According to Indian sculptures, all are representin g a scene of its legend. In fact, this suit t... more According to Indian sculptures, all are representin g a scene of its legend. In fact, this suit to reli ef styles than sculpture in round. Thus, the former stood as a storyboard though with single or a few frames, which enable to convey its concept in high style. The relief sculptures are oriented at the temple’s main structures as d ēvakōshṭas, adhish ṭānas, vimānas and superstructure of towers, etc. However, some crucial reliefs carved even some secondary important places such as staircase’s bal ustr de walls as if that could be a grand temple. Moreover, depicting a lege nd by a visual medium is a complicated one than per forming art. Of dance which can eligible to detail a story that's going t o be performed in nonstop rhythmic movements with h ig expressions. This is the full-fledged possibility of dance, but continue det ailing by nonstop dancing will sometime bore to som ebody this evidently seen from the audience. According to sculpture media, wh ich is having capability ...
Each temple of the Pallava period has had distinctions in some aspects. Even, from the early apsi... more Each temple of the Pallava period has had distinctions in some aspects. Even, from the early apsidal structure of Kūram to the smallest temple of Piravathanesvara of Kanchipuram those all having some distinction indeed. In this kind, the structural temples of Pallavas were erected in the various locations as, on Hills; lands and seashore. Thus, besides the usual lands ’ temples, hill temples of them are familiarly known as Olakanesvarar temple at Mamallapuram and Talagirisvarar Temple at Panamalai near Senji a fort Town. We don’t know the origination of hill temples in India, but the temple at Badami by Early Chalukyas on hill is according to the source was earlier to the Pallava hill Temples. However the temple erected on the top of hills was became common but the temple at sea shore is obviously a conceptual creative thought of Pallavas which evidenced by through their plan execution and the aesthetic value of the location. Thus the paper interprets of their feature that strangely...
The world renowned Angkor vat temple is composed with the combination of vertical structures with... more The world renowned Angkor vat temple is composed with the combination of vertical structures with dominating horizontals. The perfect amalgamation of the whole, based on a fine ground plan which perfectly executed as of the Big temple of Thanjavur. Not as of the later exaggerative additions on some early other big temples, both the said above temples are rendered as it is according to their master plan in one swing. Plenty of researches have been made on Angkor vat temple. More useful writings came out from various scholars. However, why the art historians did and do over estimation on Angkor vat temple is a question to me. Therefore, this paper describes about the formation of Temple mount its origin and culmination those obviously followed mostly from Southern India. And, says further on the individuality of Khmers who technically found their distinction by assembling architectural elements of India from various sources. There is lot of thing to say as the Angkor vat is a next attempt of Dravidian architecture obviously after Gangaikonda Cholapuram. However, analyzing those all things in a single article, is not enough probably the other paper next to this can detail clearly. Besides, this article reasoning out on its grand look that how it appears as so. Also, made a comparative study with the Big Temple of Thanjavur and interpret on the defined height of Angkor vat Temple logically.
According to Indian sculptures, all are representin g a scene of its legend. In fact, this suit t... more According to Indian sculptures, all are representin g a scene of its legend. In fact, this suit to reli ef styles than sculpture in round. Thus, the former stood as a storyboard though with single or a few frames, which enable to convey its concept in high style. The relief sculptures are oriented at the temple’s main structures as d ēvakōshṭas, adhish ṭānas, vimānas and superstructure of towers, etc. However, some crucial reliefs carved even some secondary important places such as staircase’s bal ustr de walls as if that could be a grand temple. Moreover, depicting a lege nd by a visual medium is a complicated one than per forming art. Of dance which can eligible to detail a story that's going t o be performed in nonstop rhythmic movements with h ig expressions. This is the full-fledged possibility of dance, but continue det ailing by nonstop dancing will sometime bore to som ebody this evidently seen from the audience. According to sculpture media, wh ich is having capability ...
Each temple of the Pallava period has had distinctions in some aspects. Even, from the early apsi... more Each temple of the Pallava period has had distinctions in some aspects. Even, from the early apsidal structure of Kūram to the smallest temple of Piravathanesvara of Kanchipuram those all having some distinction indeed. In this kind, the structural temples of Pallavas were erected in the various locations as, on Hills; lands and seashore. Thus, besides the usual lands ’ temples, hill temples of them are familiarly known as Olakanesvarar temple at Mamallapuram and Talagirisvarar Temple at Panamalai near Senji a fort Town. We don’t know the origination of hill temples in India, but the temple at Badami by Early Chalukyas on hill is according to the source was earlier to the Pallava hill Temples. However the temple erected on the top of hills was became common but the temple at sea shore is obviously a conceptual creative thought of Pallavas which evidenced by through their plan execution and the aesthetic value of the location. Thus the paper interprets of their feature that strangely...
The world renowned Angkor vat temple is composed with the combination of vertical structures with... more The world renowned Angkor vat temple is composed with the combination of vertical structures with dominating horizontals. The perfect amalgamation of the whole, based on a fine ground plan which perfectly executed as of the Big temple of Thanjavur. Not as of the later exaggerative additions on some early other big temples, both the said above temples are rendered as it is according to their master plan in one swing. Plenty of researches have been made on Angkor vat temple. More useful writings came out from various scholars. However, why the art historians did and do over estimation on Angkor vat temple is a question to me. Therefore, this paper describes about the formation of Temple mount its origin and culmination those obviously followed mostly from Southern India. And, says further on the individuality of Khmers who technically found their distinction by assembling architectural elements of India from various sources. There is lot of thing to say as the Angkor vat is a next attempt of Dravidian architecture obviously after Gangaikonda Cholapuram. However, analyzing those all things in a single article, is not enough probably the other paper next to this can detail clearly. Besides, this article reasoning out on its grand look that how it appears as so. Also, made a comparative study with the Big Temple of Thanjavur and interpret on the defined height of Angkor vat Temple logically.
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Papers by Dr S A V Elanchezian