Cessate,

omai cessate Antonio Vivaldi

arr.: B. Kota RV 684 (1678. - 1741.)

    

Largo e sciolto


 
                                    
    

                
       

   
   

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4

          
 
Ces


                      
 
                       



     

              
               

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7

 

sa te, o mai ces sa te, ri mem bran ze cru de li

      
 

       



         
        
2

         
   

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9

 

  
d'un af fet to ti ran no; già bar ba re e spie ta te,

      
 

    
  

            
             

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11

  

         
mi can gias te i con ten ti in un im men so af fan no. Ces

      

      
      

               
                   

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14

   
sa te, o mai ces sa te, di la cer ar mi il pet to, di tra

    

   

      
  
           
3

                     

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16

    
     
       
 
fig ger mi l'al ma, di to glier al mio cor ri po so e cal ma.

       

           
 

               
                  

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19


Po ve ro co re af flit to e ab ban do na to se ti tog lie la pa ce

  
  
     
    

                   
                

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22


un af fet to ti ran no, per ché un vol to spie ta to, un' al ma in


    
  
    
 
           
4

              
Allegro

    
24

   


fi da, per ché un vol to spie ta to, un' al ma in fi da la

  
     
  

     


       
     
                  
  
26

 


so la cru del tà pas ce ed an ni da, pas ce, pas ce ed an ni da.

       
               
 
   
                   
  
    
Larghetto

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                       
          

                   

  



3

             
   
         
  

            
         

  
              




5

               
Ah, ah, ch'in fe li ce sem pre mi

      
        


                        
      
           
2

      
           
8


 

 
vuol Do ri lla in gra ta, ah, sem pre più spie ta ta,

 
                 
     

  


    


         

              
               
    


10

  
3
3

               
ah, sem pre più spie ta ta m'a strin ge a lag ri mar,

       
       

           
 

  
  


                        
3


       
12 3


3 3

                     

ah, spie

   
   

                 
 
3

         

     
   
14


    

          
ta ta, m'a strin ge a la gri mar.

            
      

  
         
     

        
                    
  
16




    
Ah, ch'in fe li ce sem pre mi vuol Dor il la in gra ta, ah,

          
        

           
     

         
           
        
18


3


3 3

           
sem pre più spie ta ta m'a strin ge a la gri mar,

       
      

     
           
  
4

      
             
      
3


20 3 3 3 3
3 3 3

             

a la gri

      
     

           
     

     
                



22

     


mar, ah, sem pre più spie ta ta, ah, sem pre più spie

                              
  

       
 



           


       
  
           
             



24

 

 
ta ta m'a strin ge a la gri mar, a la gri

          
        


    


            
 
5

    
 


26


                        
mar.


  
       

                 


       


                 
                    


29

 
Per me non v'è, no, non v'è ris to ro, per me non v'è, no, non v'è più

              
           


                   


   

      
              
        


       
36

        
spe ne. E il fier mar to ro e le mie pe ne, e il fier mar to ro

               
                


       
  
   
6

            
  
43

     


e le mie pe ne, so lo la mor te può con so

                    
              
   

               
  


         


50

           
lar, so lo la mor

          
 

            
              

 

D.S. al Fine

   


 
57

 

   
te può con so lar.

     

 

     
  
                     
Andante

              


 

 
A voi dun que ri cor ro, or ri di spec chi, ta ci tur n or

              

   
    


           

                         
           


3


ro ri, so li ta ri ri ti ri ed om bre a mi che; tra voi por to il mio

                          
       
         
               

               
         
     


6

 


duo lo, per ché spe ro da vo i quel la pie ta de

         
   

      
 
                  
2

        
Adagio

       


8

      
che Do ril la i nu ma na non an ni da. Ven go, spe lon che a

    

    
 

 

                 
                
      


10

              
  
ma te, ven go spe chi gra di ti, al fi ne me co in vol to in mio tor

   

        
     


     
        
   


13


men to in voi res ti se pol to.

       
      

           
       
Allegro

 


         
           
  
 

                      

     

6


    
       
             
       

             
   

     

11


    
                          
   
           
 


               
      
2


16



              
    
      
            
 


  


           
21




      
       
Nel l'or ri do al ber go, ri cet


             

                      




      

  
 
  

 
27

 


   
     
to di pe ne, po trò il mio tor men to sfo ga re con

 


                    
 
          
3

                
32


    
ten to, po trò ad al ta vo ce chia ma re spie ta ta Do

     

    
         
   

           

   
              
37


      
ril la, l'in gra ta, mo ri re, mo ri

                                     

     


              

           
           
42



re, mo ri re po trò, mo ri re po trò.

         
  
        
 
         
  
           



    
 

4

   
  
47



    
 
Nel l'or ri do al

                      
   
              


             

        

  
 
53

 


  
                      

ber go, ri cet to di pe ne, po

   

 
                   

     
           
58


       
trò il mio tor men to sfo ga re con


 
                                    

          
    
         
5

                 
63


         
 
ten to, po trò ad al ta vo ce chia ma re spie ta ta Do

     
 

     


   
  

   
       

   
               
68


       
ril la, l'in gra ta, mo ri re po trò, mo

     

  

                
   
  

     

   
         
 
73


 
ri re po trò. Nel l'or ri do al ber

  
                             

        


              
    
   
6

    
       
78


  
go, po trò ad al ta vo ce sfo ga re il tor

 
             
     
 
  

               

       
    
       
82


          
men to, sfo ga re il tor men to, sfo gar lo con ten

        
           
 


   
  

     


     

        
              
  
87


         
to, chia mar la in gra ta, spie ta ta, in gra ta, spie

             
         

        


                 

       
7

            

93


    
ta ta. mo ri re po trò, mo ri re po

   
   


               


     

   
         
  
 
98


  
trò, mo ri re po trò, mo ri re po trò.


       
   
                    
 

 
       
103


    
              
An

   
       

      
             
 
     
 
8

         
            
109

    



drò d'A che ron te su la ne ra spon da, tin gen do que st'on da di

                     
       
          
            

          
              
   
115


                    
san gue in no cen te, gri dan do ven det ta ed om bra bac

                  

             
         
  

        
        
         
120



can te, bac can te ven det ta fa rò, ven det ta fa

                  
    

                       
        
    
9

             
D.C.

    
125

       



rò, ed om bra bac can te, bac can te ven det ta fa rò.

  
                   
       
              
          
    
