Theses by Magdalena Forsgren
M.S. thesis in Political Science, Stockholm University, 2023
Ideological polarization is increasingly studied by researchers, but less so in the field of cult... more Ideological polarization is increasingly studied by researchers, but less so in the field of cultural politics. In Sweden, there are indications that cultural politics has changed from being characterized by broad political consensus to ideological conflict. Unlike other discussions about the state of democracy, however, disputes in recent years about ideological governance in Swedish cultural policy did not mainly concern the growing influence of right-wing populist parties. Instead, the debate concerned attempts by the previous Red Green Government to develop democracy in cultural politics. According to some debaters, those attempts show that Swedish cultural politics is still dominated by left-wing ideology. An ambiguity regarding ideological variation in cultural politics and its consequences for the state of democracy calls for an investigation.
This master's thesis studies ideas in Swedish parliamentary discourses to understand ideological variation in cultural politics. The right-wing and left-wing blocs share opinions about culture in society, and, instead, their primary area of conflict is the economy. Both blocs argue for an arm's length principle in cultural politics, but consensual dialogues still enable governance towards a norm-critical and multicultural society. They portray themselves as good democrats by contrasting themselves with nationalist right-wing populists who allegedly threaten this order. The Sweden Democrats, as opposed to the other blocs, advocate a society where social trust and democracy emanate from cultural affinity, while the economy is less important.
The lack of meaningful ideological variation beyond the economy between the traditional blocs makes the Sweden Democrats the only option for democratic accountability in cultural politics. Parliamentary democracy, then, is ironically upheld by the Sweden Democrats' alternative cultural politics, while the other parties' cordon sanitaire limits the will of the people by their promotion of the arm's length principle in order to maintain the current political order.
Keywords
Cultural politics, ideological variation, democracy’s problem, arm’s lengths principle, deconstruction
B.S. thesis in Political Science, Stockholm University, 2018
When Sweden's red-green government's plans for the cultural heritage became publicly known, a deb... more When Sweden's red-green government's plans for the cultural heritage became publicly known, a debate broke out concerning the motives behind it’s policy development. The critics feared that the cultural heritage was politically steered for anti-racist and integration agenda purposes, while the government claimed it wanted to promote democracy by increased participation and dialogue.
This essay deconstructs the government's bill Kulturarvspolitik to illuminate the discourse manifested in it and interpret it in light of theories by Francis Fukuyama and Chantal Mouffe. Based on reconstructed narratives centered on three nodal points – nation-state, democracy and sustainable development – it is demonstrated how taken for granted statements form part of a meaning system.
The conclusion is that the bill manifests a discourse that tries to realize a red-green conception of the ideal-state as non-nationalist, culturally diverse and sustainable. Setting its policy against supposedly morally degenerative and nationalist right-wing politics, and picturing an increasingly polarised society, the government invites everyone to co-creation of the cultural heritage. When promoting democracy through dialogue, cultural diversity and sustainability, they may, nevertheless, jeopardize the political order since nationalism, a cultural project that once united people despite social differences, was essential to democracy's legitimacy when the modern political order was created in the first place.
Keywords
Cultural heritage policy, political order, deconstruction, nation-state, democracy, sustainable development
(2008 [2011]), M.A. thesis in Archaeology, Stockholm University, 2008
Metal hoards with broken artefacts have for a long time been regarded as scrap metal hoards, whic... more Metal hoards with broken artefacts have for a long time been regarded as scrap metal hoards, which means that a smith has hidden away bronze with the intention to unearth it later and make new items from it. It is, however, my apprehension that such interpretations are wrong. The aim is therefore to understand the metal hoard from Härnevi parish, as well as the connections it appears, as a result after cultic activities. By studying the landscape and the Bronze Age religion I hope to understand the underlying thoughts that have resulted in the deposition of the hoard.
Since the landscape are going to play an important role when trying to understanding the connections in which the metal hoard appears, this paper also gives me an opportunity to study other types of ancient monuments from the Bronze Age. By doing this I hope to see the geographical transformation and cultural development of Härnevi from the beginning of the Early Bronze Age to the Pre-Roman Iron Age. This could hopefully give an answer to the problem why Härnevi was a good place to deposit the metal hoard, and why it in the end was forgotten.
The place of the deposition is regarded as a natural amphitheatre were cultic performances took place. The metal hoard is interpreted as a representation of the sun’s journey across the sky, a metaphor of life itself.
Key words: metal hoard, Härnevi parish, landscape, Bronze Age religion, ancient monuments, sun, amphitheatre
(2007 [2011]), B.A. thesis in Archaeology, Stockholm University, 2007
Metal hoards with broken artefacts have for a long time been regarded as scrap metal hoards, whic... more Metal hoards with broken artefacts have for a long time been regarded as scrap metal hoards, which means that a smith has hidden away bronze with the intention to unearth it later and make new items from it. This idea is probably wrong and other explanations are needed. The aim of this paper is to study metalwork from the Late Bronze Age, with special emphasis on social identity and symbolism. The starting point in my discussions will be a metal hoard from Härnevi parish in Uppland. The material will be investigated in relation to a social and symbolic perspective. By studying the items I wish to contribute to a better understanding of the underlying thoughts that resulted in the deposition of the metal hoard from Härnevi.
This paper also gives an opportunity to investigate the possibility of analysing artefacts from the Late Bronze Age in a gender perspective, which will also provide a framework for the hoard's disparate object composition. So far gender studies of metal hoards have focused on investigating the number of female and male items in metal depositions. This is a heteronormative understanding of gender, limited to the genitals, and can be described as the social and cultural apprehension of the biological difference between men and women. Instead I want to examine the possibility to consider artefacts from the Bronze Age as belonging to persons with different social and religious identities in society, which is rather a non-normative gender.
Key words: Härnevi, metal hoard, bronze metalwork, Late Bronze Age, object biographies, gender, symbolism
(2007 [2011]), Undergraduate thesis in Archaeology, Stockholm University, 2007
In this paper I will discuss and evaluate Janet Levy’s model of splitting metal hoards into diffe... more In this paper I will discuss and evaluate Janet Levy’s model of splitting metal hoards into different category groups, using a metal hoard from the Late Bronze Age found in 1902 in Härnevi parish in Uppland as a starting-point. Levy, among others, divides Bronze Age metal hoards into ritual and non-ritual finds with different sub-groups, using a checklist of different criterias. My conclusion is that her model is not usable in the discussion of the Härnevi hoard. Not impossibly, this hoard should perhaps not even be regarded as a scrap metal hoard as it has been interpreted so far.
Key words: metal hoard, Härnevi parish, metalwork, landscape, hoarding criteria
Peer-reviewed articles by Magdalena Forsgren
(2015) Forging Identities: The Mobility of Culture in Bronze Age Europe vol. 2. Paulina Suchowska-Ducke, Samantha Scott Reiter, Helle Vandkilde (eds.). Pp. 175-182., 2015
Bronze Age research is characterised by a polarisation of perspectives and interpretations associ... more Bronze Age research is characterised by a polarisation of perspectives and interpretations associated with different spatial levels. Inspired by postmodern and postcolonial critique of grand narratives, several researchers advocate for local community perspectives that better describe contextual particularities which frequently result in models of low-segmented societies. Influenced by ideas of globalisation, other researchers stress long-range contacts and metal trading at high stratification levels. This article first briefly discusses the history of Bronze Age research before moving on to current research situation which is briefly contrasted with ideas of cosmopolitanism as a possible mediating ideology to be used in future archaeology.
Erratum (2016-10-18):
Page 175, fourth paragraph, last sentence:
“In this way, a short historical overview is a valuable place to begin in tracing the modern
reluctance to use small-scale perspectives.”
Should be replaced with:
“In this way, a short historical overview is a valuable place to begin in tracing the modern
reluctance to use large-scale perspectives.”
(2014) Primitive tider
Over the past few years Bronze Age research has witnessed an unfortunate separation between large... more Over the past few years Bronze Age research has witnessed an unfortunate separation between large-scale and small-scale studies. This separation is maintained by a forceful critique of the ethical and political consequences of large-scale perspectives, grand narratives and a pan-European identity in the making. By profound influence from postcolonialism and related ideologies, this critique represents a discourse that strives instead to construct alternative small-scale methodologies. In order to develop new ethical perspectives and methodological approaches aiming to integrate different scale levels, I believe that critical examinations of small-scale perspectives and their ideological influence are required.
By inspiration from the concept methodological particularism, I will discuss some problems with the contemporary ideological-political and methodological critique of large-scale studies. I will furthermore highlight narrative aspects of small-scale studies put forward in regard to Scandinavian source materials. I argue that small-scale studies, to the same degree as large-scale studies, have created a tale of Bronze Age society and cosmology which affect research results and preferred interpretations. This story is, in short, about local identities in tribal societies, with shaman rituals and life-course practices at different meeting places in the landscape. As a closing reflection, it is proposed that cosmopolitanism could be used as an alternative ideological driving force when developing integrated studies in the future.
(2012) In Situ
[On the question of the character of ritual deposits]
The concept of ritual deposits (hoards) is... more [On the question of the character of ritual deposits]
The concept of ritual deposits (hoards) is unevenly used within archaeology. Thus, the question of the character of ritual deposits is an important issue to consider in theoretical as well as methodological terms. Artefacts in deposits are recurring phenomena for various periods and in different parts of the world, constituting an essential source material for our understanding of the past. This article aims to explore the theoretical implications of the notion of ritual deposits, and discuss methodological aspects of renewed studies of assemblages of valuable artefacts. A model is discussed of how to study the biographies of objects as symbolism in rituals, and treat compound deposits as cohesive entities. Conceivably, it was precisely the combination of certain artefacts and their expression of meaning that gave rise to collective cultural aspirations, which demonstrates that deposits were the result of complex actions and beliefs.
(2010) Current Swedish Archaeology. Vol. 18. Pp. 105-125, 2010
This article aims to investigate the mysterious divinity Härn on the basis of a Bronze Age metal ... more This article aims to investigate the mysterious divinity Härn on the basis of a Bronze Age metal hoard from Härnevi in Uppland. The premise is that this hoard represents a cultural category that reflects a divine concept that must be investigated in order to understand the meaning behind the deposition. Through mythological parallels, Härn’s characteristics will be explored as well as the relation between the sun and fertility across time and space. It is suggested that Härn originally was a sun goddess emanating from the Bronze Age and related to the Norse goddesses Njärd and Freyja.
Key words: Härnevi, metal hoard, Bronze Age, comparative mythology, folklore, sun, fertility
Reports by Magdalena Forsgren
Praktikrapport, administrativ yrkespraktik, 2024
Praktikrapport, 2020
Utredningspraktik [praktiken sammanföll med coronapandemins utbrott]
Rapport i samband med yrkesförberedande praktik i statsvetenskap på Riksantikvarieämbetet.
Nyckelord: Statens historiska museum; utställningar; Stockholm; Sekelskiftet 2000; Kosmopolitanis... more Nyckelord: Statens historiska museum; utställningar; Stockholm; Sekelskiftet 2000; Kosmopolitanism; publik arkeologi
Edited books by Magdalena Forsgren
INNEHÅLL
PROJEKTGRUPPENS FÖRORD vi
DIKs FÖRORD vii
METALLHANTVERKETS MATERIALITET UNDER YN... more INNEHÅLL
PROJEKTGRUPPENS FÖRORD vi
DIKs FÖRORD vii
METALLHANTVERKETS MATERIALITET UNDER YNGRE BRONSÅLDER OCH ÄLDRE JÄRNÅLDER
Anna Sörman 1
EXPERIMENTELL ARKEOLOGI, ETT EXEMPEL OCH LITE METODIK
Paul Eklöv Pettersson 11
HANTVERK, DEPONERING OCH BEBYGGELSE. FÖRHISTORISKA VERKSAMHETER VID HÄLLRISTNINGAR I VÄSTSVERIGE
Karolina Kegel 23
TRÄLENS (O)FRIA VILJA
Sofia Winge 33
HVALREKI. THE WHALE WHETSTONE FROM BÆR AND VARIABLES CONCERNING STYLE AND DECORATION
Ármann Guðmundsson 45
DEN TIDIGMEDELTIDA BARNDOMENS SOCIALA ÅLDERSKLASSER OCH GENUS GENOM EXEMPLET LÖDDEKÖPING
Stella Macheridis 53
MEDELTIDSARKEOLOGI 1983-2009. EN STUDIE AV FÖRMEDLING OCH REPRESENTATIVITET
Erik Johansson 63
Debate articles by Magdalena Forsgren
Research papers for tentamina by Magdalena Forsgren
[Cultural heritage as a EUropean strategy for integration] Master's course in political science: ... more [Cultural heritage as a EUropean strategy for integration] Master's course in political science: EU som politiskt system [EU as a political system]
[Cultural politics as a phenomenon] Master's course in political science: Analytical Perspectives... more [Cultural politics as a phenomenon] Master's course in political science: Analytical Perspectives and the Study of Power in the Social Sciences
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Theses by Magdalena Forsgren
This master's thesis studies ideas in Swedish parliamentary discourses to understand ideological variation in cultural politics. The right-wing and left-wing blocs share opinions about culture in society, and, instead, their primary area of conflict is the economy. Both blocs argue for an arm's length principle in cultural politics, but consensual dialogues still enable governance towards a norm-critical and multicultural society. They portray themselves as good democrats by contrasting themselves with nationalist right-wing populists who allegedly threaten this order. The Sweden Democrats, as opposed to the other blocs, advocate a society where social trust and democracy emanate from cultural affinity, while the economy is less important.
The lack of meaningful ideological variation beyond the economy between the traditional blocs makes the Sweden Democrats the only option for democratic accountability in cultural politics. Parliamentary democracy, then, is ironically upheld by the Sweden Democrats' alternative cultural politics, while the other parties' cordon sanitaire limits the will of the people by their promotion of the arm's length principle in order to maintain the current political order.
Keywords
Cultural politics, ideological variation, democracy’s problem, arm’s lengths principle, deconstruction
This essay deconstructs the government's bill Kulturarvspolitik to illuminate the discourse manifested in it and interpret it in light of theories by Francis Fukuyama and Chantal Mouffe. Based on reconstructed narratives centered on three nodal points – nation-state, democracy and sustainable development – it is demonstrated how taken for granted statements form part of a meaning system.
The conclusion is that the bill manifests a discourse that tries to realize a red-green conception of the ideal-state as non-nationalist, culturally diverse and sustainable. Setting its policy against supposedly morally degenerative and nationalist right-wing politics, and picturing an increasingly polarised society, the government invites everyone to co-creation of the cultural heritage. When promoting democracy through dialogue, cultural diversity and sustainability, they may, nevertheless, jeopardize the political order since nationalism, a cultural project that once united people despite social differences, was essential to democracy's legitimacy when the modern political order was created in the first place.
Keywords
Cultural heritage policy, political order, deconstruction, nation-state, democracy, sustainable development
Since the landscape are going to play an important role when trying to understanding the connections in which the metal hoard appears, this paper also gives me an opportunity to study other types of ancient monuments from the Bronze Age. By doing this I hope to see the geographical transformation and cultural development of Härnevi from the beginning of the Early Bronze Age to the Pre-Roman Iron Age. This could hopefully give an answer to the problem why Härnevi was a good place to deposit the metal hoard, and why it in the end was forgotten.
The place of the deposition is regarded as a natural amphitheatre were cultic performances took place. The metal hoard is interpreted as a representation of the sun’s journey across the sky, a metaphor of life itself.
Key words: metal hoard, Härnevi parish, landscape, Bronze Age religion, ancient monuments, sun, amphitheatre
This paper also gives an opportunity to investigate the possibility of analysing artefacts from the Late Bronze Age in a gender perspective, which will also provide a framework for the hoard's disparate object composition. So far gender studies of metal hoards have focused on investigating the number of female and male items in metal depositions. This is a heteronormative understanding of gender, limited to the genitals, and can be described as the social and cultural apprehension of the biological difference between men and women. Instead I want to examine the possibility to consider artefacts from the Bronze Age as belonging to persons with different social and religious identities in society, which is rather a non-normative gender.
Key words: Härnevi, metal hoard, bronze metalwork, Late Bronze Age, object biographies, gender, symbolism
Key words: metal hoard, Härnevi parish, metalwork, landscape, hoarding criteria
Peer-reviewed articles by Magdalena Forsgren
Erratum (2016-10-18):
Page 175, fourth paragraph, last sentence:
“In this way, a short historical overview is a valuable place to begin in tracing the modern
reluctance to use small-scale perspectives.”
Should be replaced with:
“In this way, a short historical overview is a valuable place to begin in tracing the modern
reluctance to use large-scale perspectives.”
By inspiration from the concept methodological particularism, I will discuss some problems with the contemporary ideological-political and methodological critique of large-scale studies. I will furthermore highlight narrative aspects of small-scale studies put forward in regard to Scandinavian source materials. I argue that small-scale studies, to the same degree as large-scale studies, have created a tale of Bronze Age society and cosmology which affect research results and preferred interpretations. This story is, in short, about local identities in tribal societies, with shaman rituals and life-course practices at different meeting places in the landscape. As a closing reflection, it is proposed that cosmopolitanism could be used as an alternative ideological driving force when developing integrated studies in the future.
The concept of ritual deposits (hoards) is unevenly used within archaeology. Thus, the question of the character of ritual deposits is an important issue to consider in theoretical as well as methodological terms. Artefacts in deposits are recurring phenomena for various periods and in different parts of the world, constituting an essential source material for our understanding of the past. This article aims to explore the theoretical implications of the notion of ritual deposits, and discuss methodological aspects of renewed studies of assemblages of valuable artefacts. A model is discussed of how to study the biographies of objects as symbolism in rituals, and treat compound deposits as cohesive entities. Conceivably, it was precisely the combination of certain artefacts and their expression of meaning that gave rise to collective cultural aspirations, which demonstrates that deposits were the result of complex actions and beliefs.
Key words: Härnevi, metal hoard, Bronze Age, comparative mythology, folklore, sun, fertility
Reports by Magdalena Forsgren
Edited books by Magdalena Forsgren
PROJEKTGRUPPENS FÖRORD vi
DIKs FÖRORD vii
METALLHANTVERKETS MATERIALITET UNDER YNGRE BRONSÅLDER OCH ÄLDRE JÄRNÅLDER
Anna Sörman 1
EXPERIMENTELL ARKEOLOGI, ETT EXEMPEL OCH LITE METODIK
Paul Eklöv Pettersson 11
HANTVERK, DEPONERING OCH BEBYGGELSE. FÖRHISTORISKA VERKSAMHETER VID HÄLLRISTNINGAR I VÄSTSVERIGE
Karolina Kegel 23
TRÄLENS (O)FRIA VILJA
Sofia Winge 33
HVALREKI. THE WHALE WHETSTONE FROM BÆR AND VARIABLES CONCERNING STYLE AND DECORATION
Ármann Guðmundsson 45
DEN TIDIGMEDELTIDA BARNDOMENS SOCIALA ÅLDERSKLASSER OCH GENUS GENOM EXEMPLET LÖDDEKÖPING
Stella Macheridis 53
MEDELTIDSARKEOLOGI 1983-2009. EN STUDIE AV FÖRMEDLING OCH REPRESENTATIVITET
Erik Johansson 63
Debate articles by Magdalena Forsgren
Research papers for tentamina by Magdalena Forsgren
This master's thesis studies ideas in Swedish parliamentary discourses to understand ideological variation in cultural politics. The right-wing and left-wing blocs share opinions about culture in society, and, instead, their primary area of conflict is the economy. Both blocs argue for an arm's length principle in cultural politics, but consensual dialogues still enable governance towards a norm-critical and multicultural society. They portray themselves as good democrats by contrasting themselves with nationalist right-wing populists who allegedly threaten this order. The Sweden Democrats, as opposed to the other blocs, advocate a society where social trust and democracy emanate from cultural affinity, while the economy is less important.
The lack of meaningful ideological variation beyond the economy between the traditional blocs makes the Sweden Democrats the only option for democratic accountability in cultural politics. Parliamentary democracy, then, is ironically upheld by the Sweden Democrats' alternative cultural politics, while the other parties' cordon sanitaire limits the will of the people by their promotion of the arm's length principle in order to maintain the current political order.
Keywords
Cultural politics, ideological variation, democracy’s problem, arm’s lengths principle, deconstruction
This essay deconstructs the government's bill Kulturarvspolitik to illuminate the discourse manifested in it and interpret it in light of theories by Francis Fukuyama and Chantal Mouffe. Based on reconstructed narratives centered on three nodal points – nation-state, democracy and sustainable development – it is demonstrated how taken for granted statements form part of a meaning system.
The conclusion is that the bill manifests a discourse that tries to realize a red-green conception of the ideal-state as non-nationalist, culturally diverse and sustainable. Setting its policy against supposedly morally degenerative and nationalist right-wing politics, and picturing an increasingly polarised society, the government invites everyone to co-creation of the cultural heritage. When promoting democracy through dialogue, cultural diversity and sustainability, they may, nevertheless, jeopardize the political order since nationalism, a cultural project that once united people despite social differences, was essential to democracy's legitimacy when the modern political order was created in the first place.
Keywords
Cultural heritage policy, political order, deconstruction, nation-state, democracy, sustainable development
Since the landscape are going to play an important role when trying to understanding the connections in which the metal hoard appears, this paper also gives me an opportunity to study other types of ancient monuments from the Bronze Age. By doing this I hope to see the geographical transformation and cultural development of Härnevi from the beginning of the Early Bronze Age to the Pre-Roman Iron Age. This could hopefully give an answer to the problem why Härnevi was a good place to deposit the metal hoard, and why it in the end was forgotten.
The place of the deposition is regarded as a natural amphitheatre were cultic performances took place. The metal hoard is interpreted as a representation of the sun’s journey across the sky, a metaphor of life itself.
Key words: metal hoard, Härnevi parish, landscape, Bronze Age religion, ancient monuments, sun, amphitheatre
This paper also gives an opportunity to investigate the possibility of analysing artefacts from the Late Bronze Age in a gender perspective, which will also provide a framework for the hoard's disparate object composition. So far gender studies of metal hoards have focused on investigating the number of female and male items in metal depositions. This is a heteronormative understanding of gender, limited to the genitals, and can be described as the social and cultural apprehension of the biological difference between men and women. Instead I want to examine the possibility to consider artefacts from the Bronze Age as belonging to persons with different social and religious identities in society, which is rather a non-normative gender.
Key words: Härnevi, metal hoard, bronze metalwork, Late Bronze Age, object biographies, gender, symbolism
Key words: metal hoard, Härnevi parish, metalwork, landscape, hoarding criteria
Erratum (2016-10-18):
Page 175, fourth paragraph, last sentence:
“In this way, a short historical overview is a valuable place to begin in tracing the modern
reluctance to use small-scale perspectives.”
Should be replaced with:
“In this way, a short historical overview is a valuable place to begin in tracing the modern
reluctance to use large-scale perspectives.”
By inspiration from the concept methodological particularism, I will discuss some problems with the contemporary ideological-political and methodological critique of large-scale studies. I will furthermore highlight narrative aspects of small-scale studies put forward in regard to Scandinavian source materials. I argue that small-scale studies, to the same degree as large-scale studies, have created a tale of Bronze Age society and cosmology which affect research results and preferred interpretations. This story is, in short, about local identities in tribal societies, with shaman rituals and life-course practices at different meeting places in the landscape. As a closing reflection, it is proposed that cosmopolitanism could be used as an alternative ideological driving force when developing integrated studies in the future.
The concept of ritual deposits (hoards) is unevenly used within archaeology. Thus, the question of the character of ritual deposits is an important issue to consider in theoretical as well as methodological terms. Artefacts in deposits are recurring phenomena for various periods and in different parts of the world, constituting an essential source material for our understanding of the past. This article aims to explore the theoretical implications of the notion of ritual deposits, and discuss methodological aspects of renewed studies of assemblages of valuable artefacts. A model is discussed of how to study the biographies of objects as symbolism in rituals, and treat compound deposits as cohesive entities. Conceivably, it was precisely the combination of certain artefacts and their expression of meaning that gave rise to collective cultural aspirations, which demonstrates that deposits were the result of complex actions and beliefs.
Key words: Härnevi, metal hoard, Bronze Age, comparative mythology, folklore, sun, fertility
PROJEKTGRUPPENS FÖRORD vi
DIKs FÖRORD vii
METALLHANTVERKETS MATERIALITET UNDER YNGRE BRONSÅLDER OCH ÄLDRE JÄRNÅLDER
Anna Sörman 1
EXPERIMENTELL ARKEOLOGI, ETT EXEMPEL OCH LITE METODIK
Paul Eklöv Pettersson 11
HANTVERK, DEPONERING OCH BEBYGGELSE. FÖRHISTORISKA VERKSAMHETER VID HÄLLRISTNINGAR I VÄSTSVERIGE
Karolina Kegel 23
TRÄLENS (O)FRIA VILJA
Sofia Winge 33
HVALREKI. THE WHALE WHETSTONE FROM BÆR AND VARIABLES CONCERNING STYLE AND DECORATION
Ármann Guðmundsson 45
DEN TIDIGMEDELTIDA BARNDOMENS SOCIALA ÅLDERSKLASSER OCH GENUS GENOM EXEMPLET LÖDDEKÖPING
Stella Macheridis 53
MEDELTIDSARKEOLOGI 1983-2009. EN STUDIE AV FÖRMEDLING OCH REPRESENTATIVITET
Erik Johansson 63