Dr. Aayushi Verma is an Associate Professor at Leonardo Da Vinci School of Design, MGM University, Aurangabad, Maharashtra, India. She has completed Ph.D degree from the Indian Institute of Technology Roorkee, with a concentration in the area of Saharanpur Woodcraft under research supervision of Prof. Ila Gupta. Supervisors: Prof. Ila Gupta
This study examines practice status and design possibilities for new markets at the wood carving ... more This study examines practice status and design possibilities for new markets at the wood carving cluster of Saharanpur (SRE) district (Uttar Pradesh, India). Wood carving undoubtedly possessed a prominent place amongst the greatest art forms ever since antiquity. In context of the same, SRE is one the commercial districts of Uttar Pradesh. Wood is a preliminary material here which is available in abundance and is extensively used for making various products of daily needs. Broadly, this abstract throws light on practice status and new design possibilities in the field of woodcraft of SRE. The purpose of the study is to create new prototype samples which depict the identity of woodcraft. In the market of SRE, majority of products are available for single usage, while several of them are bulky in weight and not very user-friendly. To test the feasibility of products, the survey method has been used and data has been collected from the selected samples of 44 respondents. Interview sche...
Abstract
From centuries, our tangible and intangible cultural heritage is considered as an inspi... more Abstract
From centuries, our tangible and intangible cultural heritage is considered as an inspiration for life which passes down from one generation to the next. Cultural heritage has its value and place in the heart of society. In cultural heritage, architecture is a showcase of our rich tradition which is our legacy from the past to the present world. Concerning this, Saharanpur is internationally famous for wood carving and closely associated with the socio-economic life of the district. These particular art forms have evolved for centuries as an inseparable and intimate part of its culture. Moreover, the other significant feature of Saharanpur is old havelis (mansions) which were constructed with imperial influence. Old havelis of Saharanpur demonstrate the glimpse of Mughal art and architecture, a characteristic Indo-Islamic-Persian style. Gradually, old havelis of Saharanpur are slowly losing its authenticity due to unawareness of people and their lack of knowledge about the cultural ethos which is attached to it. The art and crafts of these havelis are slowly fading away due to lack of proper infrastructure and initiatives for maintenance. Government has not yet taken enthusiasm for protection against slow demolition of this cultural heritage. Therefore, most of the havelis of this area have torpedoed and rests of the old havelis are on verge of vanishing. Hence, government must take preventive measures and initiatives for restoration and preservation of these havelis. The aim of heritage conservation is to ensure that the cultural significance of heritage places is retained for future generations. This paper makes an effort to create an overview of the architectural heritage buildings (havelis) of Saharanpur and highlights the certain recommendations for safeguarding these old havelis.
Keywords: Haveli, Saharanpur, Cultural Heritage, Conservation
Abstract
According to existing literature, art and craft are the essential activity of human mi... more Abstract
According to existing literature, art and craft are the essential activity of human mind featured with imagination and innovation and ornamented by variation of shapes, texture and colors. It laid emphasis on aesthetic excellence and creative collaboration through the design element. Through the ages, design component is considered as the visual dialogue and straightest path for the understanding of divergent culture, religion and tradition. The language of design deals with the external and internal aspect of images that create visual appearance and forms a relationship between art and craft. Over a period of time, elephant form has been applied in various art, craft and architecture with hidden meaning. Concerning to this, Saharanpur the commercial district of Uttar Pradesh rose to prominence during Mughal Period. Situated in the Indo-Gangatic Plains under the shadow of Shiwalik foothills, the district reveals a strong cultural past with aesthetic expression. Under the patronage of different monarchs it developed a unique style of wood carving primarily done on Shisham wood borrowing elements from Mughal art and architecture, a characteristic of Indo-Islamic-Persian style. Saharanpur woodcraft became a part of cultural heritage and protected by Geographical Indications (GI) tag. In Saharanpur woodcraft, elephant as a decorative element has been lavishly implemented with the abundance of floral and geometrical decorations on wood and stone carving as well as wall paintings. These wide varieties of decorations demonstrate the glimpse of Indian art as well as the mystery of Mughal art. Despite knowing the existence of the elephant motif in Hindu mythology, it was adopted in the Mughal art with impressive manner. The aim of writing this paper is to study the factors which were largely responsible for the application of elephant motif in Saharanpur woodcraft. The purpose of depiction of this motif is not only the ornamentation and decoration but also the adoption of it in human life with essential aspects. The conclusive remarks will highlight the significance of elephant motif for woodcraft.
Keywords: Elephant, Decorative Element, Hindu Mythology, Mughal Art.
Abstract
In the current scenario, everything is uncertain and changeable where innovative ideas ... more Abstract
In the current scenario, everything is uncertain and changeable where innovative ideas are developed and experimented by individuals with strong curiosity and inspiration towards the development of the nation. Here, art and craft play a crucial role which requires novelty with aesthetic sensibility and utility too. In craft domain, Wooden folding Screen (WFS) has become an integral part and a status symbol of life that creates harmony and peaceful ambiance in living space. WFS is considered as free standing furniture for the utility and embellishment of living space with aesthetic notion. In this regard, Saharanpur is known as one of the largest hubs of wood carving where wooden folding screen demonstrates the magnificent, classy and romantic appearance which is associated with elaborate carving, inlay and outlay work with traditional motifs. WFS of Saharanpur has been constructed the remarkable identity which throws light on its all aspects like functional, aesthetical and economical as well as quality consideration. Since the sixties till today, WFS of Saharanpur is being experimented and improved by artisan with new techniques, medium and designs. In present time, we see the upgrade version of WFS of Saharanpur woodcraft, but still need to improve more for advancement. This study explores the patterns and materials of WFS of Saharanpur with changing trends. This study brings to light on the old patterns of the WFS of Saharanpur verse the new one. In addition, the conclusive remark highlights the certain recommendations for innovation.
Keywords: Folding Screen, Saharanpur, Patterns, and Changing Trends.
Throughout the world, art and craft are known as the best achievement of human being which reveal... more Throughout the world, art and craft are known as the best achievement of human being which reveals a vast vocabulary of inspirational and powerful motifs. These motifs are associated with ancestor’s tradition, beliefs, emotions and religion that influence human existence. In this context, the woodcraft has always remained an enchanting phenomenon from the first evident of the civilization in Indian subcontinent which is the best way to indicate the folk tradition, culture and self expression of artisans. Hence, Saharanpur city represents the ancestor’s tradition of woodcraft as the world famous center of wood carving. Saharanpur woodcraft display various motifs of decoration such as zoomorphic (Peacock, lion, elephant, deer, bull and so on), auspicious (Swastika, Sun, Chakra, Kalasha and so on), figurative, vegetative (Flora and fauna and fruits) and intricate geometrical forms. These motifs signify the glimpse of Gujjar- Pratihar art as well as Mughal art. The inspiration of depiction of these motifs is not only the ornamentation and decoration but also the adoption of it in human life with essential aspects. These motifs have been filled with ornamentation representation and aesthetic pleasure of Indian rasa application to stir the heart of its viewers and seek to evaluate the adoption and implication of all flora and fauna with its meaning and essence. The highly aesthetic fascination and enrichment of the motifs of Saharanpur woodcraft reveal the inner delight through rasa theory. The present paper is an attempt to study the rasa manifestation of the exceptional and unique motifs in Saharanpur woodcraft. Thus the paper will be based on the discussion of aesthetic delight of rasa which reflects the prominent mood of human behavior and its symbolic image of Saharanpur woodcraft in contemporary world. Keywords: Saharanpur woodcraft, motifs, aesthetical delight, rasa application, Contemporary world
Art and architecture demonstrate fascinating phenomenon, created in various geometrical forms and... more Art and architecture demonstrate fascinating phenomenon, created in various geometrical forms and obtained in both architecture and craft. These geometrical forms have been traced from the prehistoric cave paintings and refined during the Islamic and the Mughal reigns. Old havelis of Saharanpur, over a period of time, display the glimpse of Islamic architecture with architecture treatment and structural ornamentation. The term havelis is generally used for private and huge mansion where people live together. In this context, the tremendous variety of geometrical motifs has been introduced in old havelis of Saharanpur which can be seen on the structural part of old havelis like doors, brackets, windows, and lattice screens in two-dimensional space with Islamic beliefs and skillful manner of artisans. In fact, variation is the most distinctive characteristic of the geometrical design which provides a high-level experience of aesthetics which balances simplicity and complexity that creates harmonious ambience in human life. These wide varieties of decorations demonstrate the glimpse of Indian art as well as the mysteries of Islamic art. Such geometrical designs generate spiritual and lyrical ambience and mesmerize the viewers through marvelous variety of patterns. This paper attempts to examine the geometrical ornamentation in old havelis of Saharanpur with special reference to the symbolic value of geometry in human life. Additionally, it briefly investigates and identifies the rationale behind the application of design principles in the intricate geometrical patterns. It also elaborates how these patterns enhance the beauty and attraction of old havelis of Saharanpur.
This study examines practice status and design possibilities for new markets at the wood carving ... more This study examines practice status and design possibilities for new markets at the wood carving cluster of Saharanpur (SRE) district (Uttar Pradesh, India). Wood carving undoubtedly possessed a prominent place amongst the greatest art forms ever since antiquity. In context of the same, SRE is one the commercial districts of Uttar Pradesh. Wood is a preliminary material here which is available in abundance and is extensively used for making various products of daily needs. Broadly, this abstract throws light on practice status and new design possibilities in the field of woodcraft of SRE. The purpose of the study is to create new prototype samples which depict the identity of woodcraft. In the market of SRE, majority of products are available for single usage, while several of them are bulky in weight and not very user-friendly. To test the feasibility of products, the survey method has been used and data has been collected from the selected samples of 44 respondents. Interview sche...
Abstract
From centuries, our tangible and intangible cultural heritage is considered as an inspi... more Abstract
From centuries, our tangible and intangible cultural heritage is considered as an inspiration for life which passes down from one generation to the next. Cultural heritage has its value and place in the heart of society. In cultural heritage, architecture is a showcase of our rich tradition which is our legacy from the past to the present world. Concerning this, Saharanpur is internationally famous for wood carving and closely associated with the socio-economic life of the district. These particular art forms have evolved for centuries as an inseparable and intimate part of its culture. Moreover, the other significant feature of Saharanpur is old havelis (mansions) which were constructed with imperial influence. Old havelis of Saharanpur demonstrate the glimpse of Mughal art and architecture, a characteristic Indo-Islamic-Persian style. Gradually, old havelis of Saharanpur are slowly losing its authenticity due to unawareness of people and their lack of knowledge about the cultural ethos which is attached to it. The art and crafts of these havelis are slowly fading away due to lack of proper infrastructure and initiatives for maintenance. Government has not yet taken enthusiasm for protection against slow demolition of this cultural heritage. Therefore, most of the havelis of this area have torpedoed and rests of the old havelis are on verge of vanishing. Hence, government must take preventive measures and initiatives for restoration and preservation of these havelis. The aim of heritage conservation is to ensure that the cultural significance of heritage places is retained for future generations. This paper makes an effort to create an overview of the architectural heritage buildings (havelis) of Saharanpur and highlights the certain recommendations for safeguarding these old havelis.
Keywords: Haveli, Saharanpur, Cultural Heritage, Conservation
Abstract
According to existing literature, art and craft are the essential activity of human mi... more Abstract
According to existing literature, art and craft are the essential activity of human mind featured with imagination and innovation and ornamented by variation of shapes, texture and colors. It laid emphasis on aesthetic excellence and creative collaboration through the design element. Through the ages, design component is considered as the visual dialogue and straightest path for the understanding of divergent culture, religion and tradition. The language of design deals with the external and internal aspect of images that create visual appearance and forms a relationship between art and craft. Over a period of time, elephant form has been applied in various art, craft and architecture with hidden meaning. Concerning to this, Saharanpur the commercial district of Uttar Pradesh rose to prominence during Mughal Period. Situated in the Indo-Gangatic Plains under the shadow of Shiwalik foothills, the district reveals a strong cultural past with aesthetic expression. Under the patronage of different monarchs it developed a unique style of wood carving primarily done on Shisham wood borrowing elements from Mughal art and architecture, a characteristic of Indo-Islamic-Persian style. Saharanpur woodcraft became a part of cultural heritage and protected by Geographical Indications (GI) tag. In Saharanpur woodcraft, elephant as a decorative element has been lavishly implemented with the abundance of floral and geometrical decorations on wood and stone carving as well as wall paintings. These wide varieties of decorations demonstrate the glimpse of Indian art as well as the mystery of Mughal art. Despite knowing the existence of the elephant motif in Hindu mythology, it was adopted in the Mughal art with impressive manner. The aim of writing this paper is to study the factors which were largely responsible for the application of elephant motif in Saharanpur woodcraft. The purpose of depiction of this motif is not only the ornamentation and decoration but also the adoption of it in human life with essential aspects. The conclusive remarks will highlight the significance of elephant motif for woodcraft.
Keywords: Elephant, Decorative Element, Hindu Mythology, Mughal Art.
Abstract
In the current scenario, everything is uncertain and changeable where innovative ideas ... more Abstract
In the current scenario, everything is uncertain and changeable where innovative ideas are developed and experimented by individuals with strong curiosity and inspiration towards the development of the nation. Here, art and craft play a crucial role which requires novelty with aesthetic sensibility and utility too. In craft domain, Wooden folding Screen (WFS) has become an integral part and a status symbol of life that creates harmony and peaceful ambiance in living space. WFS is considered as free standing furniture for the utility and embellishment of living space with aesthetic notion. In this regard, Saharanpur is known as one of the largest hubs of wood carving where wooden folding screen demonstrates the magnificent, classy and romantic appearance which is associated with elaborate carving, inlay and outlay work with traditional motifs. WFS of Saharanpur has been constructed the remarkable identity which throws light on its all aspects like functional, aesthetical and economical as well as quality consideration. Since the sixties till today, WFS of Saharanpur is being experimented and improved by artisan with new techniques, medium and designs. In present time, we see the upgrade version of WFS of Saharanpur woodcraft, but still need to improve more for advancement. This study explores the patterns and materials of WFS of Saharanpur with changing trends. This study brings to light on the old patterns of the WFS of Saharanpur verse the new one. In addition, the conclusive remark highlights the certain recommendations for innovation.
Keywords: Folding Screen, Saharanpur, Patterns, and Changing Trends.
Throughout the world, art and craft are known as the best achievement of human being which reveal... more Throughout the world, art and craft are known as the best achievement of human being which reveals a vast vocabulary of inspirational and powerful motifs. These motifs are associated with ancestor’s tradition, beliefs, emotions and religion that influence human existence. In this context, the woodcraft has always remained an enchanting phenomenon from the first evident of the civilization in Indian subcontinent which is the best way to indicate the folk tradition, culture and self expression of artisans. Hence, Saharanpur city represents the ancestor’s tradition of woodcraft as the world famous center of wood carving. Saharanpur woodcraft display various motifs of decoration such as zoomorphic (Peacock, lion, elephant, deer, bull and so on), auspicious (Swastika, Sun, Chakra, Kalasha and so on), figurative, vegetative (Flora and fauna and fruits) and intricate geometrical forms. These motifs signify the glimpse of Gujjar- Pratihar art as well as Mughal art. The inspiration of depiction of these motifs is not only the ornamentation and decoration but also the adoption of it in human life with essential aspects. These motifs have been filled with ornamentation representation and aesthetic pleasure of Indian rasa application to stir the heart of its viewers and seek to evaluate the adoption and implication of all flora and fauna with its meaning and essence. The highly aesthetic fascination and enrichment of the motifs of Saharanpur woodcraft reveal the inner delight through rasa theory. The present paper is an attempt to study the rasa manifestation of the exceptional and unique motifs in Saharanpur woodcraft. Thus the paper will be based on the discussion of aesthetic delight of rasa which reflects the prominent mood of human behavior and its symbolic image of Saharanpur woodcraft in contemporary world. Keywords: Saharanpur woodcraft, motifs, aesthetical delight, rasa application, Contemporary world
Art and architecture demonstrate fascinating phenomenon, created in various geometrical forms and... more Art and architecture demonstrate fascinating phenomenon, created in various geometrical forms and obtained in both architecture and craft. These geometrical forms have been traced from the prehistoric cave paintings and refined during the Islamic and the Mughal reigns. Old havelis of Saharanpur, over a period of time, display the glimpse of Islamic architecture with architecture treatment and structural ornamentation. The term havelis is generally used for private and huge mansion where people live together. In this context, the tremendous variety of geometrical motifs has been introduced in old havelis of Saharanpur which can be seen on the structural part of old havelis like doors, brackets, windows, and lattice screens in two-dimensional space with Islamic beliefs and skillful manner of artisans. In fact, variation is the most distinctive characteristic of the geometrical design which provides a high-level experience of aesthetics which balances simplicity and complexity that creates harmonious ambience in human life. These wide varieties of decorations demonstrate the glimpse of Indian art as well as the mysteries of Islamic art. Such geometrical designs generate spiritual and lyrical ambience and mesmerize the viewers through marvelous variety of patterns. This paper attempts to examine the geometrical ornamentation in old havelis of Saharanpur with special reference to the symbolic value of geometry in human life. Additionally, it briefly investigates and identifies the rationale behind the application of design principles in the intricate geometrical patterns. It also elaborates how these patterns enhance the beauty and attraction of old havelis of Saharanpur.
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From centuries, our tangible and intangible cultural heritage is considered as an inspiration for life which passes down from one generation to the next. Cultural heritage has its value and place in the heart of society. In cultural heritage, architecture is a showcase of our rich tradition which is our legacy from the past to the present world. Concerning this, Saharanpur is internationally famous for wood carving and closely associated with the socio-economic life of the district. These particular art forms have evolved for centuries as an inseparable and intimate part of its culture. Moreover, the other significant feature of Saharanpur is old havelis (mansions) which were constructed with imperial influence. Old havelis of Saharanpur demonstrate the glimpse of Mughal art and architecture, a characteristic Indo-Islamic-Persian style. Gradually, old havelis of Saharanpur are slowly losing its authenticity due to unawareness of people and their lack of knowledge about the cultural ethos which is attached to it. The art and crafts of these havelis are slowly fading away due to lack of proper infrastructure and initiatives for maintenance. Government has not yet taken enthusiasm for protection against slow demolition of this cultural heritage. Therefore, most of the havelis of this area have torpedoed and rests of the old havelis are on verge of vanishing. Hence, government must take preventive measures and initiatives for restoration and preservation of these havelis. The aim of heritage conservation is to ensure that the cultural significance of heritage places is retained for future generations. This paper makes an effort to create an overview of the architectural heritage buildings (havelis) of Saharanpur and highlights the certain recommendations for safeguarding these old havelis.
Keywords: Haveli, Saharanpur, Cultural Heritage, Conservation
According to existing literature, art and craft are the essential activity of human mind featured with imagination and innovation and ornamented by variation of shapes, texture and colors. It laid emphasis on aesthetic excellence and creative collaboration through the design element. Through the ages, design component is considered as the visual dialogue and straightest path for the understanding of divergent culture, religion and tradition. The language of design deals with the external and internal aspect of images that create visual appearance and forms a relationship between art and craft. Over a period of time, elephant form has been applied in various art, craft and architecture with hidden meaning. Concerning to this, Saharanpur the commercial district of Uttar Pradesh rose to prominence during Mughal Period. Situated in the Indo-Gangatic Plains under the shadow of Shiwalik foothills, the district reveals a strong cultural past with aesthetic expression. Under the patronage of different monarchs it developed a unique style of wood carving primarily done on Shisham wood borrowing elements from Mughal art and architecture, a characteristic of Indo-Islamic-Persian style. Saharanpur woodcraft became a part of cultural heritage and protected by Geographical Indications (GI) tag. In Saharanpur woodcraft, elephant as a decorative element has been lavishly implemented with the abundance of floral and geometrical decorations on wood and stone carving as well as wall paintings. These wide varieties of decorations demonstrate the glimpse of Indian art as well as the mystery of Mughal art. Despite knowing the existence of the elephant motif in Hindu mythology, it was adopted in the Mughal art with impressive manner. The aim of writing this paper is to study the factors which were largely responsible for the application of elephant motif in Saharanpur woodcraft. The purpose of depiction of this motif is not only the ornamentation and decoration but also the adoption of it in human life with essential aspects. The conclusive remarks will highlight the significance of elephant motif for woodcraft.
Keywords: Elephant, Decorative Element, Hindu Mythology, Mughal Art.
In the current scenario, everything is uncertain and changeable where innovative ideas are developed and experimented by individuals with strong curiosity and inspiration towards the development of the nation. Here, art and craft play a crucial role which requires novelty with aesthetic sensibility and utility too. In craft domain, Wooden folding Screen (WFS) has become an integral part and a status symbol of life that creates harmony and peaceful ambiance in living space. WFS is considered as free standing furniture for the utility and embellishment of living space with aesthetic notion. In this regard, Saharanpur is known as one of the largest hubs of wood carving where wooden folding screen demonstrates the magnificent, classy and romantic appearance which is associated with elaborate carving, inlay and outlay work with traditional motifs. WFS of Saharanpur has been constructed the remarkable identity which throws light on its all aspects like functional, aesthetical and economical as well as quality consideration. Since the sixties till today, WFS of Saharanpur is being experimented and improved by artisan with new techniques, medium and designs. In present time, we see the upgrade version of WFS of Saharanpur woodcraft, but still need to improve more for advancement. This study explores the patterns and materials of WFS of Saharanpur with changing trends. This study brings to light on the old patterns of the WFS of Saharanpur verse the new one. In addition, the conclusive remark highlights the certain recommendations for innovation.
Keywords: Folding Screen, Saharanpur, Patterns, and Changing Trends.
have been filled with ornamentation representation and aesthetic pleasure of Indian rasa application to stir the heart of its viewers and seek to evaluate the adoption and implication of all flora and fauna with its meaning and essence. The highly aesthetic fascination and enrichment of the motifs of Saharanpur woodcraft reveal the inner delight through rasa theory. The present paper is an attempt to study the rasa manifestation of the exceptional and unique motifs in Saharanpur woodcraft. Thus the paper will be based on the discussion of aesthetic delight of rasa which reflects the prominent mood of human behavior and its symbolic image of Saharanpur woodcraft in contemporary world.
Keywords: Saharanpur woodcraft, motifs, aesthetical delight, rasa application, Contemporary world
Keywords
Geometrical motifs Havelis Aesthetic Saharanpur Ambience
From centuries, our tangible and intangible cultural heritage is considered as an inspiration for life which passes down from one generation to the next. Cultural heritage has its value and place in the heart of society. In cultural heritage, architecture is a showcase of our rich tradition which is our legacy from the past to the present world. Concerning this, Saharanpur is internationally famous for wood carving and closely associated with the socio-economic life of the district. These particular art forms have evolved for centuries as an inseparable and intimate part of its culture. Moreover, the other significant feature of Saharanpur is old havelis (mansions) which were constructed with imperial influence. Old havelis of Saharanpur demonstrate the glimpse of Mughal art and architecture, a characteristic Indo-Islamic-Persian style. Gradually, old havelis of Saharanpur are slowly losing its authenticity due to unawareness of people and their lack of knowledge about the cultural ethos which is attached to it. The art and crafts of these havelis are slowly fading away due to lack of proper infrastructure and initiatives for maintenance. Government has not yet taken enthusiasm for protection against slow demolition of this cultural heritage. Therefore, most of the havelis of this area have torpedoed and rests of the old havelis are on verge of vanishing. Hence, government must take preventive measures and initiatives for restoration and preservation of these havelis. The aim of heritage conservation is to ensure that the cultural significance of heritage places is retained for future generations. This paper makes an effort to create an overview of the architectural heritage buildings (havelis) of Saharanpur and highlights the certain recommendations for safeguarding these old havelis.
Keywords: Haveli, Saharanpur, Cultural Heritage, Conservation
According to existing literature, art and craft are the essential activity of human mind featured with imagination and innovation and ornamented by variation of shapes, texture and colors. It laid emphasis on aesthetic excellence and creative collaboration through the design element. Through the ages, design component is considered as the visual dialogue and straightest path for the understanding of divergent culture, religion and tradition. The language of design deals with the external and internal aspect of images that create visual appearance and forms a relationship between art and craft. Over a period of time, elephant form has been applied in various art, craft and architecture with hidden meaning. Concerning to this, Saharanpur the commercial district of Uttar Pradesh rose to prominence during Mughal Period. Situated in the Indo-Gangatic Plains under the shadow of Shiwalik foothills, the district reveals a strong cultural past with aesthetic expression. Under the patronage of different monarchs it developed a unique style of wood carving primarily done on Shisham wood borrowing elements from Mughal art and architecture, a characteristic of Indo-Islamic-Persian style. Saharanpur woodcraft became a part of cultural heritage and protected by Geographical Indications (GI) tag. In Saharanpur woodcraft, elephant as a decorative element has been lavishly implemented with the abundance of floral and geometrical decorations on wood and stone carving as well as wall paintings. These wide varieties of decorations demonstrate the glimpse of Indian art as well as the mystery of Mughal art. Despite knowing the existence of the elephant motif in Hindu mythology, it was adopted in the Mughal art with impressive manner. The aim of writing this paper is to study the factors which were largely responsible for the application of elephant motif in Saharanpur woodcraft. The purpose of depiction of this motif is not only the ornamentation and decoration but also the adoption of it in human life with essential aspects. The conclusive remarks will highlight the significance of elephant motif for woodcraft.
Keywords: Elephant, Decorative Element, Hindu Mythology, Mughal Art.
In the current scenario, everything is uncertain and changeable where innovative ideas are developed and experimented by individuals with strong curiosity and inspiration towards the development of the nation. Here, art and craft play a crucial role which requires novelty with aesthetic sensibility and utility too. In craft domain, Wooden folding Screen (WFS) has become an integral part and a status symbol of life that creates harmony and peaceful ambiance in living space. WFS is considered as free standing furniture for the utility and embellishment of living space with aesthetic notion. In this regard, Saharanpur is known as one of the largest hubs of wood carving where wooden folding screen demonstrates the magnificent, classy and romantic appearance which is associated with elaborate carving, inlay and outlay work with traditional motifs. WFS of Saharanpur has been constructed the remarkable identity which throws light on its all aspects like functional, aesthetical and economical as well as quality consideration. Since the sixties till today, WFS of Saharanpur is being experimented and improved by artisan with new techniques, medium and designs. In present time, we see the upgrade version of WFS of Saharanpur woodcraft, but still need to improve more for advancement. This study explores the patterns and materials of WFS of Saharanpur with changing trends. This study brings to light on the old patterns of the WFS of Saharanpur verse the new one. In addition, the conclusive remark highlights the certain recommendations for innovation.
Keywords: Folding Screen, Saharanpur, Patterns, and Changing Trends.
have been filled with ornamentation representation and aesthetic pleasure of Indian rasa application to stir the heart of its viewers and seek to evaluate the adoption and implication of all flora and fauna with its meaning and essence. The highly aesthetic fascination and enrichment of the motifs of Saharanpur woodcraft reveal the inner delight through rasa theory. The present paper is an attempt to study the rasa manifestation of the exceptional and unique motifs in Saharanpur woodcraft. Thus the paper will be based on the discussion of aesthetic delight of rasa which reflects the prominent mood of human behavior and its symbolic image of Saharanpur woodcraft in contemporary world.
Keywords: Saharanpur woodcraft, motifs, aesthetical delight, rasa application, Contemporary world
Keywords
Geometrical motifs Havelis Aesthetic Saharanpur Ambience