Mustafa Z E K I Cirakli
PERSONAL WEBSITE: https://avesis.ktu.edu.tr/mzcirakli [needs Update]
RESEARCHGATE: https://www.researchgate.net/profile/Mustafa-Cirakli/research [needs update]
TURKISHNOTES PROJECTS: www.turkishnotes.com | https://www.ktu.edu.tr/turkishnotes [needs update]
CURRENT PROJECT: https://writingurbanplaces.eu/wup-members/mustafa-zeki-cirakli/
CURRENT PROJECT: COST-TUBITAK, Unarcode [[needs update]
JOURNAL EDITOR: http://www.nalans.com
CONFERENCE: www.ktu.edu.tr/nalansconferences | www.ktu.edu.tr/idea2021
ORGANISATION: Association for Narrative and Language Studies, Nalans Network (www.nalans.net)
BLOG https://mzekicirakli.blogspot.com/ (needs update)
WEBSITE: www.mzcirakli.com
ACADEMIA WEBSITE | https://mustafazekicirakli.academia.edu/ (There are missing research to be uploaded. Please use Researchgate or Google Scholar to keep a bit more up to date)
CONTACT INFO
Office:+904623773549
mobile:+905056559481
mzcirakli@gmail.com
mzcirakli@ktu.edu.tr
www.responsesjournal.com
https://linktr.ee/mzcirakli
Significant Tags:
#anlatıbilim
#narratology
#narratology in Turkey
#Anlatıbilim Sözlüğü
#Anlatıbilim I: Kuramsal Okumalar
#Anlatıbilim II: Postklasik Okumalar
#Kitabın Ortası Aforizmalar
#TurkishNotes©
#Türk Anlatıbilim Sözlüğü ®
#four-aspect critical taxonomy
#spatial interaction
#postromantic.theory
Phone: 00904623773549
Address: Karadeniz Technical University, Department of Western Languages and Literature, Faculty of Letters
Trabzon, Turkey
RESEARCHGATE: https://www.researchgate.net/profile/Mustafa-Cirakli/research [needs update]
TURKISHNOTES PROJECTS: www.turkishnotes.com | https://www.ktu.edu.tr/turkishnotes [needs update]
CURRENT PROJECT: https://writingurbanplaces.eu/wup-members/mustafa-zeki-cirakli/
CURRENT PROJECT: COST-TUBITAK, Unarcode [[needs update]
JOURNAL EDITOR: http://www.nalans.com
CONFERENCE: www.ktu.edu.tr/nalansconferences | www.ktu.edu.tr/idea2021
ORGANISATION: Association for Narrative and Language Studies, Nalans Network (www.nalans.net)
BLOG https://mzekicirakli.blogspot.com/ (needs update)
WEBSITE: www.mzcirakli.com
ACADEMIA WEBSITE | https://mustafazekicirakli.academia.edu/ (There are missing research to be uploaded. Please use Researchgate or Google Scholar to keep a bit more up to date)
CONTACT INFO
Office:+904623773549
mobile:+905056559481
mzcirakli@gmail.com
mzcirakli@ktu.edu.tr
www.responsesjournal.com
https://linktr.ee/mzcirakli
Significant Tags:
#anlatıbilim
#narratology
#narratology in Turkey
#Anlatıbilim Sözlüğü
#Anlatıbilim I: Kuramsal Okumalar
#Anlatıbilim II: Postklasik Okumalar
#Kitabın Ortası Aforizmalar
#TurkishNotes©
#Türk Anlatıbilim Sözlüğü ®
#four-aspect critical taxonomy
#spatial interaction
#postromantic.theory
Phone: 00904623773549
Address: Karadeniz Technical University, Department of Western Languages and Literature, Faculty of Letters
Trabzon, Turkey
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Research by Mustafa Z E K I Cirakli
▪ 2015 yılında ilk baskısı yapılmış olan ve önümüzdeki 2025 Bahar döneminde 2. Baskısı okurlarla buluşacak olan Anlatıbilim: Kuramsal Okumalar bugüne Türkiye’de baskısı en kısa zamanda tükenen kitaplar arasına girdi.
▪ Ayrıca esere online erişimler yoluyla, onlarca farklı ülkeden on binlerce kez erişildi.
▪ Kitap yurt içi ve yurt dışı edebiyattan sosyolojiye, mimarlıktan felsefeye, tarihten ilahiyata farklı disiplinlerden lisans ve lisansüstü programlarda kaynak olarak kullanıldı, akademik çalışmalarda çok sayıda atıf aldı ve deyim yerindeyse kült bir eser haline geldi.
▪ Baskısının tükenmesi ve bu sebeple kitaba erişimin görece kısıtlı olmasının önüne geçmek için genişletilmiş 2. Baskısı hazırlanan bu değerli eser ile ilgili her tür imlâ, düzeltme önerileriniz de dahil görüşlerinizi mzcirakli@gmail.com ya da https://linktr.ee/mzcirakli sosyal medya hesaplarımdan iletebilirsiniz.
Anahtar Kelimeler: Göç, Diyaspora, Yazınsal Motif, Bob Dylan
Keywords: Male Homosocial Desire, Eve Kosofsky Sedgwick, Henry Fielding, Tom Jones
Keywords:Didem Madak, The Laugh of the Medusa, ecriture feminine, the Symbolic
Keywords: Hakan Günday, Kinyas and Kayra, genre, generic features, underground literature
various classes. Along with the stories told in a variety of genres such as romance, fabliau, saint's biography and fable, The Canterbury Tales, like its precursor A Thousand and One Nights, foregrounds the act of storytelling as a prevailing motif, also complicating the diegetic stance of the narrator(s). The first person and third person points of view employed in an isolated manner retain an interactive control over subnarratives and metanarratives. So, different narrators or alternating tones of the narrating act refer to different narrative levels in these tales, which, in Genette's terms, are "diegetic levels." Gaps or connections between these narrative levels are full of implications in a narrative analysis. This paper deals with the narrative levels in The Canterbury Tales and investigates how narrative arrangements contribute to the narrative. Thus, the paper shows that narratives in different
degees in Chaucer's The Canterbury Tales function as (a) explanatory, (b) thematic and (c) actinal units.
Keywords: Sinekli Bakkal, Halide Edip, Kız Tevfik (Girly Tewfik), Queer
Notes
Key Words: Dylan, “Melancholy Mood”, Mourning and Depression, Melancholia.
by the act of honour killing. This paper argues that narrative fragments inShafak’s novel are like concomitants mixed and twisted so as to reconstruct the forgotten (or hitherto ignored) story of man (brother) and woman (mother). The unreliable (?) narrator and narrative fragments attempt to make up the missing pieces of the story and deal with what is regarded as false narrative(s).
Black Book (Kara Kitap), which can be regarded as an attempt to reformulate
the possibilities of storytelling in self-reflexive texts. The Black Book facilitates
the idea that others' texts can be received as mere projections of ours. The
reader is therefore supposed to decipher the text and to conceive of it as an
"enigma" as quoted from Sheikh Galip, the eighteenth-century Ottoman mystic
poet (which, as well as sharing his name with the protagonist, suggests some
literary underpinnings). In this complex postmodernist novel, storytelling turns
out to be a motif throughout the "enigmatic" text, and with the parody of the
conventions of natural narrative, the author's/narrator's pretension of storytelling
signals a transformation from attempted referentiality to deconstructive
textuality. The fictive world of the novel is therefore undermined by the very
text itself through the author's self reflexive, obscurantist and unreliable writing/
narration. The paper argues that The Black Book not only elaborates the
principle of narrative uncertainty but also plays with the mutability of narratological
concepts such as narrativization and monitor-ity.