Yekutiel (Jerusalem: Shazar, 2016), 433- 446 (Hebrew)

Mirjam Rajner and Richard I. Cohen, “Samuel Hirszenberg’s First Steps as an Artist and His Revealing Sketchbook,” in Hirszenberg Brothers in Search of the Promised Land (2016), 320-347

Richard I. Cohen, “In Memoriam: Ezra Mendelsohn,” Zion, vol. 80, no. 4 (2015): 465-472 (Hebrew)

Richard I. Cohen, “Imagining Moses Mendelssohn (1771-2014),” in Shmuel Feiner, ed., Braun Lectures in the History of the Jews in Prussia, no. 18 (Ramat-Gan: Bar-Ilan University Press, 2014), 5-40 (Hebrew)

Richard I. Cohen and Mirjam Rajner, “Invoking Samuel Hirszenberg’s Artistic Legacy: Encountering ‘Exile’,” Images, vol. 8 (2014): 46-65

Adam Shear, Richard I. Cohen, Elchanan Reiner, Natalie B. Dohrmann, “Introduction: From Venice to Philadelphia—Revisiting the Early Modern,” in Richard I. Cohen, et al., eds., Jewish Culture in Early Modern Europe: Essays in Honor of David B. Ruderman (Cincinnati: HUC Press, 2014), xi-xxvi

Mirjam Rajner and Richard I. Cohen, “Wandalin Strzałecki’s Song on the Destruction of Jerusalem: A Homage to Maurycy Gottlieb and Poland,” Biuletyn Historii Sztuki (Summer 2014): 83-112

Richard I. Cohen and Mirjam Rajner, “The Return of the Wandering Jew(s) in Samuel Hirszenberg’s Art,” in Hagar Salamon and Avigdor Shinan, eds., Textures: Culture, Literature, Folklore for Galit Hasan Rokem (Jerusalem: Magnes, 2013), 343-377 (Hebrew)

Richard I. Cohen, “Review of ‘The House of Fragile Things: Jewish Art Collectors and the Fall of France’, by James McAuley; and ‘Letters to Camondo’, by Edmund de Waal,” Studies in Contemporary Jewry, vol. 33 (2022)

Richard I. Cohen, “Review of ‘Rabbi Leo Baeck: Living a Religious Imperative in Troubled Times’, by Michael A. Meyer,” Chidushim, vol. 23 (2021): 171-176 (Hebrew)

Richard I. Cohen, “Review of ‘Holocaust Icons in Art: The Warsaw Ghetto Boy and Anne Frank’, by Batya Brutin,” Studies in Contemporary Jewry, vol. 32 (2021): 283-285

Richard I. Cohen, “The Collector, the Collection, and Scholarship – Review of ‘Windows on Jewish Worlds. Essays in Honor of William Gross, Collector of Judaica, on the Occasion of His Eightieth Birthday’, eds. Shalom Sabar, Emile Schrijver, Falk Wieseman,” Ars Judaica, vol. 16 (2020): 155-158

Richard I. Cohen, “Review of ‘Orientalizing the Jew: Religion, Culture, and Imperialism in Nineteenth-Century France’, by Julie Kalman,” American Historical Review, vol. 124, no. 2 (April 2019): 749-750

Richard I. Cohen, “Review of ‘Pétain’s Jewish Children: French Jewish Youth and the Vichy Regime, 1940-1942’, by Daniel Lee,” Journal of Modern History, vol. 90, no. 1 (March 2018): 209-211

Richard I. Cohen, “Trying to Make Amends: France and the Jews: Review of ‘Stealing Home: Looting, Restitution, and Reconstructing Jewish Lives in France, 1942–1947’, by Shannon L. Fogg,” Yad Vashem Studies, vol. 45, no. 2 (2017): 153-158 (Hebrew)

Richard I. Cohen, “Trying to Make Amends: France and the Jews: Review of ‘Stealing Home: Looting, Restitution, and Reconstructing Jewish Lives in France, 1942–1947’, by Shannon L. Fogg,” Yad Vashem Studies, vol. 45, no. 2 (2017): 185-191

Richard I. Cohen, “Review of ‘Holocaust Memory Reframed: Museums and the Challenges of Representation’, by Jennifer Hansen-Glucklich,” East European Jewish Affairs, vol. 45, no. 2-3 (2015): 340-334

Richard I. Cohen, “Review of ‘Building a Public Judaism: Synagogues and Jewish Identity in Nineteenth-Century Europe’, by Saskia Coenen Snyder,” AJS Review, vol. 38, no. 2 (November 2014): 474-476

Richard I. Cohen, “Writing Jewish History after the Holocaust: Review of ‘Historians of the Jews and the Holocaust’, by David Engel,” Jewish Quarterly Review, vol. 102, no. 1 (Winter 2012): 96-111

Richard I. Cohen, “Writing Jewish History after the Holocaust: Review of ‘Historians of the Jews and the Holocaust’, by David Engel,” Zion, vol. 75, no. 2 (2010): 201-215 (Hebrew)

Richard I. Cohen, “The Rothschilds of the East – Review of ‘La Splendeur des Camondo: De Constantinople à Paris 1806-1945’, ed. Anne H. Hoog,” The Jewish Review of Books, vol. 2, no. 1 (Summer 2010): 45-46

Richard I. Cohen, “Review of ‘The Choice of the Jews under Vichy. Between Submission and Resistance’, by Adam Rayski,” Journal of Modern History, vol. 80, no. 4 (December 2008): 939-941

Richard I. Cohen, “Review of ‘History of the Jews in Modern Times’, by Lloyd P. Gartner,” Zion, vol. 68, no. 3 (2003): 382-386 (Hebrew)

Richard I. Cohen, “Review of ‘The Jewish Self-Image in the West’, by Michael Berkowitz,” AJS Review, vol. 27, no. 1 (April 2003): 177-179

Richard I. Cohen, “Review of ‘Être juif en France pendant la Seconde Guerre mondiale’, by Renée Poznanski,” Yad Vashem Studies, vol. 29 (2001): 393-404

Richard I. Cohen, “German Jews Confront Nazism: Review of ‘Deutsches Judentum unter dem Nationalsozialismus. Dokumente zur Geschichte der Reichsvertretung der deutschen Juden 1933-1939, Band 1’,” Yad Vashem Studies, vol. 27 (1999): 461-472

Richard I. Cohen, “German Jews Confront Nazism: Review of ‘Deutsches Judentum unter dem Nationalsozialismus. Dokumente zur Geschichte der Reichsvertretung der deutschen Juden 1933-1939, Band 1’,” Yad Vashem Studies, vol. 27 (1999): 363-371 (Hebrew)

Richard I. Cohen, “Review of ‘The Damascus Affair. “Ritual Murder”, Politics, and the Jews in 1840’, by Jonathan Frankel,” Zion, vol. 63, no. 3 (1998): 354-360 (Hebrew)

Richard I. Cohen and Mirjam Rajner, *Samuel Hirszenberg, 1865–1908: A Polish Jewish Artist in Turmoil* (Liverpool: The Littman Library of Jewish Civilization, 2022)

*Symposium: Art Patronage and Jewish Culture*, ed. Richard I. Cohen [=Ars Judaica, vol. 16] (Ramat-Gan: Bar-Ilan University, 2020): 1-124

*Spiritual Homelands: The Cultural Experience of Exile, Place and Displacement among Jews and Others*, eds. Asher D. Biemann, Richard I. Cohen, and Sarah E. Wobick-Segev (Berlin: de Gruyter, 2019)

*Place in Modern Jewish Culture and Society*, ed. Richard I. Cohen [=Studies in Contemporary Jewry, vol. 30] (New York: Oxford University Press, 2017)

*The Interpretive Imagination Religion and Art in Jewish Culture in Its Contexts*, eds. Ruth HaCohen (Pinczower), Galit Hasan-Rokem, Richard I. Cohen, and Ilana Pardes (Jerusalem: Magnes, 2016)

*Jewish Culture in Early Modern Europe: Essays in Honor of David B. Ruderman*, eds. Richard I. Cohen, Natalie B. Dohrmann, Adam Shear, and Elchanan Reiner (Cincinnati: Hebrew Union College Press, 2014)

*Against the Grain: Jewish Intellectuals in Dark Times*, eds. Ezra Mendelsohn, Stefani Hoffman, and Richard I. Cohen (New York: Berghahn Books, 2013)

*Visualizing and Exhibiting Jewish Space and History*, ed. Richard I. Cohen [=Studies in Contemporary Jewry, vol. 26] (New York: Oxford University Press, 2012)

*Insiders and Outsiders: Dilemmas of East European Jewry*, eds. Richard I. Cohen, Jonathan Frankel, and Stefani Hoffman (Oxford: Littman Library, 2010)

Raymond-Raoul Lambert, *Diary of a Witness, 1940-1943: The Ordeal of French Jewry during the Holocaust*, trans. Ada Paldor, trans. of revised introduction, Ori Shafir, ed. Richard I. Cohen (Jerusalem: Yad Vashem, 2010)

*The Jewish Contribution to Civilization: Reassessing an Idea*, eds. Jeremy Cohen and Richard I. Cohen (Oxford: Littman Library, 2008)

*Image and Sound: Art, Music and History*, ed. Richard I. Cohen (Jerusalem: Shazar, 2007)

Raymond-Raoul Lambert, *Diary of a Witness, 1940-1943: The Ordeal of French Jewry during the Holocaust*, trans. Isabel Best, ed. Richard I. Cohen (Chicago: Ivan R. Dee Publisher, 2007)

*Le Juif errant: Un témoin de temps*, eds. Laurence Sigal-Klagsbald and Richard I. Cohen (Paris: Adam Biro et Musée d’art et d’histoire du Judaïsme, 2001)

Richard I. Cohen, *Jewish Icons: Art and Society in Modern Europe* (Berkeley and Los Angeles: University of California Press, 1998)

*From Court Jews to the Rothschilds: Art, Patronage, and Power, 1600- 1800*, eds. Vivian B. Mann and Richard I. Cohen (Munich and New York: Prestel, 1996)

*The French Revolution and Its Impact: Collected Essays*, ed. Richard I. Cohen (Jerusalem: Shazar, 1991)

*Art and Its Uses: The Visual Image and Modern Jewish Society*, ed. Richard I. Cohen [= Studies in Contemporary Jewry, vol. 6, ed. Ezra Mendelsohn] (New York: Oxford University Press, 1990)

Richard I. Cohen, *The Burden of Conscience: French-Jewish Leadership during the Holocaust* (Bloomington: Indiana University Press, 1987)

Richard I. Cohen, *The Return to the Land of Israel* (Jerusalem: Shazar, 1986)

Richard I. Cohen, “Model of Ephraim Palace (no. 271),” in Vivian B. Mann and Richard I. Cohen, eds., From Court Jews to the Rothschilds: Art, Patronage, and Power, 1600-1800 (Munich and New York: Prestel, 1996), 246

Vivian B. Mann and Richard I. Cohen, “Cameo of Leopold II (no. 269),” in Vivian B. Mann and Richard I. Cohen, eds., From Court Jews to the Rothschilds: Art, Patronage, and Power, 1600-1800 (Munich and New York: Prestel, 1996), 245-246

Vivian B. Mann and Richard I. Cohen, “Cameo of Maria Theresa (no. 268),” in Vivian B. Mann and Richard I. Cohen, eds., From Court Jews to the Rothschilds: Art, Patronage, and Power, 1600-1800 (Munich and New York: Prestel, 1996), 245

Vivian B. Mann and Richard I. Cohen, “Cameo of Maria Theresa (no. 267),” in Vivian B. Mann and Richard I. Cohen, eds., From Court Jews to the Rothschilds: Art, Patronage, and Power, 1600-1800 (Munich and New York: Prestel, 1996), 245

Richard I. Cohen and Vivian B. Mann, “Torah Curtain Donated by Juda Leib Ulma and His Wife Gnendel, Daughter of Behrend Lehmann (no. 248),” in From Court Jews to the Rothschilds: Art, Patronage, and Power, 1600-1800 (Munich and New York: Prestel, 1996), 245

Richard I. Cohen and Vivian B. Mann, “Torah Binder of Mordecai Gimpel, Son of Behrend Lehmann (no. 244),” in Vivian B. Mann and Richard I. Cohen, eds., From Court Jews to the Rothschilds: Art, Patronage, and Power, 1600-1800 (Munich and New York: Prestel, 1996), 232

Richard I. Cohen, “Nathan Mayer, ou l’origine des milliards, Musee des horreurs (no. 242a),” in Vivian B. Mann and Richard I. Cohen, eds., From Court Jews to the Rothschilds: Art, Patronage, and Power, 1600-1800 (Munich and New York: Prestel, 1996), 231

Richard I. Cohen, “Das Welthaus Rothschild (no. 242),” in Vivian B. Mann and Richard I. Cohen, eds., From Court Jews to the Rothschilds: Art, Patronage, and Power, 1600-1800 (Munich and New York: Prestel, 1996), 230

Richard I. Cohen, “Knock and Ye Shall Enter (no. 241),” in Vivian B. Mann and Richard I. Cohen, eds., From Court Jews to the Rothschilds: Art, Patronage, and Power, 1600-1800 (Munich and New York: Prestel, 1996), 230

Richard I. Cohen, “Die Generalpumpe (no. 237),” in Vivian B. Mann and Richard I. Cohen, eds., From Court Jews to the Rothschilds: Art, Patronage, and Power, 1600-1800 (Munich and New York: Prestel, 1996), 229

Richard I. Cohen and Vivian B. Mann, “Portrait of Nathan Mayer Rothschild (no. 235),” in Vivian B. Mann and Richard I. Cohen, eds., From Court Jews to the Rothschilds: Art, Patronage, and Power, 1600-1800 (Munich and New York: Prestel, 1996), 228-229

Richard I. Cohen, “Portrait of David Friedlander (no. 234),” in Vivian B. Mann and Richard I. Cohen, eds., From Court Jews to the Rothschilds: Art, Patronage, and Power, 1600-1800 (Munich and New York: Prestel, 1996), 228

Richard I. Cohen, “Portrait of Abraham Abramson (1754-1811) (no. 233),” in Vivian B. Mann and Richard I. Cohen, eds., From Court Jews to the Rothschilds: Art, Patronage, and Power, 1600-1800 (Munich and New York: Prestel, 1996), 228

Richard I. Cohen, “The Berlin Synagogue on Heidereutergasse (View from Northwest) (no. 232),” in Vivian B. Mann and Richard I. Cohen, eds., From Court Jews to the Rothschilds: Art, Patronage, and Power, 1600-1800 (Munich and New York: Prestel, 1996), 228

Richard I. Cohen, “Portrait of David Friedlander (no. 231),” in Vivian B. Mann and Richard I. Cohen, eds., From Court Jews to the Rothschilds: Art, Patronage, and Power, 1600-1800 (Munich and New York: Prestel, 1996), 227

Richard I. Cohen, “Auerbachs Hof zur Leipziger Messe (no. 229),” in Vivian B. Mann and Richard I. Cohen, eds., From Court Jews to the Rothschilds: Art, Patronage, and Power, 1600-1800 (Munich and New York: Prestel, 1996), 226

Richard I. Cohen and Vivian B. Mann, “Portrait of Rabbi David ben Abraham Oppenheim (1664-1736) (no. 228),” in Vivian B. Mann and Richard I. Cohen, eds., From Court Jews to the Rothschilds: Art, Patronage, and Power, 1600-1800 (Munich and New York: Prestel, 1996), 226

Richard I. Cohen, “Die treue Hulffe (The Faithful Help) (no. 226),” in Vivian B. Mann and Richard I. Cohen, eds., From Court Jews to the Rothschilds: Art, Patronage, and Power, 1600-1800 (Munich and New York: Prestel, 1996), 225

Richard I. Cohen, “Curieuser Nachrichten aus dem Reich der Beschnittenen. Erste Theil zwischen Sabathai Sevi-Jud Joseph Oppenheimer (no. 225),” in From Court Jews to the Rothschilds: Art, Patronage, and Power, 1600-1800 (Munich and New York: Prestel, 1996), 224

Richard I. Cohen, “Expulsion of the Jews from Prague, 1745 (no. 224),” in Vivian B. Mann and Richard I. Cohen, eds., From Court Jews to the Rothschilds: Art, Patronage, and Power, 1600-1800 (Munich and New York: Prestel, 1996), 224