Jessica Jaques
Jèssica Jaques Pi (Barcelona, 1967) is Associate Professor of Aesthetics and Art Theory at the Department of Philosophy of the Universitat Autònoma de Barcelona. She received her B.A. in Philosophy in 1990 (UAB), her B.A. in Art History in 1991 (UAB) and her Ph.D. in 1998, with a dissertation on "Kant and the Gnoseology of the Judgement of Taste" (original in Catalan, UAB, completed at the École Normale Supérieure in Paris with a scholarship from the Spanish Ministry). She is the main researcher of the externally funded projects: "Los escritos de Picasso: textos poéticos 1935 –1945" ("Picasso’s writings: poetic texts 1935 – 1945", sponsored by the Spanish Ministry of Science, Innovation and Universities and "Open Up–UAB", a Creative Europe Culture Sub-programme (2014-2020) - Larger scale cooperation projects, identificació 607376-CREA-1-2019-1-CY-CULT-COOP2 leaded by the Pierides Foundation http://Openupeu.com.
She has been a visiting professor at: École Pratique des Hautes Études, Paris (2003), Université de Rouen (2007), Université Jean-Jaurès_ Toulouse (2013-2016), University of Warsow (2016), Université Jules Verne Amiens (2018–). She has given invited talks at: CNRS, Paris (2003), Massachusetts Institute of Technology (MIT, 2006), New York University–Berlin (2016), Granada (2018).
Her current teaching is: Undergraduate: Philosophy of art, Aesthetics, Philosophy with Picasso; Master: Research in Art and Design. She is the coordinator of the Ph.D. program Research in Art and Design at (EINA_UAB) https://www.eina.cat/en/doctorate-research-design-and-artand is the codirector (with Emmanuel Guigon and Androula Michael) of the Phd Program Doctorat Picasso, developped in the Picasso Museum Barcelona http://www.bcn.cat/museupicasso/ca/recerca/doctorat-picasso.html. She has advised a long list of Ph.D. dissertations. She has been the sponsor lecturer of Jaume Plensa's Honorary Doctorate (UAB, November 2018). She is passionately devoted to the exercise of neo-Socratic teaching as a device for research, and leads the artivistic group "artencurs", devotet to innovation in teaching and sharing creativity https://artencurs.wixsite.com/artencurs.
Her main publications are: La estética del románico y el gótico (Madrid, Antonio Machado, 2003); translation into Catalan, introduction, and critical edition of Kant’s third critique, Crítica de la facultat de jutjar (Barcelona, Edicions 62, 2004); Picasso en Gósol: un verano para la modernidad. (Madrid, Antonio Machado, 2007); “Food”, second edition of the Oxford Encyclopedia of Aesthetics, Oxford, Oxford University Press, 2014, pp. vol III. pp. 63-67; “What’s cooking in Desire caught by the Tail or the Gastropoietic Dramaturgy under the Occupation”. Catalogue Picasso’s Kitchen, Museu Picasso de Barcelona, 2018, pp. 203-216; “Stovetop Philosophy. An interview with Ferran Adrià”. The Monist, 2018, 101, 237-46, edited by Carolyn Korsmeyer. She is currently working on the translation into Spanish and Catalan of the whole corpus of Picasso’s literary writings.
She has been a visiting professor at: École Pratique des Hautes Études, Paris (2003), Université de Rouen (2007), Université Jean-Jaurès_ Toulouse (2013-2016), University of Warsow (2016), Université Jules Verne Amiens (2018–). She has given invited talks at: CNRS, Paris (2003), Massachusetts Institute of Technology (MIT, 2006), New York University–Berlin (2016), Granada (2018).
Her current teaching is: Undergraduate: Philosophy of art, Aesthetics, Philosophy with Picasso; Master: Research in Art and Design. She is the coordinator of the Ph.D. program Research in Art and Design at (EINA_UAB) https://www.eina.cat/en/doctorate-research-design-and-artand is the codirector (with Emmanuel Guigon and Androula Michael) of the Phd Program Doctorat Picasso, developped in the Picasso Museum Barcelona http://www.bcn.cat/museupicasso/ca/recerca/doctorat-picasso.html. She has advised a long list of Ph.D. dissertations. She has been the sponsor lecturer of Jaume Plensa's Honorary Doctorate (UAB, November 2018). She is passionately devoted to the exercise of neo-Socratic teaching as a device for research, and leads the artivistic group "artencurs", devotet to innovation in teaching and sharing creativity https://artencurs.wixsite.com/artencurs.
Her main publications are: La estética del románico y el gótico (Madrid, Antonio Machado, 2003); translation into Catalan, introduction, and critical edition of Kant’s third critique, Crítica de la facultat de jutjar (Barcelona, Edicions 62, 2004); Picasso en Gósol: un verano para la modernidad. (Madrid, Antonio Machado, 2007); “Food”, second edition of the Oxford Encyclopedia of Aesthetics, Oxford, Oxford University Press, 2014, pp. vol III. pp. 63-67; “What’s cooking in Desire caught by the Tail or the Gastropoietic Dramaturgy under the Occupation”. Catalogue Picasso’s Kitchen, Museu Picasso de Barcelona, 2018, pp. 203-216; “Stovetop Philosophy. An interview with Ferran Adrià”. The Monist, 2018, 101, 237-46, edited by Carolyn Korsmeyer. She is currently working on the translation into Spanish and Catalan of the whole corpus of Picasso’s literary writings.
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