Dans le cadre du seminaire organise par le Centre de Recherche Interdisciplinaire de Bielefeld en... more Dans le cadre du seminaire organise par le Centre de Recherche Interdisciplinaire de Bielefeld en septembre 1999, l'A. determine les limites de validite des lois de la nature en comparant les conditions d'experimentation en laboratoire aux conditions de realisation dans la nature.
In this paper, we argue that the Consequence Argument relies on empirical premises. In particular... more In this paper, we argue that the Consequence Argument relies on empirical premises. In particular, we show how the argument depends upon assumptions about the character of the laws of nature.
given that modern art is in danger of being carried away uncritically by the unconscious, and nee... more given that modern art is in danger of being carried away uncritically by the unconscious, and needs to be submitted to the discipline and doctrine of the conscious. Part III (the homage to Miro) then discusses these preceding concepts in detail through the work of Miro himself, in the context of his own tragic temperament, his depression, and his personal loss of identity in his adolescent years (1911) and again in mid-life (1937-42). His series of self-portraits is seen as an attempt to find and define himself. Jung, as an analytic psychologist, is very relevant to Miro's work when he states that the artist's role is to put the viewer back into touch with such spiritual forces as have been repressed by current culture, but in doing this the artist is often forced to sacrifice personal freedom and happiness in order to become an instrument of his art. As the various contributors show, this certainly applied to Miro. This is not a book to be read through cover to cover, but to be referred to for specific points of interest. Themes are painted on a large canvass and then Miro's work is taken to fill them out in some detail. It truly pays homage to Miro, but this is only part of the book, and as such could disappoint those who seek an extensive critique of Miro's work. It is however, a book to enjoy for the coloured illustrations, and a good source of references for those who wish to explore the psychiatric and spiritual ramifications of mental disorder in relationship to the creative process.
Dans le cadre du seminaire organise par le Centre de Recherche Interdisciplinaire de Bielefeld en... more Dans le cadre du seminaire organise par le Centre de Recherche Interdisciplinaire de Bielefeld en septembre 1999, l'A. determine les limites de validite des lois de la nature en comparant les conditions d'experimentation en laboratoire aux conditions de realisation dans la nature.
In this paper, we argue that the Consequence Argument relies on empirical premises. In particular... more In this paper, we argue that the Consequence Argument relies on empirical premises. In particular, we show how the argument depends upon assumptions about the character of the laws of nature.
given that modern art is in danger of being carried away uncritically by the unconscious, and nee... more given that modern art is in danger of being carried away uncritically by the unconscious, and needs to be submitted to the discipline and doctrine of the conscious. Part III (the homage to Miro) then discusses these preceding concepts in detail through the work of Miro himself, in the context of his own tragic temperament, his depression, and his personal loss of identity in his adolescent years (1911) and again in mid-life (1937-42). His series of self-portraits is seen as an attempt to find and define himself. Jung, as an analytic psychologist, is very relevant to Miro's work when he states that the artist's role is to put the viewer back into touch with such spiritual forces as have been repressed by current culture, but in doing this the artist is often forced to sacrifice personal freedom and happiness in order to become an instrument of his art. As the various contributors show, this certainly applied to Miro. This is not a book to be read through cover to cover, but to be referred to for specific points of interest. Themes are painted on a large canvass and then Miro's work is taken to fill them out in some detail. It truly pays homage to Miro, but this is only part of the book, and as such could disappoint those who seek an extensive critique of Miro's work. It is however, a book to enjoy for the coloured illustrations, and a good source of references for those who wish to explore the psychiatric and spiritual ramifications of mental disorder in relationship to the creative process.
Uploads