This page is marked for cleanup because a detailed work list with specific instrumentations might help with more specific tagging.
Movements/SectionsMov'ts/Sec's | 119 pieces: |
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Composition Year | 1300-1400 |
Genre Categories | Madrigals; Chansons; Songs; |
Contents |
Saltarello I (fol. 62r)
*#274381 - 18.74MB - 4:26 - -) ( - !N/!N/!N - 2941×⇩ - FLAC - Ludus Musicus
FLAC file (audio)
Ludus Musicus (2013/3/22)
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Complete Score
*#53963 - 87.35MB, 181 pp. - -) (- V/V/V - 7867×⇩ - Mahlerlover
PDF scanned by Mahlerlover
Mahlerlover (2010/1/23)
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⇒ 22 more: Part 2 of 23 • Part 3 of 23 • Part 4 of 23 • Part 5 of 23 • Part 6 of 23 • Part 7 of 23 • Part 8 of 23 • Part 9 of 23 • Part 10 of 23 • Part 11 of 23 • Part 12 of 23 • Part 13 of 23 • Part 14 of 23 • Part 15 of 23 • Part 16 of 23 • Part 17 of 23 • Part 18 of 23 • Part 19 of 23 • Part 20 of 23 • Part 21 of 23 • Part 22 of 23 • Part 23 of 23
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Work Title | Manuscript, GB-Lbl Add. MS 29987 |
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Alternative. Title | The Manuscript London, British Museum, Additional 29987 / MADRIGALS, ballads, and motets by Italian composers, viz.: Jacobus de Bolonia. Johannes de Florentia. Franciscus de Florentia. Frater Bartolinus de Padova. Giovanni de Chascina. Ser Lorenzo, prete di Firenze Ser Gheradello. Bonavitus |
Composer | Various |
I-Catalogue NumberI-Cat. No. | None [force assignment] |
Movements/SectionsMov'ts/Sec's | 119 pieces |
Year/Date of CompositionY/D of Comp. | 1300-1400 |
Language | Italian/Latin |
Piece Style | Medieval |
Instrumentation | 1-3 voices and misc. instrumental works |
External Links | DIAMM British Library |
The Manuscript London, British Museum, Additional 29987 contains secular Italian pieces from the trecento (14th century), sometimes known as the Italian "Ars Nova." Composers such as Francesco Landini and Jaccobi di Bolonia dominate the the majority of the codex. In addition: there are a few polyphonic secular works, a couple of Mass movements, and a few chants. Unique are the various dance music scattered throughout the codex. The manuscript contains nearly half of the recorded dances from the Middle Ages (many of the rest are Estampies from the Manuscrit du roi).