Papers by Eric Brandom
SUMMARY Georges Sorel's use of the term diremption to describe his method has long been found obs... more SUMMARY Georges Sorel's use of the term diremption to describe his method has long been found obscure. This paper shows that the term was associated with Hegel, and that interpreting it in this light can help us make sense of Sorel's method. Sorel, this is to say, in his revision of Marxism and his social theory more generally, was engaging specifically with Hegelian philosophy. In addition to clarifying Sorel's method, this perspective allows us both to place Sorel more clearly in his fin-de-siècle context and to draw connections between his work and more recent marxisant theory.
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French Historical Studies
This paper reconstructs and analyzes a debate on "the crisis of liberalism" that took place in th... more This paper reconstructs and analyzes a debate on "the crisis of liberalism" that took place in the pages of the prominent philosophy journal, the Revue de métaphysique et de morale, in 1902-1903. The debate was actuated by combiste anticlerical measures and the apparently liberal demand made by Catholics for freedom of instruction. Participants—all hostile to the Church—sought to articulate a principled, rationalist, liberalism that could respond to the needs of the Republic in the post-Dreyfus era.
Participants—including Celestin Bouglé, Dominique Parodi, Gustav Lanson, Élie Halévy, and Paul Lapie—balanced each in their own way the demands of rationalism, democracy, and modernity. The debate opens a window onto the transition between the Second Empire's dissident, neo-Kantian, liberal republicanism and the anti totalitarian liberalism that Halévy and his student Raymond Aron would articulate in the interwar years.
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Proceedings of the Western Society for French History, 2010
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Book Reviews by Eric Brandom
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German Studies Review, 2015
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The French Review, 2015
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Capital & Class, Jun 2013
[pay-walled] Book review: Herbert Marcuse: An Aesthetics of Liberation, by Malcolm Miles. Capital... more [pay-walled] Book review: Herbert Marcuse: An Aesthetics of Liberation, by Malcolm Miles. Capital & Class June 2013 37: 336-339,
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Polygraph, 2013
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Journal of History and Cultures, Sep 2012
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Review of an issue of *The Baffler*, part of a round-table discussion.
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Dissertation by Eric Brandom
Duke University
History Department
2012
How did Georges Sorel's philosophy of violence emerg... more Duke University
History Department
2012
How did Georges Sorel's philosophy of violence emerge from the moderate, reformist, and liberal philosophy of the French Third Republic? This dissertation answers the question through a contextual intellectual history of Sorel's writings from the 1880s until 1908. Drawing on a variety of archives and printed sources, this dissertation situates Sorel in terms of the intellectual field of the early Third Republic. I locate the roots of Sorel's problematic at once in a broadly European late 19th century philosophy of science and in the liberal values and the political culture of the French 1870s. Sorel's engagement with Karl Marx, but also Émile Durkheim, Giambattista Vico, and other social theorists, is traced in order to explain why, despite his Marxism, Sorel confronted the twin fin-de-siècle crises of the Dreyfus Affair and Revisionism as a political liberal. I show how his syndicalism became radical, scissionistic, and anti-Statist in the post-Dreyfus context of anticlericalism leading up to the separation of Church and State in 1905. Sorel drew on figures such as Alexis de Tocqueville and Benedetto Croce to elaborate his Reflections on Violence in 1906-1908, finally transforming his political theory of institutions into an ethics of myth and individual engagement.
Sorel has been best known as an icon of radicalism as such--in shorthand, an inspiration for both Lenin and Mussolini. This political polarization has occluded Sorel's profound engagement with the foundational thinkers of the Third Republic. Against the backdrop of a systematic misunderstanding of the philosophical issues at stake, Sorel's political ideas and interventions have also been misunderstood. Not only his insights about the limits and potentials of the intellectual framework of the French Third Republic, but also their most significant contemporary resonances, have been lost. I show how and why this has been so by studying the reception of Sorel's work in the Anglophone world from the immediate postwar years until the early 1970s. Finally, I investigate resonances between Sorel's work as I have reconstructed it, and some currents in contemporary post-Marxist political thought.
Sorel is a revelatory figure in the entangled history of late 19th century liberalism and republicanism. He was profoundly engaged in the intellectual life of the French Third Republic and this, as much as his Marxism although less overtly, has shaped the meaning of his work. To return him to this context gives us a new understanding of the stakes of the philosophy of the period and the limits of its liberalism.
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Drafts by Eric Brandom
This paper traces readings of Georges Sorel (1847-1922) from Carl Schmitt to Saul Bellow. The ima... more This paper traces readings of Georges Sorel (1847-1922) from Carl Schmitt to Saul Bellow. The image of Sorel that came out of Weimar-era sociological debate around Schmitt and Karl Mannheim was simplified and hardened by émigré scholars in the war years, put to good use in the anti-totalitarian combat of the 1950s, and finally shattered when applied to the unfamiliar situation of the 1960s in the United States. Scholars taken with the problem of the political intellectual and the closely related problem of the relationship between instrumental and critical reason play the central role in this reception history. Sorel's commingling of left and right justified attempts to replace this organization of political space with one around totalitarian and free societies.
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Papers by Eric Brandom
Participants—including Celestin Bouglé, Dominique Parodi, Gustav Lanson, Élie Halévy, and Paul Lapie—balanced each in their own way the demands of rationalism, democracy, and modernity. The debate opens a window onto the transition between the Second Empire's dissident, neo-Kantian, liberal republicanism and the anti totalitarian liberalism that Halévy and his student Raymond Aron would articulate in the interwar years.
Book Reviews by Eric Brandom
Dissertation by Eric Brandom
History Department
2012
How did Georges Sorel's philosophy of violence emerge from the moderate, reformist, and liberal philosophy of the French Third Republic? This dissertation answers the question through a contextual intellectual history of Sorel's writings from the 1880s until 1908. Drawing on a variety of archives and printed sources, this dissertation situates Sorel in terms of the intellectual field of the early Third Republic. I locate the roots of Sorel's problematic at once in a broadly European late 19th century philosophy of science and in the liberal values and the political culture of the French 1870s. Sorel's engagement with Karl Marx, but also Émile Durkheim, Giambattista Vico, and other social theorists, is traced in order to explain why, despite his Marxism, Sorel confronted the twin fin-de-siècle crises of the Dreyfus Affair and Revisionism as a political liberal. I show how his syndicalism became radical, scissionistic, and anti-Statist in the post-Dreyfus context of anticlericalism leading up to the separation of Church and State in 1905. Sorel drew on figures such as Alexis de Tocqueville and Benedetto Croce to elaborate his Reflections on Violence in 1906-1908, finally transforming his political theory of institutions into an ethics of myth and individual engagement.
Sorel has been best known as an icon of radicalism as such--in shorthand, an inspiration for both Lenin and Mussolini. This political polarization has occluded Sorel's profound engagement with the foundational thinkers of the Third Republic. Against the backdrop of a systematic misunderstanding of the philosophical issues at stake, Sorel's political ideas and interventions have also been misunderstood. Not only his insights about the limits and potentials of the intellectual framework of the French Third Republic, but also their most significant contemporary resonances, have been lost. I show how and why this has been so by studying the reception of Sorel's work in the Anglophone world from the immediate postwar years until the early 1970s. Finally, I investigate resonances between Sorel's work as I have reconstructed it, and some currents in contemporary post-Marxist political thought.
Sorel is a revelatory figure in the entangled history of late 19th century liberalism and republicanism. He was profoundly engaged in the intellectual life of the French Third Republic and this, as much as his Marxism although less overtly, has shaped the meaning of his work. To return him to this context gives us a new understanding of the stakes of the philosophy of the period and the limits of its liberalism.
Drafts by Eric Brandom
Participants—including Celestin Bouglé, Dominique Parodi, Gustav Lanson, Élie Halévy, and Paul Lapie—balanced each in their own way the demands of rationalism, democracy, and modernity. The debate opens a window onto the transition between the Second Empire's dissident, neo-Kantian, liberal republicanism and the anti totalitarian liberalism that Halévy and his student Raymond Aron would articulate in the interwar years.
History Department
2012
How did Georges Sorel's philosophy of violence emerge from the moderate, reformist, and liberal philosophy of the French Third Republic? This dissertation answers the question through a contextual intellectual history of Sorel's writings from the 1880s until 1908. Drawing on a variety of archives and printed sources, this dissertation situates Sorel in terms of the intellectual field of the early Third Republic. I locate the roots of Sorel's problematic at once in a broadly European late 19th century philosophy of science and in the liberal values and the political culture of the French 1870s. Sorel's engagement with Karl Marx, but also Émile Durkheim, Giambattista Vico, and other social theorists, is traced in order to explain why, despite his Marxism, Sorel confronted the twin fin-de-siècle crises of the Dreyfus Affair and Revisionism as a political liberal. I show how his syndicalism became radical, scissionistic, and anti-Statist in the post-Dreyfus context of anticlericalism leading up to the separation of Church and State in 1905. Sorel drew on figures such as Alexis de Tocqueville and Benedetto Croce to elaborate his Reflections on Violence in 1906-1908, finally transforming his political theory of institutions into an ethics of myth and individual engagement.
Sorel has been best known as an icon of radicalism as such--in shorthand, an inspiration for both Lenin and Mussolini. This political polarization has occluded Sorel's profound engagement with the foundational thinkers of the Third Republic. Against the backdrop of a systematic misunderstanding of the philosophical issues at stake, Sorel's political ideas and interventions have also been misunderstood. Not only his insights about the limits and potentials of the intellectual framework of the French Third Republic, but also their most significant contemporary resonances, have been lost. I show how and why this has been so by studying the reception of Sorel's work in the Anglophone world from the immediate postwar years until the early 1970s. Finally, I investigate resonances between Sorel's work as I have reconstructed it, and some currents in contemporary post-Marxist political thought.
Sorel is a revelatory figure in the entangled history of late 19th century liberalism and republicanism. He was profoundly engaged in the intellectual life of the French Third Republic and this, as much as his Marxism although less overtly, has shaped the meaning of his work. To return him to this context gives us a new understanding of the stakes of the philosophy of the period and the limits of its liberalism.