Dr Sara Manasseh is an ethnomusicologist, performer and
researcher in the musical traditions of t... more Dr Sara Manasseh is an ethnomusicologist, performer and researcher in the musical traditions of the Jews of Iraq. She is the founder director of the musical ensemble, Rivers of Babylon (London, 1999).
Sara Manasseh was born in Bombay (now Mumbai), and moved to London in 1966. Her family, originally from Baghdad, settled in Bombay during the 19th and 20th centuries.
Her publications include articles on music in religious and life-cycle events, in the Babylonian (or Iraqi) Jewish tradition, the role of Iraqi Jewish women in music performance, music in the Bene Israel Indian Jewish tradition, and with her mother, Rachel Manasseh, a historical and social account of the Baghdadian Jews of India. Her doctoral dissertation, Women in music performance: The Iraqi Jewish experience in Israel (London University, 1999), surveys the historical, social and musical life of Iraqi Jews in Iraq and Israel, noting the significant change in women’s musical participation, and the continued preference for Iraqi Jewish musical traditions at religious and life cycle events, and for Arab music – particularly of Egypt and Iraq – at social events.
Following diplomas in the piano (LRAM) and in specialist music teaching, Sara Manasseh began a teaching career in music. She was Head of Music at London Comprehensive schools for a number of years, during the 1970s and 1980s, and following a master’s degree in ethnomusicology, she was appointed Senior Lecturer in Music at Kingston University, Surrey. She has also lectured in Jewish Music at SOAS (School of Oriental and African Studies). She played trombone for a number of years in the London Vintage Jazz Orchestra and in the Astoria Jazz Band.
She is currently actively involved in research in the Baghdadian and Bene Israel Jewish traditions, and has recently co-produced two CDs of remastered vintage recordings of early twentieth century Jewish music from Baghdad (1920s) and Bombay (1930s).
Her book Shbahoth – Songs of Praise in the Babylonian Jewish Tradition: From Baghdad to Bombay and London (October 2012) is published by Ashgate: http://www.ashgate.com/isbn/9780754662990
Dr Sara Manasseh is an ethnomusicologist, performer and
researcher in the musical traditions of t... more Dr Sara Manasseh is an ethnomusicologist, performer and researcher in the musical traditions of the Jews of Iraq. She is the founder director of the musical ensemble, Rivers of Babylon (London, 1999).
Sara Manasseh was born in Bombay (now Mumbai), and moved to London in 1966. Her family, originally from Baghdad, settled in Bombay during the 19th and 20th centuries.
Her publications include articles on music in religious and life-cycle events, in the Babylonian (or Iraqi) Jewish tradition, the role of Iraqi Jewish women in music performance, music in the Bene Israel Indian Jewish tradition, and with her mother, Rachel Manasseh, a historical and social account of the Baghdadian Jews of India. Her doctoral dissertation, Women in music performance: The Iraqi Jewish experience in Israel (London University, 1999), surveys the historical, social and musical life of Iraqi Jews in Iraq and Israel, noting the significant change in women’s musical participation, and the continued preference for Iraqi Jewish musical traditions at religious and life cycle events, and for Arab music – particularly of Egypt and Iraq – at social events.
Following diplomas in the piano (LRAM) and in specialist music teaching, Sara Manasseh began a teaching career in music. She was Head of Music at London Comprehensive schools for a number of years, during the 1970s and 1980s, and following a master’s degree in ethnomusicology, she was appointed Senior Lecturer in Music at Kingston University, Surrey. She has also lectured in Jewish Music at SOAS (School of Oriental and African Studies). She played trombone for a number of years in the London Vintage Jazz Orchestra and in the Astoria Jazz Band.
She is currently actively involved in research in the Baghdadian and Bene Israel Jewish traditions, and has recently co-produced two CDs of remastered vintage recordings of early twentieth century Jewish music from Baghdad (1920s) and Bombay (1930s).
Her book Shbahoth – Songs of Praise in the Babylonian Jewish Tradition: From Baghdad to Bombay and London (October 2012) is published by Ashgate: http://www.ashgate.com/isbn/9780754662990
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researcher in the musical traditions of the Jews of Iraq.
She is the founder director of the musical ensemble, Rivers of Babylon (London, 1999).
Sara Manasseh was born in Bombay (now Mumbai), and moved to London in 1966. Her family, originally from Baghdad, settled in Bombay during the 19th and 20th centuries.
Her publications include articles on music in religious and life-cycle events, in the Babylonian (or Iraqi) Jewish tradition, the role of Iraqi Jewish women in music performance, music in the Bene Israel Indian Jewish tradition, and with her mother, Rachel Manasseh, a historical and social account of the Baghdadian Jews of India. Her doctoral dissertation, Women in music performance: The Iraqi Jewish experience in Israel (London University, 1999), surveys the historical, social and musical life of Iraqi Jews in Iraq and Israel, noting the significant change in women’s musical participation, and the continued preference for Iraqi Jewish musical traditions at religious and life cycle events, and for Arab music – particularly of Egypt and Iraq – at social events.
Following diplomas in the piano (LRAM) and in specialist music teaching, Sara Manasseh began a teaching career in music. She was Head of Music at London Comprehensive schools for a number of years, during the 1970s and 1980s, and following a master’s degree in ethnomusicology, she was appointed Senior Lecturer in Music at Kingston University, Surrey. She has also lectured in Jewish Music at SOAS (School of Oriental and African Studies). She played trombone for a number of years in the London Vintage Jazz Orchestra and in the Astoria Jazz Band.
She is currently actively involved in research in the Baghdadian and Bene Israel Jewish traditions, and has recently co-produced two CDs of remastered vintage recordings of early twentieth century Jewish music from Baghdad (1920s) and Bombay (1930s).
Her book Shbahoth – Songs of Praise in the Babylonian Jewish Tradition: From Baghdad to Bombay and London (October 2012) is published by Ashgate: http://www.ashgate.com/isbn/9780754662990
researcher in the musical traditions of the Jews of Iraq.
She is the founder director of the musical ensemble, Rivers of Babylon (London, 1999).
Sara Manasseh was born in Bombay (now Mumbai), and moved to London in 1966. Her family, originally from Baghdad, settled in Bombay during the 19th and 20th centuries.
Her publications include articles on music in religious and life-cycle events, in the Babylonian (or Iraqi) Jewish tradition, the role of Iraqi Jewish women in music performance, music in the Bene Israel Indian Jewish tradition, and with her mother, Rachel Manasseh, a historical and social account of the Baghdadian Jews of India. Her doctoral dissertation, Women in music performance: The Iraqi Jewish experience in Israel (London University, 1999), surveys the historical, social and musical life of Iraqi Jews in Iraq and Israel, noting the significant change in women’s musical participation, and the continued preference for Iraqi Jewish musical traditions at religious and life cycle events, and for Arab music – particularly of Egypt and Iraq – at social events.
Following diplomas in the piano (LRAM) and in specialist music teaching, Sara Manasseh began a teaching career in music. She was Head of Music at London Comprehensive schools for a number of years, during the 1970s and 1980s, and following a master’s degree in ethnomusicology, she was appointed Senior Lecturer in Music at Kingston University, Surrey. She has also lectured in Jewish Music at SOAS (School of Oriental and African Studies). She played trombone for a number of years in the London Vintage Jazz Orchestra and in the Astoria Jazz Band.
She is currently actively involved in research in the Baghdadian and Bene Israel Jewish traditions, and has recently co-produced two CDs of remastered vintage recordings of early twentieth century Jewish music from Baghdad (1920s) and Bombay (1930s).
Her book Shbahoth – Songs of Praise in the Babylonian Jewish Tradition: From Baghdad to Bombay and London (October 2012) is published by Ashgate: http://www.ashgate.com/isbn/9780754662990