A PAISAGEM RÁDIO-MAPA E O PROJETO RADIONÔMADA, 2019
This study seeks to investigate the territories of landscape’s experience in relation with the hu... more This study seeks to investigate the territories of landscape’s experience in relation with the human being, with technique, and with geography. The research question asked was: Where does the come from the critical power of the artistic making connected to the contemporary landscape and which are the founders’ concepts? Because it is a theory and practice-based research, we choose to answer to this question to propose a new category for the landscape that we call radio-map landscape and discuss, based on the artistic experience of RADIONÔMADA Project, the paths of landscape and its update. We propose the radio-map landscape and the creation of a conceptual map that can allow us to identify the main art theories that cross radio-map landscape and that articulate its capacity of insertion in the real social, political, cultural and geographical spaces of the landscape. The first conceptual map that was necessary to structure, was the meta-stable territories of radio-map landscape. These territories are: sound landscape, relational landscape, ethnographical landscape, geographical landscape and map- landscape. In a second moment, these territories were conceptually grouped under a wider concept such as experienced landscape, that refers to the real experience of the body in the landscape and its connections of otherness with the social, technical and natural Other of landscape. Based on important theories of contemporary art, we highlight the discursive and procedural aspect of practices that result from the experience in real territories of landscape, proposing the concept nomadic and narrative landscape as an existential mark of these practices. Lastly, we suggest the concept of critical and contemporary landscape, as a coefficient of success of critical insertion of nomadic and narrative landscape in the social, technical and natural of the territories of the real. Briefly, the map of existential territories is composed of three interconnected concepts, these concepts being nomadic and narrative landscape the unifying concept, experienced landscape its experience, and critical and contemporary landscape its critical insertions in the world. The proposal is to ponder over a critical system operated by experience that helps to articulate the complexity of the landscape’s territories in visual poetics.
A PAISAGEM RÁDIO-MAPA E O PROJETO RADIONÔMADA, 2019
This study seeks to investigate the territories of landscape’s experience in relation with the hu... more This study seeks to investigate the territories of landscape’s experience in relation with the human being, with technique, and with geography. The research question asked was: Where does the come from the critical power of the artistic making connected to the contemporary landscape and which are the founders’ concepts? Because it is a theory and practice-based research, we choose to answer to this question to propose a new category for the landscape that we call radio-map landscape and discuss, based on the artistic experience of RADIONÔMADA Project, the paths of landscape and its update. We propose the radio-map landscape and the creation of a conceptual map that can allow us to identify the main art theories that cross radio-map landscape and that articulate its capacity of insertion in the real social, political, cultural and geographical spaces of the landscape. The first conceptual map that was necessary to structure, was the meta-stable territories of radio-map landscape. These territories are: sound landscape, relational landscape, ethnographical landscape, geographical landscape and map- landscape. In a second moment, these territories were conceptually grouped under a wider concept such as experienced landscape, that refers to the real experience of the body in the landscape and its connections of otherness with the social, technical and natural Other of landscape. Based on important theories of contemporary art, we highlight the discursive and procedural aspect of practices that result from the experience in real territories of landscape, proposing the concept nomadic and narrative landscape as an existential mark of these practices. Lastly, we suggest the concept of critical and contemporary landscape, as a coefficient of success of critical insertion of nomadic and narrative landscape in the social, technical and natural of the territories of the real. Briefly, the map of existential territories is composed of three interconnected concepts, these concepts being nomadic and narrative landscape the unifying concept, experienced landscape its experience, and critical and contemporary landscape its critical insertions in the world. The proposal is to ponder over a critical system operated by experience that helps to articulate the complexity of the landscape’s territories in visual poetics.
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The first conceptual map that was necessary to structure, was the meta-stable territories of radio-map landscape. These territories are: sound landscape, relational landscape, ethnographical landscape, geographical landscape and map- landscape. In a second moment, these territories were conceptually grouped under a wider concept such as experienced landscape, that refers to the real experience of the body in the landscape and its connections of otherness with the social, technical and natural Other of landscape. Based on important theories of contemporary art, we highlight the discursive and procedural aspect of practices that result from the experience in real territories of landscape, proposing the concept nomadic and narrative landscape as an existential mark of these practices. Lastly, we suggest the concept of critical and contemporary landscape, as a coefficient of success of critical insertion of nomadic and narrative landscape in the social, technical and natural of the territories of the real.
Briefly, the map of existential territories is composed of three interconnected concepts, these concepts being nomadic and narrative landscape the unifying concept, experienced landscape its experience, and critical and contemporary landscape its critical insertions in the world. The proposal is to ponder over a critical system operated by experience that helps to articulate the complexity of the landscape’s territories in visual poetics.
The first conceptual map that was necessary to structure, was the meta-stable territories of radio-map landscape. These territories are: sound landscape, relational landscape, ethnographical landscape, geographical landscape and map- landscape. In a second moment, these territories were conceptually grouped under a wider concept such as experienced landscape, that refers to the real experience of the body in the landscape and its connections of otherness with the social, technical and natural Other of landscape. Based on important theories of contemporary art, we highlight the discursive and procedural aspect of practices that result from the experience in real territories of landscape, proposing the concept nomadic and narrative landscape as an existential mark of these practices. Lastly, we suggest the concept of critical and contemporary landscape, as a coefficient of success of critical insertion of nomadic and narrative landscape in the social, technical and natural of the territories of the real.
Briefly, the map of existential territories is composed of three interconnected concepts, these concepts being nomadic and narrative landscape the unifying concept, experienced landscape its experience, and critical and contemporary landscape its critical insertions in the world. The proposal is to ponder over a critical system operated by experience that helps to articulate the complexity of the landscape’s territories in visual poetics.