Many of the mainstream scholars of the Bharata Varsha( Indus Valley) Script, especially western s... more Many of the mainstream scholars of the Bharata Varsha( Indus Valley) Script, especially western scholars, have so far failed to fully recognise the true “vedic” nature of the texts and images on IVC seals.Some of them consider the texts as logo-syllabic . For some others these are fully syllabic . These scholars try to read into the texts different languages and stories ,but miserably fail to decipher the script texts satisfactorily so that some of them consider the Vedic Harappans as “non-literate” also! However a close study of the ancient scripts from IVC,Edakkal,Egypt,Sumer,Elam,GobekliTepe, Stonehenge , Greece,Easter Islands etc. show up a striking similarity of vedic language patterns which we are going to discuss in this article. Almost all glyphs of IVC texts can be reduced to two simple “vedic” words namely “Saranga paaNi” which serve as the key to decipher the scripts of IVC,GobekliTepe,Linear A,The Phaistos disc , Easter Islands etc.
Many of the mainstream scholars of the Bharata Varsha(Indus ) Script, especially western scholars... more Many of the mainstream scholars of the Bharata Varsha(Indus ) Script, especially western scholars, have so far failed to fully recognise the true “vedic” nature of the Indus Valley Civilisation texts and images on seals.Some of them consider the texts as logo-syllabic . For some these are fully syllabic .These scholars try to read into the texts different languages and stories ,but miserably fail in their attempts to decipher the script texts satisfactorily so that some of them consider the vedic Harappans as “non-literate” also!
Almost all glyphs of IVC texts can be reduced to two simple “vedic” words namely “Saranga paaNi” or "cakra paaNi" . In the following paragraphs we will highlight this feature of the IVC Writing.Hope after going through this article, nobody will ever have a doubt about the underlying language of IVC texts and "literate" status of the Harappan Vedic People.
Through recent articles like https://www.academia.edu/106206659/Harappa_The_Steppe_Horse_And_The_... more Through recent articles like https://www.academia.edu/106206659/Harappa_The_Steppe_Horse_And_The_Mistaken_Vedic_Asva; https://www.academia.edu/106336326/Steppe_Equus_Is_Not_Vedic_Asva_Audieu_Kurgan_Steppe_Indo_European_Urheimat we have established that the vedic “asva” is not the “Domesticated Steppe Equus” and the vedic civilisation was not brought to India by the “Steppe Aryans”.Identification of the flag insignia of Srii KRshNa,Srii Raama and Kuru Vansa Chieftains in Harappan Seal Inscriptions , confirms that the IVC civilisation is vedic as described in the Vedas and epics like the Ramayana and Mahabharata. Decipherment of several IVC seal inscriptions shows the presence of vedic lexemes and morphemes like Pundarikaksha, SarangapaNi,CakrapaNi etc. in them which further confirms the vedic origin of the seals.This paper brings to light the Sanatana Dharma nature of many IVC seals,which will help for a complete decipherment of all the inscriptions of the so called “Indus Script”.
From my previous articles we have seen that the vedic “asva” is not the “domesticated steppe hor... more From my previous articles we have seen that the vedic “asva” is not the “domesticated steppe horse” and vedic civilisation was not brought to India by the “Steppe Aryans”.Identification of the flag insignia of Srii KRshNa,Srii Raama and Kuru Vansa chieftains in the Harappan Seal inscriptions confirms the IVC civilisation is vedic.Decipherment of several seals shows the presence of words like Pundarikaksha, SarangapaNi,CakrapaNi etc. in the seals which further confirms the vedic origin of the seals.This paper brings to light the Sanatana dharma nature of several seals,which will help for the complete decipherment of the so called Indus Script.
The language of Harappa was declared to be "late Vedic" Sanskrit, some 2,000 years before the lan... more The language of Harappa was declared to be "late Vedic" Sanskrit, some 2,000 years before the language itself existed. Through the decoded messages, the horseless Indus Valley Civilisation distinguishing it sharply from the culture of the Rigveda-was awash with horses, horse keepers, and even horse rustlers". Horseplay In Harappa-The FrontLine,30-September-2000-one of the most popular examples of attempts at falsification of India's Vedic Ancient History using The Steppe Horse And The Wheel as linquistic tools.
St.Stephen was the first Christian martyr.According to Church historians he was stoned to death i... more St.Stephen was the first Christian martyr.According to Church historians he was stoned to death in 34 AD for his faith in Jesus Christ.But there is a very interesting secret link between the vedic soma gravan and the stoning of stephen.This article looks into this and explains how martyrs were harbingers of Roman royal power.
The Bharata(Kalasa/IVC) inscriptions denote vedic deities,places,sacrificial rituals and dates, ... more The Bharata(Kalasa/IVC) inscriptions denote vedic deities,places,sacrificial rituals and dates, years, metrological terms etc.One of the most important features of the seals is the representation of the crown year as a god which was followed by later temple traditions of Bharata Varsha.In this paper we are looking into some IVC seals to have a deeper understanding of this principle.In fact one of the names of the vedic deity “Vish-nu , , , , (vis-hari-nara-man,nu-weapon,praise;Naranarayana>hari Narayana>narasinha-kesava-govinda-garudadhvaja-vishTarasrava , , , , , , , , , , cf.Vatsara>vastra>ushTra >vishTara , >Asvattha>Gaja >Ficus,Vishnu’s seat is Ficus leaf-Gaja prastha-aakaasa pura/aksha pura/svar pura/sarpa pura/ Ahicchatra/Ajigarta/ Ananta naaga/Adisesha-go pura/pagoda /vihaara , -Go kula-Vraja;kaala or samaya or haayana is aala/ayana/asta of ka-sun,king,time)” is vatsara(dasa-year,ten;va-dasa –ra,va-dasra,va-sarat,va-sarada;vastra-amsuka-amsu-soma-ambara-ambariisha-cloth,veda,piiTha,sky , , , , ) . Avatara( incarnation,apadaana-nu-paNa-stu-stava-praise,suta-son-sun-soma-praja-varsha-svar-sarpa-srava-karNa-karaNa-veda-deva)and adhvara(sacrifice) are rebus for vatsara(varsha-haayana-samaa-samaya-year , , , , , , ;srava-ear,patra-veda cf.karNa patra-veda karaNa-Deva Nagari-Kinnara-Gayatri , , , , ;dasa-ten,saka-year; yajna-sacrifice,samaya-time,tanaya-son,syena-falcon) itself whence we have dasa (ten,time,meat) avataras of Vishnu beginning with matsa(atmaja/vatsa/varsha/son,year;dasam-ten , , , , , , , , ;vatsanaabha,matsa bhaama) and the vedic year began in matsa/Pisces , , , , , the first month of Vasanta(madhu/soma/son/sun) Rtu(season,sura-sun,rusha-fish,Arusha-dawn,AruNa-red dawning).Matsa being ma/na/ra(king,veda,deva,agni)-asta(house,astya,asya,saya)/ ashTa(8)/ anta(end) denote kaala/samaya/sa-yama , , ,/yama , /dyu/ udaya/ ubhaya/dvaya/ dvi/ravi/viira/savana/soma/ moksha/nR/mR/srii/hari. “Samvatsara”(samraaja/somavastra/droNa/soma kalasa , , , , , , , , , ) is “Prajapati” as per the Aitareya Brahamana. Vedic sacrifices like asvamedha,samvatsara satra,gavamayana,traidhatavii( traidhatva/ tridhatuka) ishTi, putrakameshTi,sarpa satra were instituted to praise hari asva/hari abda/hari vatsa/Bharata Varsha/solar year as varsha is desa,praja and samvatsara.
This article shows the relation of Mary Magdalene of the Bible to Satyabhaama,the wife of KRshNa ... more This article shows the relation of Mary Magdalene of the Bible to Satyabhaama,the wife of KRshNa in the light of the vedic agnishToma principle as seen in the Indus Valley Civilisation seals.Vedic rituals seen in the seals also establish the Hindu religious nature of several seals.
The people of the ancient civilisations of Anatolia,IVC,Egypt,Sumer and Rome inaugurated/deified... more The people of the ancient civilisations of Anatolia,IVC,Egypt,Sumer and Rome inaugurated/deified their emperors as gods guided by the vedic Rajasuuya ritual.The deified emperors became Agni/Indra/Vishnu/Bharata/Rshabha/KRshNa/Sankara/Rama/raja(king;ra-agni, ja-son,Vishnu,man,bull)/net ra/ mit ra/ deva(god,rava-sun).Rajya(rashTra-desa-nation,Sesha-Ananta-naaka-naaga-sky,snake , , , , , , , cf.vi -sa -nu ) is the jaya(wife,saya-asa-asya-bed,hand,snake ,face) of ra(agni,king,sun).For the nara(human/nR- Daksha-Paartha- Prajapati- bhuupa- huupa , , , ) priestking ,the wife is the kingdom(desa/dasra/satra/sarat/Siita/Sesha),and the citizens(praja) are the sons , whence the nation(desa/rajya/rashTra/varsha/pura/prastha/ prasada/gopura/ akra/ durga/ harmya/kshetra) becomes the matR(mother) for the praja(citizens). For the Narayana(Vishnu/ Somapa/Gopa/ Gopaala/aga/aja/agni) divine sun ,the wife is his as/aasa/aasya/ astya/dhaana/ sabha/ saya (seat,palace) that is aga-aasa( aakaasa- aksha-ahas , , , , , , ).So the sky is the natural wife or female companion of the sun god .The queens(paTTamahishi /varsha/patni) were praised for their divine virtues.Satyabhaama the wife of KRshNa,Siita the wife of Rama and Mary Magdalene-the female companion of Jesus Christ were such deified(ravi>devi) women elevated to the rank of the sky/sun.This article shows how these divine women were named based on vedic IVC language . Dvadasis like the Govatsa,Srii Iisvara are also located which further establishes the vedic nature of the IVC language as seen in the seals.
According to the prevalent history of Bharata varsha as told by western scholars the Indus valle... more According to the prevalent history of Bharata varsha as told by western scholars the Indus valley civilisation belonged to the Dravida/Munda people and the vedic people(Aryans) reached India around 1900 BCE only . But in reality the Indus civilisation is vedic and the vedic people were in the Indus Valley at least from 6000BCE as seen from the excavations. If an unknown script can explain the known myth and known history of a nation,what more proof is required to show that the script belongs to the same people.The script of Egypt explains their myth and history.The script of Sumer,Akkad or Elam does the same.So it is natural for the Indus script to denote the myth and history of the Hindu/Sindhu / Sarasvati/ vindu/vipra/sura/ bhuusura/bhudeva/bharata/kuru/pancala/Somaka people.Hence in this article we shall try to understand a bit of Indian history through the Indus script.We shall presently see a few evidences pointing to the existence of the Aryans in the Indus Valley several millennia prior to the so called Aryan arrival in the Indus valley. In the last article we have looked into the writing of the Harappans in the early Ravi/Kot Diji phases and concluded that they are the same vedic people of the mature Harappan phase. We have also compared an inscribed Ravi sherd showing presence of the Pancalas/ Bharatas in the Indus valley before 3300BCE and a Taxila coin showing their presence in Taxila around 200 BCE confirming the continuity of the vedic civilisation in the Indus Valley from the early Harappan days.We have also seen how an indus seal portray the story of Ahalya described in later literature. In this article we are exploring the universal idea of the mount of the dead Concept In The Worship Of The Sun God -Pancala-Bharata-Somaka-Moksha-Kosala-Kurukshetra-Dharmakshetra concept-in the solar worship as was practised in the IVC and elsewhere. What are the linquistic and ritual logics employed in the practice? Religions are dependent on rituals and rituals are dependent on languages.Hinduism depends on Bharata/pitR/ deva/rava/veda/Sanskrit/Jina-kshetra/pan-caala language.Budhism depends on the Paali/vaaNi /heli language.Judaism depends on Hebrew/bruuhi language.Christianity depends on Greek/Latin Lnaguage.Islam depends on Arabic languge.All the religions of the world were dependent on words formulated by the priests of those religions as linquistics played a key role in formulating the belief and ritual tenets of their followers.All these religions and the languages owe a great deal to one religion and langage which was the religion of Gobekli Tepe and its language which is the pitR/Bharata /deva/veda language.The Bharatas of Pancala Ruled The known Ancient World By Using The Mound Of The Dead Concept In The Worship Of The Sun God.
The Harappan seals contain several linguistic symbols which have not been properly understood so ... more The Harappan seals contain several linguistic symbols which have not been properly understood so far. Several seals contain vedic metrological terms,names of vedic ornaments,metal names,names of people, places and gods etc. My perception is that only a comprehensive study of ancient vedic literature, temple legends ,vedic rites and rituals, and vedic metrology alone can decipher the script symbols satisfactorily.A brief attempt in this direction is made through my different articles. In previous articles we have confirmed the Indus script readings based on the Narayanastra shot by Asvatthama,the Kaurava commander-in-chief in the Kurukshetra war, by the name of one of the samvatsaras in the 60 year Jupiter cycle followed by the Harappans and found mentioned in the seal L051a and by the Biblical story of Christ’s raising of Lazarus four days after his death. We have identified the story of Sudasa in the Rigveda and the Traigarta and Trisiras in the Mahabharata. We have used the Hebrew lmlk seal as a rosetta stone for reading the Indus script. In the last article we have identified the Sumerian term Meluhha in the Indus script seals,which gives direct evidence of Indus-Sumer trade,confrming Bharata varsha as Meluhha. Also we have looked into the origin of the word Meluhha in Vedic IVC instead of in Sumer/Sumerian. We have identified Satyabhama-the wife of Krishna in the Indus seals and confirmed Meluhha as Bharata Varsha based on Shu-Ilishu’s seal and Harappan seals. In this article we are looking into the special meanings of the animal motifs in the Indus script.
The Harappan seals contain several linguistic symbols which have not been properly understood so ... more The Harappan seals contain several linguistic symbols which have not been properly understood so far.Through my works especially- Indus script decipherment breakthrough, PaNameTa-the troy tower weight and measure system of Harappa, The Harappan Symbol Of Man+ Trident And Its Relation To Kausika Visvamitra And The Kalinga Malla MeTas( Tower Weights), The Harappan Unicorn And The Kalinga Malla MeTas(Tower Weights) , The Harappan Symbol Of Intersecting Circles And Its Relation To Kausika Visvamitra And The Kalinga Malla MeTas( Tower weights), The Harappan Contest Motif Of Nude Man With Six Locks Of Hair Fighting Two Tigers And Its Relation To The Kalinga Malla MeTas( Tower Weights), The Harappan symbols of Roots, Nuts And Cocks And Their Relation To Kausika Visvamitra And The Kalinga Malla MeTas( Tower weights), Identification Of KaNva In The Indus Script, Identification Of Troy In The Indus script,Identification Of Barley And Mustard In The Indus Script, Krishna’s Mathura And Dvaraka In The Indus Script, The Pinna In The Indus Script, The Identity Of Vedic Sarasvati And The Location Of Krishna’s Dvaraka, Identification Of Vedic Bharadvaja In The Indus Script, Krishna’s Dvaraka In The Indus Script, One Symbol Of Indus Script Can Tell A Lot About The Indus Valley Civilisation, The Identity Of Kasyapa In The Indus Valley And Sumeria, Kusa -The Son Of Rama-In Mesopotamia(Sumer),Indus -Sumer Trade, A Few “Copper” Names In The Indus Script, Janaka-King Of Mithila-In The Indus Script,The Vedic Asvins, Yama And Kartikeya In The Indus Script, The Goddess Sarasvati And The Origin Of Brahmi And Kharoshthi, The Origin Of The Roman Aes Grave From The Indus Valley Money, A Solution To The Mystery Of The Gundestrup Cauldron, The Eternal Soma Of The Vedas, Vedic Roots Of Ancient Egyptian Religion, A Veiled Visvamitra Soma Sacrifice In The New Testament , The Script Of Indus Valley Civilisation-1:The Script Of Indus Valley Civilisation-2, The Punny Plough,The Bearded Kings Of The Ancient, Bharata -The Language Of The Indus Valley Civilisation, The Script Of Indus Valley Civilisation -3,The Script Of Indus Valley Civilisation-4,Harappan Vedic Sacrificial Feasts In Mesopotamian Art And In The Bible,The Script of Indus valley Civilisation-6 :A Vrishni Silver Coin And Its Harappan Source,The Script of Indus valley Civilisation-7: The Conversion Of Makha(Sacrifice) To Tanka(Mint) In The Indus Script,Script Of Indus Valley Civilisation-8:Vedic Root Of Gudea’s Akshayapatra,Three Men In A Boat Seal Evidence Of Indus –Dilmun Trade,The Script Of Indus Valley Civilisation-9: The Goodluck Symbols Of The Indus Script, The script of Indus valley civilisation-10:Identification Of The True Vedic Soma From Harappan Seals Confirms The Indus Valley Civilisation As Vedic, The Script Of Indus Valley Civilisation-11: Daksha (Soma) Yaaga-The Vedic Eucharist -In The Indus Script , The Script Of Indus Valley Civilisation-12: Dāśarājñá And Dasaratha In The Indus Script, The Script Of Indus Valley Civilisation-13:The Silver Palm Seals Are Rosetta Stones Of The Indus Script , Vedic And Sumerian Linguistic Evidences For The Language Of Harappa, The Script Of Indus Valley Civilisation-14:The Difference Of Meluhha And Mlecca, The Script Of Indus Valley Civilisation-15:The Shift Of The Capital Of The Vrishnis From Mathura( Kalibangan) To Dvaraka( Mohenjodaro), 6000 Year Old Mehrgarh Wheel Amulet Employs Vedic Script, The Script Of Indus Valley Civilisation-16:Vedic Sarasvati-Ganga Civilisation, The Identity Of The RigVedic Rivers, Mohenjo-daro-The City Of Krishna , Gods fighting Dragons,The Script Of Indus Valley Civilisation-17:A Harappan Seal With A Majestic Bull,The Sindhu Is The Vedic Sarasvati ,Suvarna Is Not The Vedic Soma,Govinda Garudadhvaja Vishtarasrava-The Supreme God Of The Harappans, The Continuity Of Vedic Bharata Varsha Civilisation From Harappa To The Present , The Etymology of Irinjalakuda A Rosetta Stone For The Indus Script, The Identification Of The Royal Throne In The Indus Script, The Identification Of The Royal Throne Of Lord Krishna In The Indus Script -
I have shown that several seals contain vedic metrological terms,names of vedic ornaments,names of people, places and gods etc. My perception is that only a comprehensive study of ancient vedic literature, temple legends ,vedic rites and rituals, along with vedic metrology alone can decipher the script symbols satisfactorily.A brief attempt in this direction is made here .A significant find herein is the existence of the Kalinga malla mana system during Harappan times challenging the common perception of its origin from the later Kalinga kingdom(Orissa).The unicorn is identified as the pala/nishka/soma/agni.Signs of intersecting circles, fish , crab,bud,tower etc. also indicate pala.The six locks of hair indicate the paNameTa weight of six barley grains.Roots and nuts indicate viira bhadra/ Drupada/ varaha/pala.We have located Lord Krishna’s Mathura and Dvaraka in the Indus valley scripts. We have confirmed Mohenjodaro as the first Dvaraka on the basis of the inscription on the copperplate B7C2 from there and textual evidences from the Rgveda, Mahabharata etc.We have located PadmakuuTa,one of the palaces of Krishna there.Also we have identified the Sindhu(Indus) as the Vedic Sarasvati river.We have gone through the symbols identifying the Bharadvajas,the clan of composers of the earliest vedic texts.In Krishna’s Dvaraka we gathered more details from the script on Lord Krishna’s Dvaraka and Sindhu/Sarasvati. We have looked into the indications of the Harappan jar symbol with three forks on each edge.We have located the Kasyapas in Hastinapura trading with Sumeria.We have decoded the Mari Standard,went deeper into the meanings of several Sumerian images and confirmed Meluhha as Vedic Harappa/Indus valley. We have located Janaka,the king of Mithila,father-in-law of Rama, in the Indus script.We have identified the names of copper in the Indus script and located the Asvins,Yama and Skanda in the Indus script.In A Model For Indus Script Decipherment we have identified the deity in the seal M-1181 and built a model for complete decipherment of the Indus script. We have seen how Brahmi and Kharoshthi evolved from the Indus Script and how the Indus script was in use along with Brahmi/Kharoshthi even into the first centuries CE.We have seen how the coins of the ancient world,including the Roman coins evolved from the Indus valley money. We have looked for and located a Rosetta Stone for the Indus script, in the varaha/gadyanaka coin form. We have gone into the relation of the Druids to the Indus valley civilisation and the role of their Gundestrup cauldron in the evolution of Christianity. We have explored the relation of the Anau seal to the Indus Valley Civilisation. We have gone into the relationship of the Egyptian and Harappan deities. We have looked into a beautiful story from the New Testament invoving the vedic soma sacrifice in A Veiled Visvamitra Soma Sacrifice In The New Testament. We have studied the indications of some of the Indus script symbols with particular reference to their use on ancient coins of India . We have looked into symbolism of the overflowing vase on the Sumerian statue of Gudea and through it we identified the indications of several Indus symbols including the Harischandra vaajapeya sacrifice. We have seen how the Harappan glyphs served as goodluck symbols . The identification of the right vedic soma has two important aspects:First, it ends the long quest for the mysterious soma. Second,it confirms the Indus valley civilisation as vedic ,beyond any doubt. We have studied the vedic Daksha Yaaga and its relation to the soma yaaga.Also we have located Dāśarājñá and Dasaratha in the Indus seals. We have explored the application of the palm soma seals as further rosetta stones of the Indus script . We have looked into the claim of mlecca as the language of the Indus valley civilation and concluded that Bharata,not mlecca, was the language of the Indus valley civilisation. We have gone into the shift of the vedic Yadava clans from the Ghaggar-Hakra to the Sarasvati(Sindhu) basin. We have confirmed the river Sindhu as the Rig vedic river Sarasvati and the Ghaggar/Hakra as the Yamuna. We have established that the unicorn standard of Harappan civilisation is Govinda/Vishnu the supreme god of the Harappans .We have also identified vedic genealogies in some of the Bharata varsha seals establishing the continuity of vedic civilisation from Harappan times to the present day.We have also gone into a possible link of the names of the Harappan Mathura and Mesopotamian Assur. We have identified some of the Harappan glyphs indicating kings,thrones and palaces. Whave identified some of the symbols of Lord Krishna in the Indus script. In this article we are looking into the ma(naama) symbol in the Indus script.
The Harappan seals contain several linguistic symbols which have not been properly understood so ... more The Harappan seals contain several linguistic symbols which have not been properly understood so far.Through my works especially- Indus script decipherment breakthrough, PaNameTa-the troy tower weight and measure system of Harappa, The Harappan Symbol Of Man+ Trident And Its Relation To Kausika Visvamitra And The Kalinga Malla MeTas( Tower Weights), The Harappan Unicorn And The Kalinga Malla MeTas(Tower Weights) , The Harappan Symbol Of Intersecting Circles And Its Relation To Kausika Visvamitra And The Kalinga Malla MeTas( Tower weights), The Harappan Contest Motif Of Nude Man With Six Locks Of Hair Fighting Two Tigers And Its Relation To The Kalinga Malla MeTas( Tower Weights), The Harappan symbols of Roots, Nuts And Cocks And Their Relation To Kausika Visvamitra And The Kalinga Malla MeTas( Tower weights), Identification Of KaNva In The Indus Script, Identification Of Troy In The Indus script,Identification Of Barley And Mustard In The Indus Script, Krishna’s Mathura And Dvaraka In The Indus Script, The Pinna In The Indus Script, The Identity Of Vedic Sarasvati And The Location Of Krishna’s Dvaraka, Identification Of Vedic Bharadvaja In The Indus Script, Krishna’s Dvaraka In The Indus Script, One Symbol Of Indus Script Can Tell A Lot About The Indus Valley Civilisation, The Identity Of Kasyapa In The Indus Valley And Sumeria, Kusa -The Son Of Rama-In Mesopotamia(Sumer),Indus -Sumer Trade, A Few “Copper” Names In The Indus Script, Janaka-King Of Mithila-In The Indus Script,The Vedic Asvins, Yama And Kartikeya In The Indus Script, The Goddess Sarasvati And The Origin Of Brahmi And Kharoshthi, The Origin Of The Roman Aes Grave From The Indus Valley Money, A Solution To The Mystery Of The Gundestrup Cauldron, The Eternal Soma Of The Vedas, Vedic Roots Of Ancient Egyptian Religion, A Veiled Visvamitra Soma Sacrifice In The New Testament , The Script Of Indus Valley Civilisation-1,The Script Of Indus Valley Civilisation-2, The Punny Plough,The Bearded Kings Of The Ancient, Bharata -The Language Of The Indus Valley Civilisation, The Script Of Indus Valley Civilisation -3,The Script Of Indus Valley Civilisation-4,Harappan Vedic Sacrificial Feasts In Mesopotamian Art And In The Bible,The Script of Indus valley Civilisation-6 .A Vrishni Silver Coin And Its Harappan Source,The Script of Indus valley Civilisation-7. The Conversion Of Makha(Sacrifice) To Tanka(Mint) In The Indus Script,Script Of Indus Valley Civilisation-8 .Vedic Root Of Gudea’s Akshayapatra,Three Men In A Boat Seal Evidence Of Indus –Dilmun Trade,The Script Of Indus Valley Civilisation-9 .The Goodluck Symbols Of The Indus Script-
I have shown that several seals contain vedic metrological terms,names of vedic ornaments,names of people, places and gods etc. My perception is that only a comprehensive study of ancient vedic metrology can decipher the script symbols satisfactorily. A significant find herein is the existence of the Kalinga malla mana system during Harappan times challenging the common perception of its origin from the later Kalinga kingdom(Orissa).The unicorn is identified as the pala/nishka/soma.Intersecting circles, fish , crab,bud,tower signs also indicate pala.The six locks of hair indicate the paNameTa weight of six barley grains.Roots and nuts indicate viira bhadra/ Drupada/ varaha/pala.We have located Lord Krishna’s Mathura and Dvaraka in the Indus valley scripts. We have confirmed Mohenjodaro as the first Dvaraka on the basis of the inscription on the copperplate B7C2 from there and textual evidences from the Rgveda, Mahabharata etc.We have located PadmakuuTa,one of the palaces of Krishna there.Also we have identified the Sindhu(Indus) as the Vedic Sarasvati river.We have gone through the symbols identifying the Bharadvajas,the clan of composers of the earliest vedic texts.In Krishna’s Dvaraka we gathered more details from the script on Lord Krishna’s Dvaraka and Sindhu/Sarasvati. We have looked into the indications of the Harappan jar symbol with three forks on each edge.We have located the Kasyapas in Hastinapura trading with Sumeria.We have decoded the Mari Standard,went deeper into the meanings of several Sumerian images and confirmed Meluhha as Vedic Harappa/Indus valley. We have located Janaka,the king of Mithila,father-in-law of Rama, in the Indus script.We have identified the names of copper in the Indus script and located the Asvins,Yama and Skanda in the Indus script.In A Model For Indus Script Decipherment we have identified the deity in the seal M-1181 and built a model for complete decipherment of the Indus script. We have seen how Brahmi and Kharoshthi evolved from the Indus Script and how the Indus script was in use along with Brahmi/Kharoshthi even into the first centuries CE.We have seen how the coins of the ancient world,including the Roman coins evolved from the Indus valley money. We have looked for and located a Rosetta Stone for the Indus script, in the varaha/gadyanaka coin form. We have gone into the relation of the Druids to the Indus valley civilisation and the role of their Gundestrup cauldron in the evolution of Christianity. We have explored the relation of the Anau seal to the Indus Valley Civilisation. We have gone into the relationship of the Egyptian and Harappan deities. We have looked into a beautiful story from the New Testament invoving the vedic soma sacrifice in A Veiled Visvamitra Soma Sacrifice In The New Testament. We have studied the indications of some of the Indus script symbols with particular reference to their use on ancient coins of India . We have looked into symbolism of the overflowing vase on the Sumerian statue of Gudea and through it we identified the indications of several Indus symbols including the Harischandra vaajapeya sacrifice. We have seen how the Harappan glyphs served as goodluck symbols . In this article we identify the true vedic soma from the Harappan seals and its role in the life of the Harappans. The identification of the right vedic soma has two important aspects:First, it ends the long quest for the mysterious soma. second,it confirms the Indus valley civilisation as vedic ,beyond any doubt.
Early Church Historians spare no efforts in blaming Emperor
Nero for the Great fire of Rome.Nero,... more Early Church Historians spare no efforts in blaming Emperor Nero for the Great fire of Rome.Nero,on the contrary blamed the Christians for the fire and persecuted them.Who is the real culprit? Christians or Nero?A journey into the history of first century A.D.Rome, Judea and Greece opens up many channels of information,hitherto untold by historians. We can now locate Christ,Peter,Paul,Judas,John and several Biblical and historical personalities with new identities.A study of the Book of Revelations reveals stunning facts regarding the great fire of Rome,the evolution of Christianity from the vedic culture of the Indus valley civilisation etc.
This work is the result of many years of relentless study of the Indus Valley inscriptions.We pro... more This work is the result of many years of relentless study of the Indus Valley inscriptions.We produced several works earlier and in each we were progressing step by step to this stage where we can fairly clearly understand the technique employed by the IVC scribes in producing the inscriptions.In Bharata the language of the Harappans we established the IVC language as vedic Bharata(bharata→veda→deva itself .cf deva karaNa –deva naagara-patra-writ). Through the next works we further confirmed that
1. The IVC inscriptions carry a language.
2. It is an Aryan language script.
3. It is not a Dravidian language script.
4.The language of the inscriptions is Bharata(vedic Sanskrit).
In this work with examples we show that
several of the inscriptions mostly referred to vedic trade and metrology rather than mere names.The monetary systems of modern India and the world owe a lot more than we know to the vedic IVC standards of weights and measures.
We can now say with confidence that the Indus script
is no more an enigma.The foundation to its correct reading is laid down now.With passage of time we will be able to read most the inscriptions, if not all, in this way.Like Egypt, Bhaarata(India) too has a continous history from the ancient IVC to the present.
The Kurgan- Steppe model, the Anatolian model, the Near Eastern (or Armenian) model are three le... more The Kurgan- Steppe model, the Anatolian model, the Near Eastern (or Armenian) model are three leading solutions for the Indo-European homeland. The steppe model, placing the Proto-Indo-European (PIE) homeland in the Pontic-Caspian Steppe around 4,000 BCE, is the theory supported by most scholars based on the domesticated Equus(horse) as the vedic “asva(horse)” concept. These scholars mistook the vedic “asva” as the domesticated Steppe Horse and the Horse riding Steppe Aryans as the Vedic People. Remains and artifacts ascribed to domesticated horses are limited to Late Harappan times indicating that horses may have been present at Late Harappan times, "when the Vedic people had settled in the north-west part of the subcontinent." Recent genetic studies also indicate the presence of the Steppe People in IVC in late Harappan times only. Genetic studies indicated the movement of Iranian Zagros people to IVC and their reach to Dravidian speaking South India .Hence scholars were almost convinced that the IVC civilisation was non-vedic and it was either proto Dravidian or proto Munda. Interestingly the Anatolian word order is strictly SOV like Kalasa or Tamil, in which the word order is relatively free, but the canonical pattern is SOV pointing to the Anatolian link cf. , , , , , , , , , , , whereas Indo-European shows different orders in different branches: SOV in Tocharian, Indic, Iranian, Italic, and (early) Germanic; SVO in Greek, Armenian, Albanian, and Baltic; and VSO in Celtic and perhaps (early) Slavic.Studies in comparative religions of South Asia and the Middle East have brought to light stunning similarities among their underlying beliefs and ritual practises to those of the vedic religion.The Kalasa people of Chitral in the Hindukush and the Tamils of South India worship the vedic god “Indra” at the Winter Solstice festivals.The Keralites celebrate the birth of “Lord Ayyappa or S asta cf. “ay-bha” or “i-bha” , , the Son of Siva and Vishnu” at this time and the Christians celebrate Chr ist mas to mark the birth of the “Son Of God” at this time. Genetic studies have revealed that these similarities are not accidental, but is the result of common linguistic and cultural relations of the people of these regions from very ancient times. Tamil and Sanskrit are both ancient languages of India, with a long history of mutual influence. According to linguistic experts, around 50% of Tamil vocabulary is derived from Sanskrit. On the other hand, the influence of Tamil on Sanskrit is Iimited to around 10%.How this is possible if the original settlers of Indus Valley were Dravidian speakers and they migrated to South India after the fall of IVC ? So, has scholars mistook the vedic “asva” as the Steppe Horse and the Zagros language as Dravidian ? This article brings to light startling discoveries on the Harappan language glossary. The ancient Harappan language was Vedic Bharata( Kalasa).The vedic “asva” was not the domesticated Steppe horse.Not only domesticated horse bones, even domesticated horse images ,were practically absent in Harappan seals.In this article we are presenting the “real vedic asva” which is ubiquitous in Harappan seals.This discovery helps us to understand vedic terms like “Hari Asva”, “VRshan Asva”, “Haya Griiva”, “Asvatthama”, “Asvattha” , “Asvamedha”, “Hastina Pura” etc. An Elamite Rosetta Stone evidence for this glossary is also presented. A few Harappan seals indicate observance of vedic vratas. One such vrata is the “Bhiishma Ekadasi vrata”.This article shows that The Steppe horse was never the vedic “asva” and the Harappan word for elephant was not “pilu” as proposed by some scholars. Further it explains why Duryodhana of Hastinapura had a Naaga (elephant) for his flag and was supported by DroNa, Asvatthama etc.in the Kuru Kshetra war as per the epic Mahabharata. It also explores the Pandos , Pandya,Pandala, Philistine and Canaanite people’s linguistic connections to the Vedic Harappans .Hope this work will pave way for unbiased scientific study and readings of the vedic IVC texts setting aside the Dravidian ,Munda and such other hypotheses about this civilisation and its language.Another interesting aspect of this discovery is a Siberian or later Anatolian Indo-European Urheimat setting aside the present Krugan-Steppe hypothesis.
The language of ancient Bharata Varsha(IVC) was Bharata(Kalasa).In this article we are briefly at... more The language of ancient Bharata Varsha(IVC) was Bharata(Kalasa).In this article we are briefly attempting to explore its link to the Hittite and Canaaanite languages .
Many scholars mistook the vedic “asva” as the domesticated Steppe Horse and the Horse riding Step... more Many scholars mistook the vedic “asva” as the domesticated Steppe Horse and the Horse riding Steppe Aryans as the Vedic People. Remains and artifacts ascribed to domesticated horses are limited to Late Harappan times indicating that horses may have been present at Late Harappan times, "when the Vedic people had settled in the north-west part of the subcontinent." Recent genetic studies also indicate the presence of the Steppe People in IVC in late Harappan times only. Genetic studies indicated the movement of Iranian Zagros people to IVC and their reach to Dravidian speaking South India .Hence scholars were almost convinced that the IVC civilisation was non-vedic and it was either proto Dravidian or proto Munda. However studies in comparative religions of South Asia and the Middle East have brought to light stunning similarities among their underlying beliefs and ritual practises to those of the vedic religion.The Kalasa people of Chitral in the Hindukush and the Tamils of South India worship the vedic god “Indra” at the Winter Solstice festivals.The Keralites celebrate the birth of “Lord Ayyappa, the Son of Siva and Vishnu” at this time and the Christians celebrate Christmas to mark the birth of the “Son Of God” at this time. Genetic studies have revealed that these similarities are not accidental, but is the result of common linguistic and cultural relations of the people of these regions from very ancient times. Tamil and Sanskrit are both ancient languages of India, with a long history of mutual influence. According to linguistic experts, around 50% of Tamil vocabulary is derived from Sanskrit. On the other hand, the influence of Tamil on Sanskrit is Iimited to around 10%.How this is possible if the original settlers of Indus Valley were Dravidian speakers and they migrated to South India afterthe fall of IVC ? So has scholars mistook the vedic “asva” as the Steppe Horse and the Zagros language as Dravidian? This article brings to light startling discoveries on the Harappan language glossary. The ancient Harappan language was Vedic Bharata( Kalasa).The vedic “asva” was not the domesticated Steppe horse.Not only domesticated horse bones, even domesticated horse images ,were practically absent in Harappan seals.In this article we are presenting the “real vedic asva” which is ubiquitous in Harappan seals.This discovery helps us to understand vedic terms like “Hari Asva”, “VRshan Asva”, “Haya Griiva”, “Asvatthama”, “Asvattha” , “Asvamedha”, “Hastina Pura” etc. An Elamite Rosetta Stone evidence for this glossary is also presented. A few Harappan seals indicate observance of vedic vratas. One such vrata is the “Bhiishma Ekadasi vrata”.This article shows that The Steppe horse was never the vedic “asva” and the Harappan word for elephant was not “pilu” as proposed by some scholars. Further it explains why Duryodhana of Hastinapura had a Naaga (elephant) for his flag and was supported by DroNa, Asvatthama etc.in the Kuru Kshetra war as per the epic Mahabharata. It also explores the Pandos , Pandya,Pandala, Philistine and Canaanite people’s linguistic connections to the Vedic Harappans .Hope this work will pave way for unbiased scientific study and readings of the vedic IVC texts setting aside the Dravidian ,Munda and such other hypotheses about this civilisation and its language.
Studies in comparative religions of South Asia and the Middle East have brought to light stunning... more Studies in comparative religions of South Asia and the Middle East have brought to light stunning similarities among their underlying beliefs and ritual practises to those of the vedic religion. Genetic studies have revealed that these similarities are not accidental, but is the result of common linguistic and cultural relations of the people of these regions from very ancient times. This article brings to light startling discoveries on the Harappan glossary. The ancient Harappan language was vedic Bharata( Kalasa). An Elamite Rosetta Stone evidence for this glossary is also presented. Some Harappan seals indicate observance of vedic vratas. The Steppe horse is not the vedic “asva” and the Harappan word for elephant was not “pilu” as proposed by some scholars. It shows why Duryodhana of Hastinapura had a Naaga (elephant) for his flag and was supported by DroNa, Asvatthama etc.in the Kuru Kshetra war. It also shows that the Pandos , Pandya,Pandala, Philistine and Canaanite people had linguistic connections to the Vedic Harappans .Hope this work will pave way for unbiased scientific study and readings of the vedic IVC texts setting aside the Dravidian ,Munda and such other hypotheses about this civilisation and its language.
Many of the mainstream scholars of the Bharata Varsha( Indus Valley) Script, especially western s... more Many of the mainstream scholars of the Bharata Varsha( Indus Valley) Script, especially western scholars, have so far failed to fully recognise the true “vedic” nature of the texts and images on IVC seals.Some of them consider the texts as logo-syllabic . For some others these are fully syllabic . These scholars try to read into the texts different languages and stories ,but miserably fail to decipher the script texts satisfactorily so that some of them consider the Vedic Harappans as “non-literate” also! However a close study of the ancient scripts from IVC,Edakkal,Egypt,Sumer,Elam,GobekliTepe, Stonehenge , Greece,Easter Islands etc. show up a striking similarity of vedic language patterns which we are going to discuss in this article. Almost all glyphs of IVC texts can be reduced to two simple “vedic” words namely “Saranga paaNi” which serve as the key to decipher the scripts of IVC,GobekliTepe,Linear A,The Phaistos disc , Easter Islands etc.
Many of the mainstream scholars of the Bharata Varsha(Indus ) Script, especially western scholars... more Many of the mainstream scholars of the Bharata Varsha(Indus ) Script, especially western scholars, have so far failed to fully recognise the true “vedic” nature of the Indus Valley Civilisation texts and images on seals.Some of them consider the texts as logo-syllabic . For some these are fully syllabic .These scholars try to read into the texts different languages and stories ,but miserably fail in their attempts to decipher the script texts satisfactorily so that some of them consider the vedic Harappans as “non-literate” also!
Almost all glyphs of IVC texts can be reduced to two simple “vedic” words namely “Saranga paaNi” or "cakra paaNi" . In the following paragraphs we will highlight this feature of the IVC Writing.Hope after going through this article, nobody will ever have a doubt about the underlying language of IVC texts and "literate" status of the Harappan Vedic People.
Through recent articles like https://www.academia.edu/106206659/Harappa_The_Steppe_Horse_And_The_... more Through recent articles like https://www.academia.edu/106206659/Harappa_The_Steppe_Horse_And_The_Mistaken_Vedic_Asva; https://www.academia.edu/106336326/Steppe_Equus_Is_Not_Vedic_Asva_Audieu_Kurgan_Steppe_Indo_European_Urheimat we have established that the vedic “asva” is not the “Domesticated Steppe Equus” and the vedic civilisation was not brought to India by the “Steppe Aryans”.Identification of the flag insignia of Srii KRshNa,Srii Raama and Kuru Vansa Chieftains in Harappan Seal Inscriptions , confirms that the IVC civilisation is vedic as described in the Vedas and epics like the Ramayana and Mahabharata. Decipherment of several IVC seal inscriptions shows the presence of vedic lexemes and morphemes like Pundarikaksha, SarangapaNi,CakrapaNi etc. in them which further confirms the vedic origin of the seals.This paper brings to light the Sanatana Dharma nature of many IVC seals,which will help for a complete decipherment of all the inscriptions of the so called “Indus Script”.
From my previous articles we have seen that the vedic “asva” is not the “domesticated steppe hor... more From my previous articles we have seen that the vedic “asva” is not the “domesticated steppe horse” and vedic civilisation was not brought to India by the “Steppe Aryans”.Identification of the flag insignia of Srii KRshNa,Srii Raama and Kuru Vansa chieftains in the Harappan Seal inscriptions confirms the IVC civilisation is vedic.Decipherment of several seals shows the presence of words like Pundarikaksha, SarangapaNi,CakrapaNi etc. in the seals which further confirms the vedic origin of the seals.This paper brings to light the Sanatana dharma nature of several seals,which will help for the complete decipherment of the so called Indus Script.
The language of Harappa was declared to be "late Vedic" Sanskrit, some 2,000 years before the lan... more The language of Harappa was declared to be "late Vedic" Sanskrit, some 2,000 years before the language itself existed. Through the decoded messages, the horseless Indus Valley Civilisation distinguishing it sharply from the culture of the Rigveda-was awash with horses, horse keepers, and even horse rustlers". Horseplay In Harappa-The FrontLine,30-September-2000-one of the most popular examples of attempts at falsification of India's Vedic Ancient History using The Steppe Horse And The Wheel as linquistic tools.
St.Stephen was the first Christian martyr.According to Church historians he was stoned to death i... more St.Stephen was the first Christian martyr.According to Church historians he was stoned to death in 34 AD for his faith in Jesus Christ.But there is a very interesting secret link between the vedic soma gravan and the stoning of stephen.This article looks into this and explains how martyrs were harbingers of Roman royal power.
The Bharata(Kalasa/IVC) inscriptions denote vedic deities,places,sacrificial rituals and dates, ... more The Bharata(Kalasa/IVC) inscriptions denote vedic deities,places,sacrificial rituals and dates, years, metrological terms etc.One of the most important features of the seals is the representation of the crown year as a god which was followed by later temple traditions of Bharata Varsha.In this paper we are looking into some IVC seals to have a deeper understanding of this principle.In fact one of the names of the vedic deity “Vish-nu , , , , (vis-hari-nara-man,nu-weapon,praise;Naranarayana>hari Narayana>narasinha-kesava-govinda-garudadhvaja-vishTarasrava , , , , , , , , , , cf.Vatsara>vastra>ushTra >vishTara , >Asvattha>Gaja >Ficus,Vishnu’s seat is Ficus leaf-Gaja prastha-aakaasa pura/aksha pura/svar pura/sarpa pura/ Ahicchatra/Ajigarta/ Ananta naaga/Adisesha-go pura/pagoda /vihaara , -Go kula-Vraja;kaala or samaya or haayana is aala/ayana/asta of ka-sun,king,time)” is vatsara(dasa-year,ten;va-dasa –ra,va-dasra,va-sarat,va-sarada;vastra-amsuka-amsu-soma-ambara-ambariisha-cloth,veda,piiTha,sky , , , , ) . Avatara( incarnation,apadaana-nu-paNa-stu-stava-praise,suta-son-sun-soma-praja-varsha-svar-sarpa-srava-karNa-karaNa-veda-deva)and adhvara(sacrifice) are rebus for vatsara(varsha-haayana-samaa-samaya-year , , , , , , ;srava-ear,patra-veda cf.karNa patra-veda karaNa-Deva Nagari-Kinnara-Gayatri , , , , ;dasa-ten,saka-year; yajna-sacrifice,samaya-time,tanaya-son,syena-falcon) itself whence we have dasa (ten,time,meat) avataras of Vishnu beginning with matsa(atmaja/vatsa/varsha/son,year;dasam-ten , , , , , , , , ;vatsanaabha,matsa bhaama) and the vedic year began in matsa/Pisces , , , , , the first month of Vasanta(madhu/soma/son/sun) Rtu(season,sura-sun,rusha-fish,Arusha-dawn,AruNa-red dawning).Matsa being ma/na/ra(king,veda,deva,agni)-asta(house,astya,asya,saya)/ ashTa(8)/ anta(end) denote kaala/samaya/sa-yama , , ,/yama , /dyu/ udaya/ ubhaya/dvaya/ dvi/ravi/viira/savana/soma/ moksha/nR/mR/srii/hari. “Samvatsara”(samraaja/somavastra/droNa/soma kalasa , , , , , , , , , ) is “Prajapati” as per the Aitareya Brahamana. Vedic sacrifices like asvamedha,samvatsara satra,gavamayana,traidhatavii( traidhatva/ tridhatuka) ishTi, putrakameshTi,sarpa satra were instituted to praise hari asva/hari abda/hari vatsa/Bharata Varsha/solar year as varsha is desa,praja and samvatsara.
This article shows the relation of Mary Magdalene of the Bible to Satyabhaama,the wife of KRshNa ... more This article shows the relation of Mary Magdalene of the Bible to Satyabhaama,the wife of KRshNa in the light of the vedic agnishToma principle as seen in the Indus Valley Civilisation seals.Vedic rituals seen in the seals also establish the Hindu religious nature of several seals.
The people of the ancient civilisations of Anatolia,IVC,Egypt,Sumer and Rome inaugurated/deified... more The people of the ancient civilisations of Anatolia,IVC,Egypt,Sumer and Rome inaugurated/deified their emperors as gods guided by the vedic Rajasuuya ritual.The deified emperors became Agni/Indra/Vishnu/Bharata/Rshabha/KRshNa/Sankara/Rama/raja(king;ra-agni, ja-son,Vishnu,man,bull)/net ra/ mit ra/ deva(god,rava-sun).Rajya(rashTra-desa-nation,Sesha-Ananta-naaka-naaga-sky,snake , , , , , , , cf.vi -sa -nu ) is the jaya(wife,saya-asa-asya-bed,hand,snake ,face) of ra(agni,king,sun).For the nara(human/nR- Daksha-Paartha- Prajapati- bhuupa- huupa , , , ) priestking ,the wife is the kingdom(desa/dasra/satra/sarat/Siita/Sesha),and the citizens(praja) are the sons , whence the nation(desa/rajya/rashTra/varsha/pura/prastha/ prasada/gopura/ akra/ durga/ harmya/kshetra) becomes the matR(mother) for the praja(citizens). For the Narayana(Vishnu/ Somapa/Gopa/ Gopaala/aga/aja/agni) divine sun ,the wife is his as/aasa/aasya/ astya/dhaana/ sabha/ saya (seat,palace) that is aga-aasa( aakaasa- aksha-ahas , , , , , , ).So the sky is the natural wife or female companion of the sun god .The queens(paTTamahishi /varsha/patni) were praised for their divine virtues.Satyabhaama the wife of KRshNa,Siita the wife of Rama and Mary Magdalene-the female companion of Jesus Christ were such deified(ravi>devi) women elevated to the rank of the sky/sun.This article shows how these divine women were named based on vedic IVC language . Dvadasis like the Govatsa,Srii Iisvara are also located which further establishes the vedic nature of the IVC language as seen in the seals.
According to the prevalent history of Bharata varsha as told by western scholars the Indus valle... more According to the prevalent history of Bharata varsha as told by western scholars the Indus valley civilisation belonged to the Dravida/Munda people and the vedic people(Aryans) reached India around 1900 BCE only . But in reality the Indus civilisation is vedic and the vedic people were in the Indus Valley at least from 6000BCE as seen from the excavations. If an unknown script can explain the known myth and known history of a nation,what more proof is required to show that the script belongs to the same people.The script of Egypt explains their myth and history.The script of Sumer,Akkad or Elam does the same.So it is natural for the Indus script to denote the myth and history of the Hindu/Sindhu / Sarasvati/ vindu/vipra/sura/ bhuusura/bhudeva/bharata/kuru/pancala/Somaka people.Hence in this article we shall try to understand a bit of Indian history through the Indus script.We shall presently see a few evidences pointing to the existence of the Aryans in the Indus Valley several millennia prior to the so called Aryan arrival in the Indus valley. In the last article we have looked into the writing of the Harappans in the early Ravi/Kot Diji phases and concluded that they are the same vedic people of the mature Harappan phase. We have also compared an inscribed Ravi sherd showing presence of the Pancalas/ Bharatas in the Indus valley before 3300BCE and a Taxila coin showing their presence in Taxila around 200 BCE confirming the continuity of the vedic civilisation in the Indus Valley from the early Harappan days.We have also seen how an indus seal portray the story of Ahalya described in later literature. In this article we are exploring the universal idea of the mount of the dead Concept In The Worship Of The Sun God -Pancala-Bharata-Somaka-Moksha-Kosala-Kurukshetra-Dharmakshetra concept-in the solar worship as was practised in the IVC and elsewhere. What are the linquistic and ritual logics employed in the practice? Religions are dependent on rituals and rituals are dependent on languages.Hinduism depends on Bharata/pitR/ deva/rava/veda/Sanskrit/Jina-kshetra/pan-caala language.Budhism depends on the Paali/vaaNi /heli language.Judaism depends on Hebrew/bruuhi language.Christianity depends on Greek/Latin Lnaguage.Islam depends on Arabic languge.All the religions of the world were dependent on words formulated by the priests of those religions as linquistics played a key role in formulating the belief and ritual tenets of their followers.All these religions and the languages owe a great deal to one religion and langage which was the religion of Gobekli Tepe and its language which is the pitR/Bharata /deva/veda language.The Bharatas of Pancala Ruled The known Ancient World By Using The Mound Of The Dead Concept In The Worship Of The Sun God.
The Harappan seals contain several linguistic symbols which have not been properly understood so ... more The Harappan seals contain several linguistic symbols which have not been properly understood so far. Several seals contain vedic metrological terms,names of vedic ornaments,metal names,names of people, places and gods etc. My perception is that only a comprehensive study of ancient vedic literature, temple legends ,vedic rites and rituals, and vedic metrology alone can decipher the script symbols satisfactorily.A brief attempt in this direction is made through my different articles. In previous articles we have confirmed the Indus script readings based on the Narayanastra shot by Asvatthama,the Kaurava commander-in-chief in the Kurukshetra war, by the name of one of the samvatsaras in the 60 year Jupiter cycle followed by the Harappans and found mentioned in the seal L051a and by the Biblical story of Christ’s raising of Lazarus four days after his death. We have identified the story of Sudasa in the Rigveda and the Traigarta and Trisiras in the Mahabharata. We have used the Hebrew lmlk seal as a rosetta stone for reading the Indus script. In the last article we have identified the Sumerian term Meluhha in the Indus script seals,which gives direct evidence of Indus-Sumer trade,confrming Bharata varsha as Meluhha. Also we have looked into the origin of the word Meluhha in Vedic IVC instead of in Sumer/Sumerian. We have identified Satyabhama-the wife of Krishna in the Indus seals and confirmed Meluhha as Bharata Varsha based on Shu-Ilishu’s seal and Harappan seals. In this article we are looking into the special meanings of the animal motifs in the Indus script.
The Harappan seals contain several linguistic symbols which have not been properly understood so ... more The Harappan seals contain several linguistic symbols which have not been properly understood so far.Through my works especially- Indus script decipherment breakthrough, PaNameTa-the troy tower weight and measure system of Harappa, The Harappan Symbol Of Man+ Trident And Its Relation To Kausika Visvamitra And The Kalinga Malla MeTas( Tower Weights), The Harappan Unicorn And The Kalinga Malla MeTas(Tower Weights) , The Harappan Symbol Of Intersecting Circles And Its Relation To Kausika Visvamitra And The Kalinga Malla MeTas( Tower weights), The Harappan Contest Motif Of Nude Man With Six Locks Of Hair Fighting Two Tigers And Its Relation To The Kalinga Malla MeTas( Tower Weights), The Harappan symbols of Roots, Nuts And Cocks And Their Relation To Kausika Visvamitra And The Kalinga Malla MeTas( Tower weights), Identification Of KaNva In The Indus Script, Identification Of Troy In The Indus script,Identification Of Barley And Mustard In The Indus Script, Krishna’s Mathura And Dvaraka In The Indus Script, The Pinna In The Indus Script, The Identity Of Vedic Sarasvati And The Location Of Krishna’s Dvaraka, Identification Of Vedic Bharadvaja In The Indus Script, Krishna’s Dvaraka In The Indus Script, One Symbol Of Indus Script Can Tell A Lot About The Indus Valley Civilisation, The Identity Of Kasyapa In The Indus Valley And Sumeria, Kusa -The Son Of Rama-In Mesopotamia(Sumer),Indus -Sumer Trade, A Few “Copper” Names In The Indus Script, Janaka-King Of Mithila-In The Indus Script,The Vedic Asvins, Yama And Kartikeya In The Indus Script, The Goddess Sarasvati And The Origin Of Brahmi And Kharoshthi, The Origin Of The Roman Aes Grave From The Indus Valley Money, A Solution To The Mystery Of The Gundestrup Cauldron, The Eternal Soma Of The Vedas, Vedic Roots Of Ancient Egyptian Religion, A Veiled Visvamitra Soma Sacrifice In The New Testament , The Script Of Indus Valley Civilisation-1:The Script Of Indus Valley Civilisation-2, The Punny Plough,The Bearded Kings Of The Ancient, Bharata -The Language Of The Indus Valley Civilisation, The Script Of Indus Valley Civilisation -3,The Script Of Indus Valley Civilisation-4,Harappan Vedic Sacrificial Feasts In Mesopotamian Art And In The Bible,The Script of Indus valley Civilisation-6 :A Vrishni Silver Coin And Its Harappan Source,The Script of Indus valley Civilisation-7: The Conversion Of Makha(Sacrifice) To Tanka(Mint) In The Indus Script,Script Of Indus Valley Civilisation-8:Vedic Root Of Gudea’s Akshayapatra,Three Men In A Boat Seal Evidence Of Indus –Dilmun Trade,The Script Of Indus Valley Civilisation-9: The Goodluck Symbols Of The Indus Script, The script of Indus valley civilisation-10:Identification Of The True Vedic Soma From Harappan Seals Confirms The Indus Valley Civilisation As Vedic, The Script Of Indus Valley Civilisation-11: Daksha (Soma) Yaaga-The Vedic Eucharist -In The Indus Script , The Script Of Indus Valley Civilisation-12: Dāśarājñá And Dasaratha In The Indus Script, The Script Of Indus Valley Civilisation-13:The Silver Palm Seals Are Rosetta Stones Of The Indus Script , Vedic And Sumerian Linguistic Evidences For The Language Of Harappa, The Script Of Indus Valley Civilisation-14:The Difference Of Meluhha And Mlecca, The Script Of Indus Valley Civilisation-15:The Shift Of The Capital Of The Vrishnis From Mathura( Kalibangan) To Dvaraka( Mohenjodaro), 6000 Year Old Mehrgarh Wheel Amulet Employs Vedic Script, The Script Of Indus Valley Civilisation-16:Vedic Sarasvati-Ganga Civilisation, The Identity Of The RigVedic Rivers, Mohenjo-daro-The City Of Krishna , Gods fighting Dragons,The Script Of Indus Valley Civilisation-17:A Harappan Seal With A Majestic Bull,The Sindhu Is The Vedic Sarasvati ,Suvarna Is Not The Vedic Soma,Govinda Garudadhvaja Vishtarasrava-The Supreme God Of The Harappans, The Continuity Of Vedic Bharata Varsha Civilisation From Harappa To The Present , The Etymology of Irinjalakuda A Rosetta Stone For The Indus Script, The Identification Of The Royal Throne In The Indus Script, The Identification Of The Royal Throne Of Lord Krishna In The Indus Script -
I have shown that several seals contain vedic metrological terms,names of vedic ornaments,names of people, places and gods etc. My perception is that only a comprehensive study of ancient vedic literature, temple legends ,vedic rites and rituals, along with vedic metrology alone can decipher the script symbols satisfactorily.A brief attempt in this direction is made here .A significant find herein is the existence of the Kalinga malla mana system during Harappan times challenging the common perception of its origin from the later Kalinga kingdom(Orissa).The unicorn is identified as the pala/nishka/soma/agni.Signs of intersecting circles, fish , crab,bud,tower etc. also indicate pala.The six locks of hair indicate the paNameTa weight of six barley grains.Roots and nuts indicate viira bhadra/ Drupada/ varaha/pala.We have located Lord Krishna’s Mathura and Dvaraka in the Indus valley scripts. We have confirmed Mohenjodaro as the first Dvaraka on the basis of the inscription on the copperplate B7C2 from there and textual evidences from the Rgveda, Mahabharata etc.We have located PadmakuuTa,one of the palaces of Krishna there.Also we have identified the Sindhu(Indus) as the Vedic Sarasvati river.We have gone through the symbols identifying the Bharadvajas,the clan of composers of the earliest vedic texts.In Krishna’s Dvaraka we gathered more details from the script on Lord Krishna’s Dvaraka and Sindhu/Sarasvati. We have looked into the indications of the Harappan jar symbol with three forks on each edge.We have located the Kasyapas in Hastinapura trading with Sumeria.We have decoded the Mari Standard,went deeper into the meanings of several Sumerian images and confirmed Meluhha as Vedic Harappa/Indus valley. We have located Janaka,the king of Mithila,father-in-law of Rama, in the Indus script.We have identified the names of copper in the Indus script and located the Asvins,Yama and Skanda in the Indus script.In A Model For Indus Script Decipherment we have identified the deity in the seal M-1181 and built a model for complete decipherment of the Indus script. We have seen how Brahmi and Kharoshthi evolved from the Indus Script and how the Indus script was in use along with Brahmi/Kharoshthi even into the first centuries CE.We have seen how the coins of the ancient world,including the Roman coins evolved from the Indus valley money. We have looked for and located a Rosetta Stone for the Indus script, in the varaha/gadyanaka coin form. We have gone into the relation of the Druids to the Indus valley civilisation and the role of their Gundestrup cauldron in the evolution of Christianity. We have explored the relation of the Anau seal to the Indus Valley Civilisation. We have gone into the relationship of the Egyptian and Harappan deities. We have looked into a beautiful story from the New Testament invoving the vedic soma sacrifice in A Veiled Visvamitra Soma Sacrifice In The New Testament. We have studied the indications of some of the Indus script symbols with particular reference to their use on ancient coins of India . We have looked into symbolism of the overflowing vase on the Sumerian statue of Gudea and through it we identified the indications of several Indus symbols including the Harischandra vaajapeya sacrifice. We have seen how the Harappan glyphs served as goodluck symbols . The identification of the right vedic soma has two important aspects:First, it ends the long quest for the mysterious soma. Second,it confirms the Indus valley civilisation as vedic ,beyond any doubt. We have studied the vedic Daksha Yaaga and its relation to the soma yaaga.Also we have located Dāśarājñá and Dasaratha in the Indus seals. We have explored the application of the palm soma seals as further rosetta stones of the Indus script . We have looked into the claim of mlecca as the language of the Indus valley civilation and concluded that Bharata,not mlecca, was the language of the Indus valley civilisation. We have gone into the shift of the vedic Yadava clans from the Ghaggar-Hakra to the Sarasvati(Sindhu) basin. We have confirmed the river Sindhu as the Rig vedic river Sarasvati and the Ghaggar/Hakra as the Yamuna. We have established that the unicorn standard of Harappan civilisation is Govinda/Vishnu the supreme god of the Harappans .We have also identified vedic genealogies in some of the Bharata varsha seals establishing the continuity of vedic civilisation from Harappan times to the present day.We have also gone into a possible link of the names of the Harappan Mathura and Mesopotamian Assur. We have identified some of the Harappan glyphs indicating kings,thrones and palaces. Whave identified some of the symbols of Lord Krishna in the Indus script. In this article we are looking into the ma(naama) symbol in the Indus script.
The Harappan seals contain several linguistic symbols which have not been properly understood so ... more The Harappan seals contain several linguistic symbols which have not been properly understood so far.Through my works especially- Indus script decipherment breakthrough, PaNameTa-the troy tower weight and measure system of Harappa, The Harappan Symbol Of Man+ Trident And Its Relation To Kausika Visvamitra And The Kalinga Malla MeTas( Tower Weights), The Harappan Unicorn And The Kalinga Malla MeTas(Tower Weights) , The Harappan Symbol Of Intersecting Circles And Its Relation To Kausika Visvamitra And The Kalinga Malla MeTas( Tower weights), The Harappan Contest Motif Of Nude Man With Six Locks Of Hair Fighting Two Tigers And Its Relation To The Kalinga Malla MeTas( Tower Weights), The Harappan symbols of Roots, Nuts And Cocks And Their Relation To Kausika Visvamitra And The Kalinga Malla MeTas( Tower weights), Identification Of KaNva In The Indus Script, Identification Of Troy In The Indus script,Identification Of Barley And Mustard In The Indus Script, Krishna’s Mathura And Dvaraka In The Indus Script, The Pinna In The Indus Script, The Identity Of Vedic Sarasvati And The Location Of Krishna’s Dvaraka, Identification Of Vedic Bharadvaja In The Indus Script, Krishna’s Dvaraka In The Indus Script, One Symbol Of Indus Script Can Tell A Lot About The Indus Valley Civilisation, The Identity Of Kasyapa In The Indus Valley And Sumeria, Kusa -The Son Of Rama-In Mesopotamia(Sumer),Indus -Sumer Trade, A Few “Copper” Names In The Indus Script, Janaka-King Of Mithila-In The Indus Script,The Vedic Asvins, Yama And Kartikeya In The Indus Script, The Goddess Sarasvati And The Origin Of Brahmi And Kharoshthi, The Origin Of The Roman Aes Grave From The Indus Valley Money, A Solution To The Mystery Of The Gundestrup Cauldron, The Eternal Soma Of The Vedas, Vedic Roots Of Ancient Egyptian Religion, A Veiled Visvamitra Soma Sacrifice In The New Testament , The Script Of Indus Valley Civilisation-1,The Script Of Indus Valley Civilisation-2, The Punny Plough,The Bearded Kings Of The Ancient, Bharata -The Language Of The Indus Valley Civilisation, The Script Of Indus Valley Civilisation -3,The Script Of Indus Valley Civilisation-4,Harappan Vedic Sacrificial Feasts In Mesopotamian Art And In The Bible,The Script of Indus valley Civilisation-6 .A Vrishni Silver Coin And Its Harappan Source,The Script of Indus valley Civilisation-7. The Conversion Of Makha(Sacrifice) To Tanka(Mint) In The Indus Script,Script Of Indus Valley Civilisation-8 .Vedic Root Of Gudea’s Akshayapatra,Three Men In A Boat Seal Evidence Of Indus –Dilmun Trade,The Script Of Indus Valley Civilisation-9 .The Goodluck Symbols Of The Indus Script-
I have shown that several seals contain vedic metrological terms,names of vedic ornaments,names of people, places and gods etc. My perception is that only a comprehensive study of ancient vedic metrology can decipher the script symbols satisfactorily. A significant find herein is the existence of the Kalinga malla mana system during Harappan times challenging the common perception of its origin from the later Kalinga kingdom(Orissa).The unicorn is identified as the pala/nishka/soma.Intersecting circles, fish , crab,bud,tower signs also indicate pala.The six locks of hair indicate the paNameTa weight of six barley grains.Roots and nuts indicate viira bhadra/ Drupada/ varaha/pala.We have located Lord Krishna’s Mathura and Dvaraka in the Indus valley scripts. We have confirmed Mohenjodaro as the first Dvaraka on the basis of the inscription on the copperplate B7C2 from there and textual evidences from the Rgveda, Mahabharata etc.We have located PadmakuuTa,one of the palaces of Krishna there.Also we have identified the Sindhu(Indus) as the Vedic Sarasvati river.We have gone through the symbols identifying the Bharadvajas,the clan of composers of the earliest vedic texts.In Krishna’s Dvaraka we gathered more details from the script on Lord Krishna’s Dvaraka and Sindhu/Sarasvati. We have looked into the indications of the Harappan jar symbol with three forks on each edge.We have located the Kasyapas in Hastinapura trading with Sumeria.We have decoded the Mari Standard,went deeper into the meanings of several Sumerian images and confirmed Meluhha as Vedic Harappa/Indus valley. We have located Janaka,the king of Mithila,father-in-law of Rama, in the Indus script.We have identified the names of copper in the Indus script and located the Asvins,Yama and Skanda in the Indus script.In A Model For Indus Script Decipherment we have identified the deity in the seal M-1181 and built a model for complete decipherment of the Indus script. We have seen how Brahmi and Kharoshthi evolved from the Indus Script and how the Indus script was in use along with Brahmi/Kharoshthi even into the first centuries CE.We have seen how the coins of the ancient world,including the Roman coins evolved from the Indus valley money. We have looked for and located a Rosetta Stone for the Indus script, in the varaha/gadyanaka coin form. We have gone into the relation of the Druids to the Indus valley civilisation and the role of their Gundestrup cauldron in the evolution of Christianity. We have explored the relation of the Anau seal to the Indus Valley Civilisation. We have gone into the relationship of the Egyptian and Harappan deities. We have looked into a beautiful story from the New Testament invoving the vedic soma sacrifice in A Veiled Visvamitra Soma Sacrifice In The New Testament. We have studied the indications of some of the Indus script symbols with particular reference to their use on ancient coins of India . We have looked into symbolism of the overflowing vase on the Sumerian statue of Gudea and through it we identified the indications of several Indus symbols including the Harischandra vaajapeya sacrifice. We have seen how the Harappan glyphs served as goodluck symbols . In this article we identify the true vedic soma from the Harappan seals and its role in the life of the Harappans. The identification of the right vedic soma has two important aspects:First, it ends the long quest for the mysterious soma. second,it confirms the Indus valley civilisation as vedic ,beyond any doubt.
Early Church Historians spare no efforts in blaming Emperor
Nero for the Great fire of Rome.Nero,... more Early Church Historians spare no efforts in blaming Emperor Nero for the Great fire of Rome.Nero,on the contrary blamed the Christians for the fire and persecuted them.Who is the real culprit? Christians or Nero?A journey into the history of first century A.D.Rome, Judea and Greece opens up many channels of information,hitherto untold by historians. We can now locate Christ,Peter,Paul,Judas,John and several Biblical and historical personalities with new identities.A study of the Book of Revelations reveals stunning facts regarding the great fire of Rome,the evolution of Christianity from the vedic culture of the Indus valley civilisation etc.
This work is the result of many years of relentless study of the Indus Valley inscriptions.We pro... more This work is the result of many years of relentless study of the Indus Valley inscriptions.We produced several works earlier and in each we were progressing step by step to this stage where we can fairly clearly understand the technique employed by the IVC scribes in producing the inscriptions.In Bharata the language of the Harappans we established the IVC language as vedic Bharata(bharata→veda→deva itself .cf deva karaNa –deva naagara-patra-writ). Through the next works we further confirmed that
1. The IVC inscriptions carry a language.
2. It is an Aryan language script.
3. It is not a Dravidian language script.
4.The language of the inscriptions is Bharata(vedic Sanskrit).
In this work with examples we show that
several of the inscriptions mostly referred to vedic trade and metrology rather than mere names.The monetary systems of modern India and the world owe a lot more than we know to the vedic IVC standards of weights and measures.
We can now say with confidence that the Indus script
is no more an enigma.The foundation to its correct reading is laid down now.With passage of time we will be able to read most the inscriptions, if not all, in this way.Like Egypt, Bhaarata(India) too has a continous history from the ancient IVC to the present.
The Kurgan- Steppe model, the Anatolian model, the Near Eastern (or Armenian) model are three le... more The Kurgan- Steppe model, the Anatolian model, the Near Eastern (or Armenian) model are three leading solutions for the Indo-European homeland. The steppe model, placing the Proto-Indo-European (PIE) homeland in the Pontic-Caspian Steppe around 4,000 BCE, is the theory supported by most scholars based on the domesticated Equus(horse) as the vedic “asva(horse)” concept. These scholars mistook the vedic “asva” as the domesticated Steppe Horse and the Horse riding Steppe Aryans as the Vedic People. Remains and artifacts ascribed to domesticated horses are limited to Late Harappan times indicating that horses may have been present at Late Harappan times, "when the Vedic people had settled in the north-west part of the subcontinent." Recent genetic studies also indicate the presence of the Steppe People in IVC in late Harappan times only. Genetic studies indicated the movement of Iranian Zagros people to IVC and their reach to Dravidian speaking South India .Hence scholars were almost convinced that the IVC civilisation was non-vedic and it was either proto Dravidian or proto Munda. Interestingly the Anatolian word order is strictly SOV like Kalasa or Tamil, in which the word order is relatively free, but the canonical pattern is SOV pointing to the Anatolian link cf. , , , , , , , , , , , whereas Indo-European shows different orders in different branches: SOV in Tocharian, Indic, Iranian, Italic, and (early) Germanic; SVO in Greek, Armenian, Albanian, and Baltic; and VSO in Celtic and perhaps (early) Slavic.Studies in comparative religions of South Asia and the Middle East have brought to light stunning similarities among their underlying beliefs and ritual practises to those of the vedic religion.The Kalasa people of Chitral in the Hindukush and the Tamils of South India worship the vedic god “Indra” at the Winter Solstice festivals.The Keralites celebrate the birth of “Lord Ayyappa or S asta cf. “ay-bha” or “i-bha” , , the Son of Siva and Vishnu” at this time and the Christians celebrate Chr ist mas to mark the birth of the “Son Of God” at this time. Genetic studies have revealed that these similarities are not accidental, but is the result of common linguistic and cultural relations of the people of these regions from very ancient times. Tamil and Sanskrit are both ancient languages of India, with a long history of mutual influence. According to linguistic experts, around 50% of Tamil vocabulary is derived from Sanskrit. On the other hand, the influence of Tamil on Sanskrit is Iimited to around 10%.How this is possible if the original settlers of Indus Valley were Dravidian speakers and they migrated to South India after the fall of IVC ? So, has scholars mistook the vedic “asva” as the Steppe Horse and the Zagros language as Dravidian ? This article brings to light startling discoveries on the Harappan language glossary. The ancient Harappan language was Vedic Bharata( Kalasa).The vedic “asva” was not the domesticated Steppe horse.Not only domesticated horse bones, even domesticated horse images ,were practically absent in Harappan seals.In this article we are presenting the “real vedic asva” which is ubiquitous in Harappan seals.This discovery helps us to understand vedic terms like “Hari Asva”, “VRshan Asva”, “Haya Griiva”, “Asvatthama”, “Asvattha” , “Asvamedha”, “Hastina Pura” etc. An Elamite Rosetta Stone evidence for this glossary is also presented. A few Harappan seals indicate observance of vedic vratas. One such vrata is the “Bhiishma Ekadasi vrata”.This article shows that The Steppe horse was never the vedic “asva” and the Harappan word for elephant was not “pilu” as proposed by some scholars. Further it explains why Duryodhana of Hastinapura had a Naaga (elephant) for his flag and was supported by DroNa, Asvatthama etc.in the Kuru Kshetra war as per the epic Mahabharata. It also explores the Pandos , Pandya,Pandala, Philistine and Canaanite people’s linguistic connections to the Vedic Harappans .Hope this work will pave way for unbiased scientific study and readings of the vedic IVC texts setting aside the Dravidian ,Munda and such other hypotheses about this civilisation and its language.Another interesting aspect of this discovery is a Siberian or later Anatolian Indo-European Urheimat setting aside the present Krugan-Steppe hypothesis.
The language of ancient Bharata Varsha(IVC) was Bharata(Kalasa).In this article we are briefly at... more The language of ancient Bharata Varsha(IVC) was Bharata(Kalasa).In this article we are briefly attempting to explore its link to the Hittite and Canaaanite languages .
Many scholars mistook the vedic “asva” as the domesticated Steppe Horse and the Horse riding Step... more Many scholars mistook the vedic “asva” as the domesticated Steppe Horse and the Horse riding Steppe Aryans as the Vedic People. Remains and artifacts ascribed to domesticated horses are limited to Late Harappan times indicating that horses may have been present at Late Harappan times, "when the Vedic people had settled in the north-west part of the subcontinent." Recent genetic studies also indicate the presence of the Steppe People in IVC in late Harappan times only. Genetic studies indicated the movement of Iranian Zagros people to IVC and their reach to Dravidian speaking South India .Hence scholars were almost convinced that the IVC civilisation was non-vedic and it was either proto Dravidian or proto Munda. However studies in comparative religions of South Asia and the Middle East have brought to light stunning similarities among their underlying beliefs and ritual practises to those of the vedic religion.The Kalasa people of Chitral in the Hindukush and the Tamils of South India worship the vedic god “Indra” at the Winter Solstice festivals.The Keralites celebrate the birth of “Lord Ayyappa, the Son of Siva and Vishnu” at this time and the Christians celebrate Christmas to mark the birth of the “Son Of God” at this time. Genetic studies have revealed that these similarities are not accidental, but is the result of common linguistic and cultural relations of the people of these regions from very ancient times. Tamil and Sanskrit are both ancient languages of India, with a long history of mutual influence. According to linguistic experts, around 50% of Tamil vocabulary is derived from Sanskrit. On the other hand, the influence of Tamil on Sanskrit is Iimited to around 10%.How this is possible if the original settlers of Indus Valley were Dravidian speakers and they migrated to South India afterthe fall of IVC ? So has scholars mistook the vedic “asva” as the Steppe Horse and the Zagros language as Dravidian? This article brings to light startling discoveries on the Harappan language glossary. The ancient Harappan language was Vedic Bharata( Kalasa).The vedic “asva” was not the domesticated Steppe horse.Not only domesticated horse bones, even domesticated horse images ,were practically absent in Harappan seals.In this article we are presenting the “real vedic asva” which is ubiquitous in Harappan seals.This discovery helps us to understand vedic terms like “Hari Asva”, “VRshan Asva”, “Haya Griiva”, “Asvatthama”, “Asvattha” , “Asvamedha”, “Hastina Pura” etc. An Elamite Rosetta Stone evidence for this glossary is also presented. A few Harappan seals indicate observance of vedic vratas. One such vrata is the “Bhiishma Ekadasi vrata”.This article shows that The Steppe horse was never the vedic “asva” and the Harappan word for elephant was not “pilu” as proposed by some scholars. Further it explains why Duryodhana of Hastinapura had a Naaga (elephant) for his flag and was supported by DroNa, Asvatthama etc.in the Kuru Kshetra war as per the epic Mahabharata. It also explores the Pandos , Pandya,Pandala, Philistine and Canaanite people’s linguistic connections to the Vedic Harappans .Hope this work will pave way for unbiased scientific study and readings of the vedic IVC texts setting aside the Dravidian ,Munda and such other hypotheses about this civilisation and its language.
Studies in comparative religions of South Asia and the Middle East have brought to light stunning... more Studies in comparative religions of South Asia and the Middle East have brought to light stunning similarities among their underlying beliefs and ritual practises to those of the vedic religion. Genetic studies have revealed that these similarities are not accidental, but is the result of common linguistic and cultural relations of the people of these regions from very ancient times. This article brings to light startling discoveries on the Harappan glossary. The ancient Harappan language was vedic Bharata( Kalasa). An Elamite Rosetta Stone evidence for this glossary is also presented. Some Harappan seals indicate observance of vedic vratas. The Steppe horse is not the vedic “asva” and the Harappan word for elephant was not “pilu” as proposed by some scholars. It shows why Duryodhana of Hastinapura had a Naaga (elephant) for his flag and was supported by DroNa, Asvatthama etc.in the Kuru Kshetra war. It also shows that the Pandos , Pandya,Pandala, Philistine and Canaanite people had linguistic connections to the Vedic Harappans .Hope this work will pave way for unbiased scientific study and readings of the vedic IVC texts setting aside the Dravidian ,Munda and such other hypotheses about this civilisation and its language.
The AGLR Links Of The World’s Ancient Civilisations Of South Asia,Middle East And Europe Reve... more The AGLR Links Of The World’s Ancient Civilisations Of South Asia,Middle East And Europe Reveal That Their Fathers (Pa/Bha/Bharata/PitR/Ivrit/Brit/ Pater/ Peter /Vishnu/Sun/King) Were The Bh-aTTa(Bharad-vaaja/ DroNa/Brah-mana/ pra-bhu/Pharaoh) Natufians . Why the Mideast and India and are the cradle of human civilisation and the home of multiple religions like Hinduism,Buddhism, Jainism, Zoroastrianism, Judaism,Christianity,Islam or Indian,Egyptian , Sumerian,Akkadian,Hatti, Mitanni,Babylonian ,Canaanite, or Anatolian religions? There are two reasons-the first is the location of these regions close to Africa,the original home of modern man.The second is the presence of a driving people behind these cultures who ruled the world by giving religious laws(dharma sanhita/ yajna/aajna/ niyama/yama laws like Manu,Hammu,Mosa etc.cf.halakha/Tora/Talmud has the svar/vrata/varsha/saakha/kala/kaala/kalasa/taala/patra sounds in them.A family(Bharad-vaja) of Mideast understood that the spell of go(word,heaven,bull,wealth,power;word magic keeping live the moha of people for go and moksha by homa by means of go-karaNa/patra vaaca/veda/Go-spel) will give him immense power over his neighbours and other people(go-bharaNa;purusha as vRsha is go) and he can control them and order them to do thins the way he wanted,as their go-d(go-ra/su-ra/jina/deva/veda). Veda is go/svar/vrata/srava/sru/sruti/ karNa/bharaNa/varsha/place/ palace/time.Svar(kha/uktha/uksha/ kusa/suka/sura/soma/veda/go/karaNa/ karNa/naaga/gaana/saama cf.makha/mukha is go-karaNa ( sarpa being srava without separate eye and ear is gokarNa as seen ) .Go is uksha/usha/kusa,karNa/ karaNa/kara-Na is naaga/soma/svar/naga; go is na/Na also) was seen by the Rshis/Citraguptas and heard by the disciples/family member priests at different places and time(especially on mounts-go-adri-Atri or in rivers-go-vaaha-vaak-va) . Go is rava/pada/abda made into paada , (veda/deva/rava/ advara/catura/ catvara/ catvaala/SatvaTa/sthavira/stauros.VaTa is pada/go/bo).It has different saakhas(being saka/kesa-temples/schools/sarva kalaasaalas/sarasvati kshetras/guru kshetras/Kuru kshetras/priestly houses . cf. kulin- , - saka, varsha, vRshNi(rava-jina>varsha-Na/ma>draviNa>sravaNa> sroNa> DroNa> Bharadwaja. Bharadwaja has the Egyptian was-bull’s phallus/ vRshNa.Note the large phallus of .SatvaTa clan denote catvara> catavaala> dasaraaja>sthavira>stauros etc.), sakala, saakala, asvalaayana, saunaka, sakra,cakra, akshara, Vishnu, hali,halaayudha, Balabhadra> prabhaata> viirabhadra kulin, agrahaayana/ agraayaNi,gotra,muhuurta, bharadvaaja/patra vaaca/patra(pa-rasa>bharata>varsha>ka-rasa> kalasa/ sakra/katha/kaatyaayana/karsha >kaayastha> kaayaagni>kshiira>garta>garuda )/ karaNa(kara-Na)/kalpana-royal edict/karsana/grantha > cf.eTu-plate,book,writer. Akshara(letter)>aksha(Garuda,5,eye,wheel, snake,die) -ra(agni) is Bharad(patra,palm leaf,wing)-vaaja(arrow,wing,sound,sacrifice,water;vaaca-speech.cf.vaak sara-arrow of words.A stylus point/arrow is used to write on palm leaves.Vaaji is asva with wings,bird,arrow,Indra,BRhaspati etc.Hence Garuda/unicorn denote the Jupiter cycle and vedic sutra/sruti/kRti/royal edicts)....
The AGLR Links Of The World’s Ancient Civilisations Of South Asia,Middle East And Europe Reve... more The AGLR Links Of The World’s Ancient Civilisations Of South Asia,Middle East And Europe Reveal That Their Fathers (Pa/Bha/Bharata/PitR/Ivrit/Brit/ Pater/ Peter /Vishnu/Sun/King) Were The Bh-aTTa(Bharad-vaaja/ DroNa/Brah-mana/ pra-bhu/Pharaoh) Natufians . Why the Mideast and India and are the cradle of human civilisation and the home of multiple religions like Hinduism,Buddhism, Jainism, Zoroastrianism, Judaism,Christianity,Islam or Indian,Egyptian , Sumerian,Akkadian,Hatti, Mitanni,Babylonian ,Canaanite, or Anatolian religions? There are two reasons-the first is the location of these regions close to Africa,the original home of modern man.The second is the presence of a driving people behind these cultures who ruled the world by giving religious laws(dharma sanhita/ yajna/aajna/ niyama/yama laws like Manu,Hammu,Mosa etc.cf.halakha/Tora/Talmud has the svar/vrata/varsha/saakha/kala/kaala/kalasa/taala/patra sounds in them.A family(Bharad-vaja) of Mideast understood that the spell of go(word,heaven,bull,wealth,power;word magic keeping live the moha of people for go and moksha by homa by means of go-karaNa/patra vaaca/veda/Go-spel) will give him immense power over his neighbours and other people(go-bharaNa;purusha as vRsha is go) and he can control them and order them to do thins the way he wanted,as their go-d(go-ra/su-ra/jina/deva/veda). Veda is go/svar/vrata/srava/sru/sruti/ karNa/bharaNa/varsha/place/ palace/time.Svar(kha/uktha/uksha/ kusa/suka/sura/soma/veda/go/karaNa/ karNa/naaga/gaana/saama cf.makha/mukha is go-karaNa ( sarpa being srava without separate eye and ear is gokarNa as seen ) .Go is uksha/usha/kusa,karNa/ karaNa/kara-Na is naaga/soma/svar/naga; go is na/Na also) was seen by the Rshis/Citraguptas and heard by the disciples/family member priests at different places and time(especially on mounts-go-adri-Atri or in rivers-go-vaaha-vaak-va) . Go is rava/pada/abda made into paada , (veda/deva/rava/ advara/catura/ catvara/ catvaala/SatvaTa/sthavira/stauros.VaTa is pada/go/bo).It has different saakhas(being saka/kesa-temples/schools/sarva kalaasaalas/sarasvati kshetras/guru kshetras/Kuru kshetras/priestly houses . cf. kulin- , - saka, varsha, vRshNi(rava-jina>varsha-Na/ma>draviNa>sravaNa> sroNa> DroNa> Bharadwaja. Bharadwaja has the Egyptian was-bull’s phallus/ vRshNa.Note the large phallus of .SatvaTa clan denote catvara> catavaala> dasaraaja>sthavira>stauros etc.), sakala, saakala, asvalaayana, saunaka, sakra,cakra, akshara, Vishnu, hali,halaayudha, Balabhadra> prabhaata> viirabhadra kulin, agrahaayana/ agraayaNi,gotra,muhuurta, bharadvaaja/patra vaaca/patra(pa-rasa>bharata>varsha>ka-rasa> kalasa/ sakra/katha/kaatyaayana/karsha >kaayastha> kaayaagni>kshiira>garta>garuda )/ karaNa(kara-Na)/kalpana-royal edict/karsana/grantha > cf.eTu-plate,book,writer. Akshara(letter)>aksha(Garuda,5,eye,wheel, snake,die) -ra(agni) is Bharad(patra,palm leaf,wing)-vaaja(arrow,wing,sound,sacrifice,water;vaaca-speech.cf.vaak sara-arrow of words.A stylus point/arrow is used to write on palm leaves.Vaaji is asva with wings,bird,arrow,Indra,BRhaspati etc.Hence Garuda/unicorn denote the Jupiter cycle and vedic sutra/sruti/kRti/royal edicts)....
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However a close study of the ancient scripts from IVC,Edakkal,Egypt,Sumer,Elam,GobekliTepe,
Stonehenge , Greece,Easter Islands etc. show up a striking similarity of vedic language patterns which we are going to discuss in this article.
Almost all glyphs of IVC texts can be reduced to two simple “vedic” words namely “Saranga paaNi” which serve as the key to decipher the scripts of IVC,GobekliTepe,Linear A,The Phaistos disc , Easter Islands etc.
Almost all glyphs of IVC texts can be reduced to two simple “vedic” words namely “Saranga paaNi” or "cakra paaNi" . In the following paragraphs we will highlight this feature of the IVC Writing.Hope after going through this article, nobody will ever have a doubt about the underlying language of IVC texts and "literate" status of the Harappan Vedic People.
we have established that the vedic “asva” is not the “Domesticated Steppe Equus” and the vedic civilisation was not brought to India by the “Steppe Aryans”.Identification of the flag insignia of Srii KRshNa,Srii Raama and Kuru Vansa Chieftains in Harappan Seal Inscriptions , confirms that the IVC civilisation is vedic as described in the Vedas and epics like the Ramayana and Mahabharata. Decipherment of several IVC seal inscriptions shows the presence of vedic lexemes and morphemes like Pundarikaksha, SarangapaNi,CakrapaNi etc. in them which further confirms the vedic origin of the seals.This paper brings to light the Sanatana Dharma nature of many IVC seals,which will help for a complete decipherment of all the inscriptions of the so called “Indus Script”.
Vedic sacrifices like asvamedha,samvatsara satra,gavamayana,traidhatavii( traidhatva/ tridhatuka) ishTi, putrakameshTi,sarpa satra were instituted to praise hari asva/hari abda/hari vatsa/Bharata Varsha/solar year as varsha is desa,praja and samvatsara.
Dravida/Munda people and the vedic people(Aryans) reached India around 1900 BCE only . But in reality the Indus civilisation is vedic and the vedic people were in the Indus Valley at least from 6000BCE as seen from the excavations.
If an unknown script can explain the known myth and known history of a nation,what more proof is required to show that the script belongs to the same people.The script of Egypt explains
their myth and history.The script of Sumer,Akkad or Elam does the same.So it is natural for the Indus script to denote the myth
and history of the Hindu/Sindhu / Sarasvati/ vindu/vipra/sura/ bhuusura/bhudeva/bharata/kuru/pancala/Somaka people.Hence in this article we shall try to understand a bit of Indian history through the Indus script.We shall presently see a few evidences pointing to the existence of the Aryans in the Indus Valley several millennia prior to the so called Aryan
arrival in the Indus valley.
In the last article we have looked into the writing of the Harappans in the early Ravi/Kot Diji phases and concluded that they are the same vedic people of the mature Harappan phase.
We have also compared an inscribed Ravi sherd showing presence of the Pancalas/ Bharatas in the Indus valley before 3300BCE and a Taxila coin showing their presence in Taxila around 200 BCE confirming the continuity of the vedic civilisation in the Indus Valley from the early Harappan days.We have also seen how an indus seal
portray the story of Ahalya described in later literature.
In this article we are exploring the universal idea of the mount of the dead Concept In The Worship Of The Sun God -Pancala-Bharata-Somaka-Moksha-Kosala-Kurukshetra-Dharmakshetra concept-in the solar worship as was practised in the IVC and elsewhere. What are the linquistic and ritual logics employed in the practice? Religions are dependent on rituals and rituals are dependent on languages.Hinduism depends on Bharata/pitR/ deva/rava/veda/Sanskrit/Jina-kshetra/pan-caala language.Budhism depends on the Paali/vaaNi /heli language.Judaism depends on Hebrew/bruuhi language.Christianity depends on Greek/Latin Lnaguage.Islam depends on Arabic languge.All the religions of the world were dependent on words formulated by the priests of those religions as linquistics played a key role in formulating the belief and ritual tenets of their followers.All these religions and the languages owe a great deal to one religion and langage which was the religion of Gobekli Tepe and its language which is the pitR/Bharata /deva/veda language.The Bharatas of Pancala Ruled The known Ancient World By Using The Mound Of The Dead Concept In The Worship Of The Sun God.
In previous articles we have confirmed the Indus script readings based on the Narayanastra shot by Asvatthama,the Kaurava commander-in-chief in the Kurukshetra war, by
the name of one of the samvatsaras in the 60 year Jupiter cycle followed by the Harappans and found mentioned in the seal L051a and by the Biblical story of Christ’s raising of Lazarus four days after his death.
We have identified the story of Sudasa in the Rigveda and the Traigarta and Trisiras in the Mahabharata.
We have used the Hebrew lmlk seal as a rosetta stone for reading the Indus script.
In the last article we have identified the Sumerian term Meluhha in the Indus script seals,which gives direct evidence of Indus-Sumer trade,confrming Bharata varsha as Meluhha.
Also we have looked into the origin of the word Meluhha in Vedic IVC instead of in Sumer/Sumerian.
We have identified Satyabhama-the wife of Krishna in the Indus seals and confirmed Meluhha as Bharata Varsha based on Shu-Ilishu’s seal and Harappan seals.
In this article we are looking into the special meanings of the animal motifs in the Indus script.
Man+ Trident And Its Relation To Kausika Visvamitra And The Kalinga Malla MeTas( Tower Weights), The Harappan Unicorn And The Kalinga Malla MeTas(Tower Weights) , The Harappan Symbol Of Intersecting Circles And Its Relation To Kausika Visvamitra And The Kalinga Malla MeTas( Tower weights), The Harappan Contest Motif Of Nude Man With Six Locks Of Hair Fighting Two Tigers And Its Relation To The Kalinga Malla MeTas( Tower Weights), The Harappan symbols of Roots, Nuts And Cocks And Their Relation To Kausika Visvamitra And The Kalinga Malla MeTas( Tower weights), Identification Of KaNva In The Indus Script, Identification Of Troy In The Indus script,Identification Of Barley And Mustard In The Indus Script, Krishna’s Mathura And Dvaraka In The Indus Script, The Pinna In The Indus Script, The Identity Of Vedic Sarasvati And The Location Of Krishna’s Dvaraka, Identification Of Vedic Bharadvaja In The Indus Script, Krishna’s Dvaraka In The Indus Script, One Symbol Of Indus Script Can Tell A Lot About The Indus Valley Civilisation, The Identity Of Kasyapa In The Indus Valley And Sumeria, Kusa -The Son Of Rama-In Mesopotamia(Sumer),Indus -Sumer Trade, A Few “Copper” Names In The Indus Script, Janaka-King Of Mithila-In The Indus Script,The Vedic Asvins, Yama And Kartikeya In The Indus Script, The Goddess Sarasvati And The Origin Of Brahmi And Kharoshthi, The Origin Of The Roman Aes Grave From The Indus Valley Money, A Solution To The Mystery Of The Gundestrup Cauldron, The Eternal Soma Of The Vedas, Vedic Roots Of Ancient Egyptian Religion, A Veiled Visvamitra Soma Sacrifice In The New Testament , The Script Of Indus Valley Civilisation-1:The Script Of Indus Valley Civilisation-2,
The Punny Plough,The Bearded Kings Of The Ancient,
Bharata -The Language Of The Indus Valley Civilisation,
The Script Of Indus Valley Civilisation -3,The Script Of Indus Valley Civilisation-4,Harappan Vedic Sacrificial Feasts In Mesopotamian Art And In The Bible,The Script of Indus valley Civilisation-6 :A Vrishni Silver Coin And Its Harappan Source,The Script of Indus valley Civilisation-7: The Conversion Of Makha(Sacrifice) To Tanka(Mint) In The Indus Script,Script Of Indus Valley Civilisation-8:Vedic Root Of Gudea’s Akshayapatra,Three Men In A Boat Seal Evidence Of Indus –Dilmun Trade,The Script Of Indus Valley Civilisation-9: The Goodluck Symbols Of The Indus Script, The script of Indus valley civilisation-10:Identification Of The True Vedic Soma From Harappan Seals Confirms The Indus Valley Civilisation As Vedic, The Script Of Indus Valley Civilisation-11:
Daksha (Soma) Yaaga-The Vedic Eucharist -In The Indus Script , The Script Of Indus Valley Civilisation-12:
Dāśarājñá And Dasaratha In The Indus Script, The Script Of Indus Valley Civilisation-13:The Silver Palm Seals Are Rosetta Stones Of The Indus Script , Vedic And Sumerian Linguistic Evidences For The Language Of Harappa, The Script Of Indus Valley Civilisation-14:The Difference Of Meluhha And Mlecca,
The Script Of Indus Valley Civilisation-15:The Shift Of The Capital Of The Vrishnis From Mathura( Kalibangan) To Dvaraka( Mohenjodaro), 6000 Year Old Mehrgarh Wheel
Amulet Employs Vedic Script, The Script Of Indus Valley
Civilisation-16:Vedic Sarasvati-Ganga Civilisation, The Identity Of The RigVedic Rivers, Mohenjo-daro-The City Of Krishna , Gods fighting Dragons,The Script Of Indus Valley Civilisation-17:A Harappan Seal With A Majestic Bull,The Sindhu Is The Vedic Sarasvati ,Suvarna Is Not The Vedic Soma,Govinda Garudadhvaja Vishtarasrava-The Supreme God Of The Harappans, The Continuity Of Vedic Bharata Varsha Civilisation From Harappa To The Present , The Etymology of Irinjalakuda A Rosetta Stone For The Indus Script, The Identification Of The Royal Throne In The Indus Script,
The Identification Of The Royal Throne Of Lord Krishna In The Indus Script -
I have shown that several seals contain vedic metrological terms,names of vedic ornaments,names of people, places and gods etc. My perception is that only a comprehensive study of ancient vedic literature, temple legends ,vedic rites and rituals, along with vedic metrology alone can decipher the script symbols satisfactorily.A brief attempt in this direction is made here .A significant find herein is the existence of the Kalinga malla mana system during Harappan times challenging the common perception of its origin from the later Kalinga kingdom(Orissa).The unicorn is identified as the pala/nishka/soma/agni.Signs of intersecting circles, fish , crab,bud,tower etc. also indicate pala.The six locks of hair indicate the paNameTa weight of six barley grains.Roots and nuts indicate viira bhadra/ Drupada/ varaha/pala.We have located Lord Krishna’s Mathura and Dvaraka in the Indus valley scripts.
We have confirmed Mohenjodaro as the first Dvaraka
on the basis of the inscription on the copperplate B7C2 from there and textual evidences from the Rgveda, Mahabharata etc.We have located PadmakuuTa,one of the palaces of Krishna there.Also we have identified the Sindhu(Indus) as the Vedic Sarasvati river.We have gone through the symbols identifying the Bharadvajas,the clan of composers of the earliest vedic texts.In Krishna’s Dvaraka we gathered more details from the script on Lord Krishna’s Dvaraka and Sindhu/Sarasvati. We have looked into the indications of the Harappan jar symbol with three forks on each edge.We have located the Kasyapas in Hastinapura trading with Sumeria.We have decoded the Mari Standard,went deeper into the meanings of several Sumerian images and confirmed Meluhha as Vedic Harappa/Indus valley. We have located Janaka,the king of Mithila,father-in-law of Rama, in the Indus script.We have identified the names of copper in the Indus script and located the Asvins,Yama and Skanda in the Indus script.In A Model For Indus Script Decipherment we have identified the deity in the seal M-1181 and built a model for complete decipherment of the Indus script.
We have seen how Brahmi and Kharoshthi evolved from the Indus Script and how the Indus script was in use along with Brahmi/Kharoshthi even into the first centuries CE.We have seen how the coins of the ancient world,including the Roman coins evolved from the Indus valley money.
We have looked for and located a Rosetta Stone for the Indus script, in the varaha/gadyanaka coin form.
We have gone into the relation of the Druids to the Indus valley civilisation and the role of their Gundestrup cauldron
in the evolution of Christianity.
We have explored the relation of the Anau seal to the Indus Valley Civilisation.
We have gone into the relationship of the Egyptian and Harappan deities.
We have looked into a beautiful story from the New Testament
invoving the vedic soma sacrifice in A Veiled Visvamitra Soma Sacrifice In The New Testament.
We have studied the indications of some of the Indus script symbols with particular reference to their use on ancient coins of India .
We have looked into symbolism of the overflowing vase on the Sumerian statue of Gudea and through it we identified the indications of several Indus symbols including the Harischandra vaajapeya sacrifice.
We have seen how the Harappan glyphs served as goodluck symbols .
The identification of the right vedic soma has two important
aspects:First, it ends the long quest for the mysterious soma. Second,it confirms the Indus valley civilisation as vedic ,beyond any doubt.
We have studied the vedic Daksha Yaaga and its relation to the soma yaaga.Also we have located Dāśarājñá and Dasaratha in the Indus seals.
We have explored the application of the palm soma seals as further rosetta stones of the Indus script .
We have looked into the claim of mlecca as the language of the Indus valley civilation and concluded that Bharata,not mlecca, was the language of the Indus valley civilisation.
We have gone into the shift of the vedic Yadava clans from the Ghaggar-Hakra to the Sarasvati(Sindhu) basin.
We have confirmed the river Sindhu as the Rig vedic river Sarasvati and the Ghaggar/Hakra as the Yamuna.
We have established that the unicorn standard
of Harappan civilisation is Govinda/Vishnu the supreme
god of the Harappans .We have also identified vedic
genealogies in some of the Bharata varsha seals
establishing the continuity of vedic civilisation from
Harappan times to the present day.We have also
gone into a possible link of the names of
the Harappan Mathura and Mesopotamian Assur.
We have identified some of the Harappan glyphs indicating kings,thrones and palaces.
Whave identified some of the symbols of Lord Krishna in the Indus script.
In this article we are looking into the ma(naama) symbol in the Indus script.
Man+ Trident And Its Relation To Kausika Visvamitra And The Kalinga Malla MeTas( Tower Weights), The Harappan Unicorn And The Kalinga Malla MeTas(Tower Weights) , The Harappan Symbol Of Intersecting Circles And Its Relation To Kausika Visvamitra And The Kalinga Malla MeTas( Tower weights), The Harappan Contest Motif Of Nude Man With Six Locks Of Hair Fighting Two Tigers And Its Relation To The Kalinga Malla MeTas( Tower Weights), The Harappan symbols of Roots, Nuts And Cocks And Their Relation To Kausika Visvamitra And The Kalinga Malla MeTas( Tower weights), Identification Of KaNva In The Indus Script, Identification Of Troy In The Indus script,Identification Of Barley And Mustard In The Indus Script, Krishna’s Mathura And Dvaraka In The Indus Script, The Pinna In The Indus Script, The Identity Of Vedic Sarasvati And The Location Of Krishna’s Dvaraka, Identification Of Vedic Bharadvaja In The Indus Script, Krishna’s Dvaraka In The Indus Script, One Symbol Of Indus Script Can Tell A Lot About The Indus Valley Civilisation, The Identity Of Kasyapa In The Indus Valley And Sumeria, Kusa -The Son Of Rama-In Mesopotamia(Sumer),Indus -Sumer Trade, A Few “Copper” Names In The Indus Script, Janaka-King Of Mithila-In The Indus Script,The Vedic Asvins, Yama And Kartikeya In The Indus Script, The Goddess Sarasvati And The Origin Of Brahmi And Kharoshthi, The Origin Of The Roman Aes Grave From The Indus Valley Money, A Solution To The Mystery Of The Gundestrup Cauldron, The Eternal Soma Of The Vedas, Vedic Roots Of Ancient Egyptian Religion, A Veiled Visvamitra Soma Sacrifice In The New Testament , The Script Of Indus Valley Civilisation-1,The Script Of Indus Valley Civilisation-2,
The Punny Plough,The Bearded Kings Of The Ancient,
Bharata -The Language Of The Indus Valley Civilisation,
The Script Of Indus Valley Civilisation -3,The Script Of Indus Valley Civilisation-4,Harappan Vedic Sacrificial Feasts In Mesopotamian Art And In The Bible,The Script of Indus valley Civilisation-6 .A Vrishni Silver Coin And Its Harappan Source,The Script of Indus valley Civilisation-7. The Conversion Of Makha(Sacrifice) To Tanka(Mint) In The Indus Script,Script Of Indus Valley Civilisation-8 .Vedic Root Of Gudea’s Akshayapatra,Three Men In A Boat Seal Evidence Of Indus –Dilmun Trade,The Script Of Indus Valley Civilisation-9 .The Goodluck Symbols Of The Indus Script-
I have shown that several seals contain vedic metrological terms,names of vedic ornaments,names of people, places and gods etc. My perception is that only a comprehensive study of ancient vedic metrology can decipher the script symbols satisfactorily. A significant find herein is the existence of the Kalinga malla mana system during Harappan times challenging the common perception of its origin from the later Kalinga kingdom(Orissa).The unicorn is identified as the pala/nishka/soma.Intersecting circles, fish , crab,bud,tower signs also indicate pala.The six locks of hair indicate the paNameTa weight of six barley grains.Roots and nuts indicate viira bhadra/ Drupada/ varaha/pala.We have located Lord Krishna’s Mathura and Dvaraka in the Indus valley scripts.
We have confirmed Mohenjodaro as the first Dvaraka
on the basis of the inscription on the copperplate B7C2 from there and textual evidences from the Rgveda, Mahabharata etc.We have located PadmakuuTa,one of the
palaces of Krishna there.Also we have identified the Sindhu(Indus) as the Vedic Sarasvati river.We have gone through the symbols identifying the Bharadvajas,the clan of composers of the earliest vedic texts.In Krishna’s Dvaraka we gathered more details from the script on Lord Krishna’s Dvaraka and Sindhu/Sarasvati. We have looked into the
indications of the Harappan jar symbol with three forks on each edge.We have located the Kasyapas in Hastinapura
trading with Sumeria.We have decoded the Mari Standard,went deeper into the meanings of several Sumerian images and confirmed Meluhha as Vedic Harappa/Indus valley. We have located Janaka,the king of Mithila,father-in-law of Rama, in the Indus script.We have identified the names of copper in the Indus script and located the Asvins,Yama and Skanda in the Indus script.In A Model For Indus Script Decipherment
we have identified the deity in the seal M-1181 and built a model for complete decipherment of the Indus script.
We have seen how Brahmi and Kharoshthi evolved from the Indus Script and how the Indus script was in use along with Brahmi/Kharoshthi even into the first centuries CE.We have seen how the coins of the ancient world,including the Roman coins evolved from the Indus valley money.
We have looked for and located a Rosetta Stone for the Indus script, in the varaha/gadyanaka coin form.
We have gone into the relation of the Druids to the Indus valley civilisation and the role of their Gundestrup cauldron
in the evolution of Christianity.
We have explored the relation of the Anau seal to the Indus Valley Civilisation.
We have gone into the relationship of the Egyptian and Harappan deities.
We have looked into a beautiful story from the New Testament
invoving the vedic soma sacrifice in A Veiled Visvamitra Soma Sacrifice In The New Testament.
We have studied the indications of some of the Indus script symbols with particular reference to their use on ancient coins of India .
We have looked into symbolism of the overflowing vase on the Sumerian statue of Gudea and through it we identified the indications of several Indus symbols including the Harischandra vaajapeya sacrifice.
We have seen how the Harappan glyphs served as goodluck symbols .
In this article we identify the true vedic soma from the Harappan seals and its role in the life of the Harappans.
The identification of the right vedic soma has two important
aspects:First, it ends the long quest for the mysterious soma. second,it confirms the Indus valley civilisation as vedic ,beyond any doubt.
Nero for the Great fire of Rome.Nero,on the contrary blamed the Christians for the fire and persecuted them.Who is the real
culprit? Christians or Nero?A journey into the history of first century A.D.Rome, Judea and Greece opens up many channels of information,hitherto untold by historians.
We can now locate Christ,Peter,Paul,Judas,John and several Biblical and historical personalities with new identities.A study of the Book of Revelations reveals stunning facts regarding the great fire of Rome,the evolution of Christianity from the vedic culture of the Indus valley civilisation etc.
1. The IVC inscriptions carry a language.
2. It is an Aryan language script.
3. It is not a Dravidian language script.
4.The language of the inscriptions is Bharata(vedic Sanskrit).
In this work with examples we show that
several of the inscriptions mostly referred to vedic trade and metrology rather than mere names.The monetary systems of modern India and the world owe a lot more than we know to the vedic IVC standards of weights and measures.
We can now say with confidence that the Indus script
is no more an enigma.The foundation to its correct reading is laid down now.With passage of time we will be able to read most the inscriptions, if not all, in this way.Like Egypt, Bhaarata(India) too has a continous history from the ancient IVC to the present.
These scholars mistook the vedic “asva” as the domesticated Steppe Horse and the Horse riding Steppe Aryans as the Vedic People. Remains and artifacts ascribed to domesticated horses are limited to Late Harappan times indicating that horses may have been present at Late Harappan times, "when the Vedic people had settled in the north-west part of the subcontinent." Recent genetic studies also indicate the presence of the Steppe People in IVC in
late Harappan times only. Genetic studies indicated the movement of Iranian Zagros people to IVC and their reach to Dravidian speaking South India .Hence scholars were almost convinced that the IVC civilisation was non-vedic and it was either proto Dravidian or proto Munda.
Interestingly the Anatolian word order is strictly SOV like Kalasa or Tamil, in which the word order is relatively free, but the canonical pattern is SOV pointing to the Anatolian link cf. , , , , , , , , , , , whereas Indo-European shows different orders in different branches: SOV in Tocharian, Indic, Iranian, Italic, and (early) Germanic; SVO in Greek, Armenian, Albanian, and Baltic; and VSO in Celtic and perhaps (early) Slavic.Studies in comparative religions of South Asia and the Middle East have brought to light stunning similarities among their underlying beliefs and ritual practises to those of the vedic religion.The Kalasa people of Chitral in the Hindukush and the Tamils of South India worship the vedic god “Indra” at the Winter Solstice festivals.The Keralites celebrate the birth of “Lord Ayyappa or S asta cf. “ay-bha” or “i-bha” , , the Son of Siva and Vishnu” at this time and the Christians celebrate Chr ist mas to mark the birth of the “Son Of God” at this time. Genetic studies have revealed that these similarities are not accidental, but is the result of common linguistic and cultural relations of the people of these regions from very ancient times. Tamil and Sanskrit are both ancient languages of India, with a long history of mutual influence. According to linguistic experts, around 50% of Tamil vocabulary is derived from Sanskrit. On the other hand, the influence of Tamil on Sanskrit is Iimited to around 10%.How this is possible if the original settlers of Indus Valley were Dravidian speakers and they migrated to South India after the fall of IVC ? So, has scholars mistook the vedic “asva” as the Steppe Horse and the Zagros language as Dravidian ? This article brings to light startling discoveries on the Harappan language glossary. The ancient Harappan language was Vedic Bharata( Kalasa).The vedic “asva” was not the domesticated Steppe horse.Not only domesticated horse bones, even domesticated horse images ,were practically absent in Harappan seals.In this article we are presenting the “real vedic asva” which is ubiquitous in Harappan seals.This discovery helps us to understand vedic terms like “Hari Asva”, “VRshan Asva”, “Haya Griiva”, “Asvatthama”, “Asvattha” , “Asvamedha”, “Hastina Pura” etc. An Elamite Rosetta Stone evidence for this glossary is also presented. A few Harappan seals indicate observance of vedic vratas. One such vrata is the “Bhiishma Ekadasi vrata”.This article shows that The Steppe horse was never the vedic “asva” and the Harappan word for elephant was not “pilu” as proposed by some scholars. Further it explains why Duryodhana of Hastinapura had a Naaga (elephant) for his flag and was supported by DroNa, Asvatthama etc.in the Kuru Kshetra war as per the epic Mahabharata. It also explores the Pandos , Pandya,Pandala, Philistine and Canaanite people’s linguistic connections to the Vedic Harappans .Hope this work will pave way for unbiased scientific study and readings of the vedic IVC texts setting aside the Dravidian ,Munda and such other hypotheses about this civilisation and its language.Another interesting aspect of this discovery is a Siberian or later Anatolian Indo-European Urheimat setting aside the present Krugan-Steppe
hypothesis.
late Harappan times only. Genetic studies indicated the movement of Iranian Zagros people to IVC and their reach to Dravidian speaking South India .Hence scholars were almost convinced that the IVC civilisation was non-vedic and it was either proto Dravidian or proto Munda. However studies in comparative religions of South Asia and the Middle East have brought to light stunning similarities among their underlying beliefs and ritual practises to those of the vedic religion.The Kalasa people of Chitral in the Hindukush and the Tamils of South India worship the vedic god “Indra” at the Winter Solstice festivals.The Keralites celebrate the birth of “Lord Ayyappa, the Son of Siva and Vishnu” at this time and the Christians celebrate Christmas to mark the birth of the “Son Of God” at this time. Genetic studies have revealed that these similarities are not accidental, but is the result of common linguistic and cultural relations of the people of these regions from very ancient times. Tamil and Sanskrit are both ancient languages of India, with a long history of mutual influence. According to linguistic experts, around 50% of Tamil vocabulary is derived from Sanskrit. On the other hand, the influence of Tamil on Sanskrit is Iimited to around 10%.How this is possible if the original settlers of Indus Valley were Dravidian speakers and they migrated to South India afterthe fall of IVC ? So has scholars mistook the vedic “asva” as the Steppe Horse and the Zagros language as Dravidian? This article brings to light startling discoveries on the Harappan language glossary. The ancient Harappan language was Vedic Bharata( Kalasa).The vedic “asva” was not the domesticated Steppe horse.Not only domesticated horse bones, even domesticated horse images ,were practically absent in Harappan seals.In this article we are presenting the “real vedic asva” which is ubiquitous in Harappan seals.This discovery helps us to understand vedic terms like “Hari Asva”, “VRshan Asva”, “Haya Griiva”, “Asvatthama”, “Asvattha” , “Asvamedha”, “Hastina Pura” etc. An Elamite Rosetta Stone evidence for this glossary is also presented. A few Harappan seals indicate observance of vedic vratas. One such vrata is the “Bhiishma Ekadasi vrata”.This article shows that The Steppe horse was never the vedic “asva” and the Harappan word for elephant was not “pilu” as proposed by some scholars. Further it explains why Duryodhana of Hastinapura had a Naaga (elephant) for his flag and was supported by DroNa, Asvatthama etc.in the Kuru Kshetra war as per the epic Mahabharata. It also explores the Pandos , Pandya,Pandala, Philistine and Canaanite people’s linguistic connections to the Vedic Harappans .Hope this work will pave way for unbiased scientific study and readings of the vedic IVC texts setting aside the Dravidian ,Munda and such other hypotheses about this civilisation and its language.
However a close study of the ancient scripts from IVC,Edakkal,Egypt,Sumer,Elam,GobekliTepe,
Stonehenge , Greece,Easter Islands etc. show up a striking similarity of vedic language patterns which we are going to discuss in this article.
Almost all glyphs of IVC texts can be reduced to two simple “vedic” words namely “Saranga paaNi” which serve as the key to decipher the scripts of IVC,GobekliTepe,Linear A,The Phaistos disc , Easter Islands etc.
Almost all glyphs of IVC texts can be reduced to two simple “vedic” words namely “Saranga paaNi” or "cakra paaNi" . In the following paragraphs we will highlight this feature of the IVC Writing.Hope after going through this article, nobody will ever have a doubt about the underlying language of IVC texts and "literate" status of the Harappan Vedic People.
we have established that the vedic “asva” is not the “Domesticated Steppe Equus” and the vedic civilisation was not brought to India by the “Steppe Aryans”.Identification of the flag insignia of Srii KRshNa,Srii Raama and Kuru Vansa Chieftains in Harappan Seal Inscriptions , confirms that the IVC civilisation is vedic as described in the Vedas and epics like the Ramayana and Mahabharata. Decipherment of several IVC seal inscriptions shows the presence of vedic lexemes and morphemes like Pundarikaksha, SarangapaNi,CakrapaNi etc. in them which further confirms the vedic origin of the seals.This paper brings to light the Sanatana Dharma nature of many IVC seals,which will help for a complete decipherment of all the inscriptions of the so called “Indus Script”.
Vedic sacrifices like asvamedha,samvatsara satra,gavamayana,traidhatavii( traidhatva/ tridhatuka) ishTi, putrakameshTi,sarpa satra were instituted to praise hari asva/hari abda/hari vatsa/Bharata Varsha/solar year as varsha is desa,praja and samvatsara.
Dravida/Munda people and the vedic people(Aryans) reached India around 1900 BCE only . But in reality the Indus civilisation is vedic and the vedic people were in the Indus Valley at least from 6000BCE as seen from the excavations.
If an unknown script can explain the known myth and known history of a nation,what more proof is required to show that the script belongs to the same people.The script of Egypt explains
their myth and history.The script of Sumer,Akkad or Elam does the same.So it is natural for the Indus script to denote the myth
and history of the Hindu/Sindhu / Sarasvati/ vindu/vipra/sura/ bhuusura/bhudeva/bharata/kuru/pancala/Somaka people.Hence in this article we shall try to understand a bit of Indian history through the Indus script.We shall presently see a few evidences pointing to the existence of the Aryans in the Indus Valley several millennia prior to the so called Aryan
arrival in the Indus valley.
In the last article we have looked into the writing of the Harappans in the early Ravi/Kot Diji phases and concluded that they are the same vedic people of the mature Harappan phase.
We have also compared an inscribed Ravi sherd showing presence of the Pancalas/ Bharatas in the Indus valley before 3300BCE and a Taxila coin showing their presence in Taxila around 200 BCE confirming the continuity of the vedic civilisation in the Indus Valley from the early Harappan days.We have also seen how an indus seal
portray the story of Ahalya described in later literature.
In this article we are exploring the universal idea of the mount of the dead Concept In The Worship Of The Sun God -Pancala-Bharata-Somaka-Moksha-Kosala-Kurukshetra-Dharmakshetra concept-in the solar worship as was practised in the IVC and elsewhere. What are the linquistic and ritual logics employed in the practice? Religions are dependent on rituals and rituals are dependent on languages.Hinduism depends on Bharata/pitR/ deva/rava/veda/Sanskrit/Jina-kshetra/pan-caala language.Budhism depends on the Paali/vaaNi /heli language.Judaism depends on Hebrew/bruuhi language.Christianity depends on Greek/Latin Lnaguage.Islam depends on Arabic languge.All the religions of the world were dependent on words formulated by the priests of those religions as linquistics played a key role in formulating the belief and ritual tenets of their followers.All these religions and the languages owe a great deal to one religion and langage which was the religion of Gobekli Tepe and its language which is the pitR/Bharata /deva/veda language.The Bharatas of Pancala Ruled The known Ancient World By Using The Mound Of The Dead Concept In The Worship Of The Sun God.
In previous articles we have confirmed the Indus script readings based on the Narayanastra shot by Asvatthama,the Kaurava commander-in-chief in the Kurukshetra war, by
the name of one of the samvatsaras in the 60 year Jupiter cycle followed by the Harappans and found mentioned in the seal L051a and by the Biblical story of Christ’s raising of Lazarus four days after his death.
We have identified the story of Sudasa in the Rigveda and the Traigarta and Trisiras in the Mahabharata.
We have used the Hebrew lmlk seal as a rosetta stone for reading the Indus script.
In the last article we have identified the Sumerian term Meluhha in the Indus script seals,which gives direct evidence of Indus-Sumer trade,confrming Bharata varsha as Meluhha.
Also we have looked into the origin of the word Meluhha in Vedic IVC instead of in Sumer/Sumerian.
We have identified Satyabhama-the wife of Krishna in the Indus seals and confirmed Meluhha as Bharata Varsha based on Shu-Ilishu’s seal and Harappan seals.
In this article we are looking into the special meanings of the animal motifs in the Indus script.
Man+ Trident And Its Relation To Kausika Visvamitra And The Kalinga Malla MeTas( Tower Weights), The Harappan Unicorn And The Kalinga Malla MeTas(Tower Weights) , The Harappan Symbol Of Intersecting Circles And Its Relation To Kausika Visvamitra And The Kalinga Malla MeTas( Tower weights), The Harappan Contest Motif Of Nude Man With Six Locks Of Hair Fighting Two Tigers And Its Relation To The Kalinga Malla MeTas( Tower Weights), The Harappan symbols of Roots, Nuts And Cocks And Their Relation To Kausika Visvamitra And The Kalinga Malla MeTas( Tower weights), Identification Of KaNva In The Indus Script, Identification Of Troy In The Indus script,Identification Of Barley And Mustard In The Indus Script, Krishna’s Mathura And Dvaraka In The Indus Script, The Pinna In The Indus Script, The Identity Of Vedic Sarasvati And The Location Of Krishna’s Dvaraka, Identification Of Vedic Bharadvaja In The Indus Script, Krishna’s Dvaraka In The Indus Script, One Symbol Of Indus Script Can Tell A Lot About The Indus Valley Civilisation, The Identity Of Kasyapa In The Indus Valley And Sumeria, Kusa -The Son Of Rama-In Mesopotamia(Sumer),Indus -Sumer Trade, A Few “Copper” Names In The Indus Script, Janaka-King Of Mithila-In The Indus Script,The Vedic Asvins, Yama And Kartikeya In The Indus Script, The Goddess Sarasvati And The Origin Of Brahmi And Kharoshthi, The Origin Of The Roman Aes Grave From The Indus Valley Money, A Solution To The Mystery Of The Gundestrup Cauldron, The Eternal Soma Of The Vedas, Vedic Roots Of Ancient Egyptian Religion, A Veiled Visvamitra Soma Sacrifice In The New Testament , The Script Of Indus Valley Civilisation-1:The Script Of Indus Valley Civilisation-2,
The Punny Plough,The Bearded Kings Of The Ancient,
Bharata -The Language Of The Indus Valley Civilisation,
The Script Of Indus Valley Civilisation -3,The Script Of Indus Valley Civilisation-4,Harappan Vedic Sacrificial Feasts In Mesopotamian Art And In The Bible,The Script of Indus valley Civilisation-6 :A Vrishni Silver Coin And Its Harappan Source,The Script of Indus valley Civilisation-7: The Conversion Of Makha(Sacrifice) To Tanka(Mint) In The Indus Script,Script Of Indus Valley Civilisation-8:Vedic Root Of Gudea’s Akshayapatra,Three Men In A Boat Seal Evidence Of Indus –Dilmun Trade,The Script Of Indus Valley Civilisation-9: The Goodluck Symbols Of The Indus Script, The script of Indus valley civilisation-10:Identification Of The True Vedic Soma From Harappan Seals Confirms The Indus Valley Civilisation As Vedic, The Script Of Indus Valley Civilisation-11:
Daksha (Soma) Yaaga-The Vedic Eucharist -In The Indus Script , The Script Of Indus Valley Civilisation-12:
Dāśarājñá And Dasaratha In The Indus Script, The Script Of Indus Valley Civilisation-13:The Silver Palm Seals Are Rosetta Stones Of The Indus Script , Vedic And Sumerian Linguistic Evidences For The Language Of Harappa, The Script Of Indus Valley Civilisation-14:The Difference Of Meluhha And Mlecca,
The Script Of Indus Valley Civilisation-15:The Shift Of The Capital Of The Vrishnis From Mathura( Kalibangan) To Dvaraka( Mohenjodaro), 6000 Year Old Mehrgarh Wheel
Amulet Employs Vedic Script, The Script Of Indus Valley
Civilisation-16:Vedic Sarasvati-Ganga Civilisation, The Identity Of The RigVedic Rivers, Mohenjo-daro-The City Of Krishna , Gods fighting Dragons,The Script Of Indus Valley Civilisation-17:A Harappan Seal With A Majestic Bull,The Sindhu Is The Vedic Sarasvati ,Suvarna Is Not The Vedic Soma,Govinda Garudadhvaja Vishtarasrava-The Supreme God Of The Harappans, The Continuity Of Vedic Bharata Varsha Civilisation From Harappa To The Present , The Etymology of Irinjalakuda A Rosetta Stone For The Indus Script, The Identification Of The Royal Throne In The Indus Script,
The Identification Of The Royal Throne Of Lord Krishna In The Indus Script -
I have shown that several seals contain vedic metrological terms,names of vedic ornaments,names of people, places and gods etc. My perception is that only a comprehensive study of ancient vedic literature, temple legends ,vedic rites and rituals, along with vedic metrology alone can decipher the script symbols satisfactorily.A brief attempt in this direction is made here .A significant find herein is the existence of the Kalinga malla mana system during Harappan times challenging the common perception of its origin from the later Kalinga kingdom(Orissa).The unicorn is identified as the pala/nishka/soma/agni.Signs of intersecting circles, fish , crab,bud,tower etc. also indicate pala.The six locks of hair indicate the paNameTa weight of six barley grains.Roots and nuts indicate viira bhadra/ Drupada/ varaha/pala.We have located Lord Krishna’s Mathura and Dvaraka in the Indus valley scripts.
We have confirmed Mohenjodaro as the first Dvaraka
on the basis of the inscription on the copperplate B7C2 from there and textual evidences from the Rgveda, Mahabharata etc.We have located PadmakuuTa,one of the palaces of Krishna there.Also we have identified the Sindhu(Indus) as the Vedic Sarasvati river.We have gone through the symbols identifying the Bharadvajas,the clan of composers of the earliest vedic texts.In Krishna’s Dvaraka we gathered more details from the script on Lord Krishna’s Dvaraka and Sindhu/Sarasvati. We have looked into the indications of the Harappan jar symbol with three forks on each edge.We have located the Kasyapas in Hastinapura trading with Sumeria.We have decoded the Mari Standard,went deeper into the meanings of several Sumerian images and confirmed Meluhha as Vedic Harappa/Indus valley. We have located Janaka,the king of Mithila,father-in-law of Rama, in the Indus script.We have identified the names of copper in the Indus script and located the Asvins,Yama and Skanda in the Indus script.In A Model For Indus Script Decipherment we have identified the deity in the seal M-1181 and built a model for complete decipherment of the Indus script.
We have seen how Brahmi and Kharoshthi evolved from the Indus Script and how the Indus script was in use along with Brahmi/Kharoshthi even into the first centuries CE.We have seen how the coins of the ancient world,including the Roman coins evolved from the Indus valley money.
We have looked for and located a Rosetta Stone for the Indus script, in the varaha/gadyanaka coin form.
We have gone into the relation of the Druids to the Indus valley civilisation and the role of their Gundestrup cauldron
in the evolution of Christianity.
We have explored the relation of the Anau seal to the Indus Valley Civilisation.
We have gone into the relationship of the Egyptian and Harappan deities.
We have looked into a beautiful story from the New Testament
invoving the vedic soma sacrifice in A Veiled Visvamitra Soma Sacrifice In The New Testament.
We have studied the indications of some of the Indus script symbols with particular reference to their use on ancient coins of India .
We have looked into symbolism of the overflowing vase on the Sumerian statue of Gudea and through it we identified the indications of several Indus symbols including the Harischandra vaajapeya sacrifice.
We have seen how the Harappan glyphs served as goodluck symbols .
The identification of the right vedic soma has two important
aspects:First, it ends the long quest for the mysterious soma. Second,it confirms the Indus valley civilisation as vedic ,beyond any doubt.
We have studied the vedic Daksha Yaaga and its relation to the soma yaaga.Also we have located Dāśarājñá and Dasaratha in the Indus seals.
We have explored the application of the palm soma seals as further rosetta stones of the Indus script .
We have looked into the claim of mlecca as the language of the Indus valley civilation and concluded that Bharata,not mlecca, was the language of the Indus valley civilisation.
We have gone into the shift of the vedic Yadava clans from the Ghaggar-Hakra to the Sarasvati(Sindhu) basin.
We have confirmed the river Sindhu as the Rig vedic river Sarasvati and the Ghaggar/Hakra as the Yamuna.
We have established that the unicorn standard
of Harappan civilisation is Govinda/Vishnu the supreme
god of the Harappans .We have also identified vedic
genealogies in some of the Bharata varsha seals
establishing the continuity of vedic civilisation from
Harappan times to the present day.We have also
gone into a possible link of the names of
the Harappan Mathura and Mesopotamian Assur.
We have identified some of the Harappan glyphs indicating kings,thrones and palaces.
Whave identified some of the symbols of Lord Krishna in the Indus script.
In this article we are looking into the ma(naama) symbol in the Indus script.
Man+ Trident And Its Relation To Kausika Visvamitra And The Kalinga Malla MeTas( Tower Weights), The Harappan Unicorn And The Kalinga Malla MeTas(Tower Weights) , The Harappan Symbol Of Intersecting Circles And Its Relation To Kausika Visvamitra And The Kalinga Malla MeTas( Tower weights), The Harappan Contest Motif Of Nude Man With Six Locks Of Hair Fighting Two Tigers And Its Relation To The Kalinga Malla MeTas( Tower Weights), The Harappan symbols of Roots, Nuts And Cocks And Their Relation To Kausika Visvamitra And The Kalinga Malla MeTas( Tower weights), Identification Of KaNva In The Indus Script, Identification Of Troy In The Indus script,Identification Of Barley And Mustard In The Indus Script, Krishna’s Mathura And Dvaraka In The Indus Script, The Pinna In The Indus Script, The Identity Of Vedic Sarasvati And The Location Of Krishna’s Dvaraka, Identification Of Vedic Bharadvaja In The Indus Script, Krishna’s Dvaraka In The Indus Script, One Symbol Of Indus Script Can Tell A Lot About The Indus Valley Civilisation, The Identity Of Kasyapa In The Indus Valley And Sumeria, Kusa -The Son Of Rama-In Mesopotamia(Sumer),Indus -Sumer Trade, A Few “Copper” Names In The Indus Script, Janaka-King Of Mithila-In The Indus Script,The Vedic Asvins, Yama And Kartikeya In The Indus Script, The Goddess Sarasvati And The Origin Of Brahmi And Kharoshthi, The Origin Of The Roman Aes Grave From The Indus Valley Money, A Solution To The Mystery Of The Gundestrup Cauldron, The Eternal Soma Of The Vedas, Vedic Roots Of Ancient Egyptian Religion, A Veiled Visvamitra Soma Sacrifice In The New Testament , The Script Of Indus Valley Civilisation-1,The Script Of Indus Valley Civilisation-2,
The Punny Plough,The Bearded Kings Of The Ancient,
Bharata -The Language Of The Indus Valley Civilisation,
The Script Of Indus Valley Civilisation -3,The Script Of Indus Valley Civilisation-4,Harappan Vedic Sacrificial Feasts In Mesopotamian Art And In The Bible,The Script of Indus valley Civilisation-6 .A Vrishni Silver Coin And Its Harappan Source,The Script of Indus valley Civilisation-7. The Conversion Of Makha(Sacrifice) To Tanka(Mint) In The Indus Script,Script Of Indus Valley Civilisation-8 .Vedic Root Of Gudea’s Akshayapatra,Three Men In A Boat Seal Evidence Of Indus –Dilmun Trade,The Script Of Indus Valley Civilisation-9 .The Goodluck Symbols Of The Indus Script-
I have shown that several seals contain vedic metrological terms,names of vedic ornaments,names of people, places and gods etc. My perception is that only a comprehensive study of ancient vedic metrology can decipher the script symbols satisfactorily. A significant find herein is the existence of the Kalinga malla mana system during Harappan times challenging the common perception of its origin from the later Kalinga kingdom(Orissa).The unicorn is identified as the pala/nishka/soma.Intersecting circles, fish , crab,bud,tower signs also indicate pala.The six locks of hair indicate the paNameTa weight of six barley grains.Roots and nuts indicate viira bhadra/ Drupada/ varaha/pala.We have located Lord Krishna’s Mathura and Dvaraka in the Indus valley scripts.
We have confirmed Mohenjodaro as the first Dvaraka
on the basis of the inscription on the copperplate B7C2 from there and textual evidences from the Rgveda, Mahabharata etc.We have located PadmakuuTa,one of the
palaces of Krishna there.Also we have identified the Sindhu(Indus) as the Vedic Sarasvati river.We have gone through the symbols identifying the Bharadvajas,the clan of composers of the earliest vedic texts.In Krishna’s Dvaraka we gathered more details from the script on Lord Krishna’s Dvaraka and Sindhu/Sarasvati. We have looked into the
indications of the Harappan jar symbol with three forks on each edge.We have located the Kasyapas in Hastinapura
trading with Sumeria.We have decoded the Mari Standard,went deeper into the meanings of several Sumerian images and confirmed Meluhha as Vedic Harappa/Indus valley. We have located Janaka,the king of Mithila,father-in-law of Rama, in the Indus script.We have identified the names of copper in the Indus script and located the Asvins,Yama and Skanda in the Indus script.In A Model For Indus Script Decipherment
we have identified the deity in the seal M-1181 and built a model for complete decipherment of the Indus script.
We have seen how Brahmi and Kharoshthi evolved from the Indus Script and how the Indus script was in use along with Brahmi/Kharoshthi even into the first centuries CE.We have seen how the coins of the ancient world,including the Roman coins evolved from the Indus valley money.
We have looked for and located a Rosetta Stone for the Indus script, in the varaha/gadyanaka coin form.
We have gone into the relation of the Druids to the Indus valley civilisation and the role of their Gundestrup cauldron
in the evolution of Christianity.
We have explored the relation of the Anau seal to the Indus Valley Civilisation.
We have gone into the relationship of the Egyptian and Harappan deities.
We have looked into a beautiful story from the New Testament
invoving the vedic soma sacrifice in A Veiled Visvamitra Soma Sacrifice In The New Testament.
We have studied the indications of some of the Indus script symbols with particular reference to their use on ancient coins of India .
We have looked into symbolism of the overflowing vase on the Sumerian statue of Gudea and through it we identified the indications of several Indus symbols including the Harischandra vaajapeya sacrifice.
We have seen how the Harappan glyphs served as goodluck symbols .
In this article we identify the true vedic soma from the Harappan seals and its role in the life of the Harappans.
The identification of the right vedic soma has two important
aspects:First, it ends the long quest for the mysterious soma. second,it confirms the Indus valley civilisation as vedic ,beyond any doubt.
Nero for the Great fire of Rome.Nero,on the contrary blamed the Christians for the fire and persecuted them.Who is the real
culprit? Christians or Nero?A journey into the history of first century A.D.Rome, Judea and Greece opens up many channels of information,hitherto untold by historians.
We can now locate Christ,Peter,Paul,Judas,John and several Biblical and historical personalities with new identities.A study of the Book of Revelations reveals stunning facts regarding the great fire of Rome,the evolution of Christianity from the vedic culture of the Indus valley civilisation etc.
1. The IVC inscriptions carry a language.
2. It is an Aryan language script.
3. It is not a Dravidian language script.
4.The language of the inscriptions is Bharata(vedic Sanskrit).
In this work with examples we show that
several of the inscriptions mostly referred to vedic trade and metrology rather than mere names.The monetary systems of modern India and the world owe a lot more than we know to the vedic IVC standards of weights and measures.
We can now say with confidence that the Indus script
is no more an enigma.The foundation to its correct reading is laid down now.With passage of time we will be able to read most the inscriptions, if not all, in this way.Like Egypt, Bhaarata(India) too has a continous history from the ancient IVC to the present.
These scholars mistook the vedic “asva” as the domesticated Steppe Horse and the Horse riding Steppe Aryans as the Vedic People. Remains and artifacts ascribed to domesticated horses are limited to Late Harappan times indicating that horses may have been present at Late Harappan times, "when the Vedic people had settled in the north-west part of the subcontinent." Recent genetic studies also indicate the presence of the Steppe People in IVC in
late Harappan times only. Genetic studies indicated the movement of Iranian Zagros people to IVC and their reach to Dravidian speaking South India .Hence scholars were almost convinced that the IVC civilisation was non-vedic and it was either proto Dravidian or proto Munda.
Interestingly the Anatolian word order is strictly SOV like Kalasa or Tamil, in which the word order is relatively free, but the canonical pattern is SOV pointing to the Anatolian link cf. , , , , , , , , , , , whereas Indo-European shows different orders in different branches: SOV in Tocharian, Indic, Iranian, Italic, and (early) Germanic; SVO in Greek, Armenian, Albanian, and Baltic; and VSO in Celtic and perhaps (early) Slavic.Studies in comparative religions of South Asia and the Middle East have brought to light stunning similarities among their underlying beliefs and ritual practises to those of the vedic religion.The Kalasa people of Chitral in the Hindukush and the Tamils of South India worship the vedic god “Indra” at the Winter Solstice festivals.The Keralites celebrate the birth of “Lord Ayyappa or S asta cf. “ay-bha” or “i-bha” , , the Son of Siva and Vishnu” at this time and the Christians celebrate Chr ist mas to mark the birth of the “Son Of God” at this time. Genetic studies have revealed that these similarities are not accidental, but is the result of common linguistic and cultural relations of the people of these regions from very ancient times. Tamil and Sanskrit are both ancient languages of India, with a long history of mutual influence. According to linguistic experts, around 50% of Tamil vocabulary is derived from Sanskrit. On the other hand, the influence of Tamil on Sanskrit is Iimited to around 10%.How this is possible if the original settlers of Indus Valley were Dravidian speakers and they migrated to South India after the fall of IVC ? So, has scholars mistook the vedic “asva” as the Steppe Horse and the Zagros language as Dravidian ? This article brings to light startling discoveries on the Harappan language glossary. The ancient Harappan language was Vedic Bharata( Kalasa).The vedic “asva” was not the domesticated Steppe horse.Not only domesticated horse bones, even domesticated horse images ,were practically absent in Harappan seals.In this article we are presenting the “real vedic asva” which is ubiquitous in Harappan seals.This discovery helps us to understand vedic terms like “Hari Asva”, “VRshan Asva”, “Haya Griiva”, “Asvatthama”, “Asvattha” , “Asvamedha”, “Hastina Pura” etc. An Elamite Rosetta Stone evidence for this glossary is also presented. A few Harappan seals indicate observance of vedic vratas. One such vrata is the “Bhiishma Ekadasi vrata”.This article shows that The Steppe horse was never the vedic “asva” and the Harappan word for elephant was not “pilu” as proposed by some scholars. Further it explains why Duryodhana of Hastinapura had a Naaga (elephant) for his flag and was supported by DroNa, Asvatthama etc.in the Kuru Kshetra war as per the epic Mahabharata. It also explores the Pandos , Pandya,Pandala, Philistine and Canaanite people’s linguistic connections to the Vedic Harappans .Hope this work will pave way for unbiased scientific study and readings of the vedic IVC texts setting aside the Dravidian ,Munda and such other hypotheses about this civilisation and its language.Another interesting aspect of this discovery is a Siberian or later Anatolian Indo-European Urheimat setting aside the present Krugan-Steppe
hypothesis.
late Harappan times only. Genetic studies indicated the movement of Iranian Zagros people to IVC and their reach to Dravidian speaking South India .Hence scholars were almost convinced that the IVC civilisation was non-vedic and it was either proto Dravidian or proto Munda. However studies in comparative religions of South Asia and the Middle East have brought to light stunning similarities among their underlying beliefs and ritual practises to those of the vedic religion.The Kalasa people of Chitral in the Hindukush and the Tamils of South India worship the vedic god “Indra” at the Winter Solstice festivals.The Keralites celebrate the birth of “Lord Ayyappa, the Son of Siva and Vishnu” at this time and the Christians celebrate Christmas to mark the birth of the “Son Of God” at this time. Genetic studies have revealed that these similarities are not accidental, but is the result of common linguistic and cultural relations of the people of these regions from very ancient times. Tamil and Sanskrit are both ancient languages of India, with a long history of mutual influence. According to linguistic experts, around 50% of Tamil vocabulary is derived from Sanskrit. On the other hand, the influence of Tamil on Sanskrit is Iimited to around 10%.How this is possible if the original settlers of Indus Valley were Dravidian speakers and they migrated to South India afterthe fall of IVC ? So has scholars mistook the vedic “asva” as the Steppe Horse and the Zagros language as Dravidian? This article brings to light startling discoveries on the Harappan language glossary. The ancient Harappan language was Vedic Bharata( Kalasa).The vedic “asva” was not the domesticated Steppe horse.Not only domesticated horse bones, even domesticated horse images ,were practically absent in Harappan seals.In this article we are presenting the “real vedic asva” which is ubiquitous in Harappan seals.This discovery helps us to understand vedic terms like “Hari Asva”, “VRshan Asva”, “Haya Griiva”, “Asvatthama”, “Asvattha” , “Asvamedha”, “Hastina Pura” etc. An Elamite Rosetta Stone evidence for this glossary is also presented. A few Harappan seals indicate observance of vedic vratas. One such vrata is the “Bhiishma Ekadasi vrata”.This article shows that The Steppe horse was never the vedic “asva” and the Harappan word for elephant was not “pilu” as proposed by some scholars. Further it explains why Duryodhana of Hastinapura had a Naaga (elephant) for his flag and was supported by DroNa, Asvatthama etc.in the Kuru Kshetra war as per the epic Mahabharata. It also explores the Pandos , Pandya,Pandala, Philistine and Canaanite people’s linguistic connections to the Vedic Harappans .Hope this work will pave way for unbiased scientific study and readings of the vedic IVC texts setting aside the Dravidian ,Munda and such other hypotheses about this civilisation and its language.
Why the Mideast and India and are the cradle of human civilisation and the home of multiple religions like Hinduism,Buddhism, Jainism, Zoroastrianism, Judaism,Christianity,Islam or Indian,Egyptian , Sumerian,Akkadian,Hatti, Mitanni,Babylonian ,Canaanite, or Anatolian religions? There are two reasons-the first is the location of these regions close to Africa,the original home of modern man.The second is the presence of a driving people behind these cultures who ruled the world by giving religious laws(dharma sanhita/ yajna/aajna/ niyama/yama laws like Manu,Hammu,Mosa etc.cf.halakha/Tora/Talmud has the svar/vrata/varsha/saakha/kala/kaala/kalasa/taala/patra sounds in them.A family(Bharad-vaja) of Mideast understood that the spell of go(word,heaven,bull,wealth,power;word magic keeping live the moha of people for go and moksha by homa by means of go-karaNa/patra vaaca/veda/Go-spel) will give him immense power over his neighbours and other people(go-bharaNa;purusha as vRsha is go) and he can control them and order them to do thins the way he wanted,as their go-d(go-ra/su-ra/jina/deva/veda). Veda is go/svar/vrata/srava/sru/sruti/ karNa/bharaNa/varsha/place/ palace/time.Svar(kha/uktha/uksha/ kusa/suka/sura/soma/veda/go/karaNa/ karNa/naaga/gaana/saama cf.makha/mukha is go-karaNa ( sarpa being srava without separate eye and ear is gokarNa as seen ) .Go is uksha/usha/kusa,karNa/ karaNa/kara-Na is naaga/soma/svar/naga; go is na/Na also) was seen by the Rshis/Citraguptas and heard by the disciples/family member priests at different places and time(especially on mounts-go-adri-Atri or in rivers-go-vaaha-vaak-va) . Go is rava/pada/abda made into paada , (veda/deva/rava/ advara/catura/ catvara/ catvaala/SatvaTa/sthavira/stauros.VaTa is pada/go/bo).It has different saakhas(being saka/kesa-temples/schools/sarva kalaasaalas/sarasvati kshetras/guru kshetras/Kuru kshetras/priestly houses . cf. kulin- , - saka, varsha, vRshNi(rava-jina>varsha-Na/ma>draviNa>sravaNa> sroNa> DroNa> Bharadwaja. Bharadwaja has the Egyptian was-bull’s phallus/ vRshNa.Note the large phallus of .SatvaTa clan denote catvara> catavaala> dasaraaja>sthavira>stauros etc.), sakala, saakala, asvalaayana, saunaka, sakra,cakra, akshara, Vishnu, hali,halaayudha, Balabhadra> prabhaata> viirabhadra kulin, agrahaayana/ agraayaNi,gotra,muhuurta, bharadvaaja/patra vaaca/patra(pa-rasa>bharata>varsha>ka-rasa> kalasa/ sakra/katha/kaatyaayana/karsha >kaayastha> kaayaagni>kshiira>garta>garuda )/ karaNa(kara-Na)/kalpana-royal edict/karsana/grantha > cf.eTu-plate,book,writer. Akshara(letter)>aksha(Garuda,5,eye,wheel,
snake,die) -ra(agni) is Bharad(patra,palm leaf,wing)-vaaja(arrow,wing,sound,sacrifice,water;vaaca-speech.cf.vaak sara-arrow of words.A stylus point/arrow is used to write on palm leaves.Vaaji is asva with wings,bird,arrow,Indra,BRhaspati etc.Hence Garuda/unicorn denote the Jupiter cycle and vedic sutra/sruti/kRti/royal edicts)....
Why the Mideast and India and are the cradle of human civilisation and the home of multiple religions like Hinduism,Buddhism, Jainism, Zoroastrianism, Judaism,Christianity,Islam or Indian,Egyptian , Sumerian,Akkadian,Hatti, Mitanni,Babylonian ,Canaanite, or Anatolian religions? There are two reasons-the first is the location of these regions close to Africa,the original home of modern man.The second is the presence of a driving people behind these cultures who ruled the world by giving religious laws(dharma sanhita/ yajna/aajna/ niyama/yama laws like Manu,Hammu,Mosa etc.cf.halakha/Tora/Talmud has the svar/vrata/varsha/saakha/kala/kaala/kalasa/taala/patra sounds in them.A family(Bharad-vaja) of Mideast understood that the spell of go(word,heaven,bull,wealth,power;word magic keeping live the moha of people for go and moksha by homa by means of go-karaNa/patra vaaca/veda/Go-spel) will give him immense power over his neighbours and other people(go-bharaNa;purusha as vRsha is go) and he can control them and order them to do thins the way he wanted,as their go-d(go-ra/su-ra/jina/deva/veda). Veda is go/svar/vrata/srava/sru/sruti/ karNa/bharaNa/varsha/place/ palace/time.Svar(kha/uktha/uksha/ kusa/suka/sura/soma/veda/go/karaNa/ karNa/naaga/gaana/saama cf.makha/mukha is go-karaNa ( sarpa being srava without separate eye and ear is gokarNa as seen ) .Go is uksha/usha/kusa,karNa/ karaNa/kara-Na is naaga/soma/svar/naga; go is na/Na also) was seen by the Rshis/Citraguptas and heard by the disciples/family member priests at different places and time(especially on mounts-go-adri-Atri or in rivers-go-vaaha-vaak-va) . Go is rava/pada/abda made into paada , (veda/deva/rava/ advara/catura/ catvara/ catvaala/SatvaTa/sthavira/stauros.VaTa is pada/go/bo).It has different saakhas(being saka/kesa-temples/schools/sarva kalaasaalas/sarasvati kshetras/guru kshetras/Kuru kshetras/priestly houses . cf. kulin- , - saka, varsha, vRshNi(rava-jina>varsha-Na/ma>draviNa>sravaNa> sroNa> DroNa> Bharadwaja. Bharadwaja has the Egyptian was-bull’s phallus/ vRshNa.Note the large phallus of .SatvaTa clan denote catvara> catavaala> dasaraaja>sthavira>stauros etc.), sakala, saakala, asvalaayana, saunaka, sakra,cakra, akshara, Vishnu, hali,halaayudha, Balabhadra> prabhaata> viirabhadra kulin, agrahaayana/ agraayaNi,gotra,muhuurta, bharadvaaja/patra vaaca/patra(pa-rasa>bharata>varsha>ka-rasa> kalasa/ sakra/katha/kaatyaayana/karsha >kaayastha> kaayaagni>kshiira>garta>garuda )/ karaNa(kara-Na)/kalpana-royal edict/karsana/grantha > cf.eTu-plate,book,writer. Akshara(letter)>aksha(Garuda,5,eye,wheel,
snake,die) -ra(agni) is Bharad(patra,palm leaf,wing)-vaaja(arrow,wing,sound,sacrifice,water;vaaca-speech.cf.vaak sara-arrow of words.A stylus point/arrow is used to write on palm leaves.Vaaji is asva with wings,bird,arrow,Indra,BRhaspati etc.Hence Garuda/unicorn denote the Jupiter cycle and vedic sutra/sruti/kRti/royal edicts)....