Professor of English Literature at Hallym University, South Korea.- PhD (Arts - English literature) - University of Sydney, 2001. - 20-year experience in tertiary education teaching and academic research. - Specialist in early modern drama studies (English
Review(s) of: Rape and the rise of the author: Gendering intention in early modern England, by Gr... more Review(s) of: Rape and the rise of the author: Gendering intention in early modern England, by Greenstadt, Amy, (Women and Gender in the Early Modern World), Aldershot, Ashgate, 2009; hardback; pp. 204; R.R.P. 55.00 pounds; ISBN 9780754662747.
Review(s) of: Sederi: Yearbook of the Spanish and Portuguese society for English renaissance stud... more Review(s) of: Sederi: Yearbook of the Spanish and Portuguese society for English renaissance studies, Volume 20, by Valladolid, University of Valladolid, 2010, paperback, pp. 195, R.R.P. 30.00 (subscription), ISSN 1135-7789.
Review(s) of: Erotic subjects: The sexuality of politics in early modern English literature, by S... more Review(s) of: Erotic subjects: The sexuality of politics in early modern English literature, by Sanchez, Melissa E., Oxford, Oxford University Press, 2011, hardback, pp. 304, R.R.P. 45.00 pounds, ISBN 9780199754755.
Review(s) of: Gender, sexuality, and material objects in English renaissance verse, by Hammons, P... more Review(s) of: Gender, sexuality, and material objects in English renaissance verse, by Hammons, Pamela S., Women and Gender in the Early Modern World, Farnham, Ashgate, 2010, hardback; pp. xiii, 223, 11 b/w illustrations, RRP 55.00 pounds, ISBN 9780754668992.
Review(s) of: Carnival and literature in early modern England, by Vaught, Jennifer C., Farnham, A... more Review(s) of: Carnival and literature in early modern England, by Vaught, Jennifer C., Farnham, Ashgate, 2012, hardback, pp. 208, 10 b/w illustrations, R.R.P. 55.00 pounds, ISBN 9781409432081.
Review(s) of: Rape and the rise of the author: Gendering intention in early modern England, by Gr... more Review(s) of: Rape and the rise of the author: Gendering intention in early modern England, by Greenstadt, Amy, (Women and Gender in the Early Modern World), Aldershot, Ashgate, 2009; hardback; pp. 204; R.R.P. 55.00 pounds; ISBN 9780754662747.
Review(s) of: Sederi: Yearbook of the Spanish and Portuguese society for English renaissance stud... more Review(s) of: Sederi: Yearbook of the Spanish and Portuguese society for English renaissance studies, Volume 20, by Valladolid, University of Valladolid, 2010, paperback, pp. 195, R.R.P. 30.00 (subscription), ISSN 1135-7789.
Review(s) of: Erotic subjects: The sexuality of politics in early modern English literature, by S... more Review(s) of: Erotic subjects: The sexuality of politics in early modern English literature, by Sanchez, Melissa E., Oxford, Oxford University Press, 2011, hardback, pp. 304, R.R.P. 45.00 pounds, ISBN 9780199754755.
Review(s) of: Gender, sexuality, and material objects in English renaissance verse, by Hammons, P... more Review(s) of: Gender, sexuality, and material objects in English renaissance verse, by Hammons, Pamela S., Women and Gender in the Early Modern World, Farnham, Ashgate, 2010, hardback; pp. xiii, 223, 11 b/w illustrations, RRP 55.00 pounds, ISBN 9780754668992.
Review(s) of: Carnival and literature in early modern England, by Vaught, Jennifer C., Farnham, A... more Review(s) of: Carnival and literature in early modern England, by Vaught, Jennifer C., Farnham, Ashgate, 2012, hardback, pp. 208, 10 b/w illustrations, R.R.P. 55.00 pounds, ISBN 9781409432081.
Like Peter Shaffer's Equus, two decades earlier-with which it shares a number of thematic interes... more Like Peter Shaffer's Equus, two decades earlier-with which it shares a number of thematic interests and other analogies-Hilary Bell's Wolf Lullaby (1996; pub. 1997) was published with an "Author's Note", which underlined the play's foundation in the real world, namely through the extra-dramatic traces of other media in the form of crime reporting, where extremity is, paradoxically, an everyday subject, precisely because the public make it their own business through the rituals of print-/ television-/ internet
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