Catharina Dyrssen: Musikkens Rum - Metaforer, Ritualer, Institutioner: En kulturanalytisk studie ... more Catharina Dyrssen: Musikkens Rum - Metaforer, Ritualer, Institutioner: En kulturanalytisk studie av arkitektur i och omkring musik. Göteborg 1995 (Bo Ejeby Forlag).Musikens Rum er skrevet som ph.d.-afhandling i forbindelse med forskningsprogrammet Nutida Arkitektur -praktik og reflektion ved afdelingen for arkitektur og bygningsplanlægning på Chalmers Tekniska Hogskola i Goteborg.
SoundEffects - An Interdisciplinary Journal of Sound and Sound Experience, 2012
In order to discuss analytically spatial aspects of recorded sound William Moylan’s concept of ‘s... more In order to discuss analytically spatial aspects of recorded sound William Moylan’s concept of ‘sound stage’ is developed within a musicological framework as part of a sound paradigm which includes timbre, texture and sound stage. Two Michael Jackson songs (‘The Lady in My Life’ from 1982 and ‘Scream’ from 1995) are used to: a) demonstrate the value of such a conceptualisation, and b) demonstrate that the model has its limits, as record producers in the 1990s began ignoring the conventions of stereo recording’s illusion of three dimensions and reached for a severing of the intimate relations between sound and Euclidic space.
Mediatization has become a key concept for understanding the relations between media and other cu... more Mediatization has become a key concept for understanding the relations between media and other cultural and social fields. Contributing to the discussions related to the concept of mediatization, this article discusses how practices of radio and music(al life) influence each other. We follow Deacon’s and Stanyer’s advice to supplement the concept of mediatization with ‘a series of additional concepts at lower levels of abstraction’ and suggest, in this respect, the notion of heterogeneous milieus of music–radio. Hereby, we turn away from the all-encompassing perspectives related to the concept of mediatization where media as such seem to be ascribed agency. Instead, we consider historical accounts of music–radio in order to address the complex non-linearity of concrete processes of mediatization as they take place in the multiple meetings between a decentred notion of radio and musical life.
Abstract This article examines the development of rock criticism in Denmark, Sweden, Norway and I... more Abstract This article examines the development of rock criticism in Denmark, Sweden, Norway and Iceland in the light of the Bourdieuian theory of cultural fields. We establish that fields with distinct autonomous poles do develop in each country between 1965 and 1980 ...
The article deals with the few existing contributions to popular music historiography and discuss... more The article deals with the few existing contributions to popular music historiography and discusses ways to develop these on the basis of contemporary musicology and ethnomusicology. Michelsen calls for a deconstruction of culturally homogenizing notions of history by sketching out a ...
The article deals with the few existing contributions to popular music historiography and discuss... more The article deals with the few existing contributions to popular music historiography and discusses ways to develop these on the basis of contemporary musicology and ethnomusicology. Michelsen calls for a deconstruction of culturally homogenizing notions of history by sketching out a ...
Catharina Dyrssen: Musikkens Rum - Metaforer, Ritualer, Institutioner: En kulturanalytisk studie ... more Catharina Dyrssen: Musikkens Rum - Metaforer, Ritualer, Institutioner: En kulturanalytisk studie av arkitektur i och omkring musik. Göteborg 1995 (Bo Ejeby Forlag).Musikens Rum er skrevet som ph.d.-afhandling i forbindelse med forskningsprogrammet Nutida Arkitektur -praktik og reflektion ved afdelingen for arkitektur og bygningsplanlægning på Chalmers Tekniska Hogskola i Goteborg.
SoundEffects - An Interdisciplinary Journal of Sound and Sound Experience, 2012
In order to discuss analytically spatial aspects of recorded sound William Moylan’s concept of ‘s... more In order to discuss analytically spatial aspects of recorded sound William Moylan’s concept of ‘sound stage’ is developed within a musicological framework as part of a sound paradigm which includes timbre, texture and sound stage. Two Michael Jackson songs (‘The Lady in My Life’ from 1982 and ‘Scream’ from 1995) are used to: a) demonstrate the value of such a conceptualisation, and b) demonstrate that the model has its limits, as record producers in the 1990s began ignoring the conventions of stereo recording’s illusion of three dimensions and reached for a severing of the intimate relations between sound and Euclidic space.
Mediatization has become a key concept for understanding the relations between media and other cu... more Mediatization has become a key concept for understanding the relations between media and other cultural and social fields. Contributing to the discussions related to the concept of mediatization, this article discusses how practices of radio and music(al life) influence each other. We follow Deacon’s and Stanyer’s advice to supplement the concept of mediatization with ‘a series of additional concepts at lower levels of abstraction’ and suggest, in this respect, the notion of heterogeneous milieus of music–radio. Hereby, we turn away from the all-encompassing perspectives related to the concept of mediatization where media as such seem to be ascribed agency. Instead, we consider historical accounts of music–radio in order to address the complex non-linearity of concrete processes of mediatization as they take place in the multiple meetings between a decentred notion of radio and musical life.
Abstract This article examines the development of rock criticism in Denmark, Sweden, Norway and I... more Abstract This article examines the development of rock criticism in Denmark, Sweden, Norway and Iceland in the light of the Bourdieuian theory of cultural fields. We establish that fields with distinct autonomous poles do develop in each country between 1965 and 1980 ...
The article deals with the few existing contributions to popular music historiography and discuss... more The article deals with the few existing contributions to popular music historiography and discusses ways to develop these on the basis of contemporary musicology and ethnomusicology. Michelsen calls for a deconstruction of culturally homogenizing notions of history by sketching out a ...
The article deals with the few existing contributions to popular music historiography and discuss... more The article deals with the few existing contributions to popular music historiography and discusses ways to develop these on the basis of contemporary musicology and ethnomusicology. Michelsen calls for a deconstruction of culturally homogenizing notions of history by sketching out a ...
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